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| Writing.Com Newsletters Edited by Northernwrites |
| #5003: | Poetry | May 16, 2012 |
| Playing on Reader Expectations Bait and Switch: How to take the reader down the primrose path and make broken rules work effectively. | ||
| #4968: | Poetry | April 18, 2012 |
| Writing for an Inner Circle Easy steps to being unintelligible to your audience. Or not. | ||
| #4785: | Poetry | December 27, 2011 |
| Strange Loops What's so poetic about cycles of repetition? | ||
| #4416: | Poetry | June 29, 2011 |
| Dodging the Dominoes An orderly approach to writing or rewriting a draft poem -- first things first. | ||
| #4414: | Poetry | June 01, 2011 |
| That Ringing in the Reader's Ears Avoiding overusing chiming -ing wording. | ||
| #4413: | For Authors | June 01, 2011 |
| Navigating with the Writer's Compass What roles do function and audience play in what you write? | ||
| #4387: | Poetry | May 18, 2011 |
| What's in a Word? Picking the Perfect Word for your Poem | ||
| #4370: | Poetry | May 04, 2011 |
| Showing the Structure of Relationships Structural techniques can emphasize the nature of the relationship and how it changes. | ||
| #4374: | For Authors | May 04, 2011 |
| Nominative Absolutes What they are, why you might not want to use them, and how to rewrite them. | ||
| #4313: | For Authors | April 06, 2011 |
| Get Your Backstory In Motion How to get your backstory and description off the starting block and integrated into the action. | ||
| #4308: | Poetry | April 06, 2011 |
| Using Stanzas To Add Structure The number of stanzas and lines per stanza can be significant to understanding the layers of meaning. | ||
| #4260: | For Authors | March 09, 2011 |
| Writing Effective Flash Fiction--Pruning Flash fiction uses wording that has been pared down to the absolute essentials. It is not wordy. | ||
| #4273: | Poetry | March 09, 2011 |
| Experimenting With Poetry I have a topic for my poem. How do I choose the best form or techniques to use? | ||
| #4111: | Poetry | February 09, 2011 |
| Breaking the Form to Add Meaning, Pt. 2 The structure of a poem about something missing can be missing something, too. | ||
| #4178: | For Authors | January 12, 2011 |
| Writing Effective Flash Fiction--Showing Flash fiction is vivid and shows what happens using precise details. | ||
| #4110: | Poetry | January 12, 2011 |
| Breaking the Form to Add Meaning, Pt. 1 The structure of a poem about reflected images can show some reflections, too. | ||
| #4109: | Poetry | December 14, 2010 |
| A Word To Unlock the Structure Just as a map key unlocks the markings of a map, a word can unlock the structure of a poem. | ||
| #4108: | For Authors | December 14, 2010 |
| Flashbacks How to handle flashbacks and when to avoid them. | ||
| #4076: | Poetry | November 16, 2010 |
| Memoir Poetry: More Than Me, Myself, & I Like trompe l'oeil , memoir has the quality of seeming to be what it isn't really. | ||
| #4075: | For Authors | November 16, 2010 |
| Writing Effective Flash Fiction Does your flash fiction have all its story parts? | ||
| #4010: | Poetry | October 20, 2010 |
| Moiré Patterns: Between the Lines The interaction between two different patterns can create emphasis in certain places in a poem. | ||
| #3916: | Poetry | September 22, 2010 |
| Poetic Meter: Spondees The spondee foot (two stressed syllables) adds variety to a poem's rhythm and marks places to pay attention to. | ||
| #3915: | Poetry | August 25, 2010 |
| Eating a Poem One Bite At A Time Stanzas show what belongs together, when to process the material, and when to divide and separate ideas or combine them. | ||
| #3875: | Poetry | July 28, 2010 |
| The Poet's Pocket Notebook Carrying a pocket notebook and a pen or pencil at all times lets you capture real experiences -- if you do it right. | ||
| #3796: | Poetry | June 30, 2010 |
| Counting the Cost of the Tower What does it take to become a better poet? What is it really going to cost you in effort? Where is the finish line? | ||
