This line reads a bit strangely, almost as if asking to be read literally:
My smoke, billowing out of me at regular intervals, would reach out to these strangers.
You might consider dividing the following two sentences into separate paragraphs, since a long block of text can put off some readers. There are several very long paragraphs like this, so you may want to consider their effects upon readers, and consider breaking them up a bit more.
unable to carry away my exhaust.
New 'graph here These passersby, offended at being poisoned and taken out of their dream state
About these lines, which seem to belabor the point a bit:
These passersby, offended at being poisoned and taken out of their dream state, cast sharp glances at me, briefly quickening their pace to avoid even the tiniest of contact with the offending wisp. There was a time when smoking was considered sophisticated. Now, the smoker is nothing more than a leper or a carrier of some unknown yet highly contagious disease to be avoided at all costs. Except, that is, in the factory.
Stephen King's advice on this subject is--
__________
Remove every extraneous word.
You want to get up on a soapbox and preach? Fine.
Get one and try your local park. You want to write for money? Get to the point. And if you remove all
the excess garbage and discover you can't find the point, tear up what you wrote and start all over again . . .
from
http://www.icestormcity.com/rumble/king.html
__________
I don't mean to sound cruel; sorry if it comes off that way. But it seems like the reader has to go thru a lot before getting to the 'meat' of the story.
You may want to consider saving some of the background to use in other parts of the story, instead of sort of overwhelming the reader with it all at once.
We (writers) need to get the readers' attention right away, so we need to grag them by their emotions, you know what I mean? And to do that, we have to show character emotions.
Not to say you must change this--it's only my opinion. I just found it hard to get thru all this when I didn't yet know who the narrator was.
Plus ca change, plus c'est la meme chose.
The convention used to be to put foreign phrases in italics, but that may have changed. Glad that you, unlike some writers, added the translation. I hate it when a book is filled with, for instance, in Agatha Christie's books, French, and she just assumed that anyone reading them also knew French....
Anyway, I digress. Sorry!
For all of our ideas, Brent and I would be at the plant again on Monday and some bar on Friday.
Aw, how sad. And yet how that one line really
shows their character.
These lines read a bit awkwardly. They're too much like run-on sentences.
"I look at your shirt, TEMET NOSCE, know yourself. I thought I did, but until tonight I failed to really grasp what we are doing, evading reality.
It was a sad smile, I realized he would never come out of this fantasy world.
[Also, made up stranger
should be made-up.]
the pack of cigarettes. I would not need them anymore
Although this has 'a nice ring to it', I don't really buy it with this character. After all his obsessing with cigarettes throughout the entire story...
then again, he does sort of have a history of fooling himself, so I guess it is in character, after all.
So anyway, I hope you don't think I was too hard on you. I've seen your other work and know that your writing is good. I think that with a bit of work on the characterizations of your story people, this has potential. Good luck, and happy writing!
Hope this helps.
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Aloha,
Starr*
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