Hello Zynab!
I'm here to review your short story "High Altitude " as an official judge for "Invalid Item" . Thank you for entering!
Approaching this story, I'm searching for specific elements that I shall address under separate headers.
** Image ID #1936832 Unavailable **
Hook — does your opening have something that grabs my attention and makes me want to read on?
The "enroute to an execution" line is great because it implies something bad will happen. It's a good opening hook.
Characters — do they feel like real people?
I got a fairly good feeling for Sophie by the end of the story, but I could have done with a few more things.
First, it would have been nice if you could have got her name in right at the beginning, when she talks to the stewardess about her seat, and then repeat it several times. Using it only once and in the very middle of the story, it gets lost. You need to know somebody's name if you want to care about them.
Second, I have no idea what Sophie looks like or her approximate age. These factors make it difficult to visualise the scene.
Third, I'd like to know a little about Sophie beyond the basic plot, such as is she single, divorced, a student, an accountant, does she like baseball… anything really that isn't to do with her hating flying. It was cool that you showed she was Catholic, but I'd like much more depth. With the right combination of characteristics, you can change the whole tone of the story. For example, imagine if Sophie was a US marine, but afraid of flying. Wouldn't the idea of a marine who had a fear make this much more interesting?
Plot — does your story contain a clear plot with a strong resolution?
Although this was a nice sketch, it wasn't really much of a story in the sense of clear conflict and resolution. Yes, there was conflict because she's afraid of flying, but it wasn't something unique. Lots of people are afraid of flying, and for them this would be a familiar scene. You should really look for the mystical in the mundane, for a way to make this story unique rather than common place.
Pace — does your story feel like it's going somewhere?
Pace was fine.
Language and voice — can a reader feel your story?
Generally, the narrative is clear. However, there are one or two issues:
please stow your carry-on luggage underneath the seat in front to you..." - in front of you - an ellipsis is not exactly the same as three periods in a row. To create an ellipsis, hold down the Alt key and then press 0133 then release the Alt key to produce… the … is shorter than the ... and so takes up less space
"69b," I mumbled hollowly and listened as if the basis of my life depended on it when she pointed out my seat. - you can cut "the basis of" without losing any meaning. Note that this is the second time within three paragraphs that you've used the "as if the" construction. Beware overusing particular constructions.
Hr had to be in the army, I concluded as I tried to settle myself too - He, not Hr - try to SHOW why she thinks he might be in the army. It's not obvious from what has been shown so far.
Captain's should have serious sturdy names like John, or Thomas or Peter. - Captains, not Captain's - comma before "like"
Then I heard 'Fasten your seatbelt line again'. - this confused me. Did you mean - Then I heard, "Fasten your seatbelt," again - or - Then I heard the "fasten your seatbelt" line again?
This would be my eight time in this large oppressive edifice, - eighth, not eight
and recited twenty-one thousand hail Mary's. - Marys, not Mary's
"We're not crashing, you psycho," He hissed. - psycho," he hissed - low case "h"
"Would you like some tea?" She asked again, softly. - she, low case "s". Also, why "again"? I don't remember her asking the protagonist if she wanted tea earlier.
Settings — have you grounded this reader in 'real' scenes?
The location is clear, but more sensory information would be nice, like the guy's aftershave, the taste of airline coffee, or maybe an alcoholic drink if she's so afraid.
Themes — is this reader blown away by mind-blowing philosophy or originality?
Fears are a good theme to work with, but you need to be more extreme. If she'd got so scared in the air that she tried to hijack the airplane and force it to land… now, that would be extreme!
Conclusion — a summary of how this reader personally felt about your story.
Your writing is good and your story interesting, but I feel that your plot and character could be a little more exciting and unique than they are.
Thank you for entering this round of the contest. If you're still within your first six months of membership, I hope you'll enter this month's round, too!
If you haven't already joined a reviewing group, please consider becoming a member of Simply Positive.
Good luck with the contest.
Best wishes,
Bob
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