| #3736: | Spiritual | June 16, 2010 |
| Writing Moral Fiction, Part 2 Writing moral fiction is one way to share what you believe. Because it's fiction, there are "do" rules to follow. | ||
| #3775: | Poetry | June 02, 2010 |
| Relevant for Today A style is the common characteristics of what's being created and used by a group. Styles change. Some things don't. | ||
| #3735: | Spiritual | May 19, 2010 |
| Writing Moral Fiction, Part 1 Writing moral fiction is one way to share what you believe. Because it's fiction, there are "don't" rules to follow. | ||
| #3650: | Poetry | May 05, 2010 |
| You Expect Me to EAT That? Imagery is one of poetry's common elements and provides flavor. Adding imagery to a poem is like creating a new recipe. | ||
| #3694: | Noticing Newbies | April 28, 2010 |
| Sliders and Snapshots Detailed information about how to use the new Sliders feature. | ||
| #3620: | Spiritual | April 21, 2010 |
| Journaling About Mistakes Considerations for when and how to write about mistakes. Process for Writing Personal Nonfiction, Part 4 | ||
| #3660: | For Authors | April 07, 2010 |
| About Those Adverbs Your prose will be stronger if you expand the little packets of telling information wrapped up in those -ly adverbs. | ||
| #3649: | Poetry | April 07, 2010 |
| Variable Contrast The use of contrast makes the difference between a striking or a boring scrap quilt. Contrast in rhyme and description. | ||
| #3624: | Mystery | March 31, 2010 |
| The Lady or The Tiger? Vonnegut's 8th Rule of Writing versus Stockton's "unfinished" story: Can readers deduce the end of the story themselves? | ||
| #3613: | Spiritual | March 24, 2010 |
| The Narrator Lost in Time How does the writer make the prose invisible and the memoir come alive? Process for Writing Personal Nonfiction, Part 3 | ||
| #3606: | Poetry | March 10, 2010 |
| Stopping the Stampede Meter is the engine that drives a poem. Does it march the reader along pellmell like a rider trapped on a runaway horse? | ||
| #3583: | Noticing Newbies | March 03, 2010 |
| Annoying Word Repetition How to figure out what's really wrong when writing repeats a word several times close together, and how to fix it. | ||
| #3568: | Spiritual | February 24, 2010 |
| Three Paths to Connect to the Reader Help readers identify with a narrator when they have little in common. Process for Writing Personal Nonfiction, Part 2 | ||
| #3544: | Poetry | February 10, 2010 |
| Compared to Rembrandt Comparing drawings by the master artist to those of his students; applying to poetry what the master does differently. | ||
| #3516: | Spiritual | January 27, 2010 |
| Borrowed Expertise Following a good checklist lets us bootstrap our expertise up a level. Process for Writing Personal Nonfiction, Part 1 | ||
| #3499: | Poetry | January 13, 2010 |
| Sesame Street and Shakespeare Today's reading public has the skills to understand the meaning of today's poetry that has been written for an audience. | ||
| #3465: | Spiritual | December 30, 2009 |
| The Perspective of Hindsight Some things don't happen fast enough for us to notice that they're changing, or to understand their significance. | ||
| #3450: | Poetry | December 16, 2009 |
| Spiritual Poetry Many ancient religious poems are masterwork. Those poets knew how to write spiritual poetry that makes an impact. | ||
| #3412: | Spiritual | December 02, 2009 |
| I Believe -- The Legacy of Your Values An ethical will can be a particularly meaningful gift, a way to pass along our values, and can help us keep consistent. | ||
| #3387: | Poetry | November 18, 2009 |
| Measured Drawings English has natural rules about structure, word order, punctuation: How noun phrases work (and don't work) in poetry. | ||
| #3369: | Spiritual | November 04, 2009 |
| Using Search and Replace English speakers notice and react when words cross the line between respect and disrespect. Use appropriate words. | ||
| #3341: | Fantasy | October 21, 2009 |
