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80 Public Reviews Given
80 Total Reviews Given
Review Style
My review style is usually very grammar oriented, although I of course will give my impression of the piece as a whole, detail successful areas, and suggest improvements for figurative devices/language, character development, etc.
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Usually I'll review short stories, fiction, fantasy, and other prose styles. Poetry is not my strong suit, however I am always willing to help in whatever way I can.
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I'm partial to fantasy, fiction, and historical fiction.
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I love short stories and longer fiction pieces.
Public Reviews
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1
1
Review by Wintersage
Rated: E | (4.0)
Hi Alextrax52,

What an interesting concept. The plot is fairly simple; Carole wants to become an eating machine, and so she wishes on a star, eats an alien blob, and begins to live out her goal. I did wonder why exactly she had this dream, there seemed to be little motivation - but then I noticed the line where she was...not exactly underfed in her childhood, but withheld from gorging on extra food. The story may benefit from additional exploration of this point as it is a highly unusual aspiration. The transition from eating-obsessed woman to blob-villain was definitely an interesting turn. As for the blob itself, I would like to know a bit more about its past. Maybe when she first picks it up she has visions of a massive blob monster creating havoc on an alien world. This might add some suspense and encourage the reader onward to see if this premonition is accurate.

I did notice quite a few grammatical errors, so I've listed some specific corrections below.

- You are missing commas in a few places, some were just basic typos, but others are needed in a few lengthy sentences that could do with some breaking up.

         Ex. "However[,] accounting was the only job Carole was any good at[,] and Mel’s market was the only one that paid well[,] so she put up with it."

- Watch for cushioning words like "just" and "most." It is far more effective to state what you mean rather than water down the statement.

         Ex. "Carole lumbered her way...and just followed Melanie in silence like some naughty schoolgirl getting a lecture for not doing her homework."

- When writing numbers, spell out numbers one through nine. After that, you can place numbers in numeric form. There are quite a few instances where this needs attention as it can make writing look unprofessional if not written correctly.

- There are places where you've written "your" instead of "you're." I suggested weeding them out and changing them up to fit the sentence.

- This sentence: "Yes you heard me, You[']r[e] fired' Melanie boomed again. “Now get out before I physically kick you out”[Remove quotations here] “Oh and by the way[,] wanting to continuously eat isn’t a dream it’s just pure gluttony”[Remove quotations here]“[,] go and find a dream that’s actually worth something[.]"

         - Though there are a few missing commas, periods, and the misspelling of "you're," the real issue I found with this sentence was that there are three separate quotes placed next to each other consecutively - without adjoining text or periods to indicate an end to sentences. I'm not sure if you were thinking about adding in linking phrases between them, but if not, I suggest just removing the excess quotation marks and combining the quotes. It's unnecessary to start a new quote for each new line.

- It looks like there is a missing "It was" before "Melanie’s decision to fire Carole that proved the tipping point." Without the addition, the sentence does not make sense.

- I suggest capitalizing the titles of each section.


That's all the corrections I have for now. As I said before, this is a very unique story that would really come together with a few edits. If you have any questions about my corrections, just shoot me an email and we can discuss.

- Wintersage


*Gold* My review has been submitted for consideration in "Good Deeds Get CASH!.
2
2
Review by Wintersage
Rated: 13+ | (4.0)
Hey there!

I'm sorry I took so long to review this, but I tried to go as in-depth as time allowed. This chapter explores the concept of a family is formed from stories that are stitched together over time. The narrator turns sixteen after a simple childhood and discovers his family is not all that it seems. Not only does he learn he is adopted, but he also learns that he is heir to a large fortune and a noble title, and that his "Papi" and Uncles are fountains of family history, strife with their own beginnings and endings.

Please keep in mind that this review is purely personal opinion, with the occasional grammatical correction. I do not intend to offend, only to help! Critiques follow...

Critiques:

- I have two critiques for the following sentence; "My uncles consisted of Theodore, who was an artist; Dr. Francis, who still delivered babies up at St. Paul’s Hospital, and Dylan, who was a retired WWII pilot." First, I believe you need a second semi-colon after "hospital" so that "and Dylan" is separated from the other two brothers. Second, to cut down on wordiness, I suggest removing the first and second "who" for each description of the brother's occupation so that the sentence would read; "My uncles consisted of Theodore, an artist; Dr. Francis, who still delivered babies up at St. Paul’s Hospital, and Dylan, a retired WWII pilot."

- "Their children kept multiplying[ied] like rabbits." The tense here read strangely when mixed in with the other past-tense descriptions in this paragraph, so I suggest switching it to a firm past tense, and then maybe extending the sentence with a second half of deeper explanation since that one line is a bit vague.
         Ex. "Their children multiplied like rabbits: I was just another head in the crowd. (Or something like that.)

- In the following sentence, "This was how I was raised - a boring life...," you have repeated a phrase from earlier in the passage. Thus, this phrase is redundant, and the message may hold more weight if the phrase is altered or rephrased. (Also, the reader's definition of “boring” may vary, so try to specify more to your point, maybe the character’s life was “simple,” “anticlimactic,” or “uneventful.” Keep in mind “normal” is also relative, so careful with that one too. )

- “On stormy nights, we would sit in the parlor, and he would turn the crank on the vintage machine and we would listen to the records.” This sentence is very repetitive. I suggest either cutting it in two, removing part of it, and condensing.
- “On stormy nights, we would sit in the parlor[.] He would turn the crank on the vintage machine and together, we would listen to the records [, their ancient melodies creaking in rhythm with the house’s shifting in the wind.]” I added a filler phrase for the end because a nice dash of imagery may pull this paragraph together nicely.

- “I’ve had this Victrola since 1910! Bought it with earnings from my first job at Warden’s Department Store on the square, and I will listen to it until the day I die.” It seemed odd that these two words were not in contraction form. “Papi” has been speaking in a lower level of speech, and because he has already used a contraction, I suggest keeping with his sentence format and adding one here.

- Just a fact check as I’m not sure how historically accurate you intend to be, but were “Backstage Passes” available in the ’60s, more specifically 1966? I did a brief search but found nothing to aid me, seeing passes available only around the ’70s and ’80s. I just wanted to bring this up, since they may actually be accurate for the time, or just an artistic choice, I wasn’t sure of either possibility, but nevertheless, it's up to you whether to include or not, depending on which direction you are taking the narrative.

- Replace the bolded comma in this phrase with a semicolon to better pause between the two connected phrases; “ After that moment, I knew they were keeping a secret from me[,] I would learn it when I turned sixteen.”

- There is a continuity error in the line “I also knew Papi and his uncles had money….” Aren’t the “Uncles” Papi’s brothers? I thought they were the narrator's uncles?

- In the sentence, “Unfortunately, it was more heart-wrenching than a mysterious amount of money,” the logic isn’t quite following through. The first part, “it was more heart-wrenching” is fine, but when I read the second part, I didn’t quite see how a “mysterious amount of money” was meant to imply an opposition or juxtaposition to the original sentiment. Here’s what I was thinking;
- Ex. “Unfortunately, it was more heart-wrenching than a simple inheritance.” Here, we have something that is emotionally complex juxtaposed with something mundane or common, giving an appropriate emotional balance between both sides of the phrase.

- The beginning of the following paragraph; “My life changed a month ago, and I haven’t spoken to Papi since we returned from Sicily. Early that morning, while everyone attended church…” was very confusing timeline-wise. When is a month ago in relation to the narrator’s return from Sicily? Did the narrator return a month ago? Did his life change before, during, or after the visit to Sicily? Finally, when was this “morning” the narrator references? Is it the morning after his return, a morning a month ago, or the morning after he realized his life had changed? The reader just needs some more context and transition phrases.

