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Mystery: May 24, 2006 Issue [#1055]

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Mystery


 This week:
  Edited by: MaryLou
                             More Newsletters By This Editor  

Table of Contents

1. About this Newsletter
2. A Word from our Sponsor
3. Letter from the Editor
4. Editor's Picks
5. A Word from Writing.Com
6. Ask & Answer
7. Removal instructions

About This Newsletter

Mystery stories are so popular because they fulfill one of humans' deepest instincts - the need to explore, to question, to find out. Humans are incessantly searching for answers to life's greatest mysteries. Since those mysteries are so difficult to unravel, we can find comfort in reading and writing mystery novels and short stories. Thus, our need to discover is satisfied...until the hunger strikes again.


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Letter from the editor

When I was in California a few years ago, I had the good fortune to be able to tour the Winchester Mystery House in San Jose. It is my opinion that all mystery lovers should be knowledgeable of this architectural marvel so I wished to dedicate this newsletter to Sarah Winchester and her 'mystery house'.

The legend of the Winchester Mystery House says that Sarah Winchester, distraught over the death of her husband and infant child, consulted a psychic who told Sarah the deaths were the result of all the spirits whose lives had been taken by the Winchester rifle.

The psychic instructed Sarah the only way to appease these spirits was to begin constructing a home and never cease building it. In 1884, Sarah started the project which would continue - 24 hours a day, seven days a week - for the next 38 years, until the death of Sarah Winchester.

From the outside, the Winchester Mystery House looks like a typical Victorian Mansion. On the inside, however, one comes to appreciate the eccentricity of Sarah Winchester.

Here are just a few of the architectual oddities that Sarah designed:

*Note1* stairs that lead to the ceiling

*Note1* doors that open onto solid walls

*Note1* a room in which there's only one way in, but three ways out

*Note1* secret passages

*Note1* windows built into the floor

*Note1* recurrent motif of the number 13

If you're ever up San Jose way, stop by and visit the Winchester Mystery House. And don't forget to say hello to Sarah. *Bigsmile*

Here's a poem I found written about the Winchester Mystery House:

Like Winchester House

I’m just like Sarah,
running away from
those implacable ghosts,
hell-bent on my redemption.
Twisty, curling corridors
leading to nowhere,
keep me running frantic,
forcing doorknobs,
bouncing off walls.

Build on, build on!, I cry.
With more rooms to hide in,
they’ll surely tire of hunting me.
My scent will be lost,
and any notion of my penance
will float aimlessly through the front door.

But, I hear footsteps closing in,
with ominous tapping on the cold, wooden floors.
How strange to think that the dead make sounds,
clicking and crying a menacing aria
that only the guilty can hear.

The carousel tinkle
mocks the terror I wear.
Portals to panels,
staircases to ceilings,
and me
with a bruised and battered head.

And yet,
I am the one who raised the walls.
I am the architect of my own collapse.
I’m running and searching
for warm, familiar rooms,
looking for a spiring bed with heavy covers,
and all I can find is more emptiness,
more space to add on to.

Sarah died in her sleep,
they say, an old woman
with winter-grey hair
and a worry-worn face.
She died alone, in a bed,
in a house she never left.

Why,
I ask no one in particular,
did she never think to
build a door
that would lead her out?

Why,
quiet voices whisper in my ear,
don’t you build your own?


 Invalid Item 
This item number is not valid.
#1070470 by Not Available.


Here's the official site of the Winchester Mystery House: http://www.winchestermysteryhouse.com/

See ya next month,

MaryLou


Editor's Picks

Here's a few items whose titles piqued my interest. I hope you enjoy and don't forget to rate and review! *Smile*

 All Gone  (E)
Harry wishes the rude and obnoxious would disappear - and they do! Reviews welcome!
#868093 by Julieann


 Invalid Item 
This item number is not valid.
#1096500 by Not Available.


 Invalid Item 
This item number is not valid.
#1095611 by Not Available.


The Music Box  (18+)
Honorable Mention Winner in the 75th Writer's Digest Competition.
#1093302 by StephBee - House Targaryen


 Life Repainted  (ASR)
After Madeleine's great-grandmum passes on, a mysterious painting shows up...
#1076665 by moonowl


 
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Ask & Answer

Feedback

billwilcox: MaryLou, This was an intriguing newsletter. Most writers don't give too much thought to the title, but I tell ya, the title of a story, poem, or novel is what always makes me want to read it. It has to sum up the entire story with but a word or a name. Thank you for pointing this out! -Bill

Laart1-Season of the Heart *Bigsmile* So true, Mary. I also like how titles can help us identify a series done by an author. Take someone like Janet Evanovich. From the first title, 'One for the Money', she stayed in a theme. Your suggestions work for any genre. Good information to keep in mind.

Good info for any writer.


Mini Mystery

1000 GPs for your correct answer. *Smile*

The Adventure of the Negative Clue
from Great Book of Whodunit Puzzles

Not even the unusual heat of that late spring day could dissuade Thomas P. Stanwick from driving into the city. The amateur logician had learned that one of Royston's most select book dealers was holding a sale of rare folios at two in the afternoon. His bibliophilic instincts aroused, Stanwick was braving the heat and the downtown traffic he detested when the police radio in his car reported a murder nearby.

A middle-aged man had been stabbed to death in Hardee's Hardware Store three blocks away. Squad cars were told to watch for a white male of five feet, ten inches, 160 pounds, about 22 years old, with black hair and a pencil mustache, wearing a white T-shirt, a leather jacket, and blue jeans.