| Prophecies Decisions to make and elements to consider when you add a prophecy to your science fiction or fantasy story. | ||
| #3344: | Poetry | October 21, 2009 |
| Narrative Poetry Effective narrative poems focus on the actions, include setting & character development, show with 5+senses description. | ||
| #3322: | Spiritual | October 07, 2009 |
| Why'd They Do That? We can change how we feel about what has happened to us by going back and changing the story we tell ourselves about it. | ||
| #3285: | Fantasy | September 23, 2009 |
| Coping With Chaos and Change How people react to massive, chaotic change can provide heroes with obstacles and the opportunity to invest in allies. | ||
| #3291: | Poetry | September 23, 2009 |
| The Blind Poets and the Elephant How the poet can give the reader what he needs so he can unlock the puzzle created by the imagery in a poem. | ||
| #3266: | Spiritual | September 09, 2009 |
| Compliment, Praise, or Flattery? What does it take to make an honest and effective compliment that's meaningful enough to make the recipient's day? | ||
| #3243: | Poetry | August 26, 2009 |
| Marching with Cadences The rhythm of a poem is like the cadence played by the drumline in a marching band. Changing the rhythm is another tool. | ||
| #3216: | Spiritual | August 12, 2009 |
| Haibun Meets Haiga Haibun is an ancient Japanese journaling tradition of prose plus haiku. Haiga is an artform of an image plus haiku. | ||
| #3191: | Poetry | July 29, 2009 |
| Beads, Links, or Both Stanzas in a poem can use a strong string to connect them like beads, or can be beads that link into their neighbors. | ||
| #3166: | Spiritual | July 15, 2009 |
| The Purposes of Keeping a Journal The primary function of a journal should be to be useful and of benefit to the person who keeps it. Three main benefits. | ||
| #3145: | For Authors | July 01, 2009 |
| Sounding Natural in Real Life Stories Telling a story is one art. Writing it on paper is another with different rules, different tools. The writer's voice. | ||
| #3143: | Poetry | July 01, 2009 |
| Stretching Limited Resources What if the rhyme you want to use doesn't have enough useful words? Then increasing the number of stanzas is a problem. | ||
| #3085: | Poetry | June 03, 2009 |
| Taking Up Space Is your closet over-stuffed? We've all had the problem of finding space where common sense says there is none. | ||
| #3026: | For Authors | May 06, 2009 |
| Stories from Real Life Telling a story verbally is one kind of art. Writing a story on paper is another, with different rules, different tools. | ||
| #3033: | Poetry | May 06, 2009 |
| The Shape of Change A crossroads is an image for a decision. The roads represent futures we might have, like lines on a map represent roads. | ||
| #2987: | Mystery | April 15, 2009 |
| The Narcissistic Narrator The inside of a first-person narrator's head is all the reader gets if you let him or her start monologuing. | ||
| #2986: | Fantasy | April 08, 2009 |
| Trust and Betrayal One of the worst trials you can heap upon your character is a betrayal by someone he or she trusts completely. | ||
| #2934: | Fantasy | March 11, 2009 |
| Passing Along Wisdom The methods that characters use to pass along wisdom can contribute to a story's sense of reality. | ||
| #2876: | Poetry | February 11, 2009 |
| Organizing Description with Movement It takes time to learn to operate a video camera so that watching the result is pleasant rather than disorienting. | ||
| #2813: | Poetry | January 14, 2009 |
| Contagious Elements and Viral Copies What if getting "infected" with a virus would make it easier to write metered verse? | ||
| #2780: | Poetry | December 17, 2008 |
| Wordplay: A Poet's Toys Some poets see unusual possibilities when they look at things. Finding what they did is like playing Hide 'n Seek. | ||
| #2717: | Poetry | November 19, 2008 |
| Figure and Ground Vase or faces? Which is figure, which is ground is the artist's choice; creating one creates the shape of the other. | ||
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