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Printed from https://www.writing.com/main/newsletters/action/archives/id/3019-.html
Short Stories: April 29, 2009 Issue [#3019]

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Short Stories


 This week:
  Edited by: Kate - Writing & Reading
                             More Newsletters By This Editor  

Table of Contents

1. About this Newsletter
2. A Word from our Sponsor
3. Letter from the Editor
4. Editor's Picks
5. A Word from Writing.Com
6. Ask & Answer
7. Removal instructions

About This Newsletter

Writer's Block? You, writer, hold the key ~ unlock the story ~ just write it ~ one word at a time!


         Greetings, I'm honored to be your host for this week's edition of the WDC Short Story Newsletter.


Word from our sponsor



Letter from the editor

         Greetings, what do you do with a sagging middle?

         I know, I know, ‘crunches’ are the only real means of reducing the sag if one has overindulged and then keeping the spoon out of reach of the ice cream. I did get that response from one of the novelists in a ‘chat’ I recently attended online. But then, another did share a tip.

         Write the story, then go back and revise. Whether outlining the story from beginning to end or writing stream-of-though, the middle can most often use some work to keep it focused so your reader wants to know the story, not just the ending. After grabbing your reader with a vivid, intriguing hook or opening scene, the middle of the story is where you make your reader want to participate in the story.

         *Bullet*Challenge your character (and reader) by keeping the story active. Whether writing first, third, or omniscient voice, lengthy scenic descriptions or internal dialogue slow the pace and take the reader out of the action. Give your character choices that result in reaction with which your reader may or may not agree, at first, but will want to see the result. Note the visual reference. The story is dynamic, itself a character with which your protagonist (or antagonist) interacts in order to arrive at the satisfying (if not always 'happy') conclusion.

         *Bullet*Build tension with conflict, internal and/or external, for your character (and reader). The character's reaction to the conflict, the obstacle, makes him or her real for your reader, somebody about which your reader wants to know more, wants to see succeed on his/her journey. The conflict also effects change in the character as well as his/her environment, making the story dynamic and important to the reader.

         *Bullet*Plant relevant clues both false and true that show the character's 'stuff.' The middle of the story is where your reader gets to know the character and care that he/she succeeds (or fails). Relevant is the operative word here. If your character gets lost in musing over a picturesque sunset, so will your reader. However, if a fiery red sunset is the gas from an exploded tanker of noxious gas the character must somehow contain or escape, then it's relevant. This, I suppose, is the scary word 'plot.' Each scene needs to move the story forward towards the conclusion, whether by misdirection or direction. The character's interaction with and reaction to events changes him/her and keeps your reader involved in the story.

         *Bullet*Back to those dreaded 'crunches,' which are worth the end result. Trim the excess verbiage and non-relevant action. If you find yourself really going off in another direction, perhaps it's another story taking shape; another adventure for your muse creative and readers to savor - another day. Keep the end result in focus and your character (and story) will be the stronger for it.

         I hope you've enjoyed this exploration and found something to challenge or incite your muse creative to action.

Keep Writing!
Kate
Kate - Writing & Reading


Editor's Picks

Check out a few of the short stories penned for your reading pleasure ~ and dynamic interaction (comment/review perchance?)*Smile*)

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#1523918 by Not Available.


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#1420538 by Not Available.


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#1265577 by Not Available.


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#1551621 by Not Available.


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This item number is not valid.
#1470949 by Not Available.


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#1467144 by Not Available.


Lost Wolf  (13+)
The true account of the wolf who ate Little Red Riding Hood
#1094062 by Pia Veleno


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#1532170 by Not Available.


 Jiminy  (18+)
An event in the life of fictional teenager Jiminy. Comedy.
#1553730 by Kieran Lochore


White Lightning  (13+)
Written for 48 Hour Short Story ~ double meanings for a pair of fortune hunters
#1471456 by Kate - Writing & Reading



Ready to work on your 'middle' *Wink* Check out these guided "exercises" for a chance at cool prizes and shapely reads & reviews

48 Hour Short Story Contest  (18+)
48 hours to write a short story to a prompt. Enter to win great prizes.
#1199662 by Legerdemain


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This item number is not valid.
#1553351 by Not Available.


Or, if you wish to do as I was advised, and just write your short story, challenge your muse here

 Invalid Item 
This item number is not valid.
#1548251 by Not Available.

 
Submit an item for consideration in this newsletter!
https://www.Writing.Com/go/nl_form

Word from Writing.Com

Have an opinion on what you've read here today? Then send the Editor feedback! Find an item that you think would be perfect for showcasing here? Submit it for consideration in the newsletter!
         https://www.Writing.Com/go/nl_form

Don't forget to support our sponsor!

ASIN: 1542722411
Amazon's Price: $ 12.99


Ask & Answer

         I thank you for welcoming me into your virtual home. As a guest, I don't have a formal 'ask and answer' but if you have a story you'd like to share, drop a link with a comment.

         I want to thank here also two members of our Community who each in his/her own way encouraged me and gave me the courage to write my stories in prose and verse, and who must leave for personal reasons ~ If you haven't already, I invite you to stop by their ports and bid them well on their future journeys ~



Until we next meet,

Keep Writing!
Kate
Kate - Writing & Reading

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Word from our sponsor
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