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| (Continued from "Note: With [Link to Interactive Chapter #ZKSSRM5TM], I p...") Another thing I wanted to mention was that this story was written during the period of time I had to take care of my late grandmother, so it was a bit difficult to structure an interesting story while keeping an eye on her. Even if I had a lot of time available, the cold, the lack of good sleep and the interruptions didn't help. Now, I don't want to blame what happened for any potential lack of quality within the story - I revised it afterwards and didn't feel unsatisfied by it - but I felt the need to explain why. Especially since it's a story dealing with a key secondary character in a dynamic beyond "wearing skins/being worn as one". There were hints of Trish's behavior on other stories, but she was never central in any of them, so I had no idea how to develop her. Jessica, being David's girlfriend, has had more exposure and has gravitated between curiosity and impulsiveness, but I had to imagine what Trish would do with them. Turns out, being a "wild girl" helped a lot. That is why retcons are important. Having Trish be essentially a "wilder" Jessica made her one-dimensional. By having clear contrasts - in the same way Archie's love interests, Betty and Veronica, are almost polar opposites - you can create different dynamics. Maybe Jessica expresses caution at first, but eventually embraces them. Trish, on the other hand, flares with ideas the moment she learns about them. And someone like Tina (David's sister) rejects them outright. This is important since, while the nature of "skinsuit stories" are often fetishistic, having everyone entusiast to use them feels incredibly unrealistic. Everyone has thoughts on the idea - some have to be pushed, others transparently use them, and some unveil secrets through them. Through exploration, you can imagine what kind of stories you can write with them. Jimmy leads to stories like "One Too Familiar Twist"  and "Of Unexpected Test Runs and Plans" . Claire leads to "Knocking Some Sense unto You" , while Jessica leads into stories like "The Layers of your Girlfriend('s Family)" and "A Girlfriend's Proposal" . Partnerships lead to very different stories, and knowing how the partner will react is invaluable to create stories like that. What kind of story will tomorrow bring? Well, it's a continuation of "Setting Up the Trap(s)" , so it'll involve a lot of players. What will David, his father, "Cassie" and agent Silva do against Cassie's mom? And why would the FBI agent settle to give David the identity of Isabella for his cooperation? Stay tuned! |
| With "No Returns Allowed; All Mistakes Final" , I put this new branch on a pause, forced to admit I made a capital sin. In order to accommodate the storyline, I had to do a hard retcon. So, what's "retcon"? That's short for "retroactive continuity", meaning that events in the future end up altering things in the past to maintain continuity. The term has been used a lot in TV series and even movies, where something previously problematic or leading to a plot hole gets "fixed" by one. Now, why am I doing that, and why would that be a "capital sin"? Well, I wanted to write a story about Trish for some time, since she's the only one in my own continuity that I hadn't dealt with - I dealt with Jimmy, with Jessica, with Claire, with other entirely unrelated people, even with the Organization, but never with David's first friend. So - all I needed was a way to enter, right? That was harder than I imagined, because all entry points had something I wasn't comfortable with. Either Trish had the pens earlier and started doing insane stuff, or Trish ends up actually being Jessica, or the pens suddenly gain new and unexplainable powers - things that didn't fit in my continuity. So, I found one that had the least egregious changes and artfully steered them the way I wanted - a story by Jack7375  following a prompt made by mess  themselves. The change was simple - bring Trish more to how I envision her. The first writer envisioned her as a blonde, and there are too many blondes already (Jessica being the most important, but also most of the Blonde Squad and the Wright family), so I had to change that. Then, the large breasts had to be toned down to fit someone with an athletic body while explaining why they appear smaller. I thought that'd be the case. Except mess also had a vision of Trish (in another story) and, most importantly, a vision of how the mechanics work. Specifically, that the pens create zippers - which I feel is too outlandish. And, as the creator of the story, I tend to respect their structure as far as I can go. This means that I'd have to replace everything I've written, as it was done with the impression of different mechanics - or, I could simply retcon that this particular story to fit what happens in my continuity. Still have a bit more to add, so I'll address it in a different note. |