- I believe it’s “Filling station” not “filing station.” (I’m referencing a phrase in paragraph 8.)

- Would “downside” be a better term to use for the following sentence, “The only bad thing was the neighbors who lived in the area.” “Bad thing” is very vague, and another term will help clarify the meaning of the sentence.

- The ending phrase in the line, “That’s why I wasn’t surprised when I heard heavy footsteps emerging from the grass, and onto the pier,” doesn’t really make sense. I recommend removing “and onto the pier” and giving it its own sentence ("The pier vibrated with the approaching footsteps"- or something like that) and then editing “emerging” down to “emerge” to fit with the tense of the line.

- I suggest removing the bolded section for clarity. “When he fully recovered from the surgery was when he began smoking.”

- The adverb in the highlighted sentence is unnecessary, as the gesture itself already connotes childlike defiance. I also suggest removing the “...that I had been found,” since that phrase is also redundant. “I responded by childishly crossing my arms over my chest and glaring out into the water in annoyance that I had been found.”

- Just a typo here; “["]No Trespassing["] signs littered the grounds w[h]ere at one time there were colorful advertisements announcing circuses, horseback riding, canoe rentals, dancing.” I also suggest adding quotation marks around “No Trespassing.”

- In the paragraph spoken by the narrator, it is not immediately apparent that the narrator is the one speaking; "“Does your story start when you were sixteen?” I asked as I turned to gather my shoes.

“For the first sixteen years of my life, I was boring old Adrian Tuscano...My real parents died in a California earthquake when I was a toddler!” Maybe go back and add an extra tag after he gathers his shoes.

         - I also suggest that this paragraph be condensed a little bit, as there are parts where the dialogue is unnatural - too flowery for the narrator and the moment. One part in particular - “Papi takes me back to the hotel with me in stunned silence, and informs me…” is especially awkward coming from the narrator. I suggest rewriting this paragraph as a little simpler, with more breaks in the format so that the emotions of the narrator can keep up with the rate of the storytelling. The narrator only has three breaks within his frustrated explanation for his emotions to come across, and on the third, he cries! All in all, his emotional development feels a little rushed here and I suggest slowing down a tad.

- The fact that the mother wrote her story down in “third-person” does not seem like a relevant detail to the plot, and I suggest removing it. “She was once a school teacher, and actually wrote down her version of the story in the third person, which we found upon her passing.” The same goes for the line; “Why she wrote it down in the third person is a mystery.”

- The suggestion about rushing emotions is also relevant a little farther down in the line, “I laughed, as I stood up and reached down to help Uncle Theodore..” That the narrator was just crying and now is laughing feels a little unnatural and forced. Maybe the narrator “chuckles weakly, as he swipes tears from his face” instead.

- There are some unnecessary commas here; “Catrina would sit me on her lap[,] and brush my hair, as I watched Saturday Morning Cartoons”

- The commas are strange here as well. “She smelled heavenly[,] like, lilac flowers, and rosewater soap.”

- This comma should be a period; “I couldn’t have been more than five-years-old,[.]

- Replace “as” with “and” for a more complete phrase. “Closing my eyes, I settled back, as Uncle Theodore began his story.”

Overall, this chapter had a lot of moving parts and characters which made it difficult to follow at times. Often, I was confused about who one character was, and their relation to another character, and why they were relevant to the plot of the story. Because of this, there were times when I was forced to go back a re-read a paragraph. Thus, I suggest going back through and eliminating some of the sections where brand new characters who are discussed for only a few sentences appear, and remove them. In addition, maybe simplify parts of the story and the timeline. I realize that this is the first chapter of a longer narrative, and so the plot and characters may seem incomplete, but so much is happening in this chapter that pulling some of the character introductions back a few chapters will really help space out the plot and help the reader digest. Fortunately, cutting down the chapter is the easy part - you have already done all the work for character and plot creation and just need a little trimming!

Though this review may sound like a downer, a lot of the corrections were just little typos and inconsistency errors. I found the chapter unique and interesting, and can really see this story flourishing with a bit of revision! I look forward to pursuing the rest of this story and finding out where it goes!

Hopefully, this review was helpful. If there were any parts that were unclear, or if I interpreted something incorrectly, please feel free to reach out and prompt a discussion! I would love to help in any way I can!

Happy Writing!


*Gold* My review has been submitted for consideration in "Good Deeds Get CASH!.
3
3
Review by Wintersage
Rated: E | (4.5)
Hi Alice!

Another great chapter! The events in this passage layer the first chapter in a manner that builds tension in all the right areas. I absolutely loved the interactions between all of the characters at the party, and the welcoming, jovial atmosphere that strikes Dryden as he enters his house was incredibly vibrant and strong.

Critiques follow...

- "Murar lacked the wit, the looks, and the personality, he lacked the human blood required for an acceptable courtship." Though this sentence is comparing the two potential suitors, both parts are running together. I suggest adding an "em dash" to separate the two failing sets of qualities so that the "he" will not be confused with the reference to Murar and the difference will be more abrupt.

Here's what I was thinking: "Murar lacked the wit, the looks, and the personality - while he lacked the human blood required for an acceptable courtship."

There are probably other better ways the draw attention to the juxtaposition of the two characters instead of an em dash, but essentially, I thought the comparison just needed to be clearer.

- The dialogue is very natural and relatable throughout this entire chapter. I especially loved the playful banter between Dryden and his sister.

- The scars are a fascinating addition. After reading about Dryden's memories of suffering with this strange malady, I had so many questions. Great job with drawing the reader further into the plot with another sublayer of tension.

- The line, “'You two picked interesting men to marry,'” is absolutely hilarious. It made me chuckle:)

- This line is a little clumsy to read, “Not many things annoyed him as much as dirtying a brand new pair he’d just put on.” Maybe because it's is deviating from the classic “nothing annoyed him as much as…” but for me at least, “Not many things…” may read better if replaced or reworded.

I really don't have many suggestions for this chapter. The only other thing I can think of would be to look out for places where the sentence structure gets a little stiff. One such area would be "Nobody else bothered him as he climbed...light from passing through the lone window." This is just my personal opinion, but the section was a bit formulaic. I suggest combining a couple of the sentences somewhere in the highlighted section to break up the "1 and 2" pattern.

That's all! I'll be turning to your website to continue reading, and I may just be more casual and parrot you by jotting thoughts down on a word doc for my next review.

Happy Writing!


*Gold* My review has been submitted for consideration in "Good Deeds Get CASH!.
4
4
Review by Wintersage
Rated: E | (4.5)
Hello and welcome to WDC!

This is a great first chapter! Already, the reader can get a sense of the characterization within the plot; Byromar holds a stigma against thruins, Dryden (a thruin) was orphaned as a child and raised by another villager in town, Haley is well-liked by the villagers, and in general, the village is a close-knit community. Thus, the appearance of outsiders makes then uneasy. Both Dryden and Haley are likeable characters, hardworking and amiable, and Dryden's instant complexity has already drawn the readers into the story.

Below, I've given a few spot critiques. These are just my personal opinion (although many are grammar oriented,) so take from them what you will. I can be very picky sometimes as a reviewer, and if I am, that usually means I really liked your piece and do not have much else to say improvement-wise.

