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51
51
In affiliation with WdC SuperPower Reviewers Group  
Rated: ASR | (4.5)
Hi, LightinMind:
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WDC SuperPower MARCH Reviewer’s Raid has led QueenOwl's wings to your port. And because your work deserves a read and a review, here she lands to pore over your literary piece re MYTHOLOGY.

Here are some comments you might consider when you decide to revisit it for tightening and improvement. My observations and suggestions are enclosed in brackets and color-coded green.

Formatting
Well organized.

*Content
Wow! What an innovative, creative and imaginary story. I am impressed at how your mind can create and/or concoct events and connect them to the traditional and modern practices brilliant minds have presented and readily accepted by the world at large. Indeed the mind can go as far as where imagination leads. I can see your mind is capable of such limitless creativity.

As far as *Mechanics,*Syntax,*Punctuation, Spelling, and all the other nitty-gritty of the written composition go, here are some snippets I cut and pasted that may need tweaking for clarity:

Elves -Elf elves /elf is a common noun. Use lower case.

3 foot tall [ three-foot-tall], or in the alternative [3-foot-tall]
Presentation of Numbers
Just thought of sharing what the authors of Writers Digest Grammar Desk Reference has to say about the presentation of numbers.
1) When numbers are used infrequently: if a number can be spelled out in two words or fewer, spell it out. All whole numbers between zero and one hundred will therefore be presented as words.
2) When numbers are used frequently such as useful business-related, technical and scientific documents: numerals are more reader-friendly than spelled out numbers, so the only numbers that are presented in words should be the whole numbers zero through nine; numerals should be used for all other whole numbers.


'...like the "Grinch". ."
Punctuation Marks and Closing Quotation Marks
Typographical convention in the United States requires that periods and commas always be inserted before the closing quotation marks – regardless of whether a direct quotation consists of an entire sentence, a phrase, or a single word. This convention, however, is widely violated. Just thought I'll point this nuance out to you for reference in as much as I can see the British background in the art of writing is concerned.


AI technology - [Give a little background of what an AI technology is to avoid the reader from pausing and searching for an explanation.]

*Dialogue
Not necessarily applicable in this genre.

*Disclaimer
I hope my observations and suggestions can help you tighten some loose ends relating to the mechanics in writing. Keep in mind, though, that these are from one reader's point of view. As such, take it with a grain of salt. The decision to adopt or discard suggestions is your prerogative.

*Over-all take away
Great creation of mythology from an Irish perspective, personified by Legolas. I like the twists and turns you put your readers through to arrive at the destination you lead them to.

Write away, LightinMind. You have the wherewithal to shine in your wordsmithing endeavor.


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52
52
In affiliation with WdC SuperPower Reviewers Group  
Rated: E | (3.5)
Hi, Hank:
~Click here to join a fun reviewing group~
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This is my way of introducing myself to you, fellow writer. I swing by ports, looking for something to keep a retired person like me occupied. Fortunately for you, I find the title of this submission intriguing. So, let me stop in, take a read and offer you a review.

Here are some comments you might consider when you decide to revisit it for tightening and improvement. My observations and suggestions are enclosed in brackets and color-coded green.

Formatting
For clarity and readability, observe proper formatting. Readers read for enjoyment and entertainment. With that being said, reading one blurb is onerous and taxing to your reader. Paragraphing and spacing are essential elements in writing (whether formal or informal) to be understood and to be taken seriously. This is especially true if your goal is to be published one day.

Bear in mind that each new idea should be in one paragraph. Transitioning from one idea to the next should be in a separate paragraph, as well.

*Content
I like your stream of consciousness spilling out what constitutes the soul of a writer. These qualities may not be true for every writer but it sure is true for some. It boils down to the degree of involvement one has with his calling and his relationship with others around him or her.

