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26
26
Review of Ruby Who?  
In affiliation with WdC SuperPower Reviewers Group  
Rated: 13+ | (5.0)
Hi, Odessa:
shared superpower image
WDC SuperPower Reviewer’s Raid has led QueenOwl's wings to your port. And because your work deserves a read and a review, here she lands to pore over your literary piece.

Here are some comments you might consider when you decide to revisit it for tightening and improvement. My observations and suggestions are enclosed in brackets and color-coded green.

Formatting Good application of formatting for this genre.

*Content I cannot help comparing myself as to how Ruby is regressing mentally at her age. Fortunately, I am seventy-five years old and still have my faculties intact. Of course, Ruby's head injury must be considered and hopefully, she will regain normality in the foreseeable days ahead. Nevertheless, it seems to me she has gone far beyond the disaster of a traumatic head injury. She has really lost a lot of her brainpower that she may never regain.

How tragically sad. She has my sympathy and empathy.

As far as *Mechanics,*Syntax, and *Punctuation go, you have skillfully brushed this manuscript to its flawless state. I'm impressed.

*Point of View (POV) I see three POVs in this exercise: The nurse, Ruby, and Ruby's friend, Dottie. It's a good practice to limit yourself to one perspective character per scene, as you did in this exercise. Staying on a single point of view per scene avoids confusion and keeps the reader to the end.

Also, we need to remind ourselves to avoid sliding into an Omniscient viewpoint.

*Element of Conflict There is enough element of conflict in Ruby's mind when confronted with reality to keep the story going.

*Climax Her memory did come back in the end. Good twist to end the episode.

Spelling I see no spelling typos or infractions to cause my brows to raise. Not even a tad.

*Dialogue
Good employment of dialogue showing your characters interacting with each other. The reader is in the head of the narrator, character, or author as the story moves along.

*Disclaimer
This is a very impressive writing exercise, especially with the application of dialogue. Keep in mind, though, that this is from one reader's point of view. As such, take it with a grain of salt. Other reviewers may find nuances that I fail to see.

*Overall take away Very impressive writing exercise. Keep up the good work.


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27
27
In affiliation with WdC SuperPower Reviewers Group  
Rated: 13+ | (5.0)
Hi, LightinMind:
SuperPower Sig - Cat&Balloons

It's January Raid and I am bracing myself to tackle this piece you have created to read, review, and offer you my input.

Here are some comments you might consider when you decide to revisit it for tightening and improvement. My observations and suggestions are enclosed in brackets and color-coded green.

Formatting
Well organized and easy-to-follow narrative.

*Content
Because I am not a SCI-Fi enthusiast and I am not familiar with Captain Kirk's voyage in the '70s, there is not much I can say about the nuances of situations in the story.

*Dialogue
I see good employment of dialogue in this exercise showing your characters interacting with each other. Dialogue put the reader in the head of the narrator, character, or author and makes the story come alive.

*Disclaimer
I hope my observations and suggestions can help you tighten some loose ends relating to the mechanics in writing. Keep in mind, though, that these are from one reader's point of view. As such, take it with a grain of salt. The decision to adopt or discard suggestions is your prerogative.

*Over-all take away
In fairness, I cannot offer any sensible comment to the story except I find the writing good and provocative.

Write away, LightinMind.

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28
28
In affiliation with WdC SuperPower Reviewers Group  
Rated: ASR | (4.5)
Hi, Life's a Beach:

SuperPower Sig - Cat&Balloons
It's January Raid and I picked your piece to read, review, and offer input.

Here are some comments you might consider when you decide to revisit it for tightening and improvement. My observations and suggestions are enclosed in brackets and color-coded green.

Content Well organized and easy to follow.

Spelling
mean time [meantime is one word]

Rule in using Tag lines and attributions: Attribution/Dialogue tags
Dialogue tags are part of the sentence. Use a comma instead of a period and change your tag to lower case to make a complete sentence. Additionally, change the period to a question mark, as Jake is asking not declaring.

Here's a snippet I cut and pasted for you to tweak and fix:

"Try out." Asked Jake.
Here's how a revised one should be: "Try out? asked Jake."

*Dialogue
Good employment of dialogue showing your characters interacting with each other. Dialogue breaks the monotony of a straight narrative. Makes your story sizzle, dazzle, and shine.

*Disclaimer
I hope my observations and suggestions can help you tighten some loose ends relating to the mechanics in writing. Keep in mind, though, that these are from one reader's point of view. As such, take it with a grain of salt. The decision to adopt or discard suggestions is your prerogative.

*Over-all take away
Love the last line. Good one. I got a big kick out of this one.

Write away, Life's a Beach. You got the knack.


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29
29
In affiliation with WdC SuperPower Reviewers Group  
Rated: E | (4.5)
Hi, Dr Gonzo:

SuperPower Sig - Cat&Balloons
It's January Raid and I find this piece intriguing to read. So let me tarry awhile and review this piece and offer you my input. Here are some comments you might consider when you decide to revisit it for tightening and improvement. My observations and suggestions are enclosed in brackets and color-coded green.

Formatting
Good development of an essay.

*Content
It's kind of preachy and may be a turn-off but there is value to its content.

But at this point, I will focus on the Use of Ellipsis which has saturated this whole narrative.

Here are some snippets I cut and pasted for your awareness and revision consideration:

Or is it our own take on things...with a little garnish on the side to add pizzazz?

Truth is often perceived as the hard road because it does come at a price...a price that may to some seem too high and a lie as the easier option.

responsible parenting must teach...and a tap on the hand is better than a burn,

Yet, the irony is, if he/she touches something hot, that lesson will never be forgotten...or repeated.

Uses of Ellipsis

I see this exercise is saturated with ellipsis. Let me share with you what I learned about ellipsis. It might help you minimize its use just as it did me.

Ellipses, also known as ellipsis points and suspension points, are punctuational devices composed of a trio of spaced periods. (Always make sure that all three periods fit on a single line of text.) Ellipses have two important functions.

First, they are used in dialogue to indicate that a speaker has not brought an utterance to completion or to indicate that there are awkward pauses in the utterance.

The second use of the ellipses is to indicate that one or more words have been omitted from a direct quotation because the quoter considers them irrelevant to his or her purpose.

If you delete one or more words from the beginning of a quotation, you do not need to use ellipses – unless the document you are writing is unusually formal, in which case the blank space will separate the opening quotation mark from the first ellipsis period, but one blank space will follow the final ellipsis period.

If you delete one or more words from the end of a quotation positioned at the end of the hosting sentence, however, you need to use both a period and ellipses if the quoted matter has the status of a grammatically complete sentence. No blank space will precede the period.

If you are deleting one or more words from the end of a quotation that has the status of a grammatically complete sentence and that ends with a question mark or an exclamation point, position the terminal punctuation mark after the ellipses.

*Dialogue
Employment of dialogue may help break down the monotony of reading a straight narrative.

*Disclaimer
I hope my observations and suggestions can help you tighten some loose ends relating to the mechanics in writing. Keep in mind, though, that these are from one reader's point of view. As such, take it with a grain of salt. The decision to adopt or discard suggestions is your prerogative.

*Over-all take away
It's leaning towards being preachy. It can be toned down by injecting some humor in between preachiness and lecture.

Write away, Dr. Gonzo.
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30
30
In affiliation with WdC SuperPower Reviewers Group  
Rated: E | (4.5)
Hi, Sailor M:

SuperPower Sig - Cat&Balloons
It's January Raid weekend and I picked your story to read, review and offer my input.