Critiques:

- In the line, " With his pointed ears covered...the exposed blood fade to its vibrant white colour," the word "vibrant" is sticking out to me, possibly because "vibrant" is normally associated with a visible color - not white since it is achromatic. Would "brilliant," "striking," or "blinding" be a better word to describe the whiteness of his blood?

- In the next line down, the sentence, "Even then, the chances of a confrontation was [were] rare in a place like Byromar" stands. I believe the word is "were" since "chances" is plural.

- "Haley stood halfway up a ladder with her back turned to Dryden, stretched on her toes while she filled a basket with ripe fruit." The bolded phrase is reading strangely. I suggest replacing it with a different description, maybe "rose to her toes?"

- Just a missing comma in the phrase, "Dryden crept unnoticed, picked a rotten apple from the ground[,] and tossed it in her direction."

- There were two times in this chapter where the word "fianc" was used as a substitute for "fiancé." I have not seen "fianc" used in this way before, and suggest utilizing the common form instead (unless "fianc" is a colloquial term in this world you have created, in which case, I would state this somewhere.) I did look "fianc" up, and it appears to be a form of texting speech. Though it's not technically wrong, it may be confusing to most readers who are unfamiliar with this form.

- In the middle of the piece you have a single question mark. I'm not sure if this is a placeholder for future added writing, or if it simply a transition notation (such as *** would be used.) Either way, I suggest either adding a note or footnote to readers just for clarification. If it is a section break, then "***" may be a better choice as it is more universally used than "?."

- I love the section where Dryden "lean[s] into Haley just enough for the man to notice..." Subtle characterization like this is so entertaining to read, especially when it has the desired effect; "...it sparked a flare of obvious envy."

To conclude, this chapter portrayed all the little nuances of a lively village extremely well. There is a clear social hierarchy, with the mayor holding the highest importance within the village. Zaltoras was another layer that added quite a bit of complexity to the chapter. The fact that there appears to just be one cloud, and that there are certain colloquial associations linked with Zaltoras - "Zaltoras brought the rain, the thunder, the lightning--all unpleasant things. The sun brought warmth, brightness, tranquility--pleasant things" - brings a semblance of cultural significance to the strange cloud (almost is if there was some religious, or mythological significance to it.) As a reader, I found this intriguing and unique.

That's all for now! This was a highly enjoyable read, and I look forward to exploring your portfolio more and reading any new chapters you may post. If you have any questions, or if any part of my review does not make sense (or even if I have interpreted something incorrectly,) feel free to contact me. I am happy to help with any WDC concerns you may have!

Happy Writing!



*Gold* My review has been submitted for consideration in "Good Deeds Get CASH!.
5
5
Review by Wintersage
Rated: 18+ | (4.0)
Hey there!
This is a grammatically sound story, highly intriguing, and certainly a cross-genre/inter-disciplinary piece! I found it to be both a political critique (or study) and a meditation on different interests/occupations (With a little romance mixed in on the side.) Below I have listed my suggestions. Please keep in mind that this is my personal opinion, and I did enjoy reading your story - the cheesy romance lines especially!

Critiques:

- To begin, is it necessary to state that this nation is "fictitious?" (As seen in the line, "...the small, yet wealthy and fictitious nation...") For whatever reason, this took me out of the story, only because even though the piece is fiction, by writing it you have created a believable world - calling it "fictitious" sort of demeans the connection the reader may have to the events within this world.

- Before the line, "After what only felt like a few minutes...," I suggest indenting to create a new paragraph in order for the passage of time between the beginning and end of the ceremony is allowed to breathe/settle.

- Do you need both phrases in the line, "Can do. Sounds good..."? Removing one would have the same effect on the passage, and make the story more concise.

- I am a huge stickler for repetition, and in the following segment, "She approached the security checkpoint and presented her completed background check to the guard.... She passed through the topiary-filled grounds and arrived at the front entrance of the palace. She tentatively knocked on the door...," you have used "She" three times to open sentences. I recommend playing with the phrasing a little to vary the structure of the sentences, and thus engage the reader a tad more. (There are a couple more places within the passage that could do with the same correction - just break up the formatting a little more.)

- In the line, "She prerecorded the show, putting the music and dialogue on a CD.," I suggest adding in "had" before "prerecorded" in order to set the tense of the sentence.

- Naberg seems to accept the apparition's appearance just a little too easily. The line that I think would help bring the reader into the President's emotional conflict if altered reads, "I don't want to deal with this, but I sense that I have to, he thought..." Perhaps instead of the President following the apparition with a regretful "duty calls" attitude (which I associate more with a response to one of his children wetting the bed and calling for him to fix it,) a different sort of reaction may develop the President's character a little more. Would he not be terrified and worry for his family if he refuses the ghost's demand? Or perhaps he is intrigued and follows the ghost out of curiosity. Either way, involving an emotional reaction to the otherworldly experience will help add to his character.

- The sentence, "You know, don't you, that he banged his campaign secretary? I can't stand him," said Alicia...," is reading strangely. The "don't you" feels like it should come at the beginning of the sentence, or just be eliminated all together as it currently impedes the flow of the line.
"Don't you know that he banged his campaign secretary?" is also a bit more accusatory than what is written and may fit more with Alicia's forward-speaking character (at least from my perspective.)
**On second read, the "don't you" is not as problematic as I originally thought, so either way, the point comes across.**

- The scene where Victoria is thinking about Narberg doesn't feel natural, almost like she is creating an argument or justifying her attraction to the President. I suggest rephrasing the paragraph so that it feels like she is talking to herself, not justifying her beliefs to the reader.
Referenced section: "I wonder what he's doing right now, she thought. He's the foxiest forty-something I've ever seen. I don't know quite what it is, but there's something about him that entrances me. Not only is he hot, but he's a hell of a leader. His policies just make sense, and I can tell he cares about his people. I heard he has bipolar, but he doesn't let that stop him from leading the country well. I respect people who don't let their issues stop them from doing what they need to do."
I also suggest adding in "disorder" after "bipolar" to complete the phrase since "bipolar" is not typically used as a synecdoche itself. Or, simply alter the phrase to "I heard he is bipolar...".

- Great character development here! - "This career is the only way I can give the kids a better upbringing than [what] I had," said Gabriel." This one line certainly gives us an insight into the life of Narberg without diving too far into detail.

- I was going to bring up the extremely lax security presented in the story, but the line " DeLorea is not known for its security..." dissuaded me. I must add though, I still do not understand why Narberg would eat a random box of eggs sitting at the front steps of his palace without a trusted staff giving background information or a reasonable explanation for why it is safe to eat,(and also why he would open his own door if he lives in a palace? Even if he isn't royalty, he is the most important official in the country and I would assume someone else would be there to receive visitors.) I'm thinking a discrepancy with packages may make a little more sense, such as the President is expecting a package and the courier thinks the package on the step is the correct one and hands it to him as the President is leading Victoria down the hall to the living room to have her oversee where he will place the painting. (This way the package comes from a trusted employee, and Victoria is present for the mix-up and is forced to put two and two together as she is inside the palace instead of enjoying the egg on the front step.) - Just a thought.

- Why would Alicia tell Victoria about trying to assassinate the President? She knows her friend is in love with Narberg and readily defends him whenever they meet, and yet told her, the one person who might actually turn her in to prevent treason? This was just a little illogical, especially since Victoria then flat out tells the President about Alicia, without reacting to the horrible act Alicia has just committed, or considering the consequences of betraying her friend. I suggest adding in a couple sentences of emotional conflict here since Alicia, despite her actions, is still Victoria's friend.

- The reincarnation twist at the end was certainly surprising! Spending the afterlife as a cat would definitely be interesting!

