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| >> Static Item >> Other >> Romance/Love >> ID #1282839 |
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--The Princess Bride --Antoine de Saint-Exupery (Author of 'The Little Prince') Ken Watanabe and Ziyi Zhang give deeply-moving performances as the male and female leads in the film adaption of the novel "Memoirs of a Geisha". (You want to see what a man really looks like when he is finally reunited with the woman he has secretly, but deeply, loved for at least a decade? Just look at Wantanabe's face in the final scene ... and count yourself superbly blessed if you can manage to get even one such look in your life.) Anyway, the dialogue used in this film is simply ... swoon-worthy. .. Hard to believe it was actually a man Old Sayuri: The heart dies a slow death, shedding each hope like leaves. Until one day there are none. Old Sayuri: At the temple, there is a poem called "Loss" carved into the stone. It has three words, but the poet has scratched them out. You cannot read Loss, only feel it. (the first meeting) Chairman: How did you come by such surprising eyes? Chiyo: My mother gave them to me. Chairman: Generous of her, wasn't it? Chiyo: As you have been to me. Chairman: Smile for me, won't you? [Chiyo smiles for him] Chairman: There now, that is your gift to me. Narrator (Old Sayuri): [as Chiyo watches the Chairman leave with geisha] In that moment, I changed from a girl facing nothing but emptiness, to someone with purpose. I saw that to be a geisha could be a stepping stone to something else... a place in his world. Chairman: None of us find as much kindness in this life, as we should. Mameha: Water is powerful. It can wash away earth, put out fire, and even destroy iron. Chairman: Please, Sayuri, do not be afraid to look at me. Chairman: We must not expect happiness, Sayuri. It is not something we deserve. When life goes well, it is a sudden gift; it cannot last forever... (the final scene of reunion) Chairman: Some years ago, I was on my way to the theater. I saw a little girl weeping by the Sunagawa. I stopped to buy her a cup of sweet ice. Sayuri Nitta: You knew I was that little girl? Chairman: Didn't you ever wonder why Mameha took you under her wing? Sayuri Nitta: Mameha came to me because of you?... I wish you could have told me long ago. [turns her back to him] Chairman: What could I do? I owe Nobu my life. And so when I saw that he had a chance at happiness with you, I stood silent, but... But I cannot any longer. I hope... it is not too late. Don't be afraid to look at me, Chiyo. Sayuri Nitta: [turns around to face him again] Can't you see? Every step I have taken, since I was that child on the bridge, has been to bring myself closer to you. [finally kiss and embrace, cries in his arms] Obviously ... I really like "Wuthering Heights". In fact, out of all the books I have read (and I have read a multitude) "Wuthering Heights" and "Jane Eyre" are, hands down, my most favourite. They encompass everything that I aspire to be as a writer ... and as a human being. Below are some memorable quotes from "Wuthering Heights" Below are some memorable quotes from "Jane Eyre", that most excellent English novel by Charlotte Bronte about the passionate and unbiddable love between the brooding and unhandsome but deeply romantic hero, Edward Rochester (sigh) and his spirited, plain-featured governess ... Jane Eyre. Reader, I simply MUST advise you that you simply MUST read this book ... cover to cover ... then see the movie staring Cirian Hinds and Samantha Morton ... If you have one emotional bone in your body, it will make your toes curl up into spirals!: "What?' he exclaimed, 'are you quitting me already: and in that way?' 'You said I might go, sir.' 'But not without taking leave; not without a word of two of acknowledgement and good will: not, in short, in that brief, dry fashion. Why, you saved my life!-- snatched me from a horrible and escrutiating death! -- and you walk past me as if we were mutual strangers! At least shake hands.' He held out his hand; I gave him mine: he took it first in one, then in both his own. 'You have saved my life: I have a pleasure in owing you so immense a debt. I cannot say more. Nothing else that has being would have been tolerable in the character of creditor for such an obligation: but you: it is different;-- I feel your benefits no burden, Jane.' He paused; gazed at me: words almost visibly trembled on his lips,-- but his voice was checked. 'I knew,' he continued, 'You would do me good in some way, at sometime;-- I saw it in your eyes when I first beheld you: their expression and smile did not-- (he stopped)-- did not (he proceded hastily) strike delight into my innermost heart so for nothing. People talk of natural sympathies; I have heard of good genii -- there are grains of truth in the wildest fable. My cherished preserver, good night!' Strange energy was in his voice; strange fire in his look. 'What? you will go?' "I am cold, sir.' 'Cold? Yes,-- and standing in a pool! Go, then Jane; go!' But he still retained my hand, and I could not free it." "I wondered to see them receive with calm that look which seemed to me so penetrating: I expected their eyes to fall, their colour to rise under it; yet I was glad when I found they were in no sense moved. 