Here are some comments you might consider when you decide to revisit it for tightening and improvement. My observations and suggestions are enclosed in brackets and color-coded green.

Formatting
Good exercise using dialogue all the way.

*Content
Interesting that the owner of the car did not lock the door.

Here is a snippet I cut and pasted that need tweaking for clarity:

Can I get it?"[,] Julie asked.[Delete comma. Unnecessary.]


*Dialogue
Like I mentioned at the outset, this is good employment of dialogue showing your characters interacting with each other. Dialogues put the reader in the head of the narrator, character, or author.

*Disclaimer
I hope my observations and suggestions can help you tighten some loose ends relating to the mechanics in writing. Keep in mind, though, that these are from one reader's point of view. As such, take it with a grain of salt. The decision to adopt or discard suggestions is your prerogative.

*Over-all take away
It's just kind of odd, that in today's mentality, people make sure their car doors are locked before leaving it for parking.

Write away, Sailor M.


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31
31
Review of Owl Cofe  
In affiliation with WdC SuperPower Reviewers Group  
Rated: E | (4.0)
Hi, KaoriYumesaki:

SuperPower Sig - Cat&Balloons
Because it's January Raid, I picked your story to read, review and offer my input.

Here are some comments you might consider when you decide to revisit it for tightening and improvement. My observations and suggestions are enclosed in brackets and color-coded green.

Actually, I'm just going to focus on Punctuation and Uses of Ellipses with the following examples I cut and pasted for your awareness:

"Well, ……Nakano-senpai. I'd like to talk to you about something. [Insert space]I'm not sure what to make of it to do." [Put a space after the sentence.]

"What? What? Why ……?"

"Owl Cafe ……"

"Right. I'll have a …… caramel macchiato."
"Yes. ……. No, not now. Later."

"Harada-kun ……. Thank you. [Insert space]I…… can't take it anymore."

There is a time and a place ……!


"This is a barn owl," she said. [Finish the quotation with the tag. Do not take it down to the second line.]


Ellipses, also known as ellipsis points and suspension points, are punctuational devices composed of a trio of spaced periods. (Always make sure that all three periods fit on a single line of text.) Ellipses have two important functions:

First, they are used in dialogue to indicate that a speaker has not brought an utterance to completion or to indicate that there are awkward pauses in the utterance.

The second use of the ellipses is to indicate that one or more words have been omitted from a direct quotation because the quoter considers them irrelevant to his or her purpose.

If you delete one or more words from the beginning of a quotation, you do not need to use ellipses – unless the document you are writing is unusually formal, in which case the blank space will separate the opening quotation mark from the first ellipsis period, but one blank space will follow the final ellipsis period.

If you delete one or more words from the end of a quotation positioned at the end of the hosting sentence, however, you need to use both a period and ellipses if the quoted matter has the status of a grammatically complete sentence. No blank space will precede the period.

If you are deleting one or more words from the end of a quotation that has the status of a grammatically complete sentence and that ends with a question mark or an exclamation point, position the terminal punctuation mark after the ellipses.

*Dialogue
Good employment of dialogue to show your characters interacting with each other. Dialogues put the reader in the head of the narrator, character, or author. All you have to do is to clean up your use of ellipsis and punctuation marks and you're good to go.

*Disclaimer
I hope my observations and suggestions can help you tighten some loose ends relating to the mechanics in writing. Keep in mind, though, that these are from one reader's point of view. As such, take it with a grain of salt. The decision to adopt or discard suggestions is your prerogative.

*Over-all take away
Your story has a good potential to pop, dazzle, and shine. Just do a study on the use of ellipsis and punctuation marks and revise. You'll be a pro in no time at all.

Write away!


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32
32
In affiliation with WdC SuperPower Reviewers Group  
Rated: E | (4.0)
Hi, Lori M:

SuperPower Sig - Cat&Balloons
Because it's January Raid and we're raiding comedy stories, I am giving you a shot at your comedy piece to offer you my input. Here are some comments you might consider when you decide to revisit it for tightening and improvement. My observations and suggestions are enclosed in brackets and color-coded green.

Formatting
This exercise is a good try at using dialogue from start to finish.

*Content
I am amused at the exchange back and forth of the caller and the office personnel regarding a possibility for a lifeguard position for the Summer.

*Punctuation
The difficulty I see from your application of dialogue lies in the proper positioning of punctuation marks. So, let me share with you what I have learned that might help improve your work as well. Here goes:

1) Punctuation Marks and Closing Quotation Marks: According to The Writer's Digest Grammar Desk Reference, typographical convention in the U.S. requires that periods and commas always be inserted before the closing quotation marks - regardless of whether a direct quotation consists of an entire sentence, a phrase, or a single word. Understandably, this convention is widely violated. I'm pointing this out for what its' worth.

2)Attribution
Dialogue tags are part of the sentence. Use a comma instead of a period to complete the sentence. Use lower case (for pronoun) to complete the sentence.

3) Here are some snippets I cut and pasted showing where cleaning up of misplaced punctuation marks are needed:

"Yeah, like I'm calling about your ad in the paper for a lifeguard[.] [,]" a very young female voice replied [.]
Rule: Replace period with a comma and don't forget your terminating period at the end of the sentence.

So, review your punctuation marks with a fine-tooth comb as the above example demonstrates.

*Element of Conflict
There is an element of conflict that keeps the conversation going. Good job.

*Climax
Seems like the caller was persistent, unwilling to give up and she faced a rude awakening in the end.

Spelling
I see no typos or violations in spelling that would take the conversation on a tangent. Good work.

*Disclaimer
I hope my observations and suggestions can help you tighten some loose ends relating to the mechanics in writing. Keep in mind, though, that these are from one reader's point of view. As such, take it with a grain of salt. The decision to adopt or discard suggestions is your prerogative.

*Over-all take away.
This story has the potential to shine, pop, and sparkle given the improvements I recommended. Go back to the drawing board and revise. It takes extra work but it's all worth it once you see the difference.

Write on. The more you write, the better you'll become as a writer. And read to your heart's content, paying close attention to the formatting and mechanics of the material you're reading.

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33
33
In affiliation with WdC SuperPower Reviewers Group  
Rated: E | (4.0)
Hi, Lurie:

WdC SuperPower Member to Member Review Raid sig
Because it's Superpower November Review Raid time, I took the freedom to pick your story for review to offer you my input. Here are some comments you might consider when you decide to revisit it for tightening and improvement. My observations and suggestions are enclosed in brackets and color-coded green.

*Content
The three basic elements of a short story have been satisfied here. It has a beginning, middle, and ending. It can sparkle, sizzle and dazzle if the Point of View, Conflict, and Climax are more detailed and defined.

As far as *Mechanics,*Syntax,*Punctuation and all the nitty-gritty in formal writing is concerned, here are some snippets I cut and pasted that may need tweaking and fixing for clarity and readability:

Pearl was going home from market. On her way back, she saw her husband with a young lady who was almost around her age. [These two sentences sound awkward the way it is written. Try to revise them into a chronological order to make them sync. Perhaps something like this:

Pearl went to [the] market one day. [As she was leaving,] she saw her husband with a young lady who was almost around her age.

Her sister had always told her to keep an eye on the husbands but till now she had never taken her advice seriously. [I understand what you are implying here but it does not fit well. How many husbands does Pearl have to keep an eye on? All and any husband or her own in particular?

You might want to fix this by saying, "Her sister had always told her to keep an eye on her husband..."]

[The][Next] [next] day her sister, Jane[,]called her.[Enclose a proper noun with commas, if the sentence can stand completely without it.]