To conclude, you have some very compelling characters; Victoria with her fascinating professions, and the President with his mysterious background and marital issues among other complexities. All I can add is that sometimes it feels as if you are writing two different stories; one where Victoria pines after the President and eventually makes her way into his life in the most unexpected way possible, and another where the President faces the issue of the pandemic and is forced to confront the political fallout while Victoria struggles in her own way with the pandemic. I suggest weaving her romantic attachment with the President throughout the pandemic portion of the story, since the romance is not really addressed for that entire section, and only picked up toward the end. This way the theme of "love in the time of the pandemic" is interspersed throughout and keeps the motion of Victoria's infatuation going.

With all that said, I did very much enjoy reading your story and look forward to exploring the rest of your portfolio! If you have any questions about my review, especially if I am unclear or have misinterpreted any parts of the passage, please feel free to contact me. I am happy to help in whatever way I can, and am willing to read anything else you may run by me.

Happy Writing!


*Gold* My review has been submitted for consideration in "Good Deeds Get CASH!.
6
6
Review by Wintersage
Rated: 18+ | (3.0)
Hi there!
This is a very interesting story, and the allusion to red riding hood was fairly compelling. With that said, I do have a couple of suggestions. Please keep in mind that this is just my personal opinion, and that I do not intend to offend or upset, I only seek to help.

Critiques:
- First of all, this story is lacking cohesion and adequate transitions. It is a tad confusing, and thus the line at the end - "I am now dead" - doesn't really have the shocking effect you are going for because the reader spends so much time trying to answer a number of essential questions about the passage's plot. I've listed some questions for you to consider below:

         - What exactly is the narrator? I could not tell if he was a leaf, a wolf (as taken from the "red riding hood" allusion,) or something else(?).

         - Why is the narrator hiding?

         - What significance does the "red riding hood" reference hold?

         - What can the narrator not touch Annette?

         - Why does the narrator see replicas of himself, and how is this essential to the story plot?

         - What are these "other forests" Annette keeps referring to? I understand that she is not alive, and that you may be referencing some other world beyond mortal existence, essentially an "afterlife" of sorts, however, any subtle messaging is unsuccessful and confusing. I suggest going back to the passage, and working in the idea of Annette's ghostly existence a bit more.

         - What relevance does the narrator's backstory hold? Specifically, what "evil" has the narrator committed? You reference a number of plot point related to his backstory in the third to last line, however these plot points had never been effectively introduced. Reference; "Together, I made myself see what evil I had done, why I loved sunsets, and I saw grief." What does this mean? What evil?

- The leaf metaphor that you have used is not coming across correctly. I assume you are referencing the change of seasons as a leaf fades in color when winter approaches, but because you have not referenced the "changing color" of the leaf or written in a seasonal change, the metaphor does not make sense in the context of the passage.

To conclude, I would recommend isolating the plot of the story, eliminating the inessential plot points, doing a bit more in terms of characterization, and adding in much more descriptive explanation.

Hopefully this review is beneficial. I in no way intend for this review to come off as harsh, and would love to read this again after you have revised. If you have any other questions please feel free to email me, and I would be willing to help in whatever way I can.

Happy Writing!


*Gold* My review has been submitted for consideration in "Good Deeds Get CASH!.
7
7
Review by Wintersage
Rated: 13+ | (4.5)
Hey there!

I'll keep this brief since I know you are still in the process of formulating.

First of all, the concept is very creative and I am so excited to see how it plays out in the rest of the novel. Valerie is already an intriguing character with her cynicism and rebellious attitude. Her relationship/friendship with Callen is also very interesting, especially because she see the "person" behind the soldier's façade.

For corrections, all I will say now is that it might make more sense for the sentence that begins with "The metalworker gave a tight smile and a small wave to Callen..." to be rephrased with "A metal worker..." instead. It reads strangely for this metalworker to be referred to as "the" when he has not been introduced and is thus far unimportant to Valerie's storyline.

That's all! I'll keep checking for updates, and in the meantime, keep exploring WDC!

Happy Writing!



*Gold* My review has been submitted for consideration in "Good Deeds Get CASH!.
8
8
Review by Wintersage
Rated: 13+ | (4.5)
Hi there!
What a way to pick up a *ahem* woman (since I'm not entirely sure what her species is.) Your imagery is very detailed and compelling, thoroughly bringing this foreign planet to life. The main character, the Professor, is consistent and his interactions with the other humans very much brings out the weight of his decision, effectively highlighting the consequences humanity must now live with for his decision. All in all, a very enjoyable read.

My only suggestion would be to take a second look at the line of dialogue that reads, "But, isn’t it always the way?" Currently, the "the" in the sentence is bugging me, and "that" may fit better within the line. "The" is impeding the flow of the thought.

That's all! I look forward to exploring the rest of your portfolio. If you have and questions about WDC feel free to ask, and I'll try and help in anyway I can.

Thanks for sharing and Happy Writing!


*Gold* My review has been submitted for consideration in "Good Deeds Get CASH!.
9
9
Review by Wintersage
Rated: E | (3.0)
Hi there!
Very creative work you have here! I do suggest that you space out your paragraphs a bit more. Currently, most readers will find them difficult to follow due to the large groupings of text and lack of spaces between paragraphs. (I would even break apart the paragraphs you do have to much smaller chunks.) Fortunately, this is an easy fix and will probably improve your readership once resolved.

There are also numerous typos within the text, which makes the story choppy and sometimes frustrating to read. Take the following example below of one such typo to search for: unnecessary spaces within words.
- "I t was the fourth demorannual..."

Hopefully this review has been helpful, and I really did like your story so please do not think me harsh in my deliverance of my critiques. If you have any questions, I am always happy to help answer them in whatever way I can.

Thanks for sharing and Happy Writing!


*Gold* My review has been submitted for consideration in "Good Deeds Get CASH!.
10
10
Review by Wintersage
Rated: E | (4.5)
Hello!
I very much enjoyed your story, especially how the parallels of human greed and sentiment are displayed by these other races. I know that this story is only intended to exist as it is, with minimal information about the other planetary inhabitants, but if you ever do add on, I would love to read an extended exploration of these "visitors" from afar.

My only suggestions would be to reread a couple of areas to eliminate unnecessary commas- "So quickly have the native inhabitants gained in numbers, along with their use of fossil fuels, without any thought to the future, is becoming something of a problem..." - is one example of a sentence that may need a couple spot-edits, however, the passage was an enjoyable read nevertheless.

That's all for now! I look forward to exploring the rest of your portfolio.

Thanks for sharing and Happy Writing!


*Gold* My review has been submitted for consideration in "Good Deeds Get CASH!.
11
11
Review of The strange man  
Review by Wintersage
Rated: ASR | (4.0)
Hello!
Welcome to WDC! Your story was very compelling, and could easily be added on to, especially because the ending doesn't really conclude definitively. Instead, the reader is left wondering if the man in the apartment is truly who we are led to believe...

I have a couple of critiques for you, many of which are personal opinion, so take from them what you will.

Critiques:
- First of all, who is the "he" at the farm? You never actually reference a farmer or farmhand who fulfills the pronoun you have used. I suggest being a bit more specific in that sentence so that the reader isn't searching for a nonexistent character.

- The two sentences " Even though the sales were going alright every now and then. There was some times to where I had bad encounters with people..." in order to be grammatically correct, the two sentences should be combined. The first sentence at least, is currently not able to stand alone. You also have an issue with the tense used in the second sentence, where you have written "was some times to..." instead of "were some times...". (You also do not need the "to" after "times.")