'He is not to them what he is to me,' I thought: 'he is not of their kind. I believe he is of mine;-- I am sure he is -- I feel akin to him -- I understand the language of his countenance and movements: though rank and wealth sever us widely, I have something in my brain and heart, in my blood and nerves, that assimilates me mentally to him. Did I say, a few days since, that I had nothing to do with him but to receive my salary at his hands? Did I forbid myself to think of him in any other light than as a paymaster? Blasphemy against nature! Every good, true, vigorous feeling I have gathers impulsively round him. I know I must conceal my sentiments: I must smother hope; I must remember that he cannot care much for me. For when I say that I am of his kind, I do not mean that I have his force to influence, and his spell to attract; I mean only that I have certain tastes and feelings in common with him. I must, then, repeat continually that we are for ever sundered "Tonight I excuse you; but understand that so long as my visitors stay, I expect you to appear in the drawing-room every evening; it is my wish; don't neglect it. Now go, and send Sophie for Adele. Good-night my --" He stopped, bit his lip, and abruptly left me." "I have told you, reader, that I had learnt to love Mr. Rochester: I could not unlove him now, merely because I found that he had ceased to notice me--because I might pass hours in his presence and he would never once turn his eyes in my direction--because I saw all his attentions appropriated by a great lady, who scorned to touch me with the hem of her robes and she passed; who if ever her dark and imperious eyes fell on me by chance, would withdraw it instantly as from an object too mean to merit observation. I could not unlove him, because I felt sure he would soon marry this very lady--because I read daily in her a proud security in his intentions respecting her--because I witnessed hourly in him a style of courtship which, if careless and choosing rather to be sought than to seek, was yet in its very carelessness, captivating, and in its very pride, irresistible. I felt he had not given her his love, and that her qualifications were ill adapted to win from him that treasure. This was the point--this was where the nerve was touched and teased--this was where the fever was sustained and fed: she could not charm him. Arrows that continually glanced off from Mr. Rochester's breast and fell harmless at his feet, might, I knew, if shot by a surer hand, have quivered keen in his proud heart--have called love into his stern eye and softness into his sardonic face: or, better still, without weapons a silent conquest might have won." "I sometimes have a queer feeling with regard to you -- especially when you are near me, as now. It is as if I had a string somewhere under my left ribs, tightly and inextricably knotted to a similar string situated in the corresponding quarter of your little frame. And if that boisterous channel, and two hundred miles or so of land come broad between us, I am afraid that cord of communion will be snapt; and then I've a nervous notion I should take to bleeding inwardly. As for you -- you'd forget me." "Do you think I am an automaton? - a machine without feelings? And can bear to have my morsel of bread snatched from my lips, and my drop of living water dashed from my cup? Do you think, because I am poor, obscure, plain, and little, I am soulless and heartless? You think wrong! - I have as much soul as you - and full as much heart! And if God had gifted me with some beauty and much wealth, I should have made it as hard for you to leave me, as it is now for me to leave you. I am not talking to you now through the medium of custom, conventionalities, nor even of mortal flesh: it is my spirit that addresses your spirit; just as if both had passed through the grave, and we stood at God's feet, equal - as we are!" "'Gratitude!' he ejaculated; and added wildly--'Jane, accept me quickly. Say, Edward--give me my name--Edward--I will marry you.' 'Are you in earnest?--Do you truly love me? Do you sincerely wish me to be your wife?' 'I do; and if an oath is necessary to satisfy you, I swear it.' 'Then, sir, I will marry you.' 'Edward--my little wife!' 'Dear Edward!' 'Come to me--come to me entirely now,' said he: and added, in his deepest tone, speaking in my ear as his cheek was laid on mine, 'Make my happiness--I will make yours.'" "My future husband was becoming to me my whole world; and more than the world: almost my hope of heaven. He stood between me and every thought of religion, as an eclipse intervenes between man and the broad sun. I could not, in those days, see God for his creature: of whom I had made an idol." "Feeling . . . clamoured wildly. "Oh, comply!" it said. ". . . soothe him; save him; love him; tell him you love him and will be his. Think of his misery, think of his danger--look at his state when left alone...Who in the world cares for you? Or who will be injured by what you do?'