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Printed from https://www.writing.com/main/newsletters/action/archives/id/1140-.html
Short Stories: July 12, 2006 Issue [#1140]

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Short Stories


 This week:
  Edited by: Vivian
                             More Newsletters By This Editor  

Table of Contents

1. About this Newsletter
2. A Word from our Sponsor
3. Letter from the Editor
4. Editor's Picks
5. A Word from Writing.Com
6. Ask & Answer
7. Removal instructions

About This Newsletter

         As I've read suggestions given in reviews sent to me or posted on the Public Review pages, I have noticed some confusion as to what point of view is or isn't. I even had a paid "Book Doctor" show that she doesn't know what point of view is, and she gets paid by writers for her editorial services.

         Therefore, I decided that I'd do this issue about POV, point of view.



Next week's editor is Legerdemain


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Letter from the editor

Point of View: Whose point of view?


         In conversation and in literature, point of view, POV, means the way the speaker, writer, or reader look at things. In literature, POV means the vantage point or position from which a writer tells a story. POV determines how much information is given to readers by the writer. Someone has to tell a story, and that someone is called the narrator.

         When we discuss point of view, we look at three possible positions, four if the two forms of third person are considered separately: first person, second person, and two forms of third person.

First person has the narrator as a character in the story. The narrator is able to tell only what he or she sees, hears, knows, and thinks. Any information about happenings out of the narrator’s hearing or sight must be revealed to him by someone or something else. A first-person narrator does not know the thoughts of other characters. The narrator can be a main character or a minor character and uses pronouns such as I, me, mine, my, we (if the narrator and one or more other characters are involved), us, our, and ours.

Example of first person point of view: Margaret spun toward me, a sneer twisting her face. “Leave me alone; just leave me alone.”

         Shocked and startled, I stammered, “Ma ... Margaret, I ... I ... don’t understand.”


Second person involves the reader. The pronouns you, yours, your are used other than in dialogue. This POV is best used in written instructions or directions. All expert sources advise writers not to use second person for essays (unless instructional), stories, or novels, because the reader is not part of the plot, action, dialogue. Writing as if the reader or readers were creates a distraction in the flow of what’s written.

Example of second person point of view: When you reach the interstate, turn north and travel six miles to the Nowater Road exit. Take Nowater Road three miles east to Funshine Drive.

         Note that sometimes “you” is the understood subject rather than written in the sentence. Using an understood “you” makes the POV second person, too.

Third person has two forms: limited and omniscient. The narrator is not a part of the story or essay, only an observer, in both forms. The pronouns used, unless in dialogue, include he, him, she, her, it, they, them.

Third person limited allows the narrator to see, hear, and know anything that one character does, including that character’s thoughts and feelings.

Example of third-person limited Jackson watched the slaughter of animals in disgust. He couldn’t believe that others could be so cruel and ruthless. “I wonder how they can sleep at night?” he muttered to himself.

Third person omniscient gives the narrator access to the actions, words, thoughts and feelings of all the characters in the writing. The narrator sees all, hears all, and knows all.

Example of third-person omniscient: Jackson stumbled up the incline to his car, not knowing that hostile eyes followed his every movement. Royce stared after the other man. What is he doing sneaking around here? he silently asked himself. He decided to follow his former friend.

         As Jackson climbed into his car, he caught sight of his reflection in the rearview mirror. “I look as if I’ve been crawling through the wilderness.” He ran his fingers through his hair to remove some of the twigs and grass.


         Some writers change from one POV to another, perhaps switching from chapter to chapter from first person to third person, but no changes in point of view should be done within the same chapter. If done well, that practice is an effective tool, but it is one difficult to do correctly. The most consistent method is to write in one point of view throughout the story/book/essay. The writer has less chance of confusing the reader.

Sources:
1. Notes and lesson plans from Vivian Zabel
2. Elements of Writing Third Course, Holt Rinehart Winston
3 Writer’s Companion High School, Prentice Hall


Editor's Picks

Items from W.Com Members


         The views found in the following items don't necessarily agree with those of this editor or of the managment. However, all include information to help us think and consider what we know and want to know about writing short stories.

 Confession  (E)
A few thoughts on writing.
#1112321 by tuesday

 Invalid Item 
This item number is not valid.
#1028482 by Not Available.

STATIC
Eleven Points to Ponder  (E)
Points I've learned to ponder when writing short stories.
#958247 by Fictiøn Ðiva the Wørd Weava

 Invalid Item 
This item number is not valid.
#953485 by Not Available.

 Writing Short Stories  (E)
The Elements Of Writing Short Stories- What is a short story? What's a plot? etc.
#799653 by Holly Abidi

 Invalid Item 
This item number is not valid.
#769745 by Not Available.


         The following is the archived issues of past Short Story Newsletters:
 Newsletters: Short Stories  (13+)
Writing.Com Newsletter Archives: Short Stories
#579816 by The StoryMistress


 
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Word from Writing.Com

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Ask & Answer

Words from Our Readers


NegaScout
         You said at the top of this newsletter that Atlantic Monthly no longer accepts short stories, but it's the first item in the list of markets that follows. Could you please clarify? Is it still a market for stories or isn't it?

leaforte
         Is the 'Atlantic Monthly' you list as a possible springboard for our short stories the same 'Altlantic Monthly' you cited previously in your NL as no longer publishing short stories? I got lost somewhere. Thanks for taking the time to help frustrated authors like myself get closer to getting a piece published. -leaforte

         *Blush* I'm so embarrassed. I forgot to add my side note to the Atlantic Monthly item in the list. "The magazine wants non-fiction short stories, rather than fiction." I'm so sorry for any confusion.


linus1219
         Loved this edition! Sometimes I feel lost after finishing a piece because only close friends get to read it. (That was, of course, until I joined writing.com!) It does seem sometimes like the short story is on its way out ... But thank you for showing those of us who still love to write them where to shop our work around.
Keep writing!!

         Another place to find sources for short stories is Writers' Market.


jaya h
         I was wondering whether simple stories without any twist or horror or weirdness are marketable any more? Even at WDC I noticed that peoplelike gross stories.
Jaya H.

         Yes, a market exists for well-written stories of all kinds. Just remember that it takes a good story to hold a reader's attention, but all readers do not like gore or horror or weirdness.

Mavis Moog
         That list of markets for short stories is extremely useful. Zoetrope website does workshop your stories, so it's a good place to start. You have to be pretty red-hot to get a story into the All-Story magazine though.

         Thanks for the information, Mavis.

Breezy-E ~ In College
         Thanks for the tips! A place I found that has lots of magazines and, fairly often, portions of the guidlines and mode of payment, is http://www.spicygreeniguana.com/ .
Breezy-E

         Thank you for the other market source.


Until next time, read and write wonderful short stories.

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