- A little farther down, you begin to describe the strange man as "... a guy in shorts and was more ripped more than me." You have written "and" to join the two phrases, however it would read more correctly if you replaced "and" with "who." I also suggest combining your descriptions to add more specificity. The reader doesn't know how "ripped" the main character is, so when you compare the strange man's physique to the narrator's own, it is rather difficult to paint a vivid picture in our minds when the readers don't know if the main character himself is "ripped." Is this man as heavily built as a body builder, or is the narrator lacking in strength, and compared to him, any man looks "ripped." These are just a couple of suggestions that can help really bring the strange man to life, (and reflect on the main character as well.)

- The "which was" before the dialogue is an unnecessary buffer. In order for the passage to flow into the dialogue a little smoother, I suggest removing the "which was," ending the sentence there, and simply starting a new sentence and starting a new paragraph so that you text is broken up a little more. (You may actually want to form a new paragraph in other places too, just to make it easier on a reader's eyes.)

- Finally, throughout the passage there are a few other small grammatical errors, so I recommend reading through the passage again, even reading out loud, to catch some of the smaller errors that can easily escape an author's notice.

That's all! I really did enjoy reading through your story, and will be sure to check out the rest of your portfolio. If you have any questions, feel free to contact me, especially if any part of my review did not make sense and you need clarification, or if I misinterpreted the text in some way.

Thanks for sharing and Happy Writing!


*Gold* My review has been submitted for consideration in "Good Deeds Get CASH!.
12
12
Review by Wintersage
Rated: E | (5.0)
Chillingly accurate. I actually lost it over "diamond studded leather thong." Well-done.


*Gold* My review has been submitted for consideration in "Good Deeds Get CASH!.
13
13
Review of Indifferent trees  
Review by Wintersage
Rated: E | (4.0)
Hello!
I'll answer your questions first, seeing that you've been so kind to provide them. Yes, this is a story. It has exposition, rising action, a climax, and a sense of falling action. So yes, technically speaking, it is a story. As for whether it is worth reading, that is another firm yes. I can pretty much promise you that if you write something and decide to post it, there will always be someone on WDC who will be interested in what you have to say. Essentially yes, it is definitely worth reading. Finally, as for what can be improved upon, take a look at the critiques I've amassed below. Some of these are personal opinion, so do not feel obligated to apply them to the story if you do not agree.

Critiques:
- I'm not sure what you mean by "appendage" as seen in the sentence "Unmoved, he washed the spoon clean despite it being free of appendage..." Although I believe you are referencing the yogurt/yoghurt, the word appendage is usually used to describe a limb or an extension of something (like machinery, etc.) Therefore, I suggest picking a different word to describe the lack of yogurt on the spoon, as appendage draws some rather strange connotations to the mind of the reader.

- "He took deep breathes..." I believe you mean "breaths" not "breathes."

- Farther down in the passage, the sentence "Taunts would emanate from here, get caught on the wind and carried over to him." The way you've chosen to format this sentence may just be a style choice, in which case, pay no attention to what I'll say next, but if you are going for a smoother flow, I would replace "get" with "getting," otherwise, the second phrase within the sentence is a bit abrupt.

- The line "“Begone, begone, damn you” is full of passion, thus, I suggest adding an exclamation mark to really emphasis his frustration. (Now for personal opinion, grammatical error aside, this also seems like a good place to throw in a "vile demon!" or two.)
Ex. “Begone, begone, you vile demons! Damn you!”

- You are missing a period at the end of the sentence that reads "...the ground in a peculiar fashion, wanting to see them up close[.]" (End of fourth paragraph, counting single lines, not counting intro line.)

- You highlighted one of the character's idiosyncrasies, the leaving of a "gap" between the closed curtains. Even though you half-explained his reasoning, it is still unclear why exactly he feels calmer (I'm not entirely sure how to explain his motivation here) when there is a gap, which to me at least, signifies unrest, or a lack on control. Perhaps add another sentence that bridges the two thoughts and provides a deeper explanation of his logic behind the action.

That's all! I look forward to exploring the rest of your portfolio, and watching for a continuation to this story, seeing that I'd like to learn more about the strange creatures of the yard.
Hopefully this review has been useful, and if you have any questions, feel free to contact me, especially if I have misinterpreted any part of the story, or if my explanation to my critiques makes no sense.

Thanks for sharing and Happy Writing!
14
14
Review of A longing servant  
Review by Wintersage
Rated: E | (4.5)
Hello!
You have written a very suspenseful and dramatic tale. Unfortunately, though Nigel, or "Mr. Lee" as he is to the other servants, is set to meet his end, he was a compelling character and (at least what I found most interesting) a pampered servant (clearly well-respected throughout the estate, a rare find.) I do have some critiques/suggestions, and many of them are personal opinion, so do not feel obligated to take them all into account.

Critiques:

-Frequently throughout the text, you have places where the tenses fail to line up. Take the second line for example, "Hundreds of different colours, the flower petals dipped slightly as bees and beetles..." In order to make the tense flow better in this sentence, I suggest using "dipping" instead, or incorporating the initial phrase "Hundreds of different colours..." differently.

Ex. "By observing the hundreds of different colours, one would see the flower petals dipp[ing] slightly as bees and beetles eagerly paid these vibrant ladies a long and meaningful visit." (This is a wonderful example of figurative language by the way, well done.)

The lack of tense alignment can also be seen in the sentence "...then he kicked Nigel to his side and used his steel soles pinned Nigel to the ground." The correct phrasing of "use" should be "using" in the context.

One thing I should mention about the punishment of the servant as seen in the phrase "...the servant who had caused a scene will be spanked..." I don't think "spanking" was a very common form of punishment for disobedience in servitude, quite possibly in any era. This is more befitting of the punishment administered to a naughty child, not an adult. Try replacing the word with "whipped" or "lashed" or maybe some other form of punishment that fits with the punishment of servants more than spanking.

In addition, in the phrase "Did you against the master?" I'm not sure what you mean. I think you are missing a subject, or need to exchange "against" for another word. Did you mean "harm" instead?

Finally, simply capitalize "Southern Islets" and you'll be good to go on grammar.

Hopefully this review has been helpful. You have a very compelling story as well as character and I would love to read more of your work. If you have any questions please feel free to contact me, especially if I misinterpreted something, or if any part of my review makes absolutely no sense.

Thanks for sharing and Happy Writing!




*Gold* My review has been submitted for consideration in "Good Deeds Get CASH!.
15
15
Review of My choice  
Review by Wintersage
Rated: E | (3.5)
Hello!
Your story has left me wanting a conclusion or more context, anything to resolve Hana's issue and learn more about the characters. That being said, I have a few correction/critiques/suggestions below.

Critiques:
- In the second sentence, you use the phrase "honey colored hues." I'm not entirely sure what you mean by "hues"- are you referring to her eyes or maybe her skin color? I suggest replacing "hues" with another word, or adding onto that phrase to clarify your statement.

- The sentence that reads "She couldn’t believe her last plan failed so miserably it felt like everything was against her goal to succeed..." feels like it would flow better as two separate sentences. Try cutting off the first sentence at "miserably."

- To differentiate between characters, and make the switch between subjects clearer, I recommend bringing "Isn't that what you said last time..." into a separate paragraph. Currently everything is all squashed together and a bit difficult to read. Spacing out the text will help the reader stay focused on the story.

