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Printed from https://www.writing.com/main/profile/reviews/wilveren
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37 Public Reviews Given
38 Total Reviews Given
Review Style
First, I'll tell you what I think you did right, and try to give you my impression of the overall feel and quality of the work. Then I'll make some suggestions about what I think can be done to improve the work. I can't say I have any college classes or anything to back up my suggestions, but I have been dabbling in writing for a long time, and I've learned a lot over the years. Hopefully I can at least offer a bit of insight to encourage the writer to keep improving, and keep writing.
I'm good at...
Deeply analyzing the writing and style, finding small errors, such as a character who had something in his hand suddenly having nothing and it being overlooked. I'm also good at spotting plot holes and inconsistencies in writing. As for poems, I'm good at establishing a rhythm, seeing where words might need to be moved around or changed to ensure the poem reads smoothly.
Favorite Genres
Fantasy, sci-fi, adventure.
Least Favorite Genres
Romance
I will not review...
Free-verse poetry. I dislike poems without structure and rhyme, so I'm not a good candidate for reviewing them. Other kinds of poetry are fine, however.
Public Reviews
1
1
Review of Open Your Eyes  
Review by William E McLean
In affiliation with  
Rated: E | (3.5)
Hm, nicely done. It keeps a pretty consistent rhythm throughout, and personally I love it when poems keep a good structure. Aside from telling the person to enjoy their freedom from what it was that hurt them, the direct meaning of the poem doesn't entirely come through for me, but that's okay, because that means it's the kind of poem a person could take various different interpretations from. It could speak to someone mourning the loss of someone close to them, or being rescued out of a terrible situation, or finding love. I did notice in the third line of the third stanza you say "Dance around your finally free". I believe the "your" there should be "you're," and personally, I think a comma after "around: would make it a bit more fluid. = ) All in all, good work.


*Gold* My review has been submitted for consideration in "Good Deeds Get CASH!.
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Review by William E McLean
In affiliation with  
Rated: 13+ | (3.0)
Interesting. I can see that you've put an immense amount of thought into this, particularly your universe's creation. That's good. Your characterization is pretty good, and I'm getting a decent idea of your characters after reading this. I do hope you'll develop Jack more as you write, and I'll explain why. You can have a character who is awesome, amazing, great at what he does, and just always seems to be on top in some way or another. You can make him the coolest, smartest, roughest and toughest guy out there, and if done right, there isn't anything wrong with that. However, a character like that is less likely to be remembered after the story ends. Think, what's more fun to read about: the guy who always wins figuring out some new way to beat this new threat, even though you know he could never lose because he's just too good? Or, the underdog, with realistic character flaws that readers can relate to,(like allergies, or fear of insects, or maybe issues with certain foods,) who we often seen get counted out, managing to rise up and topple the great challenge before him, defying the odds and only barely managing? I don't know much about Jack, but he seems to fit pretty accurately into what people would consider a great, wise assassin, and because he fits so well, it's hard for him to stand out, and therefore harder to remember him. Just something to think on, if you'd like. = )
Now, as for the back story of your world. Before you start, you warn the reader about how unusual this world is, and tell us that it might be difficult to understand, but that it's unique and cool. I strongly recommend you remove all of that, for several reasons:
1. Right off the bat, you're jarring your reader. They're here to read the story, and a preface like that that breaks the fourth wall to make what amounts to a warning or excuse about the complexity of the universe has no place in it.
2. This is a fantastic, complex, massive universe filled with history and lore, and mysteries to unravel... Why would you ruin that for your reader? Don't tell your reader you're going to show them something like that. This is a fantasy. You want them to be wowed and overwhelmed. So, don't soften them up for it, just show them, even if you can only do so a little at a time, because that's what's going to make them keep reading and learning.
3. You have a perfect place in your story to work that explanation in without any sort of odd preface or out of character explanation. When Alex is telling Jack about who he is, and about the world, THAT is the ideal place for the reader to hear it too. Your reader will want to relate to your main character, Jack. So, you want them to be seeing and learning about this world as he does. Up until that point, don't overwhelm your reader with facts like a history book. Hook their interest through mystery. Start with a master assassin on a seemingly dead world, in front of a cold, black castle. He has no idea why he's there, only that he is there to do a job. He's not sure if it's safe, or worth it, all he knows is that he needs to move forward to learn more. (Which is EXACTLY the mindset you want in your reader! Keep them curious! Keep them wanting to find out more!)
