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Review by Dave
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Greetings, tah2o!

Please remember that these observations are merely one man's opinion, so take them or leave them for whatever you think they may be worth.

TITLE:

Like the names of your children, a title gives your brainchild a specific identity. It is also a critical element of your composition, because it is the portal through which a prospective reader must pass to enter the realm of your imagination. It sets the tone and prepares the reader for what is to come.

The sense of mystery projected by this title lures that browser across the threshold to find out what is lurking in that "Shadow."

FORM & STRUCTURE:

In traditional poetry, the fixed shape of the meter, rhyme, and stanza creates an emotional distance which facilitates universal acceptance. The poet writing free verse must compensate for the lack of traditional structure by designing the title, line, stanza, and rhythm to provide the greatest impact in an efficient manner. Otherwise, the poem will be nothing more than prose in disguise. Careful design of the word selection and arrangement, the length and density of each line, and the breakdown of stanzas must provide a natural rhythm. That is, through much toil in search of precise language, experimentation with forming lines and stanzas, and extensive revision, the poet carefully crafts a work that appears natural, authentic, and convincing to the reader.

The irregular line structure, ranging from one to nine syllables in no particular pattern, in a continuous flow of text generates a tone of breathless excitation, propelling this description forward at a pace which matches the experience perfectly.

IMAGERY:

Imagery is the lifeblood of a poem. Like a craftsman carving, molding, painting, and polishing wood, stone, clay, or some other material, the poet uses words to shape and paint pictures which present some lyrical impulse or spiritual truth. Rather than TELLING the audience about those feelings, the poet SHOWS the impressions through distinct images that project emotional overtones and associations with other images and events. In this way, the poet stirs an emotional response from the reader.

The specific sensuous details, such as "my heart skips a beat" and "slow gentle kiss," project vivid impressions upon the screen of your reader's imagination.

OVERALL IMPRESSION:

Art happens in two places: in writers' minds as they create it, and in readers' minds as they perceive it. Creative writers explore possibilities through a lens colored by past experience and share them with an unseen audience. They call upon a unique reservoir of such enlightenment, conceptual skill and innovative research to evoke some spiritual reaction from your audience--be it joy, melancholy, shock, or any of a thousand others. This was a thoroughly enjoyable presentation. Thank you for sharing!

If you are interested in learning more about the craft of composing poetry, or merely chatting with a few like-minded wordsmiths, we would love to have you join our discussions in "The Poet's Place "  group.

Here's wishing you fair winds as you continue to navigate this universe known as Writing.Com.

Let the creativity flow from your soul! *Cool*
Dave
"The Poet's Place " 
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