- In the sentence "Rin allowed Hana to drag her only a few steps before dragging to a stop...", you have used "drag" (or some form of "drag") twice, although the second time, I think a different word, maybe "coming," would fit the context better. While repetition can be used to emphasize different actions within stories, sometimes if words are repeated many times throughout one sentence, readers will lose interest instead of gain it.

- Finally, this is just formatting advice, but typically, when writing in dialogue, each time you switch speakers, you should start a new paragraph. Here's an example of what I mean. If you don't do this, you can confuse readers and draw attention away from what is being said.

Ex. Rin’s red eyes glared in disapproval only momentarily locking with Hana’s eyes. “But we’d be together, we could help each other out, you get that thing you wanted and I’d...”
         “No, I’m not getting wrapped up in this, I can’t always be your crutch.” Rin struggled to argue as guilt began overpowering her, seeing her words only upset Hana further.
         “If your not there, then I can’t fix the problem, if I can’t fix the problem, then I truly have failed in my duties, I’m a failure...” Rin winced, taking a step back trying to defend her own actions.          “You’re not a failure, you just need something new, literally anything else.” Rin trailed off and only the sound of the winds from the red sky above filled the silence.
         “I just...” Hana muttered, the words barely reaching Rin. “Need another chance!”

Notice how when one character is speaking, they get their own paragraph, however, when the text switches speakers, then a new paragraph is formed. (There is one part in the above paragraph, where I indented and formed a new paragraph because I'm not exactly sure who is speaking, so that might be another point to clarify - “No, I’m not getting wrapped up in this, I can’t always be your crutch.” Rin struggled to argue as guilt began overpowering her, seeing her words only upset Hana further.
“If your not there, then I can’t fix the problem, if I can’t fix the problem, then I truly have failed in my duties, I’m a failure...” Rin winced..." In this section its hard to tell if Rin ahs said both pieces of dialogue, or if Hana has spoken one of the lines.)

Anyhow, that's all for now. I really did enjoy the story, and I look forward to exploring the rest of your portfolio! If you have any questions about either my interpretation of the text or any other part of the review (especially if my explanation makes no sense,) feel free to reach out and ask questions.

Thanks for sharing and Happy Writing!


*Gold* My review has been submitted for consideration in "Good Deeds Get CASH!.
16
16
Review by Wintersage
Rated: ASR | (4.5)
Hello!

So far this is a lovely beginning to what I am sure will be a fantastic tale. Your imagery, first of all, is very well done, and I loved the emphasis placed on the tragic background of each of the characters.

I do have a few corrections for you, so take from them what you will. Also, it should be noted that when I reference the "paragraphs" where I have found certain areas to be lacking in one way or another, these "paragraphs" include single lines (such as lines of dialogue) between larger paragraphs.

Critiques:
- In the first paragraph, you state that the light between the arrow slits are casting "slithers" of light across the water. I believe you mean "slivers."

- About seven paragraphs down (give or take,) the line "Aira was of an age when needed to learn to tell if it was safe to enter the castle unnoticed by humans" appears. You look like you are missing the "she" in between "when" and "needed."

- In the 13th paragraph, you state that "Airen had never entirely got over the loss" of his wife. The sentence may read better if you replace "got" with "gotten," as well as replace "the" (in front of "loss,") with "she" to re-emphasize his wife's death. It might also be worth noting that because this is not just any loss, it is the loss of the mother of his children as well, it would be interesting to add a line in about how Aira has dealt with her mother's death (if she remembers her death at all.) This would also add to the necessity/impact of Gretchen's mothering as you transition subjects.

- In the phrase "...free of serving humans" which can be found in the 25th paragraph, I think you should take this moment to re-emphasize the aversity of the brownies to their oppressed way of life by really filling out the phrase with even more specific diction. Maybe stating "free of our endless years of servitude under the ungrateful humans" (or something along those lines.)

- When Meg mentions that she has been "searching for hours," the phrase sort of underestimates the magnitude of her desperate search for others of her kin. Try "days" or "months" instead.

- In the second to last paragraph, try replacing "...she had still got her sleeves rolled up after her tasks" with "...for her sleeves were still rolled up." Using "got" in such a way often can lower your level of eloquence.

That's all for now! If I have misinterpreted anything, or if any part of my response makes absolutely no sense, please feel free to reach out to me for clarification!

Thanks for sharing and Happy Writing!


*Gold* My review has been submitted for consideration in "Good Deeds Get CASH!.
17
17
Review by Wintersage
Rated: 13+ | (3.5)
Hello!
I thoroughly enjoyed your passage - most especially the twist ending, though (and this is just personal opinion,) I don't feel that the genre fits well with "horror" (though I can see why it would fall into such a category.) The entire situation is a bit too comical -almost satirical- for it to be a gripping tale of suspense and terrifying plot devices - my schema of horror. Anyhow, I have a few corrections for you (many of them personal opinion,) so take from them what you will.

Corrections:

- In the third paragraph down, you write- "It's always the same, more or less, the same robotic responses and smile." In this sentence you use "same" twice. I suggest removing the second use of the word, and add an adjective in front of "smile."

Ex. It's always the same, more or less; robotic responses, a placid smile, each lackluster exchange pushing me farther and farther from sanity.

- I'm a stickler for succinct vocabulary, so I suggest replacing "...how long it is..." (found in the fourth paragraph,) with "the length," to economize on words. In addition, you do not need to emphasize "falling to her shoulders" as the alternative hairstyle, because it's a given that Einstein-like hair is very unique - your readers do not need you to explain what the hair is not doing/what hair generally does because people are familiar with "ordinary hair."
Basically, write what is present, not what isn't.

- Also in the fourth paragraph, the sentence "It's true though, the patients do behave better for a doctor than a nurse. Doctor carries a sense of authority..." begins rather strangely. The diction you have chosen to begin the sentence comes off rather abrupt, almost as if you are answering or responding to a question or statement that (at least from the readers perspective) had not actually been made yet. I suggest fiddling with that transition a little more- make it blend with the above offered information.

- In the sentence "Hairy and devoid of any intelligent life I see..." about five paragraphs down (minus the interrupting dialogue,) you have added "I see" to a sentence that is already showing what you see. Those last two words are a bit awkward and the sentence stands alone without them just fine, so I advise removing them.

- Avoid using a verb twice in a sentence when the point has already been made, essentially, please remove one of the "sits" from the sentence that reads- "Sitting a few centimeters into her ear canal sits a tiny spider."


- Much farther down the passage, you use the phrase "My breaths are short...." Because writers tend not to address individual breaths, rather focusing on the act of breathing, try replacing the phrase with "my breathing shortens/accelerates."

- Often, throughout this passage, you tend to restate similar thoughts to emphasize your point. While this is not wrong, it does tend to wear on the reader a little when you have three sentences that all say the same thing. Avoid repetition by either combining sentences or playing with sentence structure a more so that instead of starting every other sentence with "I..." you are using a variety of language tactics. Below, I adjusted two sentences to fit the above statement.

What you wrote: "I take the rest of the day off. I spend the afternoon in a thoroughly abysmal mood."

These sentences can easily be combined (in this case not because they are repeating each other) but because they both start with "I..." and would flow better if connected.

Ex. I take the rest of the day off, spending the afternoon in a thoroughly abysmal mood.

That's all! Hopefully this critique was useful and though my review may come off as harsh, I really do intend the best. You have a very promising passage as well as an advanced grasp of vocabulary.

If in any way I misinterpreted the text, (or if any of my response makes absolutely no sense,) please feel free to contact/email me. I would love to help in any way I can.

Thanks for sharing!


