Hi, Shara,
Hi, my name is Bob and I'm answering your request for a review via your self-awarded gift. Once I gave this a quick run-through, and prior to a second and more thorough reading, I felt a married man was a good choice as your reviewer. So let's take a look and see what we have here.
Obviously you're interested in having this read, and my guess is that you're unsure about the ending. As well as you should be, because it is the weakest part of an otherwise very strong entry in the romance arena. And even then, the ending itself feels right and works to a large extent. But a better closing and final thought on the part of the main character is definitely needed.
By the way, thoughts don't take quote marks. Only spoken dialogue. Unless you're thinking out loud
There's some minor word choices and a few awkward sentences that could use a redo, for example:
The clock "idly ticked away" as our labored breathing eventually faded in to even breaths.
The clock "ticked with a steady rhythm" as our labored breathing...(not perfect, but better)
Our fingers were still moving, still exploring and my heart was a fluttering mess of butterflies.
Usually butterflies are associated with stomachs. A heart would buzz, purr, or pound or beat, as a better simile, accompanied by a drum, incoming, outgoing tide, a strumming guitar maybe.
I also found myself wondering where they were located. I thought maybe a beach at first, then figured it was a bedroom? At the end, we wonder whose bedroom. If hers, this would make the scene even more "intense". In the first or second paragraph, let us know where they are, so we don't waste time wondering.
Except for the ending, the rest of the story is excellent, well written, and contains numerous sentences and descriptions which fit the theme beautifully
We know, fairly soon, that you're leading to something specific at the end. I didn't guess what it was until the end, and felt kind of let down because of the ordinariness of the whole thing. Sort of, "ho-hum", what else is new? And then the woman wondering whether she had just sinned? Excuse me Duhh, hey, lady! So it's the actual question that's the problem.
Consider a statement or question that more clearly defines what the woman is really feeling. Most readers will find the question, as it's currently worded, more humorous than dramatic. What we're expecting is for her to ask, "Oh, God, what have I done?" But that doesn't work because, so what? The answer is obvious. We need something less cliche.
Here's an example. I'm not saying to do it this way, but to give us something as good.
Suppose the last lines read:
It was from my wife, Rita. As my eyes traced his name across the phone, my heart started beating more frantically and a single thought crossed my mind, “Oh Dear God, had I just sinned?”
Now it all makes sense, doesn't it?
If you want to keep it as is, however, you need that kind of punch at the end. Something totally unexpected. It doesn't have to be perfect, or prize-winning, but your whole story balances, rises and falls on the last two lines. So they have to be as good as you can make them.
If it were my story, I'd have something like:
It was from father Ryan. As my eyes traced his name across the phone, my eyes skipped past the nun's habit draped over a chair. My heart started beating more frantically and a single thought crossed my mind, “Oh Dear God, I am in love with two men. Is that such a great sin?”
The other man in her life is, of course, Jesus.
Anyway, I hope this is all food for thought and is helpful to you. Let me know if you have any questions. Seriously.
Bob
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