Listen calmly and just think carefully upon it." [she][Delete]

"It is like this[.....]I went to a mall today and there I saw Ryan...maybe I confused that man with our Ryan but he looked very similar. I...I..."
[See Uses of Ellipsis}


Uses of Ellipsis
Let me share with you what I learned about ellipsis. It might help you understand and minimize its use just as it did me.

Ellipses, also known as ellipsis points and suspension points, are punctuational devices composed of a trio of spaced periods. (Always make sure that all three periods fit on a single line of text.)
Ellipses have two important functions.
First, they are used in dialogue to indicate that a speaker has not brought an utterance to completion or to indicate that there are awkward pauses in the utterance.
The second use of the ellipses is to indicate that one or more words have been omitted from a direct quotation because the quoter considers them irrelevant to his or her purpose.
If you delete one or more words from the beginning of a quotation, you do not need to use ellipses – unless the document you are writing is unusually formal, in which case the blank space will separate the opening quotation mark from the first ellipsis period, but one blank space will follow the final ellipsis period.
If you delete one or more words from the end of a quotation positioned at the end of the hosting sentence, however, you need to use both a period and ellipses if the quoted matter has the status of a grammatically complete sentence.(THIS IS THE ONLY TIME FOUR DOTS ARE USED IN ANY ELLIPSIS.)No blank space will precede the period.

If you are deleting one or more words from the end of a quotation that has the status of a grammatically complete sentence and that ends with a question mark or an exclamation point, position the terminal punctuation mark after the ellipses.

[Punctuations at the end of a quotation and attributions:
IN THESE TWO EXAMPLES BELOW, THE COMMA TAKES THE PLACE OF THE PERIOD AND IT HAS TO BE INSIDE THE CLOSE QUOTATION MARK.]


1) "I am just reminding you to take care as men nowadays aren't faithful enough[.",] Jane added.
2) "Please keep the phone now. I am not in a mood to talk to you today[.",] saying this Pearl threw the phone on the bed.

*Dialogue
Good employment of dialogue showing your characters interacting with each other. All you need to do in this area is to pay particular attention to how punctuation marks are used in dialogues.

*Disclaimer
I hope my observations and suggestions can help you tighten some loose ends relating to the mechanics in writing. Keep in mind, though, that these are from one reader's point of view. As such, take it with a grain of salt. The decision to adopt or discard suggestions is your prerogative.

*Over-all take away
What a tragic outcome from an idle talk. I call it "idle talk" because Jane had no proof or evidence in getting an unsubstantiated suspicious scene out to her sister. It is pure tattle-telling. This is worse than just a small misunderstanding. It is a grave danger that one must avoid by all means.

At any rate, keep writing and revising. Like published authors say, "writing is revising."


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34
34
Review of The Awakening  
In affiliation with WdC SuperPower Reviewers Group  
Rated: E | (4.5)
Hi, musey:
Pink image on share
It's September Raid for WDC SuperPower Reviewers Group and I am going to tackle your work gladly.
Here are some comments you might consider when you decide to revisit it for tightening and improvement. My observations and suggestions are enclosed in brackets and color-coded green.

*Content
There is something in the narrative I am not clear about. Do I understand Corey was the result of the white lawyer man's relationship with a black woman? So Corey was half-white and half-black? If my understanding is correct, then, I understand Corey's brother's taunting remark at the end, which is, "Nobody don't want the white boy."

*Mechanics Good command of the written English language. I also like the portrayal of how the poor black families live by the way they speak.

*Dialogue
Good employment of dialogue showing your characters interacting with each other. Dialogues put the reader in the head of the narrator, character, or author. Through dialogues, the story pops, dazzles, and sizzles.

*Disclaimer
I hope my observations and suggestions can help you tighten some loose ends relating to the mechanics in writing. Keep in mind, though, that these are from one reader's point of view. As such, take it with a grain of salt. The decision to adopt or discard suggestions is your prerogative.

*Over-all take away Good portrayal of the wide divide between the lifestyle of the rich and the poor, in this case especially between blacks and whites.

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35
35
In affiliation with WdC SuperPower Reviewers Group  
Rated: E | (4.5)
Hi,Philippe:
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It's September Raid and I am here raiding your port on behalf of the WDC SuperPower Reviewers Group. Here are some comments you might consider when you decide to revisit it for tightening and improvement. My observations and suggestions are enclosed in brackets and color-coded green.

Formatting
In consideration of those who have difficulty reading the fine print, please use
12-point font for readability.

*Content
Poor Pete. I feel sorry for him. You're right. Even in death, he couldn't get a break. May his soul rest in peace.


*Mechanics I had a little difficulty reading the vernacular. It took me longer to get the conversation because I had to go back and reread. Nevertheless, you did a super job in showing the native tongue with a venue somewhere in Auckland.

Here is a snippet I cut and pasted that need tweaking for clarity:
"...he kept [himself] to himself mostly,..." [he kept to himself mostly,] [remove dedundancy]

*Dialogue
Good employment of dialogue showing your characters interacting with each other. Dialogues put the reader in the head of the narrator, character, or author and make the story pop, dazzle, and sizzle.

*Disclaimer
I hope my observations and suggestions can help you tighten some loose ends relating to the mechanics in writing. Keep in mind, though, that these are from one reader's point of view. As such, take it with a grain of salt. The decision to adopt or discard suggestions is your prerogative.

* Overall take away Good creative fiction story. it sounds almost real. Such a person could be among us because it takes all kinds of personalities in a world of diverse orientation and upbringing.

Write away, Philippe. You got what it takes to be a wordsmith.


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36
36
In affiliation with WdC SuperPower Reviewers Group  
Rated: 18+ | (4.5)
Hi, Beholden:
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Because it's Superpower Best Review Raid time, I took the freedom to pick your story for review to offer you my input. Here are some comments you might consider when you decide to revisit it for tightening and improvement. My observations and suggestions are enclosed in brackets and color-coded green.

Formatting
It has satisfied the structure and elements of a short story with beginning, middle, and end.

*Content
I was wondering if Andy was on drugs all the while which caused him to constantly hallucinate and see all kinds of weird and imaginary personalities in his waking hours?

As far as *Mechanic,*Syntax,*Punctuation, and the nitty-gritty of writing go, here are some snippets I cut and pasted that may need tweaking for clarity, conciseness, and readability:

Alfonso[,] the dragon[,] lay on the couch, [Inclose "the dragon" with quotation marks as the sentence can stand without it.]

“You’re no fun these days,” she complained. :"All mouth and no trousers, that’s you. [I don't exactly know what the colon is for in this direct quotation.]

*Point of View (POV)
The third-person point of view works very well in this exercise.

*Element of Conflict
How can Andy get rid of all the imaginary characters besetting him all hours of the day?

*Climax
Looks like Andy had finally put a stop to the creatures who bugged him no end by friendly persuasion and his sense of community and responsibility. At last, Andy was left alone while those creatures were busy somewhere else peddling their insanity. Nonetheless, Andy was able to explain to the judge what the obstacles were in preventing him from reading SCREAMS. And that's the bottom line.

Spelling
I just thought I'll point out the nuance in spelling between standard American English versus British English, such as the following:

realised [British] [realized ][American]

*Dialogue
Good employment of dialogue showing your characters interacting with each other. The reader gets in the head of the narrator, character, or author and can see himself in the action.

*Disclaimer
I hope my observations and suggestions can help you tighten some loose ends relating to the mechanics in writing. Keep in mind, though, that these are from one reader's point of view. As such, take it with a grain of salt. The decision to adopt or discard suggestions is your prerogative.