*Gold* My review has been submitted for consideration in "Good Deeds Get CASH!.
18
18
Review by Wintersage
Rated: E | (4.0)
Hello!

This is a really lovely little passage, and I do not know if you wish to continue it or not, but if so, I am excited to see the resolution of the plot - and what is means for Leah and July.

Corrections/Critique:

- First of all, the phrase in the first paragraph "one from two hundred" doesn't come across very well. I suggest changing it simply to "two hundred."

-At the end of the first paragraph, you have written this sentence; "There they lived happily and peacefully, the children of a logger and a nurse." This is just personal preference, but it might be interesting to switch "the children of a logger and nurse," to rest between "they" and "lived happily and peacefully." This way the paragraph ends not on who they are, but how they have grown up and are living now.

- In the second paragraph, there are three sentences that read as though they should really be one. ("Leah had always had a wonderful smile, the earnest sort that could brighten anyone's day. And she was letting that very smile shine in this moment, letting all know how happy she was. For she had finally finished sewing her dress." If you do decide to keep the sentences separate, however, keep in mind that for a sentence to be grammatically correct, you should not (usually at least, there are certain exceptions) start with "and" or "for." Both of these words are transition/linking words. You cannot start a sentence with them because if you let the sentence stand independently, it will seem incomplete.

- You might want to replace "things" with "trinkets." (As seen at the end of the third paragraph.) "Things" is just a little vague, and just exchanging that one word can really enliven the sentence.

Other than those few grammatical corrections, I enjoyed reading your passage. If you have any questions about my review, especially if my response needs a further explanation (sometimes what I write make so sense) please feel free to email me.

Thanks for sharing!


*Gold* My review has been submitted for consideration in "Good Deeds Get CASH!.
19
19
Review of Pas De Deux  
Review by Wintersage
Rated: E | (3.5)
Hello!

You have some very lovely imagery within your passage, and, as ballet dancer myself, I can easily say your metaphor (of comparing the intimate embrace of the man and woman to a Pas de Deux) came across beautifully. I do, however, have a few corrections, a few of which are personal opinion, so differing in your response is completely fine.

Corrections:
- There are a few grammatical errors within your text. Most are just simple fixes, like unnecessary commas and places that lack capitalization. "I was sitting on a red, wooden bench" and "Sitting at the table, was..." are just a couple of instances where you do not need a comma to break up these relatively short sentences.

- In the third paragraph there is a sentence that reads "While reaching for his coat on the back of his chair, she began to extend her hand." Though the sentence is grammatically correct, it comes across rather strangely because in the first part of the sentence, you are lacking a subject (Who is reaching for the coat on the back of the chair?) Thus, when you reach the second part of the sentence, what was originally implied - that the man was reaching for his coat - is now confused because you bring in the subject of the woman. Just exchange "reaching" for "he reached" and now the reader can clearly tell that you switch subjects halfway through the sentence (or just split the sentence into two sentences.)

- In the next paragraph, you have a half-completed sentence ("I couldn’t tell.") The reader is now asking the question, "Couldn't tell what?" We don't know if you are talking about the size of the object, or even what the object is, so finish the sentence by adding specifics.

- In fourth paragraph, you also restate the sentence, "It was very small." Even though in the second use of the phrase it is the woman speaking, it is still redundant. I suggest changing the phrase to describe a different aspect of the object, so that you don't end up repeating yourself.

- In the fifth paragraph, you write in some very interesting examples of figurative language. The first being "Illuminated like held breath..." This simile is not incorrect, it just comes off a little awkward. Usually, when adding metaphors/similes, it is a good idea not to mix different images, or more specifically, different senses. In this simile, you have compared sight to breath, thus cutting your imagery short. I suggest replacing either the first part with something similar to breathing, or the second part with something similar to light.

Ex. "Illuminated like [something seen/visible to the eye] - a spring garden, suddenly awash in light as the sun appears on a cloudy day. "
(That wasn't the best simile on my part, but hopefully it got my point across.)

The same goes for the next simile:

"It was like watching the whispered voice of a Russian ballet." Once again, you have taken an image of something one hears and compared it to something that is seen.

Try replacing the "whispered voice" with something visible, like "the intricate choreography/movements" or "delicate tapestry/tableau..."

By aligning senses, you are keeping the imagery consistent and relatable. Mixing imagery sometimes has as much success as comparing the texture of a cats fur to the pink flush of a petal - it's not successful nor does it make sense.
(Hopefully I explained this well-enough, this concept is difficult to describe.)

- In the seventh paragraph, I know you are trying to characterize the caring and devoted nature of the old man, however, you spend a lot of time breaking down each of his movements. You have written in four sentences what can easily be said in two, and because of this, this paragraph is a bit choppy and tiring to read.

What you have written: "With one hand in hers, he brought the other around her back. Keeping close by her side, he helped her up and out of her chair. With his arm still around her, they walked slowly and carefully to the door. With his free hand, He placed the small piece of paper carefully into the pocket of his jacket."
(You also accidently capitalized "He.")

My suggested edit: "With one hand in hers, the old man carefully helped her out of the chair, one arm positioned behind her back for support. Together they walked slowly to the door, the man slipping the folded paper into his jacket pocket."

That's all! I really did like your passage, and with a little bit of fine tuning, the flow and characterization would read even better than it already does. Hopefully my review is helpful, and if you have any questions about any part of my response, please feel free to email me (especially if I misinterpreted the passage, or if my critique makes no sense.)

Thanks for sharing and Happy Writing!




*Gold* My review has been submitted for consideration in "Good Deeds Get CASH!.
20
20
Review of Description #1  
Review by Wintersage
Rated: E | (4.0)
Hello!

This is a nice, succinct description. I just have a couple of grammatical corrections for you.

The sentence "Its body is thin like a stick due to it hadn't eaten for days." is a bit awkward, I suggest replacing "...due to it hadn't eaten for days." with "for not having eaten in several days" or another rephrasing statement.

Also, you don't need "to it" after "close proximity" since you have already declared the subject at the very beginning of the sentence with "it."

That's all. Thanks for sharing!


*Gold* My review has been submitted for consideration in "Good Deeds Get CASH!.
21
21
Review by Wintersage
Rated: E | (3.5)
Hello!

Your piece was short and sweet, and I especially liked the addition of a Prince at the end, excluding Neil from even the possibility of befriending the maiden. I do have some corrections, however, though many of them are personal opinion, so take from them what you will.

Corrections:
- First of all, why is there a concrete floor in the forest? This imagery seems a bit out of place. Maybe exchange this with a further description of his surroundings - the depth of the woods, the clean scent of pine and underbrush permeating the air... etc.

- There are several instances where your tenses are not lining up. This breaks the flow of the story, sort of jarring the reader, and pulls attention away from the scene to small grammatical errors.
The sentence "His suit torn from a thorny bush, but he trudged on, the voice is fading away." is one example of contradicting tenses. I've corrected it for you below, although there are still many other sentences with small errors that need a second look.

Ex. "His suit [tore] from a thorny bush...the voice fading away."

I took out "is" from this sentence - although for the first few sentences it is really difficult to tell exactly what the tense is, I am only assuming that you are writing in past tense.

- The use of "ill fit" in the second paragraph is a bit awkward. Try rephrasing it.

Ex. "His body, ill fit to the craggy environment, heav[ed] as he climbed over roots..."

- "He staggered back up, but not until his panic had caused his to swallow a large gulp of the stinky stale water." Fix "his," it should read "him."

- In the second to last paragraph, you write the line "She took his gloved hand, animators are too lazy to draw the hands."