| With "The Dangers of a Frolicking Good Time" , I pause this commission for a while. Also, a milestone - today, "Skins" has hit 1,200 chapters! (And obviously, not all of them done by me, so keep that in mind.) As you can see, the story has Drew Collins as the protagonist, rather than David Anderson. This was a compromise I made with the commissioning person to better suit their desires. Though I originally suggested the stranger in "Inside Comes a Stranger" (specifically, the one wearing Tina), they decided to change their mind, and that gave me the opportunity to expand on Drew. So, what differs? Well, for one, Drew's on the lower rung of school. He has few redeeming qualities, but isn't a complete jerk - he's just full of himself. However, the moment the pens fall on his lap (figuratively speaking), he immediately uses them to satisfy his urges. Suffice to say, I don't expect a lot of breadth from Drew's stories - and that's absolutely fine, as not everyone will react the same way. You'll also note a lot of sexual content, and that's by design - that was the most specific request in the commission. Of course, trying to satisfy it was a challenge; trying to make the "typical skinsuit story" (guy finds a skinsuit device, guy turns girl into skinsuit, guy puts on skinsuit, guy does sexual things while in skinsuit) into an intriguing one. (Hence, family members and backstory.) See - most people that like skinsuit stories look for just this. (And that's fine!) Others prefer something resembling a story to pad the lewd stuff up. (And that's fine too!) But, ultimately, this leads to the medium being not taken seriously by writers and artists, which leads to issues like lack of content. (And gatekeeping, but YMMV on that/) As self-aggrandizing as it may sound, I write stories that expand beyond that. The spying story with the Organization, the tale of corruption with David-as-Rachel, the story of David becoming Claudia - these are stories that have a distinct purpose, yet constantly have the pens (and therefore, the skins) as a returning medium. I feel these stories are worth writing, as they show what you can do with the medium. But, sometimes, all you need is a "typical skinsuit story" to satisfy to the fans who ultimately consume this. (And to be honest, I dig those stories too.) Now, what kind of story will tomorrow bring? All I can say is, it deals with someone very important to David, but not addressed too much in my stories. Stay tuned! |
| Like I mentioned yesterday, today's chapter in "Skins" goes into uncharted territory as it deals with a different main character. This branch (part of a commission) will run for the whole week, barring extraordinary circumstances. First chapter is here: "The Tale of Drew Collins" |
| With "When Treasures are No Longer Unique" , I'm pausing this branch as I do with others - on a cliffhanger. Much like the branch where David collaborates with Silva/"Epsilon", this is one of my favorite branches because it goes deep with the impersonation of an individual and the consequences of doing so. By this point, our protagonist can't be called "David" anymore because he - or rather, she - has fully immersed into Claudia's life, to the extent that it has achieved some interesting goals. Of course, a story isn't a story without problems on the way, and there are a couple. For one, dealing with having to help the crooks (Leslie and Meredith) in their own mission to uncover the other pens. Then, how Claudia's own personal issues - having to fight with her former mentor, Archibald Smithers, for the fate of the Municipal Library - overlaps with that mission, and the further issue of the hypnotic purple pen coming into play. If anything, each chapter escalates, as Claudia (and Luke, and the crooks) learn about its power. And the cliffhanger? Well, that such power isn't theirs alone. Remember that choice of whether they'd deal with the distributors or with Leslie? Well, that decision is coming back for them, as they're now essentially forced to deal with it. And if you've seen other branches, you know where this can lead. Will Claudia and Luke face those challenges, or be content with their new lives, knowing they could be replaced at any minute? Tomorrow will explore uncharted territory. So uncharted, it doesn't even have David as a protagonist! (Oops! Did I say too much?) This is part of a commission I was working on before the events that caused me to take a hiatus, and finished after those events. It's also a pretty lewd story, so keep that in mind. Though I'll post a link to the first story in this whole new branch tomorrow, I'll post the main hub for stories with a main character other than David as a protagonist today - "A(nother) Hub of Possibilities" . This will eventually be filled with potential new owners of the pens. But who will be the first? Will it be someone known, like Trish, or Jimmy? Will it be someone completely new and unknown? Or will it be something in the middle? (Also, quick question for "The Book of Masks" fans. Would you like to see a story where the pens appear in Saratoga Falls [and surroundings] instead of Edgefield and Tyneside? Make sure to post here if you want - or not.) |