*Over-all take away
I can appreciate the hard work and organization put to work in this manuscript. Beholden is a good storyteller who can create terrific imaginary characters from his fertile imagination.

Write away, Beholden. You have come a long way!


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37
37
In affiliation with WdC SuperPower Reviewers Group  
Rated: E | (4.5)
Hi, IE:
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Because it's Superpower Best Review Raid time, I took the freedom to pick your story for review to offer you my input. Here are some comments you might consider when you decide to revisit it for tightening and improvement. My observations and suggestions are enclosed in brackets and color-coded green.

Formatting
It has satisfied the structure and elements of a short story with beginning, middle, and end.

*Content
Great moving story aided by your conversational style of writing and dialogue.

As far as *Mechanic,*Syntax,*Punctuation go, here are some snippets I cut and pasted that may need tweaking for clarity, conciseness, and readability:

"The Number 47 lumbers into view,"[See Presentation of Numbers]

Presentation of Numbers
Just thought of sharing what the authors of Writers Digest Grammar Desk Reference have to say about the presentation of numbers. So, here are the easy-to-use methods for the presentation of numbers:

1) When numbers are used infrequently: if a number can be spelled out in two words or fewer, spell it out. All whole numbers between zero and one hundred will therefore be presented as words.
2) When numbers are used frequently such as useful business-related, technical, and scientific documents: numerals are more reader-friendly than spelled out numbers, so the only numbers that are presented in words should be the whole numbers zero through nine; numerals should be used for all other whole numbers.
3) Ages (of persons) Except in journalistic, business, and technical contexts, spell out ages: forty-eight years old, a twenty-three-year-old, aged ninety-seven.
4) Times of day. When you are not spelling out the times (seven-thirty; a quarter before eleven this morning; half-past nine; nine o’clock; shortly after five), use numerals followed by A.M. and P.M. (12:10 A.M.; 4 P.M.; from 11:00 A.M. to 7:45 P.M.); never write three o’clock A.M. or three A.M. Use the words noon and midnight instead of numerals.
5) Percentages: In business, technical, and scientific contexts, use a numeral followed by the % symbol or the word percent:34%; 56%.
In other contexts, the number and the word percent should be spelled out: thirty-five percent; forty percent, etc.


"Mama says he has to "save his pennies", and all of his pleading..." [Closing Quotation marks]

"I'm trying to be patient here, but you are wearing on my nerves", and Justin darts..." [Closing Quotation marks]

"polite to do so, young man, no one wants to see your tonsils". [Closing Quotation marks]

Punctuation Marks and Closing Quotation Marks
Typographical convention in the United States requires that periods and commas always be inserted before the closing quotation marks – regardless of whether a direct quotation consists of an entire sentence, a phrase, or a single word. Caveat: Although this convention, is widely violated, I am sharing this with you for what it's worth.

"...folded up neatly for daytime but at night [is] [it's] his bed."

Two weeks later... [See Uses of ellipses]
Ellipses, also known as ellipsis points and suspension points, are punctuational devices composed of a trio of spaced periods. (Always make sure that all three periods fit on a single line of text.) Ellipses have two important functions.

First, they are used in dialogue to indicate that a speaker has not brought an utterance to completion or to indicate that there are awkward pauses in the utterance.

The second use of the ellipses is to indicate that one or more words have been omitted from a direct quotation because the quoter considers them irrelevant to his or her purpose.

*Point of View (POV)
Third-person POV works in this narrative.

*Element of Conflict
When a nine-year-old is confronted with the temptation and had no strength to resist, his best option was to go home and struggle to find a sensible solution.

*Climax
With his mother intervening on behalf of her son, they return the book with the money and he was rewarded with an amount that was beyond his imagination. I give credit and honor to the boy's mother whose conscience was pure and noble, giving a nine-year-old a lesson he'll carry with him in his lifetime.

Spelling
I see no misspellings nor typos in this manuscript.

*Dialogue
Good employment of dialogue showing your characters interacting with each other. Dialogues put the reader in the head of the narrator, character, or author. This has given life and action to the story. Dialogue always beats the monotony of narration.

*Disclaimer
I hope my observations and suggestions can help you tighten some loose ends relating to the mechanics in writing. Keep in mind, though, that these are from one reader's point of view. As such, take it with a grain of salt. The decision to adopt or discard suggestions is your prerogative.

*Over-all take away
Great story. I see minor skirmishes which can be easily fixed.


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Rated: E | (4.5)
Hi, R. Alan Wilson:
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Because it's Superpower Best Review Raid time, I took the freedom to pick your story for review to offer you my input. Here are some comments you might consider when you decide to revisit it for tightening and improvement. My observations and suggestions are enclosed in brackets and color-coded green.

Formatting
It has satisfied the structure and elements of a short story with beginning, middle, and end.

*Content
Great moving story aided by your conversational style of writing from a first-person point of view.

So, I'm curious to know. Having inclosed this word in quotation marks, what do you mean by "torrid affair" in the context of your story? LOL.

As far as *Mechanic,*Syntax,*Punctuation go, here are some snippets I cut and pasted that may need tweaking for clarity, conciseness, and readability:

*In 1951[.] I started first grade at Serna Elementary School, San Antonio, TX.

"...classroom was too crowded and split [we] [us] [,] students[,] into two halves,..."

Her last name began with a 'B'[;] mine, of course, with a 'W.' [Insert semi-colon]

*Element of Conflict
Your relationship was all honky-dory. There was no element of conflict to make the story intriguing. Although, as a traditional and conservative mother, my eyebrows did wrinkle seeing permissive parents in Joan's mom and dad.

*Climax
Situations and circumstances did change the outcome of your liaison and each of you moved on in a totally different and separate direction. Fate took its course and you're both happy in your own world. Memories, pleasant or unpleasant, do live long after time has passed you by. I can see the pleasant memories you cherish in your heart is worth reminiscing and writing about.

Spelling
No typos nor misspellings found.

*Dialogue
I think you could have employed dialogue here and there to show your innocent and childish conversations as you interacted with each other. Dialogues put the reader in the head of the narrator, character, or author. It makes the reader become a participant in the interaction, which can make him/her identify with their juvenile puppy love relationship.

*Disclaimer
I hope my observations and suggestions can help you tighten some loose ends relating to the mechanics in writing. Keep in mind, though, that these are from one reader's point of view. As such, take it with a grain of salt. The decision to adopt or discard suggestions is your prerogative.

*Over-all take away
This is a delightful and entertaining story; albeit, sad. There is always a pang of sadness mixed with pleasant memories in our life's journey to accept and to cherish.

Write away, R. Alan. And finish that biographical book you started. It would be interesting reading material in our leisure time. Let me in on it when it's available.


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Rated: E | (3.0)
Hi, Silva:
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Because it's Superpower Best Review Raid time, I took the freedom to pick your story for review to offer you my input. Here are some comments you might consider when you decide to revisit it for tightening and improvement. My observations and suggestions are enclosed in brackets and color-coded green.

Formatting
This manuscript has not satisfied the structural elements of a novel by the looks on this page. This, to me, looks like a first draft and the mechanics are not properly observed. I am referring to sentence structure where simple rules in constructing sentences are requirements in formal writing.

With that as a background, let me delve into the *Mechanics,*Syntax,*Punctuation Marks, and the nitty-gritty of the fundamentals of writing by demonstrating some snippets I cut and pasted that may need tweaking for clarity, conciseness, and readability:

***1.
"i dont have much experience tracking. growing up in a basic starter town made me more versed in dealing with people, not monsters. starting quests with little to no knowledge about what your hunting is not a smart move and i learned this fast."

