Let's Write A Short Story Editor: W.D.Wilcox  More Newsletters By This Editor 
 ![Table of Contents [#401437]
Table of Contents Table of Contents](/main/images/action/display/ver/1709303267/item_id/401437.png) 1. About this Newsletter 2. A Word from our Sponsor 3. Letter from the Editor 4. Editor's Picks 5. A Word from Writing.Com 6. Ask & Answer 7. Removal instructions
 ![About This Newsletter [#401439]
About This Newsletter About This Newsletter](https://www.writing.com/main/images/action/display/ver/1709303676/item_id/401439.png)
Kurt Vonnegut
"Start as close to the end as possible."
Hemingway says in his essay “The Art of the Short Story”:
“A few things I have found to be true. If you leave out important things or events that you know about, the story is strengthened. If you leave out or skip something because you do not know it, the story will be worthless. The test of any story is how very good the stuff is that you, not your editors, omit.”
Neil Gaiman
“I decided very early on, when I was writing a short story, I should write it as if I were paying by the word to write it. If in my head every word is costing me money to put down, I’m going to try and make sure that every word counts; that every word does something. Pulling out a word, pulling out a sentence, pulling out a paragraph, pulling out a page should be really difficult...” |
 ![Letter from the editor [#401442]
Letter from the editor Letter from the editor](https://www.writing.com/main/images/action/display/ver/1709303784/item_id/401442.png)
How To Write A Short Story
The short story is a fiction writer’s laboratory: here is where you can experiment with characters, plots, and ideas without the heavy lifting of writing a novel. Learning how to write a short story is essential to mastering the art of storytelling. With far fewer words to worry about, storytellers can make many more mistakes—and strokes of genius!—through experimentation and the fun of fiction writing.
Step 1: Start with one moment
A short story is usually about one moment of change.
Step 2: Keep the cast tiny
Two or three characters are plenty.
Step 3: Start as late as you can
Skip the backstory.
Step 4: Build rising crises
Plan three crises, each harder than the last, with a short dip after each.
Step 5: Land the climax and a short ending
The climax is the character's biggest choice.
Step 6: Draft it in one sitting
With the plan on one page, write the first draft fast, ideally in one sitting.
Short story mistakes to avoid
Too much setup. If the first crisis arrives after page three, start later.
A twist with no setup. The ending should feel surprising and inevitable.
An ending that explains itself. Stop one line earlier than feels safe.
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