I found several grammar mistakes, and I suggest you don't be too hard on yourself about them. I'm pretty sure all of us who have put pen to paper have something to learn about proper grammar, I know I do. =P
- A few times, you switched from past-tense to present-tense:
"The door opened, and he sees a man," This should be "The door opened, and he saw a man."
"smiling as he's doing so." You want this to be something like "Smiling as he did."
Make sure to keep your tense consistent.
- "Talon, created a home for themselves. A dead, rocky planet in which" Couple things wrong here. "Created a home for themselves" is awkward, especially since we only know of Talon when this is stated. It would be better written as "Created a home for himself and his son." The next sentence is incomplete. I think what you meant to do was to put a colon, so that the description of the planet is part of the same sentence as Talon creating it. You do this again in a few other places. Remember, if a sentence is a description, then what you're describing needs to be in the same sentence, even if it's just saying "It was a dead, rocky planet," or "It ranged from stars going supernova..."
- You use commas in incorrect spots a few times, for example: "He then, needed to differentiate the difference..." This is part of the same thought, with no changing in subject or context, and no need for a pause, therefore you don't need a comma. Also, differentiate the difference is redundant. I believe what you mean to say is "Differentiate between..." or "discern the difference..."
- A couple times, you needed a comma and didn't place one, for example: "the two forces is chaotic creating suffering and destruction." If you read this aloud, there is a pause in between "chaotic" and "creating." That's because this becomes a list of more than one thing, and therefore you need a comma there between each listed thing. "The two forces is chaotic, creating suffering and destruction."
- "wanted a strait answer.". The word you mean here is "straight." Strait" is something different altogether.
I hope this didn't seem harsh, as it's intended to be friendly critique and advice to help you further you skills as a writer, and to develop this very intriguing story you've created. All in all, you've created an attention-grabbing universe, and a plot that promises to be massive and potentially mind-blowing. Touch up your presentation a bit, and you'll be off to a great start! Keep me updated with it as you write, and feel free to ask me if you'd like any more help. = )


*Gold* My review has been submitted for consideration in "Good Deeds Get CASH!.
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Review of Guarantee  
Review by William E McLean
Rated: 13+ | (4.5)
Very good message. First, you set the initial tone by painting a dark, bleak picture of the world, touching on several issues with much deeper implications and stories. You point out those in the light (Angels: which could be interpreted literally, or as the people of the world who try to stay in, and spread the light) wondering why we do the things we do, why we bathe in and spread darkness. You point out how many of those in the darkness often bring ruin upon themselves, and have no one to save them. Then, while we see that shadowy picture, you bring out the light, and point out the power a single person can have if they stand against the darkness. It makes a powerful message, having the light come out at the end, because it brings more contrast into it, and makes the light brighter. Very motivating poem. Your rhythm is great, as is your rhyming. All in all, great job.
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Review of A Decades Courage  
Review by William E McLean
In affiliation with  
Rated: E | (4.5)
Artsy. I like it. Your rhyming is good, and it flows well without shoving the rhyming into the reader's face. The rhythm works as well, staying mostly consistent throughout the poem. I'm wondering if this is something you wrote out of relation to a personal experience, or pertaining to an idea you just wanted to get across. I can see a lot of people in difficult situations, or ones that have overcome rough times and found better ones, relating strongly to, and taking a lot from this poem. It's good, I can't really see anything offhand that I would suggest improving.
5
5
Review by William E McLean
Rated: 18+ | (5.0)
Pretty powerful writing. I like the descriptors you used, and Tod was a very interesting character. He was never real, but because he was always with Kostas, because he was a friend who would never leave his side no matter what, he was probably one of the realest things in Kostas's final days. It's painful to see him having to deal with the dying pregnant woman, trying to get in touch with his mother, and finally his own death, but the little imp helps to counter-balance it because of his constant joviality, always joking and poking fun at Kostas. I always try to tell little jokes here and there, particularly to brighten up bad situations, so I can really appreciate that. Can't think of anything to really suggest to improve this. I'd say you got your point across well, and everything is easy to read and follow.
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Review by William E McLean
Rated: 13+ | (5.0)
You know? I had a feeling that's where this was going. I got about two paragraphs in and thought "Hey...this isn't about food..."
You definitely got the creepy vibe down. I'm not sure of much I can really suggest to make it better. Sure, there are things I don't quite know, and am curious about, but given that this is mostly from the point of view of...well, this guy, they probably aren't things he's concerned with now, and therefore things I don't need to know myself. All in all, good job.
