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Printed from https://www.writing.com/main/newsletters/action/archives/id/7401-2015-Newbies-Jumping-into-Action.html
Action/Adventure: January 13, 2016 Issue [#7401]

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Action/Adventure


 This week: 2015 Newbies Jumping into Action
  Edited by: Annette
                             More Newsletters By This Editor  

Table of Contents

1. About this Newsletter
2. A Word from our Sponsor
3. Letter from the Editor
4. Editor's Picks
5. A Word from Writing.Com
6. Ask & Answer
7. Removal instructions

About This Newsletter

Hello writers and readers of action and adventure, I am Annette , your guest editor for this issue.


Word from our sponsor

ASIN: 197380364X
Amazon's Price: $ 15.99


Letter from the editor

2015 Newbies Jumping into Action


Who says the act of writing and reviewing is anything less than heroic?


Joining this site in 2015, these newbies jumped right into our shared writing adventure.


Keeping up with a little tradition that I started in 2010 to highlight the newbies who joined the year prior, I offer you this assortment of activities and written pieces by Writing.Com newbies of the 2015 vintage. I would usually use my first contest and activities newsletter of the year to do so, but I am no longer the regular editor of that one, so I shifted to this action/adventure newsletter for this year.

Please make these newbies feel at home by taking part in their activities, writing for their contests, and by sending them helpful reviews. Writers in the action/adventure genre can always use somebody else to read over their action sequences. Although I am not a newbie to this site, I know that my action scenes lack in comparison to many other writers. Getting some good targeted input helps the writer and the reviewer.



Editor's Picks

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#2069976 by Not Available.

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#2066033 by Not Available.

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#2064748 by Not Available.

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STATIC
Promised Land  (E)
The journey of a colony ship's pilot and the AI trying to avoid disaster.
#2069999 by big man running

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#2056779 by Not Available.

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#2069900 by Not Available.

 Tears of the Sun  (E)
The world has secrets. Joshua has some. Brooke has even more.
#2069847 by Tris

 Silvermoons Dip  (13+)
A adventure story, filled with twists and turns, and thrilled with turns and twists.
#2069582 by writer0

 CHAPTER ONE- The Black Sheep  (13+)
In Black Sheep I, as Robert, introduce this new fantasitcal world. (word count: 3777)
#2063197 by FruitSeller

 The Runner & The Dethroned   (13+)
Criminal and king cross paths... involving silk PJ's and witty banter.
#2053853 by ItsASecret

 
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Word from Writing.Com

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Ask & Answer

Comments I got for my last Action Adventure Newsletter "Main Character Syndrome.

Shanachie wrote: I've read two series recently where the main character is not only in peril, but actually dies at the end. I was actually MORE annoyed when the death happened to the main character. So I guess it all depends on the reader.

Interesting. Of course how much a character grows on you will influence how much it affects you if he dies in the end.

Joy wrote: Your son is very smart. I had never thought of the main character in such terms.*Laugh*
Unfortunately for a few of my main characters, once in a blue moon, I let them become the loser in a winning sort of way with a willing sacrifice or a moral learned.
The main characters don't have to end up being perfect winners, even if the readers' sympathies are with them.

True. It's not so much that my sons want the main character to always win. It's more that modern story tellers make many of their heroes larger than life, which actually diminishes the peril for them so much that kids don't feel anxious for them anymore.

Dream ~★~ Justly wrote: While it may be very common nowadays for main characters to have their "guaranteed victory," it isn't/hasn't been always the case. Take the old Shakespearean tragedies -- Romeo and Juliet didn't get their happy ending, and Hamlet's quest for revenge destroyed him. Even a lot of older fairy tales didn't have completely victorious protagonists. (The original Little Mermaid had a heavily-moralized "death" after her prince married another. No Disney happy ending there!)

Tragedies haven't really been the modern fashion, though. People like seeing the good guys win. Disney's fairy tale versions have been wildly popular for over 50+ years because of that, among all the other stories of serialized heroes. Could it have something to do with a shift in perspective after the World Wars? Who knows.

But there are ways to write stories that make the "protagonist" a little less obvious, a little less guaranteed. Taking your sidekick example, what if the main character fails in his goal, and it is suddenly up to the sidekick to win the day? There's lots of things like that which could be done to change up the hero-wins-all narrative.

And I've run on quite long enough. *Facepalm* Thank you for the newsletter!

Older stories tend to be more gory. Especially anything older than the 1970s and the fairy tales in particular. My kids are from this century, so they aren't getting the full experience we got.

Elfin Dragon-finally published wrote: Ah the dreaded "Main Character Syndrome". Personally I think you can solve this glitch in one fell swoop. Let the main character die in the end. Jim Butcher did this with his character Dresden and poor Dresden ended up being a ghost. Now there's some serious drama for you. I haven't read the next book in the series yet, so I'm waiting to see how it goes. But I've always been of the opinion that a main character doesn't always have to win for the novel to be good.

Not all characters will win or live in the end. Luckily there are still such stories around.

Maineiac wrote: The boys have a keen insight into the "Main Character Syndrome". I would suggest that it is incumbent on the author to find a way to remedy this, if he intends to keep the reader's interest. One way to do so is to share the title of "Main Character" among several different characters. A carefully developed character, a leading protagonist, who suddenly dies, will can serve to increase the surprise to the readers as well as cause them to move away from the Syndrome.

It's a tough subject for modern writers to come up with stories that aren't predictable.


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