If this kind of manuscript is submitted to an agent, an editor, or a proofreader, it will go directly into the Reject bin. Here is the proper formatting for the above example:

I don't have much experience tracking. Growing up in a basic starter town made me more versed in dealing with people, not monsters. Starting quests with little to no knowledge about what your hunting is not a smart move and I learned this fast.

***2.
Paragraphing is essential in any writing work. An idea per paragraph is essential for clarity and readability.

***3.
Presentation of Numbers
Easy-to-use methods for the presentation of numbers:
1) When numbers are used infrequently: if a number can be spelled out in two words or fewer, spell it out. All whole numbers between zero and one hundred will therefore be presented as words.
2) When numbers are used frequently such as useful business-related, technical, and scientific documents: numerals are more reader-friendly than spelled out numbers, so the only numbers that are presented in words should be the whole numbers zero through nine; numerals should be used for all other whole numbers.
3) Ages (of persons) Except in journalistic, business, and technical contexts, spell out ages: forty-eight years old, a twenty-three-year-old, aged ninety-seven.
4) Times of day. When you are not spelling out the times (seven-thirty; a quarter before eleven this morning; half-past nine; nine o’clock; shortly after five), use numerals followed by A.M. and P.M. (12:10 A.M.; 4 P.M.; from 11:00 A.M. to 7:45 P.M.); never write three o’clock A.M. or three A.M. Use the words noon and midnight instead of numerals.
5) Percentages: In business, technical, and scientific contexts, use a numeral followed by the % symbol or the word percent:34%; 56%.
In other contexts, the number and the word percent should be spelled out: thirty-five percent; forty percent, etc.

"5 silver pieces" i dont know the exact market price so i had to estimate
"No way in hell is the price for a basic Venom and some food, 3 silver" hes turning it into a negotiation
"4 and ill walk" my final offer before we have to fight over the kill

***4.
Proper names must be in caps.

Goliath is a proper name. Use upper case for the first letter.


***5.
The first letter to begin a sentence is always in caps.
This manuscript is saturated with an uncapitalized first letter at the beginning of the sentence.

***6.
End a sentence with a terminating period or some other appropriate punctuation mark such as a question mark, an exclamation point, or whatever the sentence calls for.

***7.
The use of apostrophes in shortened or abbreviated words is missing.
Take the time to analyze your sentences that need apostrophes.
Examples: don't, won't,

Spelling
Here are some misspelled words staring at me:
comprimise [compromise]
capabilites [capabilities]
acctually [actually]
peices pieces

Content
The reader cannot concentrate on the story because of the distraction in formatting. For the story to be appreciated, it must adhere to the norms of writing.

*Disclaimer
I hope my observations and suggestions can help you tighten the loose ends relating to the mechanics in writing. Keep in mind, though, that these are from one reader's point of view. As such, take it with a grain of salt. The decision to adopt or discard suggestions is your prerogative. [Caveat: If two or more reviewers will point out to you what I have pointed out here, it means you need to redo from scratch. That's your marching order.]

*Over-all take away
This manuscript needs an overhaul. It is not conforming to standard writing rules. To be honest, if this was a manuscript I picked up from a source other than writing.com, I would have tossed it aside at first glance.

Go back to the fundamentals of writing and restart, Skap. You can do it. It just takes hard work and effort but it's worth all your sweat and tears. Don't disappoint yourself and your readers. Plug along. Revision is the ticket to a successful output.


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Rated: E | (4.0)
Hi,Midoriya:
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Because it's Superpower Best Review Raid time, I took the freedom to pick your story for review to offer you my input. Here are some comments you might consider when you decide to revisit it for tightening and improvement. My observations and suggestions are enclosed in brackets and color-coded green.

Formatting
It has satisfied the structure and elements of a short story with beginning, middle, and end.

*Content
Great moving story aided by your conversational style of writing and dialogue.

As far as *Mechanic,*Syntax,*Punctuation go, here are some snippets I cut and pasted that may need tweaking for clarity, conciseness, and readability:

Jaden is 16 years old, [Jaden is sixteen-years old]

Easy-to-use methods for the presentation of numbers:
1) When numbers are used infrequently: if a number can be spelled out in two words or fewer, spell it out. All whole numbers between zero and one hundred will therefore be presented as words.
2) When numbers are used frequently such as useful business-related, technical, and scientific documents: numerals are more reader-friendly than spelled out numbers, so the only numbers that are presented in words should be the whole numbers zero through nine; numerals should be used for all other whole numbers.
3) Ages (of persons) Except in journalistic, business, and technical contexts, spell out ages: forty-eight years old, a twenty-three-year-old, aged ninety-seven.

Jaden had been an orphan for his entire life[,] [.] [one] [One] day [,] as he left the orphanage and headed to his high school[,] he noticed a burning building with people screaming. Jaden had always wanted to save people [,] [.] He ran in, stupidlyto save those people.

Suggested revision:Jaden had been an orphan for his entire life. One day, as he left the orphanage and headed to his high school, he noticed a burning building with people screaming. Jaden had always wanted to save people. He ran in, stupidly, to save those people.

Point of View
Limit yourself to one Perspective Character per scene, preferably per chapter, ideally per book. (Staying on a single point of view per scene is ideal.) That means no switching POV characters within the same scene, let alone within the same paragraph or sentence.

The vaping middle man said "Give us some money! We saw you in the coffee shop!", I replied with "I used all the money I had on my coffee." Which was a lie as I always saved $20 just in case, The left man punched Jaden in the gut.

This is a switch in Point of View. Your story started from a third-person POV; this is the first-person (the narrator, story-teller) suddenly referring to himself as the object of mugging. You need to fix this for clarity and readability.

Here's my suggested revision:
The vaping middle man said, "Give us some money! We saw you in the coffee shop!"
"I used all the money I had on my coffee," Jaden replied. This was a lie as Jaden always saved $20 just in case."


The man looked about 20-ish, his legs were... Where were his legs? [See Uses of Ellipsis]
Ellipses, also known as ellipsis points and suspension points, are punctuational devices composed of a trio of spaced periods. (Always make sure that all three periods fit on a single line of text.) Ellipses have two important functions.

First, they are used in dialogue to indicate that a speaker has not brought an utterance to completion or to indicate that there are awkward pauses in the utterance.

The second use of the ellipses is to indicate that one or more words have been omitted from a direct quotation because the quoter considers them irrelevant to his or her purpose.

*Dialogue
Good employment of dialogue showing your characters interacting with each other. Use more of this whenever you have the chance as it gives life and action to your story.

*Disclaimer
I hope my observations and suggestions can help you tighten some loose ends relating to the mechanics in writing. Keep in mind, though, that these are from one reader's point of view. As such, take it with a grain of salt. The decision to adopt or discard suggestions is your prerogative.

*Over-all take away
This exercise has the potential to shine. What it needs is polishing on punctuations, as well as staying on a single point of view per scene.

With that being said, keep going, Midoriya. You have the spirit to put words into pen and paper. Use it to your advantage. Write away! And revise. That's the ticket to becoming a writer.


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Rated: E | (4.0)
Hi, Journey:
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Because it's Superpower Best Review Raid time, I took the freedom to pick your story for review to offer you my input. Here are some comments you might consider when you decide to revisit it for tightening and improvement. My observations and suggestions are enclosed in brackets and color-coded green.

Formatting
It has satisfied the structure and elements of a short story with beginning, middle, and end.