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Review of A dog's tale  
Review by William E McLean
Rated: E | (3.5)
Free verse isn't really my thing, but I do love dogs, and I love that you wrote a funny poem from a dog's point of view. =P I like how the dog answers, saying its language is clear with a bow and a wow, howl, growl, yap, snarl. That kinda made me grin. The ending is the best though, love how you ended it. I wish it had a more consistent rhythm and rhyme, but again, that's more my aversion to free verse than it is any kind of mistake with the writing. You should make this into a poem series, explaining different aspects of life from a dog's point of view. =P There's a similar book out of a collection of cat poems, but... well, let's just say I'd hope your series turns out better than that one. =P
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Review of Blinded Art  
Review by William E McLean
Rated: E | (4.5)
Your rhythm is consistent, which for me is a very good thing. I like that you used lilac and teal, as those aren't colors you hear about as often, since most people would just (incorrectly) say pink or green. I'm not sure what you're trying to convey, or if there is a deeper point to it, and that may just be because I don't get it, but the structure and word usage in the poem are all great. The only thing I'd add, and this is just my opinion not addressing an error or anything, would be to put in a fourth stanza that helps to really draw the reader into the main point of the poem, because as I said, I personally don't get what you're trying to convey.


*Gold* My review has been submitted for consideration in "Good Deeds Get CASH!.
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Review of The Dance Of Dis  
Review by William E McLean
Rated: 13+ | (5.0)
This poem seems like it was just fun to write. =P I liked the words you used for your rhyming, and the rhythm and flow of the poem are both very good. I'm curious though, is this a poem you just up and made, or is this from something else? Like, was the name Irene just pulled from thin air, or is this part of a larger story? Maybe a plot told purely through poetry?
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Review of Nothing  
Review by William E McLean
Rated: E | (4.0)
And here we have what's known as, super paranoia. =P I kid, I kid. I get what's behind it, or at least I think I do. We can create light, we can create shelter, we can create music, we can do all sorts of things. What we can't do, is stop the end from coming. One day, it will all end. Silence in the ears, darkness in the eyes, numbness in the flesh, one day that's all there will be. We can't know how far away it is, or when it will come for us. All we can know is that with certainty, our death will come for us. Dunno how, dunno when, dunno why, but one day, we. will. die. And then there will be nothing. Just a big emptiness where something used to be, and that in itself is something, even though it's nothing.
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Review of Gramp's Knife  
Review by William E McLean
Rated: 13+ | (3.0)
Pretty cool story. I have a good sense of the knife's appearance, and considering that's the main focus of the story, that's good. I like how you were trying to put contrast between the child you were then, and the adult you are now, but I feel you need to make those transitions a little smoother. It feels just a bit awkward. I also noticed that you switch back and forth between different, uh how to put it... classes of words. Like in the first paragraph, you think "ohmygodwhatdidIdo?" and in the very next sentence use the phrase "Necessarily implacable." I don't think it's wrong to say "OhmygodwhatdidIdo" or to use "necessarily implacable," but I feel using them both, especially so close together, makes it hard for the reader to get a good idea of the feel of your work. I can't tell if its from the view of a young man still holding on to his youth as he ages, or a mature adult who looks at his childhood with a blank face. I also saw a few grammar issues that make it a tad confusing to read. I'd advise that when you write about what you were thinking here as its own line, such as this part: [ Oh s***! It’s the dam old “ I used to walk fifty miles to school every day, in the snow, uphill both ways and had to share one shoe with my brother crap.” ] you put it in italics. This helps the reader see that it's not just narrative like the rest of the writing, but it's also not said out loud. It's a thought. It just makes it a little easier to follow, and makes it a bit cleaner in my opinion. Again, I liked the story. I like the attention to detail on the coffee table and the knife, and I like just how much you put into describing the exact look on your grandfather's face, especially comparing it to his look when at the campfire. Just clean it all up a bit, and you'll have a nice little story. = )


*Gold* My review has been submitted for consideration in "Good Deeds Get CASH!.
12
12
Review by William E McLean
Rated: 18+ | (4.5)
Wow, great job, really! The rhythm, the rhyme, the emotion behind the words, it all comes together very well. = ) (That's coming from someone who hates love poems by default, by the way. =P) Personally, I might change out "My body quakes" to something else for one reason: The rest of the poem is focused on explaining this darkened, forbidden place within your heart, and the aspects of it, along with the affects that this person has on it. It physically describes a non-physical location. Making a reference to your physical body there and no where else pulls my focus out a little, because it's sort of like the... how to word it... the object of focus for the poem changed. Does that make sense? Everything else is a metaphor, but that one bit is a direct physical description of a physical object. Aside from that, again, fantastic job. It conveys a lot with only a few well-placed words.
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