| Apologies for the late post, but I wanted to share an unexpected coincidence. Today's chapter in "Skins" ("The Plot Against Archibald Smithers" ) has a bit where one of Claudia's suitors, Dr. Herman Woodrow, asks her for a copy of a book called The Romance of Lust, which happens to be a real Victorian-era erotica story that borders on smut. (In fact, it was done anonymously!) Though the choice was somewhat intentional, the coincidence was not. You see - while on my unintended hiatus, someone posted a story that I found most interesting: "The Lady’s Night of Debauchery" . It deviates from the flow of the story to indulge on more erotic elements, but one of the things that introduces is that Claudia (the real one) had a preference for spicy literature while on her private moments. While there are references to previous parts of the story (such as the guest rooms and her love of literature), that wasn't fully established within the branch. Thus, it's a coincidence that the interaction between Herman and Claudia regarding the book, and the little revelations that come from it (that she's read the book and even fantasized about it) directly refer this. To make the point clearer: the writer of that chapter hasn't consulted me, and today's chapter was written a month prior to that one, meaning there's no possibility that we had a similar thought other than happenstance. (Sure, new!Claudia playing with her bits might suggest that, but it could easily be David taking an otherwise prude woman to new experiences.) It's an interesting thought. Is it a case of minds thinking alike, or was it built from hidden clues that were placed during the story? |
| A reminder that new "Skins" chapters will be releasing this week. I already posted the first of the current branch: "No Plan Survives Contact with the Head Librarian" |
| Finally, some good news for you guys! New "Skins" chapters should resume tomorrow. The one outstanding commission someone asked me for is finalized, and between that and finishing the last chapter I was currently working at, I should have enough content for 3 weeks. Tomorrow should start after "Le Tour de (Non?) Farce" , the branch where David becomes Claudia. To recap: after a little scare involving a potential reveal of his stolen identity, David has to deal with the people posing as members of his (now old) family, Leslie and Meredith. The latter expresses some concern about her partner's obsession with the hunt for the pens, so "Claudia" and Luke, her own partner-in-crime (of sorts; not a criminal but a fellow roleplayer in the Society) agree to help them in exchange for a favor, eschewing going for the alternative of dealing with Luke's "providers". The plan is simple - the next location seems to be in one of Tyneside's libraries, so Claudia will check on her own. She and Luke arranged to do so while advancing her own plans of advancing a proposal that would generate funds for the Municipal Library and give her the needed edge to become its next head librarian. However, amidst the plan, the pair plus Meredith (disguised as a student) learn that the next set of pens may be in the hands of Claudia's former mentor and rival. What will the new Claudia Nicholls do with this information? You'll figure out during this upcoming week. Next one will most likely involve the commission, and with that, an hitherto unseen twist. Can't give too many details, but suffice to say, it'll involve something I'm loathe to do, yet still works considering how it was structured. Then, I'll post a whole new branch for you guys, one that explores another early choice and deals with someone that has scarcely appeared in the story. In the meanwhile, I'll keep working on other branches while at it, hopefully without further interruptions. As a final word, I appreciate the well-wishes and thoughts regarding the situation that caused my hiatus. Again, barring a circumstance like that, I should be providing you with content at least until the end of the year. |
| So I mentioned I might have a chance to restart posting "Skins" chapters this next week, but I didn't expect I'd be set back by the flu. Spent some days in bed without a desire to do anything, relying on medication to be there on my grandmother's wake, so I couldn't really do much - roughly a paragraph's worth. So, I apologize if I must delay for one additional week. Still feeling under the weather, but at least I don't need medication to feel better. Will see if I can finish those two chapters and then work on a third branch before I restart. That said, someone decided to post a chapter for the Interactive - "The Lady’s Night of Debauchery" - so if you want, give a look at it and tip them if you like it. |
| I apologize one more time, but I'll have to delay resuming posting chapters of "Skins" for at least one more week. And because of that, I feel you deserve an explanation. For the past two weeks, I was going in and out of the hospital, accompanying my maternal grandmother. On the 24th of October, she suffered a mild stroke which required her to be hospitalized. For the next week, doctors did as many tests as possible, eventually finding nothing other than that event. I started accompanying her that Sunday, alternating days with my mother so we could have some rest. On October 31st, doctors were ready to let her leave, but a little complication with urination retained her. Plans were made for both that situation and her eventual recovery at home. Yesterday, my grandmother parted away, at the age of 87. My mother was with her, but I had a chance to hear my grandmother one last time before her parting. She was uncomfortable, but