... Still indomitable was the reply--'I care for myself. The more solitary, the more friendless, the more unsustained I am, the more I will respect myself. I will keep the law given by God, sanctioned by man. I will hold to the principles received by me when I was sane, and not mad--as I am now. Laws and principles are not for the times when there is no temptation: they are for such moments as this, when body and soul rise in mutiny against their rigour, stringent are they; inviolate they shall be ... with my veins running fire, and my heart beating faster than I can count its throbs. Preconceived opinions, foregone determinations, are all I have at this hour to stand by: there I plant my foot!" "Gentle reader, may you never feel what I then felt! May your eyes never shed such stormy, scalding, heart-wrung tears as poured from mine. May you never appeal to Heaven in prayers SO hopeless and SO agonized as in that hour left my lips; for never may you .. like me ... dread to be the instrument of evil to what you wholly love." "'I scorn your idea of love,' I could not help saying, as I rose up and stood before him, leaning my back against the rock. 'I scorn the counterfeit sentiment you offer: yes, St. John, and I scorn you when you offer it.'" "My living darling! These are certainly her limbs, and these her features; but I cannot be so blest, after all my misery. It is a dream; such dreams as I have had at night when I have clasped her once more to my heart, as I do now; and kissed her, as thus--and felt that she loved me, and trusted that she would not leave me...Gentle, soft dream, nestling in my arms now, you will fly, too, as your sisters have all fled before you: but kiss me before you go--embrace me, Jane." "I have now been married ten years. I know what it is to live entirely for and with what I love best on earth. I hold myself supremely blest-blest beyond what language can express; because I am my husband's life as fully as he is mine. No woman was ever nearer to her mate than I am: ever more absolutely bone of his bone, and flesh of his flesh. I know no weariness of my Edward's society: he knows none of mine, any more than we each do of the pulsation of the heart that beats in our separate bosoms; consequently, we are ever together. To be together is for us to be at once as free as in solitude, as gay as in company. We talk, I believe, all day long: to talk to each other is but a more animated and an audible thinking. All my confidence is bestowed on him, all his confidence is devoted to me; we are precisely suited in character--perfect concord is the result." One of my favourite movies is "Gone with the Wind". The following are some memorable quotes from this excellent film ... Rhett Butler: Did you ever think of marrying just for fun? Scarlett: Marriage, fun? Fiddle-dee-dee. Fun for men you mean. Hush, do you want them to hear you outside? Rhett Butler: You've been married to a boy and an old man. Why not try a husband at the right age? Rhett Butler: I want you to faint. This is what you were meant for. None of the fools you've ever known have kissed you like this, have they? Your Charles, or your Frank, or your stupid Ashley. Say you're going to marry me. Say yes. Say yes. Scarlett: Yes. Rhett Butler: Are you sure you meant it? You don't want to take it back? Scarlett: No. Rhett Butler: I'm not asking you to forgive me. I'll never understand or forgive myself. And if a bullet gets me, so help me, I'll laugh at myself for being an idiot. There's one thing I do know... and that is that I love you, Scarlett. In spite of you and me and the whole silly world going to pieces around us, I love you. Because we're alike. Bad lots, both of us. Selfish and shrewd. But able to look things in the eyes as we call them by their right names. Scarlett: [struggles] Don't hold me like that! Rhett Butler:[holds her tighter] Scarlett! Look at me! I've loved you more than I've ever loved any woman and I've waited for you longer than I've ever waited for any woman. [kisses her forhead] Scarlett: [turns her face away] Let me alone! Rhett Butler:[forces her to look him in the eyes] Here's a soldier of the South who loves you, Scarlett. Wants to feel your arms around him, wants to carry the memory of your kisses into battle with him. Never mind about loving me, you're a woman sending a soldier to his death with a beautiful memory. Scarlett! Kiss me! Kiss me... once... [he kisses her] Rhett Butler: You know what, Scarlett? I think you're on the verge of a crying jag. So I'll change the subject and say what I came to say. Scarlett: Say it, then get out! What is it? Rhett Butler: That I can't go on any longer without you. Scarlett: Oh, you really are the most ill-bred man to come here at a time like this... Rhett Butler: I made up my mind you were the only woman for me, Scarlett, the first day I saw you at Twelve Oaks.Now that you've got your lumber mill and Frank's money, you won't come to me as you did to the jail, so I see I shall have to marry you. Scarlett: I've never heard of such bad taste. Rhett Butler:Would you be more convinced if I fell to my knees? Scarlett: Turn me loose, you varmint, and get out of here! Rhett Butler: Forgive me for startling you with the impetuosity of my sentiments, my dear Scarlett. I mean, my dear Mrs. Kennedy. But it cannot have escaped your notice that for some time past the friendship I have felt for you has ripened into a deeper feeling. A feeling more beautiful, more pure, more sacred. Dare I name it? Can it be love? Scarlett: Get up off your knees! I don't like your common jokes! Rhett Butler: This is an honorable proposal of marriage made at what I consider a most opportune moment. I can't go all my life waiting to catch you between husbands. Scarlett: You're coarse, and you're conceited. And I think this conversation has gone far enough. Besides, I shall never marry again." Rhett Butler: Oh yes, you will. And you'll marry me.
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