The second part of the line, though an interesting detail, is in no way related to the story. It is out of place and only serves to draw attention away from the maiden and her prince, and to something animators might do, (but you are a writer in this instance, and therefore this detail is a tad inconsequential.)

That's all! Hopefully this review has been useful, and if I interpreted something incorrectly, or if any part of my critique makes zero sense, please email me.

Thanks for sharing and Happy Writing!


*Gold* My review has been submitted for consideration in "Good Deeds Get CASH!.
22
22
Review by Wintersage
Rated: 18+ | (3.5)
Hello!

Your passage has some very lovely imagery, my favorite being the phrase "shone like newly fallen snow," which describes Ariyana's strange new hair color. If you continue to expand your use of figurative language, especially in the beginning, as you describe the ancient, fabled forest, your work would engage your audience even more. Below, I've cited a few of my suggestions - please note many of these are purely opinion, so take from them what you will.

-First of all, you use "thru" a lot within the text. This word should be replaced with "through."

-Many times throughout this story Ariyana speak out loud to herself, however, in real life at least, people don't usually speak out loud when they're alone. I recommend describing Ariyana's dialogue as her thoughts instead. This concept is especially prevalent in the beginning, when she "blurts" out in surprise at finding herself alone in a vast forest. At this point, her outburst seems a bit more intense than what may actually occur. I know that if I found myself suddenly alone in such a massive, yet quiet space, the isolation would intimidate me into silence - and if there was no one around to communicate with, there would be no need for spoken speech.

-In the phrase, "Getting up and surveying her surroundings." I am going to assume that leaving the subject "she" out of the sentence at the beginning is not a stylistic decision, and simply a technical error. You may want to look at that sentence again to make it complete.

-In the phrase, "gods what happened to my hair, its white!," you are missing a vocative comma after "Gods." (The G also should be capitalized.)

-Lower down, as Ariyana and wolf begin to interact, she notes that the wolf is "sitting just [of] the path..." I assume you mean "on" not "of," so make sure to fix that as well.

-Watch the repetition of some of the verbs used to describe Ariyana's actions and thoughts. You tend to use words like, "look," and "notice" quite frequently. Try replacing some of the words with more descriptive, or specific term, like "peered," scanned," noted," analyzed, or even "discovered." The reader's attentiveness to the story will increase if your vocabulary is a bit more varied.

-Finally, I would break up the second paragraph a bit more. Currently, the big block of text makes it difficult to read without losing track of where you are in the passage. Try spacing out the text after dialogue, or when the scene shifts from the forest to the tower, or even when Ariyana meets the white wolf.

I hope this review has been useful, and if you have any questions, comments, or concerns, please let me know (especially of any part of my review makes not sense whatsoever.)

Happy Writing!


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23
23
Review of JadeFire  
Review by Wintersage
Rated: 13+ | (4.5)
Hello and welcome!
Immediately, I can tell that you have clearly grasped the use of figurative language. I love the way you describe the jade as "scorched honey," and then again as "flecks of gold." Both phrases are beautiful examples of well-executed diction and imagery. You also have a very definitive style, a true pleasure to read, and I look forward to your next work.

I do have a couple of suggestions for you, and both are relatively small. In the sentence "For a tiny little infinity, the world falls away and two of us meld together..." I would add a "the" before "two" in order to better the flow of the sentence. I would also consider changing either "tiny" or "little" because they are very similar words, and you end up repeating yourself. If one word were exchanged, the imagery could very well improve, seeing that two concepts have been added to the description of "infinity" and not just one. This is just my personal opinion, but "momentary" might be a nice touch as well, creating an interesting juxtaposition between the fleeting continuity of time, and the memories we preserve forever in our conscious.

At the very end of the passage, you restate the phrase "Always in the back of my mind." In the beginning of the passage, you paired this thought with the jade fire, and so by connecting these two, you have created a concept, a sort of concurrent image. I suggest reiterating the influence or the metaphor of the jade fire at the end of the passage as well in order to bring the experience full circle. Perhaps pairing the jade with the imagery of the infinity created between the two people/beings.

Your writing is lovely to read, and I will be sure to explore you portfolio in the future. If you have any questions about my response, or if I interpreted something incorrectly (or if I am not making any sense in my response) please reach out and contact me! I love helping any way I can.

Thanks for sharing!





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24
24
Review by Wintersage
Rated: E | (3.0)
Hello and welcome!

This is an interesting story, although the many punctuation errors make it very difficult to read. I suggest revising it. Check for spelling, sentence endings (periods etc.), capitalization, and the correct spacing of certain words.

I would also look into how you have labeled the short story. This looks like a work of fiction, and I don't think "article" accurately represents the context of the text. Articles are generally found in newspapers, or magazines, and though they can vary in a wide range of subjects, your passage appears to be a complete story, not something focusing on a specific problem, approach, etc.

I look forward to the rest of the story, however, and how Mr. Hyena ambushes the girls, and if you have any questions about my response please let me know, I love helping out whenever I can.

Thanks for sharing!


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25
25
Review by Wintersage
Rated: E | (4.0)
Welcome!
You have some very well-placed details, my favorite being the characteristic "smell of old books and flowers" Samuel carries with him. Overall, the passage is well-structured, and the imagery used to characterize Samuel Harrison flows well.

I do, however, have a few minor suggestions.

Often, you have words or phrases that, though they are not grammatically incorrect, may assist the flow of the passage better by either removing or altering them.

In the second sentence, the comma between "chatter" and "among" is unnecessary. It forces a pause in the sentence that halts the flow of the imagery. In addition, the "about" that comes after "discussed" in the next sentence is also not needed.

In the third sentence, you describe the "young service men and women" to be "serving cream teas to passengers," although you use "were serving." This is not wrong, however, the sentence may be improved by using "served" instead. This way, any "wordiness" can be eliminated.

In the fifth paragraph, Samuel is revealed to be "perfectly content with the comfort of his own solitude." Because you have already stated that he is "content" with solitude, to say he holds "comfort in his own solitude" is repetitive.

Also, Mr. Harrison is described to hold "few associates and even fewer friends, if any." The "if any" reads almost as an afterthought, and by moving it up in the sentence, perhaps after "fewer," the phrase will be emphasized more than if it falls after "friends."

This next suggestion is very much my personal opinion. I would add "potential" before the word "embarrassment" in the fifth paragraph. Technically, Samuel is not afraid of "embarrassment" itself, but more so the thought of his own embarrassment (which, consequently has not occurred yet, and so would be "potential".) This just helps accentuate his unwillingness to engage with others.

When you are listing actions, (ex. "Every time a fellow passenger glanced in his direction, or one of the perfect smile servers would enquire about the quality of his service, his heart would race and he would fear improbable events." ) try to keep the tenses or suffixes of your verbs the same. In this case, because you used "glanced," in the first part of the sentence, use "enquir[ed]" instead of "would enquire" for the server's actions. Once again, this just helps with the flow of the sentence. (I would also add "their" instead of "his" to the line that states-"or one of the perfect smile servers would enquire about the quality of his service,"- only to clarify that it is the server's who are servicing Samuel. By saying "his" it can seem like Samuel is doing the serving, (which of course is not the case.) Its just a matter of using vague pronouns which can apply to either of the two parties.

One more thing, there are a few circumstances where your contractions are missing apostrophes;
-paragraph three; it should be "didn't"
-paragraph five; it should be "wasn't"

Hopefully my review is beneficial. If you have any questions about my response, or if I interpreted something incorrectly, or even failed to explain a correction adequately, please notify me.

Thanks for sharing!


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