As far as *Mechanics,*Syntax,*Punctuation, and Spelling go,
here are some snippets I cut and pasted that may need tweaking for clarity and readability:

"and don’t even get me started on their soul…"
"what fears and dreams are made of…"
"not even if it’s their birthday…"
"and there’s always something they want to say behind it…"
"they have a dozen books prepared to be read…"

The examples above fall under Uses of Ellipsis:
I see this exercise is saturated with ellipsis. Let me share with you what I learned about ellipsis. It might help you minimize its use just as it did me.

Ellipses, also known as ellipsis points and suspension points, are punctuational devices composed of a trio of spaced periods. (Always make sure that all three periods fit on a single line of text.) Ellipses have two important functions.

First, they are used in dialogue to indicate that a speaker has not brought an utterance to completion or to indicate that there are awkward pauses in the utterance.

The second use of the ellipses is to indicate that one or more words have been omitted from a direct quotation because the quoter considers them irrelevant to his or her purpose.

If you delete one or more words from the beginning of a quotation, you do not need to use ellipses – unless the document you are writing is unusually formal, in which case the blank space will separate the opening quotation mark from the first ellipsis period, but one blank space will follow the final ellipsis period.

If you delete one or more words from the end of a quotation positioned at the end of the hosting sentence, however, you need to use both a period and ellipses if the quoted matter has the status of a grammatically complete sentence. No blank space will precede the period.

If you are deleting one or more words from the end of a quotation that has the status of a grammatically complete sentence and that ends with a question mark or an exclamation point, position the terminal punctuation mark after the ellipses.


3 am [3:00 A.M.]
Presentation of Numbers
Times of day. When you are not spelling out the times (seven-thirty; a quarter before eleven this morning; half-past nine; nine o’clock; shortly after five), use numerals followed by A.M. and P.M. (12:10 A.M.; 4 P.M.; from 11:00 A.M. to 7:45 P.M.); never write three o’clock A.M. or three A.M. Use the words noon and midnight instead of numerals.

*Disclaimer
I hope my observations and suggestions can help you tighten some loose ends relating to the mechanics in writing. Keep in mind, though, that these are from one reader's point of view. As such, take it with a grain of salt. The decision to adopt or discard suggestions is your prerogative.

*Over-all take away
Keep writing, Hank. You'll learn a lot as you write more and read more.


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53
53
In affiliation with WdC SuperPower Reviewers Group  
Rated: 13+ | (4.5)
Hi,SWPoet:

~Click here to join a fun reviewing group~
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This is my way of introducing myself to you, fellow writer. I swing by ports, looking for something to keep me occupied on a quiet Monday night. Fortunately for you, I find the title of this submission from random Read and Review intriguing. So, let me stop in, take a read and offer you a review.

Here are some comments you might consider when you decide to revisit it for tightening and improvement. My observations and suggestions are enclosed in brackets and color-coded green.

Formatting
Well done.

*Content
I minored in Psychology in my undergraduate studies. I find the study of the mind and psyche intriguing. Your story has aroused my curiosity and hooked me. I was following along closely until I stumbled into how the project proceeded. I went back to reread the story all over again because I was confused as the testing progressed. Initially, I understood Emma wanted Ronnie to perform the testing on Paul for her to know what is in Paul's psyche. She wanted to read Paul's mind to ascertain how serious he is in his proposal for marriage. I get that. I got lost when Emma wanted Ronnie to wake up. Did Ronnie fall asleep in the middle of the procedure? Did Emma want Ronnie to continue the procedure? Obviously. But the twist is: Are Ronnie and Paul the same person? Did the young woman lab technician take over Ronnie while Ronnie took a nap? The dialogue among the characters needs tweaking and clarifying so the reader can follow along. Perhaps a transition is needed to distinguish who the actors are and what each role is in the scenario.

As far as *Mechanics,*Syntax,*Punctuation, and Spelling go,
here are some snippets I cut and pasted that may need tweaking for clarity and readability:

He’ll wake up in the morning with no knowledge[of] my little experiment.”

A women, a sour smell,[Replace with "A woman," or "Women."]