she was otherwise healthy - she ate her breakfast and was alert. It was sudden - literally one hour after I ended that call, my sister calls me, confused, and when I finally called my mother again, she confirmed it. Now, this could be all the explanation you need, but I feel the need to be honest. During my stays, and during my "off-days", I was writing chapters for a new branch on the Interactive, and you might be surprised to know I actually worked on four chapters during those two weeks, only needing two more to complete a whole week. That, plus an unfinished commission, would've rebuilt the buffer for three weeks' worth of content, which I could keep working on so I could complete my goal. As you can see, four days out of 14 would've burned that buffer immediately, especially if I kept posting things uninterrupted. (And there's one more thing to blame - I was switching between my computer and playing with my Switch.) What does this mean for the foreseeable future? Things will be hectic this week, what with funeral arrangements, but I could use a distraction, and writing helps with that. I can't promise I'll have a buffer of three weeks by next Saturday, but I'll do my best to contact the commissioner and complete that, as well as finishing those two chapters. After that, the rest should be based on established branches, which should make things easier. Again, I know some of you may think that I should take all the time I need. I appreciate the thoughts, but life goes on. An apology to you all should suffice. |
| The situation that I mentioned last week is still happening, so new "Skins" chapters will have to wait until next week. To give a reason why I'm stopping - the situation is eating up most of my writing time. During all this week, I've only written about 2 chapters altogether. Had I posted the ones I had this week, I'd have to stop next week anyways because I wouldn't have anything on the buffer. Thus, I'm trying to build up the buffer again before moving forward. Again, I apologize, but this was really unexpected and it completely altered my routine - and most likely will alter my routine for the remainder of the year. |
| With "A Brother's Unlikely Offer" , I pause this branch for a bit. This also makes the third branch where David chooses to fully assume the identity of a woman, besides the ones where he assumes the identities of Rachel and Claudia. This one is a big contrast, as while the other two are meant to be hot women (and very similar-looking), Heather isn't. And also, this claim - so to speak - doesn't make David leave some of his old life behind. Yes, it makes him abandon his family, but not his friend Jimmy, or Mrs. Wilson. Heather was deliberately made so that she's not attractive. She's, in a way, the opposite of David's own older sister, Tina - rather than a hot, bossy and goal-oriented woman, Heather's not attractive, but still has a bossy demeanor and is goal-oriented. For people who like skinsuit stories to become hot women, this should deliberately be a turn-off. And yet, she holds some interesting secrets. Perhaps the most controversial is that she does sex work. Why make this particular choice? It's a two-fer; for one, it's meant to be a deliberate double-take situation, as she's presented as unattractive, yet she's got clients, which means this might not be the case for everyone. The other, however, is showing what desperation can lead to, and the excuses one makes to justify it - especially emotional desperation. It's presented in a slightly positive bent, but ultimately it's a situation that David will have to manage. And just as we explore Heather, Jimmy comes in with a distraction. He wants to show the pens - the "expanded set", sans the hypnotic one - to the crew (Drew, Eric, Bobby, Jake and Tommy) and make "one last big prank". David's experiences with the pens have shaped him, but Jimmy hasn't, and is showing his usual recklessness. Will David, now Heather, use his power as Jimmy's older sister to desist? Or will he support him? As for tomorrow... I know I mentioned there'd be daily updates until Christmas, but I also mentioned "unless something extraordinary happened", and this unfortunately is the case. I really don't feel like speaking about it, but it's eaten through my buffer. I still have one week's worth of content, but I haven't been able to renew it as I'd like to, so I'll most likely take this week off to work on it while I see what happens. Suffice to say, so far the worst has already passed, but it'll make things a bit complicated. So, see you on November (hopefully)! |
