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Printed from https://www.writing.com/main/newsletters/action/archives/id/7474-ProsCons-of-Law-Enforcement-vs-Private.html
Mystery: February 10, 2016 Issue [#7474]

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Mystery


 This week: Pros/Cons of Law Enforcement vs. Private
  Edited by: Jaeff | KBtW of the Free Folk
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Table of Contents

1. About this Newsletter
2. A Word from our Sponsor
3. Letter from the Editor
4. Editor's Picks
5. A Word from Writing.Com
6. Ask & Answer
7. Removal instructions

About This Newsletter

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"The possession of knowledge does not kill the sense
of wonder and mystery. There is always more mystery."

-- Anaïs Nin



Mystery Trivia of the Week: Lois Duncan, who also published under the name Lois Kerry, is a children's and young adult suspense author who has received a fair amount of acclaim for her work, including a 1992 Margaret Edwards Award from the American Library Association for her contribution to writing for teens. What's really remarkable, though, is the fact that her professional career has spanned seven decades. Born in 1934, she started writing and submitting manuscripts to magazines at age 10, and had sold her first story by age 13. *Cool*


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Letter from the editor


PROS/CONS OF LAW ENFORCEMENT VS. PRIVATE


In mysteries, the far and away most common type of protagonist is one who solves crimes. Whether they do so in an official capacity as a law enforcement agent, a semi-official capacity as a private operative, or a non-official capacity as an amateur sleuth, the fact is that the great majority of mystery fiction centers around the commission of a crime and discovering some salient element of that crime: the perpetrator, the victim, the motive, the location, etc. This week, I'd like to take a look at the pros and cons of having a protagonist who is an authorized officer of the law versus a protagonist who is a private citizen.

For the purposes of this newsletter, "law enforcement" will mean anyone who is part of a professional organization tasked with solving crimes. Police officers, sheriffs, federal agents, military operatives, and government employees.

Pros of Law Enforcement. The two biggest upsides of working for law enforcement in an official capacity is access to the crime in question. You don't have to answer any, "Why is this character here?" questions, and your characters have access to official case materials and can interact with persons of interest in the case with the authority of being officially involved. In terms of access and ease of integration into the narrative, you can't do much better than a character who has been officially assigned to solve the case as part of their job.

Cons of Law Enforcement. The downside of working for law enforcement is the fact that almost all organizations have specific rules and regulations about how their employees have to operate. And while you can certainly write a character that plays by their own rules, that freedom only goes so far before you have to realistically address the fact that a cop is breaking and entering to investigate, or a federal agent is coercing a confession by beating a suspect. The access to case materials is offset by the fact that law enforcement officers have to go about the investigation in a particular way in order to do their jobs effectively.


"Private citizens" will mean anyone who operates outside those professional organizations. Private investigators, bounty hunters, process servers, and citizens who find themselves drawn into a plot.

Pros of Private Citizens. While they are constrained by the laws that all other citizens adhere to, private citizens do have a certain freedom that allows them to operate in ways official law enforcement can't. They might be able to utilize different resources (hackers, criminal associates, questionably obtained evidence, etc.) than their official counterparts, and their motives for taking a case may have nothing to do with building a solid case that will hold up in court. If, for example, a private investigator is trying to solve a murder, they may simply be trying to identify the culprit rather than working to build a case a prosecutor can use to put the culprit away.

Cons of Private Citizens. The flip side of the coin for private citizens is that they don't have the access that an official law enforcement agent would be given. They may not have access to a forensic lab, or be authorized to bring persons of interest in for questioning, or even have access to the information aggregated by all of the people working on the case in an official capacity. While private citizens can more freely and creatively solve their cases, they also have to contend with the fact that they're operating outside formal channels and may not have the access or the authority that normally compel people to give them the information they need.

The choice of whether to have a protagonist act as an officially-sanctioned investigator or a private or amateur investigator is one that each author has to make. The circumstances of the narrative or the character might determine it for you, but if you have a choice, it may help to consider the pros and cons of each path before pursuing one.

Until next time,


Jaeff | KBtW of the Free Folk
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Editor's Picks


I encourage you to check out the following mystery items:


 Invalid Item  []

by A Guest Visitor

EXCERPT: Detective Corcoran had worked Missing Persons for most of his career, but he’d never seen anything like this before.

Jason Tilbury had been reported missing from a Long Island funfair back in 1982. The fair boasted it had a ghost train that was the most terrifying ride invented. The eight-year-old had insisted he was old enough to ride it alone, and, despite her better judgement, his mother allowed him to.



 Invalid Item  []

by A Guest Visitor

EXCERPT: There was a single, pale yellow flower the blossomed on the old, green hill. It sat there day and night, through wind and weather, month after month, year after year. Never did it wilt, even in times of drought. Never did it shed a petal, or suffocate beneath the snow. Always, firmly, resolutely, defiantly, it endured.



 Reading the Clues  [E]
Rohan read the clues and got the answer. Well, that is, until he visited his aunt.
by Alickle

EXCERPT: “But Aunty, all the evidence is pointing to him,” Rohan, my twelve-year-old nephew, said.

The two of us were sitting at my circular five-piece pine, dinner table. We were in my kitchen and we were eating pepperoni pizza and drinking chocolate milk. He was convinced that it was his neighbours’ German Shepherd who had been digging up his flower bed.

“But you know that things are not always as they seem,” I said, after slowly swallowing a mouthful of milk.



 The Terran  [13+]
A man with a past meets an unlikely stranger on his journey to visit a national leader.
by Applesauce

EXCERPT: Hey, I saw your photo in the paper...you’re him, you’re the guy, aren’t you? You're one of the four survivors of the San Diego Incident, right? I heard about that, man, that’s too bad. To think people can act that way is just scary, you know? I guess I don’t need to be telling you.



  The flute  [E]
A mystery about a girl who has memories from something that happened.
by Gamase

EXCERPT: Purple and blue neon lights glow through my window. I like to keep my lights off at night so I can see the lights flashing on the walls. They are mellow. They help me forget about the stains on the carpet and the wall and the memories of what happened so many years ago. Those things will never happen again.

 
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Ask & Answer



Feedback from my last newsletter about fresh starts:



JeJaw writes: "Please consider including my poem in a Mystery Newsletter. Thank You!" (Submitted item: "Invalid Item)

Happy to include it!



Quick-Quill writes: "Can I send this to all the failed TV series writers? LOST, Heros, and now Grimm? What is it that when a writers asks "NOW WHAT?" they go for the worst possible storyline? The Montra should be KEEP IT SIMPLE. Make small changes and keep the what made the series/original book a success. I look at what is happening on Grimm and I'm afraid they will lose viewers. The concept is fantastic. Stay with the Wessen stories, develop the idea they are going with but there are too many subplot strings that make each episode too hard to watch. Make your story simple and exciting."

The hard thing about movies and television is that there are so many different voices involved in the process. Especially when it's a successful show or movie franchise, there's a lot of money at stake and a lot of opinions on what makes it successful. The writers may want to focus a future season on one thing like successful plot elements, while the network executives might want more relationship stories because those are popular with audiences... while advertisers might want extra emphasis on the gadgets so they can have more prominent product placement. I'm always disappointed when shows I like take a turn for the worse, but I try to remind myself that there are a lot of cooks in the kitchen and sometimes that creates a big mess. It still doesn't hurt any less, though! *Frown*



Cynaemon writes: "Good luck on your fresh year and new job. Best Wishes, Cynaemon"

Thank you!


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