Stanwick wrestled with his competing interests for two seconds and then turned toward the hardware store. Parking his car down the block, he walked through a curious throng and, with a flash of his police pass, entered the shop. Inspector Walker arched his sandy eyebrows in surprise as he caught sight of his friend.

"Hello, Matt," said Stanwick. "I heard the bulletin on the radio and thought I'd stop by for a look."

"Glad to see you, Tom." Walker nodded to a dead body crumpled on the floor in front of the sales counter. "There's what there is to look at."

The victim was a dark-haired man in his middle 40s. He lay face-up. The handle of a knife protruded from his ribs, and a circle of blood had soaked through his blue shirt.

"His wallet is missing," Walker reported dryly,
"as is a briefcase the sales clerk said he was carrying when he came in. From other papers in his pockets, we've identified him as Hubert French, an accounting executive from Helston."

"Did the clerk see it happen?" asked Stanwick, glancing at a thin, balding man lurking behind the counter.

"No. He says French came in to pick up a special wrench he had ordered. A guy fitting the bulletin description came in just a few seconds later. The clerk went to the back to get the wrench. While there, he heard sounds of a scuffle and a cry from here. He rushed in and found French dead and the other fellow gone."

Stanwick fingered the tip of his mustache. "Any printes on the weapon?"

Walker shook his head. "No. The clerk says our suspect wore gloves."

Just then the outer door opened, and two policemen entered with a manacled man closely fitting the description given on the radio.

"Inspector, this is T.A. Orrison," said the older officer. "We found him four blocks away, walking briskly down Jefferson. Says he was on his way home after slicing fish in the back of Radford's Fish Mart all morning. He fits the description, though, so we picked him up."

Walker looked coldly at Orrison, who was wearing green sunglasses.

"What do you know about this, Mr. Orrison?" he demanded, pointing at the corpse.

"Nothing," Orrison replied angrily. "I was at work all morning. I haven't been in this place for at least three weeks."

"How long have you worked at Radford's?"

"Two months now, part-time. I work from seven to noon, six days a week. I put in some overtime today and was just on the way home when I was grabbed by these two guys in a squad car and brought here."

A mild, metallic odor suffused the small shop. Stanwick wandered to a window, opened it partway, and gazed idly out. Walker continued his questions.

"You implied that you visited this shop a few weeks ago. Why?"

"I dunno. I had to get nails or tape or something."

"Why did you work late today?"

"We got a big catch in this morning, and I was the only one there."

Walker signaled to the uniformed officers. "All right, that's enough for now. Take him to the station for more questioning."

Once the others had left, Stanwick rejoined the inspector.

"When you get back, Matt," he said, "you may as well book him for the murder. He's your man."

Walker turned to him in astonishment. "What makes you so sure? I'll admit he's on shaky ground, but I don't see any conclusive clue."

Stanwick smiled. "In a way, there isn't one," he replied. "What's really significant in this case is what you could call a negative clue -- the one that isn't here!"

What is the negative clue?


Answers to the last mini-mystery:

PJ Karina : A Model Morning: Scott Phillips already knew how Lola died before being told of that detail -- "Who stabbed my sweetheart?"

dizzyduck: Lola Monteray's boyfriend killed her. Apparently, Walker never told Phillips that she was stabbed, only that she was found dead. How else did Phillips know how his girlfriend died unless he did it?

Have a great day!
dizzyduck

P.S. Great NL! I agree that CHC's novels don't exactly have the greatest titles

paw_00: the boyfriend, scott phillips, is the murderer. on the phone, walker only told him that lola monteray was "found dead". but arriving at the crime scene, phillips knew she was stabbed, which means that he was the one who killed her.

Nimue : The boyfriend, Scott Phillips. He had been informed that she was found dead at her home, not that she was stabbed in the (upstairs) bedroom.

Sam Winterwine : The answer to the mini-mystery is Scott Phillips. How did he know how the victim died when he was only told that she had died in her home?

Xyan : Philips did it. He knew she was killed upstairs so that was where he headed immediately upon arrival.

M Hague Bailey : Scott Phillips did it.
How else did he know that Lola Montery was stabbed when all he was told was that she was dead?

Ghostwriter : Scott Philips murdered Lola Monteray. Walker had called Philips to let him know that Lola was found dead at her home, but when Philips arrived, he went straight up the stairs. How did he know that Lola was found stabbed upstairs unless he was the murderer?

Mata : It requires making an assumption, but the Walker said he had told Phillips that Monteray had been "found dead" but not that he had told Phillips how she was killed, but Phillips asks "Who stabbed my sweetheart?"

Breezy-E ~ In College : Phillips killed her. Stanwick said that he told him that Lola was found dead. Phillips rushes in and says, "Who stabbed my sweetheart?" Stanwick never said that Phillips was told how she died.

jadesky: Scott Phillips, the boyfriend. He knew that she'd been stabbed before anybody told him.

nomlet :It was the boyfriend in the bedroom with the knife. How else would he have known to rush upstairs towards the bedroom? How! *Shock* And I didn't realize that Stanwick had a mustache. You learn something new with each mini-mystery.

As far as WDC goes, I think titles can be very important for attracting reader interest. Same goes for the item description. An intriguing blurb has pulled me in more than once.

Thanks for the NL, ML!

Julieann : The boyfriend did it. How else would he know to run for the stairs?

AL : If they only told the boyfriend that she had been found dead, he wouldn´t have run up the stairs unless he knew she was there, and he wouldn´t have said "Who stabbed my sweetheart?" if he didn´t know she´d been stabbed. So I guess he must have done it.

*Bullet* *Bullet* *Bullet* Don't Be Shy! Write Into This Newsletter! *Bullet* *Bullet* *Bullet*

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