Hi! I'm now getting to the reviews I mentioned when, as a newbie myself, I was posting a little "hello" to some other newbies in "Noticing Newbies".
While I have taught, written, and appreciated poetry, I chose just this one to review instead of each of yours I read. I guess I've been immersing myself in nonfiction and history a bit excessively lately. I had a hard time relating to the others, but I sensed there was much more to them that I was digesting. I tried to just breath and think deeply, to move into the realm of symbolism and abstraction, but knew I wasn't in the frame of mind in the present.
Still, I truly appreciated many of the figures of speech you incorporated into this particular work and wanted to get back to it when I could enumerate your many creative uses of figurative language. Things like alliteration, simile, metaphors, allusion, and others often jump out at me and speak to me in prose, and I found them compelling in your poem.
First: This title is compelling. This alone made me want to read on. So interesting/creative!
Stanza 1:
Line 1 = Simile!
Stanza 1 = Such fun adjectives! - - young, falling, sultry, brimming, steepled, translucent, frozen
Stanza 1 = Something that definitely hooked me was the set of three alliterative pairs at the end of the stanza. Reminds me how true it is that most poetry is truly intended to be heard aloud rather than read silently:
- - transform translucent - - snapshots - - frozen frames
Stanza 2:
Stanza 2 alliteration = meadow's mane
There is so much imagery here to envision!
Stanza 3:
What a keen change in the organization of the formats! This single line holds the reader in place. I think I even went back to read it again since your organization of the stanzas highlighted it.
Stanza 4:
Stanza 4, Line 1 = Simile!
Alliteration = feathers filter
Personification = winter (consider capitalizing it?) steals a kiss
Literary allusion = Powerful and contemplative inclusion/references to Heathcliff and Catherine
Metaphor = Heathcliff = the bitter wind
Stanza 5:
Alliteration = stowing secrets - - sharp slap
Again, the adjectives (and adverbs) used here I felt were powerful: gently, icy, sharp
.....the verbs too: lists, welcoming, stowing, ...
I think part of what made this poem draw me in more were all of the elements of Nature. This made for some creative mental images.
Look how plentiful they were:
- - falling mists, brimming fields, steepled flame, a meadow's mane, seasons reaping hand, Seeping earth, soiled doves, torrential, billowing clouds, feathers filter light, winter, bitter wind, mighty storm, snow lists gently, an icy glaze...
Then I realize I am also struck by the bodily images juxtaposed with these (and emotions):
- - young eyes, sultry lips, tears of laughter, frozen frames (where frames could be torsos and not literal photo holders), Flushed cheeks glow brilliantly, trampled strands, anxious feet, reaping hand, skin pale, sighs, steals a kiss, passionate, his perusal, welcoming vows, stowing secrets, weeping...
Some of my favorite moments, favorite phrases, favorite word choices:
falling mists
brimming fields of steepled flame (wonderful imagery!)
Flushed cheeks glow brilliantly against trampled strands
anxious feet,
seasons reaping hand
pricked
heavens torrential sighs.
billowing clouds,
the winter steals a kiss
The bitter wind is a passionate Heathcliff (metaphor)
wary
her ethereal garb beckons his perusal.
He drives the mighty storm to her door.
Watch how snow lists gently down - - nice element with the exclamation/command to the reader
beneath an icy glaze.
Tranquility (juxtaposed with) sharp slap of weeping.
I hope that was helpful.
I just wanted to share those parts that were meaningful and how some of them impacted one reader.
Question:
Was your combination of elements of nature and the pairing with body parts & emotions carefully planned or did that come out of you naturally without you realizing a reader would see it as a type of pairing??
Keep writing! |