10k views, 2x BestPoetryCollection. A nothing from nowhere cast words to a world wide wind |
straight-en-ing u-sed nails whenever he hammered two-by-fours, dad reused nails pulled from old wood. it became my job to flatten the curved spines of rusted, metal gents with slightly tilted hats i couldn't quite correct. but as their chiropractor, each postured between thumb and forefinger, plying any flat surface: the work bench, driveway, garage wall or nearby tree. my instrument took aim, became more true. i learned not to flail like a god of thunder, but strike harder than a gentle tap, tap, tap-ping -- awkwardly roll, pin, strike. roll, pin, strike! hopeful they wouldn't squirm. hopeful i could produce enough before he caught up, note, what's the hold up? take away my pride, left to devour my oozing blood. a left-handed maestro with up-tempo flair whacked away unflinchingly, deftly smoothing the rust-crusted, stubborn little pegs obeying. dad directly rap, rap, rap-ped each into the yellow hearts of repurposed wood, stood a right frame in under half of a day: erected the tool shed, our doghouse, properly lay a bed frame for mom's tiger lilies, while i sucked a raw thu m b. 4.28.20 6.21.20 edit 8.13.20 edit Brian K. Compton honorable mention for 'Shadows and Light' when smushed to fit 40 line max. requirement. Now, straightened out to length of: 51 lines. I got the idea from 'flatten the curve' and went in on this with a non-pandemic direction, since I have a better handle on memories from childhood than imagination about how communities are trying to social distance and not overwhelm hospitals. Maybe, I'll take another stab at flatten the curve another day. |