*Content
Great moving story aided by your conversational style of writing and dialogue.

As far as *Mechanic,*Syntax,*Punctuation go, here are some snippets I cut and pasted that may need tweaking for clarity, conciseness, and readability:

So... today (See Uses of Ellipsis)
Ellipses, also known as ellipsis points and suspension points, are punctuational devices composed of a trio of spaced periods. (Always make sure that all three periods fit on a single line of text.) Ellipses have two important functions.

First, they are used in dialogue to indicate that a speaker has not brought an utterance to completion or to indicate that there are awkward pauses in the utterance.

The second use of the ellipses is to indicate that one or more words have been omitted from a direct quotation because the quoter considers them irrelevant to his or her purpose.

I continued to [tied] [tie] my shoes.

"...our [1] [one] year anniversary..."

"...had [2] [two] more weeks..."

Presentation of Numbers
Just thought of sharing what the authors of Writers Digest Grammar Desk Reference have to say about the presentation of numbers.

Easy-to-use methods for the presentation of numbers:
1) When numbers are used infrequently: if a number can be spelled out in two words or fewer, spell it out. All whole numbers between zero and one hundred will therefore be presented as words.
2) When numbers are used frequently such as useful business-related, technical, and scientific documents: numerals are more reader-friendly than spelled out numbers, so the only numbers that are presented in words should be the whole numbers zero through nine; numerals should be used for all other whole numbers.

"And, for me to be able to escape my mother's prison, I mean, house." [Insert comma]

But, as soon as I started to take the scrubbing [spounge] [sponge] and cleaning paste from under the sink, and reach above me to put it on the counter[.] [,] [replace period with a comma] I hear the garage door start to open.

"...I will take care of everything when she gets home[.] [,]" [He] [he] says calmly.

Are you going to be able to get out that stain?"[He] [he] asked.
"I will do my best[.] [,]" I promised. [Replace period with comma.]

Attribution/Dialogue tags
Dialogue tags are part of the sentence. Use a comma instead of a period and change your tag to lower case to make a complete sentence.

My [Dad] [dad],

my [Mother] [mother]
[My understanding from all the writing workshops and classes I attended is that the first letter in mom and dad should not be in upper case when it's introduced by a pronoun. The only time Mom or Dad is in upper case is when one is addressing one's mom and dad, such as: "Hey, Mom (or Dad), are you coming tonight?" or, "Mother, may I?"]

"...just as the front door starts to [sounds] [sound] like keys are being put into the lock to unlock it."

*Point of View (POV)
Great story from a first-person point of view.

*Element of Conflict
Good injection of tension into the story. It keeps the reader on edge in anticipation of the worst scenario.

*Anti-Climax/Climax
Anti-Climax: She gets a little relief when her father arrives instead of her mother.
Climax: "We both freeze immediately, and turn to look at the front door." [With this scenario at the end, is there a sequel to this story?]

Spelling
Glad to see there is only one typo or misspelling I saw in this exercise.

*Dialogue
Good employment of dialogue showing your characters interacting with each other. Dialogues put the reader in the head of the narrator, character, or author.

*Disclaimer
I hope my observations and suggestions can help you tighten some loose ends relating to the mechanics in writing. Keep in mind, though, that these are from one reader's point of view. As such, take it with a grain of salt. The decision to adopt or discard suggestions is your prerogative.

*Over-all take away
I like the constant tension you built into the story making it a page-turner. Keep writing, Journey. You have what it takes to build suspense to keep your readers hooked until the end.


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Rated: E | (4.0)
Hi, Kitbok:
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Because it's Superpower Best Review Raid time, I took the freedom to pick your story for review to offer you my input. Here are some comments you might consider when you decide to revisit it for tightening and improvement. My observations and suggestions are enclosed in brackets and color-coded green.

Formatting
It has satisfied the structure and elements of a short story with beginning, middle, and end.

*Content
This story has the potentials to shine. What it needs right now is to fix the tense problems from beginning to end. I picked up a few examples to show where errors exist and fixes can be made. Check the whole narrative with a fine-tooth comb and iron them out.

Also, try to stay away from the tendency to preach. Your last three paragraphs can be a turn-off with your readers. Stick to your ancestor's unfortunate journey in pursuit of riches, power, and fame and how the curse attacked them from every turn; then show how they were redeemed by adopting the Christian faith. Leave it at that for the reader to ponder and soak in.

*Element of Conflict
This can be maximized and put into focus because without it, the story is bland. Giving specific details can enhance the element that makes the story intriguing.

*Climax
It's wonderful to see the turn of events catapulting the family back to the realization that the physical wants must be starved and the spirit must be feed first to be able to receive the wealth and blessings only the God of heaven and earth can provide. It's a great lesson to learn.

Spelling
I'm impressed to see no typos or misspellings in this exercise. Good work.

As far as *Mechanic,*Syntax,*Punctuation, go, here are some snippets I cut and pasted that may need tweaking for clarity, conciseness, and readability:

"Mother, please tell us how you and your family [leave][left] your old religion?" [Past tense if you're asking your mother how the family left their old religion.]

They [know][knew] that if they [are] [were] rich, they will also be powerful.

When telling a story from the past, use past tense. When telling a story within a story that involves conversations and direct quotations, use the present tense. I recommend you revisit this narrative to fix the tenses.

Since they do not [know-how][know how], they stopped making the sacrifices. [Remove the dash.]

Then the worst thing was that one by one [of them] died after suffering terrible illnesses.

It was in this new village, starting from scratch that they slowly and gradually [build] [built] up their life.

And the amazing thing is that once you make those sacrifices, you will get what you [wanted] [want].

*Dialogue
Try to employ dialogue to show your characters interacting with each other. Dialogues put the reader in the head of the narrator, character, or author.

*Disclaimer
I hope my observations and suggestions can help you tighten some loose ends relating to the mechanics in writing. Keep in mind, though, that these are from one reader's point of view. As such, take it with a grain of salt. The decision to adopt or discard suggestions is your prerogative.

*Over-all take away
Like I mentioned above, this story has the potentials to shine. Try to work on your tenses and take advantage of using dialogue to put action into your story. Give your characters life. Let them tell the story in their own words.

Keep writing, Kitbok. You have the pizzazz to make your work shine given the opportunity to wade through the nitty-gritty of the wordsmithing skirmishes we must undertake.


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Rated: E | (4.5)
Hi, yohanaekkytan:

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Because it's Superpower Best Review Raid time, I took the freedom to pick your story for review to offer you my input. Here are some comments you might consider when you decide to revisit it for tightening and improvement. My observations and suggestions are enclosed in brackets and color-coded green.

Formatting
It has satisfied the structure and elements of a short story with beginning, middle, and end.

*Content
Great moving story aided by your conversational style of writing and dialogue.

As far as *Mechanic,*Syntax,*Punctuation, go, here are some snippets I cut and pasted that may need tweaking for clarity, conciseness and readability:

I entered it and sat in an empty seat. [Omit needless words: Where else would you sit aside from an empty seat?]

“Hey. Are you lost?" [A][a] girl yelled to me.[Attribution: a tag is part of a sentence. Make this one complete sentence. In effect, it would say, "Hey, are you lost? a girl yelled at me."]

But unfortunately, each student would be paired up with a random partner.[Avoid using but and unfortunately together. Use one or the other. It is redundant to use both together.]

Unfortunately, my body couldn't not react to the song. [Is this an intentional double negative? Try the positive reaction instead for clarity and conciseness.]

