Hello, Joto-Kai . I found your story "Catching Cold" on the review request page. I enjoyed reading it and hope you find this feedback useful. Of course, this review is only how I see your piece. Accept what you is useful to you, ignore that which doesn't help. Any advice is offered with the sole intention of being helpful.
My favorite aspects:
The story hints well at deeper motivations. There are many examples, but an early one Shawna's blue eyes saw too much. John looked down at the pedals, gripped the steering wheel, and shook his head. will suffice to make concrete what I mean. It's not explained how Shawna knew too much or what that it was she saw. A disquieting point is that since the story is from John's point-of-view, this narration must be John's assessment that Shawna's blue eyes saw too much. That's a lot of twists for the reader to take.
This sentence worked especially well, meaning and placement augmenting each other. Ahead of him, the road sign said, "Dead end."
He had no right, no right at all, to waste her time like that. This hint at to-be-revealed secret is excellent. I want to know why he thought he had no right to do something. I expect an answer by the end of the story.
Setting:
The story does not set up situations concretely enough. In the beginning, the reader reads Shawna nodded and stepped out, Poised to close the door The transition from alone in John's car to Shawna's presence is confusing. My first thought was that he had knocked on her door and she answered; however, the rest of the paragraph has its location at the car door.
Here A boy sat on his bike and looked down at him, face flat . Where did the boy come from? Also, "face flat" is an unclear description.
Characters:
Immediately after John almost ran into a man in the intersection, John turned to walk away. from his car. When someone does something contrary to normal reactions, it begs for an explanation. The story cracked an answer part way with "That's the point, isn't it? I don't know a good thing when I've got it." but that didn't directly address his reaction.
Excuse me while I get on a soapbox. There is an excellent writing technique to make stories sensible to readers. A physical stimulus (or motivating event) always precedes a character's response. In a story beginning as yours, a reader is prepared to wait for clearer links between external stimulus and personal reaction, but those links need to eventually be given.
As I step off the soapbox, allow me to mention Scene and Structure by Jack M. Bickham, publ. by Writer's Digest Co. as providing solid and meaningful examples of the technique.
Author's question
Did John really love Shawna? John seems to love Shawna (at emotional level) but not realize it (in consciousness).
After reading the story three times, my impression of John is a man in a mental/emotional crisis, of non-described origination.
In this story, Shawna has limited personality other than to love John. Carol was merely a pretty bauble that John distracted himself with.
Suggestions: Consider making settings more concrete. Present immediate actions in scenes as a series of Stimulus-Response units.
Overall Impression And Rating: I like the mysterious driving forces in John with a bit also seen in Shawna, but I didn't learn enough of their realities to satisfy my curiosity. 3 1/2 stars.
Thank you for sharing your story, Joto-Kai . Keep on writing!
Here's a story of mine, "Invalid Item" , about personal relationships in college. You might enjoy reading and perhaps provide feedback for a return review.
Bob
Burning Thoughts
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