| With "Fortune, by the Blessing of Hades" , I put this branch to a pause. If you thought this branch was already dark, this just escalates things. I will admit that there are moments that deserve a warning, because the story deals with death. As part of remaining as Rachel, our protagonist (who has rejected their old identity as David Anderson) has made a deal with a dangerous criminal mastermind. Though I could've kept it within the "typical skinsuit story" guidelines, it wouldn't do justice to the story this implies. Therefore, we're seeing how Tessa, her boss, uses her as an asset. That said, there could've been different ways to handle this situation. As she holds some of the more advanced pens, such as the hypnosis pen and the skin-cloning one, Tessa could've destroyed Stanley Hoover's life differently. She could've involved him on a scandal, keeping him sequestered as his hapless clone destroys his reputation as an alderman and a respectable citizen. And with our main character's love interest - Jessica - slipping into the skin of Clarisse Hoover, the possibilities of ruining his family are endless. Yet, as much as Tessa isn't the protagonist of this story, she steals the show in the most spectacular way. She eliminates her opposition in the most brutal way, sending a clear message. This branch shows that Tessa isn't just a vehicle for our character to achieve their darkest, lewdest and nastiest dreams - she's a shaker and mover, holding power in this story. Which leads to what happens almost by the end of "The Last Days of a Good Man, Part 2" . If something defines Tessa Wright besides cruelty is obsession. She's willing to destroy a relationship if it means claiming one of the partners. Despite the glamorous life Rachel is living, ultimately she belongs to her, and no one will take her away. Perhaps the reaction may trigger some people, but feeling that loss of control over your life can lead to this. And yet, just when you think you know Tessa, she surprises you. Rachel is about to inherit everything Stanley built, one way or another. Where will this lead? Stay tuned. Tomorrow, I'll to continue from where "A Replacement Wife, a Replacement Mother" left. David has been helping his best friend Jimmy, and specifically his mother Julia, to reclaim the life her sister Vanessa "stole" her. However, Vanessa's husband Bradley starts misbehaving, revealing he was replaced by her ex-husband (and Jimmy's father), Dennis. What will they tell Heather, who's been used as a disguise for the plan? Check tomorrow. |
| With "Mapping the Lovers' Hill" , this branch comes to a pause. I'll admit that I took a rather controversial decision with this branch, having David and Jessica (usually expected as a traditional young couple) engage in a non-traditional relationship with Ally and Ash, specifically in that it's presented in a positive way. The matter of being comfortable consenting to a secondary romantic and/or sexual relationship is often seen as socially unacceptable, for one, and the discussion of whether this is functional as a form of relationship is another matter. Why did I do so? Call it a copout if you want, but it's to ease the guilt. David and Jessica aren't exactly engaged - they're not going to marry any time soon - so making an agreement that they'll deal with this couple the same way they deal with themselves eases the feeling that one's betraying the other - especially when Ally sets boundaries and reinforces consent as important. Do I personally believe in this? Surprisingly, no. I do believe not to be rash when on a relationship - that is, spend some time knowing each other before choosing to "tie the knot" (or not - and that means not just splitting, but living together without marrying). However, it'd be a disservice not to present this form of relationship at all, since otherwise there wouldn't be a discussion about it - or, at least, show what's attractive and what might be wrong with it. Will this lead to actual discussion? Well, it's a story about teens ultimately, so it depends. Being an Interactive, though, one branch may show how a relationship like that might work, while another might show why it's not. And another branch... well, it might just go into indulging and ignore the discussion altogether. And such a distraction already exists - who found them while they were having that brand of fun? You'll have to wait to find out. Tomorrow will be a contnuation of "The Confidence Game, part 2" , the branch where David becomes Rachel. Having "claimed" Jessica back, Tessa's new right-hand woman has been ordered to deal with one Stanley Hoover, alderman for the second district of Tyneside and a thorn in the mafia donna's side. While she infiltrated his consulting firm and has done some spying, she's yet to find the draft for Proposition 15th. She's about to make the next move - infiltrate the house. Who will she target, and who will replace them? Stay tuned. |
| A reminder that tomorrow should have a new set of chapters for "Skins" . They will follow from "A Couple of Couples Coupling Up" - the branch where David meets up with the laid-back and very accepting couple of Ashton Kennedy and Allison Tennyson. In that chapter, he and his girlfriend Jessica are worn by the aforementioned pair as a test of confidence, and have earned their support. Now, Allison has done an even stranger proposal - to date each other, as if they were a bigger couple. And of course, Jessica has her reserves. Will David become more adventurous? Or will cooler heads prevail? I have a little buffer built-in (and I'll try to keep it properly buffered), so with some effort I should have enough new content until Christmas. Unless something extraordinary happens, there should be new chapters each day until end of year. |
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As I age, I wonder what it would be like to wake up young tomorrow.
I think you're right that there'd be a thousand stories.