"Thank you. Now let me begin with...." [ See Uses of ellipsis]

Ellipses, also known as ellipsis points and suspension points, are punctuational devices composed of a trio of spaced periods. (Always make sure that all three periods fit on a single line of text.) Ellipses have two important functions.
First, they are used in dialogue to indicate that a speaker has not brought an utterance to completion or to indicate that there are awkward pauses in the utterance.

The second use of the ellipses is to indicate that one or more words have been omitted from a direct quotation because the quoter considers them irrelevant to his or her purpose.
If you delete one or more words from the beginning of a quotation, you do not need to use ellipses – unless the document you are writing is unusually formal, in which case the blank space will separate the opening quotation mark from the first ellipsis period, but one blank space will follow the final ellipsis period.

These are the only occasions where four dots are needed:
*If you delete one or more words from the end of a quotation positioned at the end of the hosting sentence, you need to use both a period and ellipses if the quoted matter has the status of a grammatically complete sentence. No blank space will precede the period.

*If you are deleting one or more words from the end of a quotation that has the status of a grammatically complete sentence and that ends with a question mark or an exclamation point, position the terminal punctuation mark after the ellipses.

"But I'd like to choose one special friend to stay with me for the rest of my life." Liam's word [words] made me turn to him as quickly as lightning flashed. [Plural]

[In] [all][All] of a sudden, my heart beat faster.

"Oh boy, how I pulled my best effort to avoid him. But I know now, that what is meant to be together, [stay][stays] together." [Agreement of subject and number.]

Spelling
lazing [lazying] [This is the only spelling I found that may need fixing.]

*Point of View (POV)
You maintained your story from the first-person point of view, which works well with your narrative.

*Element of Conflict,*Climax
Well thought of oddities to keep the story going and well-organized chronology of events with a pleasant twist.

*Dialogue
Good employment of dialogue showing your characters interacting with each other. One thing I noticed here is the inconsistencies in using punctuation marks, especially in attribution. Be consistent in your use of punctuation marks all throughout.

*Disclaimer
I hope my observations and suggestions can help you tighten some loose ends relating to the mechanics in writing. Keep in mind, though, that these are from one reader's point of view. As such, take it with a grain of salt. The decision to adopt or discard suggestions is your prerogative.

*Over-all take away
This is a delightful, inspiring, and entertaining love story. Thanks for sharing.
You're on your way to a successful wordsmithing endeavor. Stay with it. You have the knack.

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Rated: 13+ | (4.5)
Hi Phantom: I see one spelling mishap in this poem.

See second line: Replace their with there.

The rest is fine.


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Rated: E | (4.5)
Hi, Huntersmoon:

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WDC SuperPower MARCH Reviewer’s Raid has led QueenOwl's wings to your port. And because your work deserves a read and a review, here she lands to pore over your Comedy piece titled, A Tarragon of Virtue.
Here are some comments you might consider when you decide to revisit it for tightening and improvement. My observations and suggestions are enclosed in brackets and color-coded green.

Format
Well organized and easy to follow.

*Content
Entertaining adventure with a mix of funny and interesting characters.

As far as *Mechanics,,*Syntax,*Punctuation,
*Point of View (POV),*Element of Conflict,*Climax, and other nitty-gritty of writing composition go, they are all well-put. There were only a couple of areas where a minor fix may be needed as the snippets I cut and pasted here show:

I'm not alone,, [Why are there two commas here? Typo?]

Not the type where you feel [you] you've been there before, [Delete extra word]

*Dialogue
Great employment of dialogue showing your characters interacting with each other. Dialogues put the reader in the head of the narrator, character, or author. Live-action is seen in the exchange of chitter-chatter among the participants. Makes the adventure real with all the adversities they had to go through to survive.

*Disclaimer

*Over-all take away
I enjoyed being with this shipwrecked wild bunch immensely. I felt I was in on the tete-a-tete, repartees, and craziness. By the way, if the "groans floating across the water were not necessarily from the food," where did they come from? Can you answer that or do you just leave that to the reader's fertile imagination?

Thank you for a good laugh today, Huntersmoon.

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Rated: E | (4.0)
Hi, MissL102:

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WDC SuperPower MARCH Reviewer’s Raid has led QueenOwl's wings to your port. And because your work deserves a read and a review, here she lands to pore over Chapter 2 section-Grandma of your literary piece.

Here are some comments you might consider when you decide to revisit it for tightening and improvement. My observations and suggestions are enclosed in brackets and color-coded green.

Formatting /*Content
In the first four paragraphs, I was looking for a transition from sleeping and dreaming to telling the dream. I was not sure where the author's telling of the dream began. It might help to make a distinct transition between sleeping and dreaming to waking up to tell the story.

When you woke up in your bed smelling pancakes and the aroma of coffee brewing in the kitchen, was that the beginning of your dream, or, was that the time you woke up from your dream and now you are going to show your grandma making pancakes as the opening scene of your dream?

I find this a little bit awkward and it made me pause. Perhaps you can introduce your telling of your dream with the introductory phrase in the second paragraph, "In my dream, I woke up to the smell of pancakes and aroma of coffee brewing which lead me to the kitchen where an elderly lady was flipping pancakes..."

As far as *Mechanics,*Syntax,*Punctuation, Spelling and all those nitty-gritty in writing go, here are some snippets I cut and pasted that may need tweaking for clarity and readability:

I know your Mother [mother] and Father [father] have given you what information they can,[Do not use upper case for mother and father when a pronoun precedes them.]

“I am a Mind Seer[.] [,]” my Grandma grandma stated.[Same rule as mother and father above.] [There are two issues in this sentence. 1) Attribution is part of the sentence. Use comma instead of a period to complete the sentence.
In effect, the sentence would read this way: ["I am a Mind Seer," my grandma stated.]

2) Use lower case for mother, father, grandma, grandpa, mom, dad, etc. when they are preceded by a pronoun.

"...when you were around 9," [See rule in the presentation of numbers]

Easy-to-use methods for the presentation of numbers:
When numbers are used infrequently: if a number can be spelled out in two words or fewer, spell it out. All whole numbers between zero and one hundred will therefore be presented as words.

Ages (of persons) Except in journalistic, business, and technical contexts, spell out ages: forty-eight years old, a twenty-three-year-old, aged ninety-seven.

*Dialogue
Good employment of dialogue showing your characters interacting with each other. Caveat: Make them shorter and conversational. Long-winded dialogue sounds unnatural and stilted.

*Disclaimer
I hope my observations and suggestions can help you tighten some loose ends relating to the mechanics in writing. Keep in mind, though, that these are from one reader's point of view. As such, take it with a grain of salt. The decision to adopt or discard suggestions is your prerogative.

*Over-all take away Good exercise, MissL102. Keep up the good work.

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Rated: E | (4.0)
Hi, LightinMind:

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WDC SuperPower MARCH Reviewer’s Raid has led QueenOwl's wings to your port. And because your work deserves a read and a review, here she lands to pore over your literary piece titled, My Anchor in Stormy Times. (I think I'll classify this under Horror for the purpose of our March Raid.)

Here are some comments you might consider when you decide to revisit it for tightening and improvement. My observations and suggestions are enclosed in brackets and color-coded green.

Formatting/*Content
Well written, LightinMind. So apropos. So relatable to what's been going on for the last twelve months we have been subjected to and made to suffer in the name of political gain.

As fellow-believers in Jesus Christ, we do have an anchor when the storms of life find us stranded in the highways and byways of life. This makes me sing my favorite song, Will Your Anchor Hold. In part, it says,
"We have an anchor that keeps the soul
Steadfast and sure while the billows roll.
Fastened to the rock which cannot move,
Grounded firm and deep in the Savior's love."


What comfort. What joy to know who our anchor is.

As far as *Mechanics,*Syntax,*Punctuation,*Point of View (POV)
*Element of Conflict,*Climax,Spelling and all other nitty-gritty in writing go, this, to me, is flawless, except for one minor caveat:
You see, I've been taught referring to the Bible as the Holy Scriptures, it is a proper noun and the first letter must be in upper case.

as the bible [Bible]says.

*Dialogue
Because you classified this as a Short Story genre, employing dialogue showing your characters interacting with each other would make them alive and real to the reader. Dialogues put the reader in the head of the narrator, character, or author and move the story along. As it is presented, it is more of an essay than a short story.
(Because of this I deducted a full point off the 5-Star rating. I hope you don't mind.)

*Disclaimer
Do keep in mind my observations are from one reader's point of view. As such, take it with a grain of salt. Other reviewers may differ from mine and that's something you must also consider.

*Over-all take away
I do still like the premise of this exercise. Some may see it as preachy but I can appreciate the message this sermon conveys. That's because we have a meeting of the minds having the Lord Jesus Christ at the center of our personal lives.

Write away, LightinMind.

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Rated: 13+ | (4.5)
Hi, Words Whirling 'Round:

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It's WDC Superpower March Raid! Here I come raiding your port and finding The Lighthouse Keeper to horrify and mystify with anticipation, this being my pick under H - for Horror.

Here are some comments you might consider when you decide to revisit it for tightening and improvement. My observations and suggestions are enclosed in brackets and color-coded green.

Formatting
Well done in this area. I have to point out using dummy squigglies like asterisk is a good way to show transitions and a space of time that passes from one scene to the next.

*Content
This horrifying ghost story did not disappoint. It included fascinating, enchanting, as well as terrifying scenes that raised the hair on my back and put me on my toes.

As far as *Mechanics,*Syntax,*Punctuation, and Spelling go, this exercise is as flawless as flawless as I can see.

*Point of View (POV)
Great storytelling from a first person's POV.

*Element of Conflict This has added flavor to the story, making it more or less credible. I'm referring to the Captain's explanation in his letter where he has been all along and how he escaped people's curiosity.

*Climax I like the twist you finally revealed, showing the old guy at the end of the street from your house, who died a month earlier as Edward's ghost. I surmised this when Katie asked how you know so much about the legend. That was my first clue.

*Dialogue
I see you're adept in your use of ellipsis and quotation marks in your dialogues. I'm impressed. Although there were areas where I had to go back to clarify who was talking as dialogue tags were missing. Of course, there were instances where attributions were unnecessary to spell out.

*Disclaimer
I hope my observations and suggestions can help you tighten some loose ends relating to the mechanics in writing. Keep in mind, though, that these are from one reader's point of view. As such, take it with a grain of salt. The decision to adopt or discard suggestions is your prerogative.

*Over-all take away
Enchanting, fascinating, and hair-raising story. Great creativity and imagination. I hope you don't mind me deducting half a point from your rating. The narrative itself is superb. It's for the missing dialogue tags I was looking for to avoid pauses in finding out who was talking and to whom it was addressed.

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49
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Review of Todd  
In affiliation with WdC SuperPower Reviewers Group  
Rated: E | (3.0)
Hi, writeon:

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WDC SuperPower MARCH Reviewer’s Raid has led QueenOwl's wings to your port. And because your work deserves a read and a review, here she lands to pore over your literary piece re Comedy.

Here are some comments you might consider when you decide to revisit it for tightening and improvement. My observations and suggestions are enclosed in brackets and color-coded green.

Formatting/*Content
This story has potential. Go back to the drawing board, so to speak, and polish it. It's worth your time and effort. You can make this hum, sizzle, and dazzle. I dare you.

As far as *Mechanic,*Syntax,*Punctuation,Spelling, and other nitty-gritty of writing go, here are some snippets I cut and pasted that may need tweaking/revising for clarity and readability:

"...when all of us would [gathered][gather] around..."
[Fix your tense]

"...our friend[,] Todd[,] the [steeping][sleeping] cat,..." [Fix the typo and insert commas where I showed them]

On some occasions[,] in full view of us[,] Todd would sometimes meow out loud while in his sleep dreaming of his missing toe. [Insert a comma after an introductory phrase and a subordinate clause.]

"...In [pasting] [passing] we had always reminded Todd..." [From the context, you mean "passing," right?]

"But with sleepy eyes [,][Insert comma] he would always [response] [respond] with,..."

[as] [As] always[,] after finishing his scrumptious meal[,] Todd would once again fall fast asleep, to dream of a tasty treat of a big pink fat salmon. [Always begin a sentence with an upper case for the first letter.]

*Dialogue
From what Todd said, when he responded, this cat doesn't just Meow. He either knows how to talk, and is eloquent at that, or the narrator is a mind-reader and a good interpreter, right? LOL.

*Disclaimer
I hope my observations and suggestions can help you tighten some loose ends relating to the mechanics in writing. Keep in mind, though, that these are from one reader's point of view. As such, take it with a grain of salt. The decision to adopt or discard suggestions is your prerogative.

*Over-all take away
This exercise needs extensive editing/proofreading. Try to clean your work as much as you can before posting. Readers read for entertainment. That being said, keep writing but mind your mechanics to delight your readers.

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Review of Cooper  
In affiliation with WdC SuperPower Reviewers Group  
Rated: E | (3.0)
Hi, writeon:

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WDC SuperPower MARCH Reviewer’s Raid has led QueenOwl's wings to your port. And because your work deserves a read and a review, here she lands to pore over your literary piece re Action/Adventure.

Here are some comments you might consider when you decide to revisit it for tightening and improvement. My observations and suggestions are enclosed in brackets and color-coded green.

Format/Content
Make sure the three basic elements of a short story are built into your narrative: Beginning, Middle, and End.

As far as *Mechanics,*Syntax,*Punctuation, Spelling and the other nitty-gritty of writing go,here are some snippets I cut and pasted that may need tweaking for clarity and readability:

"...to roam thrashing in [too] [to] remaining declining daylight." [Replace]

old fork lore [old folklore] Unless you spelled this intentionally and mean it this way.

Coopers thin fur coat [Cooper's thin fur coat] [Insert apostrophe to show possessive noun.]

It was clearly such a eventful [an eventful] evening when Cooper[,][Insert comma] the old blood hound[,][Insert comma] [bloodhound]decide without thought to ground his big wet nose to the moist ground to begin his nightly journey to wander the vast open fields in the dark night with his shimmering nose light. [Break this into two sentences.]

Also, don't forget your terminating periods at the end of the sentence.

*Dialogue
Being that this is an Action and Adventure story, try to employ dialogue showing Cooper interacting with his master, children, or other dogs at some point. I see you showed one scene where children reacted to Cooper's "flashing nose light." Do more of this scenario to hook your reader. Dialogues put the reader in the head of the narrator, character, or author and can appreciate the unusual habits and activities Cooper is engaged in.

*Disclaimer
I hope my observations and suggestions can help you tighten some loose ends relating to the mechanics in writing. Keep in mind, though, that these are from one reader's point of view. As such, take it with a grain of salt. The decision to adopt or discard suggestions is your prerogative.

*Over-all take away
This story has great potential. Needs revision in some areas where there are run-on sentences. Keep writing and reading. More importantly, study the mechanics of what you're reading and use what you learned as a pattern.

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