Gluing electodes.[misspelling for electrodes.]

First thing's first.[Delete apostrophe.]

*Dialogue
Good employment dialogue showing your characters interacting with each other. Dialogues put the reader in the head of the narrator, character, or author.

*Disclaimer
I hope my observations and suggestions can help you tighten some loose ends relating to the mechanics in writing. Keep in mind, though, that these are from one reader's point of view. As such, take it with a grain of salt. The decision to adopt or discard suggestions is your prerogative.

*Over-all take away This exercise has great potential. Take a closer look and do some tweaking to make it hum, sizzle, and dazzle. I can see your creative talent is there to hone and shine. Go for the gusto!


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54
54
In affiliation with WdC SuperPower Reviewers Group  
Rated: E | (5.0)
Hi Laza0001265,

Thank you for the heads up. The scammers are not doing their dirty tricks in UK only. Their activities are massive in the US as well. I know. I’ve been a victim of their fraudulent schemes.

I have reported my incident to FTC and local Police as recommended. I know it will take a long indefinite period to apprehend these fraudsters but I have done my civic duty to put a paper trail for reference and evidence.

These people have no conscience nor qualms in chasing after fast money from unsuspecting prey.

Once again, I want you to know I appreciate your concern. Keep up the great work you’re doing in making the public aware that evildoers lurk wherever opportunity is within their reach.



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55
55
In affiliation with WdC SuperPower Reviewers Group  
Rated: ASR | (4.0)
Hi, J. Legacy:

~ Click here to join a fun group ~
WDC SuperPower Reviewer’s Raid has led QueenOwl's wings to random Read and Review with Old Mirror waving at me for attention. And because your work deserves a read and a review, here she lands to pore over your literary piece.

Here are some comments you might consider when you decide to revisit it for tightening and improvement. My observations and suggestions are enclosed in brackets and color-coded green.

*Content
There is a missing element about this mirror that I cannot wrap around my head. If it's an heirloom, it's a familiar object the narrator has seen before. There must be something unusual about this mirror that makes the sixteen-year-old horrified by its mere existence.

The odd thing about this story is that the secret was never revealed. I seem to think this teen-ager was imagining things and her imagination run wild.

As far as *Mechanics,*Syntax,*Punctuation,Spelling and other nitty-gritty go, here are some snippets I cut and pasted that may need tweaking for clarity, conciseness, and readability
:
16th [Birthday,] [birthday,]

[I’m awoken by a whisper of someone saying my name.“
Sarah, are you there? We need your help, Sarah.”]

[Minor typo. Move open quotation mark from the previous sentence to beginning of the second sentence.]

"Sarah, Sarah honey, wake up, you’re having a nightmare!" says Mom urgently. [Format this as a direct quote as it is sounding.]

“Thanks, [mom] [Mom].”

What was so unusual about the mirror that it caused you to have a nightmare? Was it a battery-powered talking mirror? That reminds me of my husband's collection of Christmas battery-powered gadgets being put away in the closet after the holidays. I was looking for something in the closet one day and as I was moving boxes, I hear talking and singing. It startled me and gave me goosebumps. Silly me. They were just animated toys that activate when touched or moved.

*Dialogue
Good employment of dialogue showing your characters interacting with each other. Dialogues put the reader in the head of the narrator, character, or author.

*Disclaimer
I hope my observations and suggestions can help you tighten some loose ends relating to the mechanics in writing. Keep in mind, though, that these are from one reader's point of view. As such, take it with a grain of salt. The decision to adopt or discard suggestions is your prerogative.

*Over-all take away I can appreciate your nightmares.
How our imagination can run wild, indeed.

Write away, J. Legacy. You're on your way to bigger and better writing projects I can see.

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56
56
In affiliation with WdC SuperPower Reviewers Group  
Rated: 13+ | (4.0)
Hi, kbabgfd:
~ Click here to join a fun group ~
WDC SuperPower Reviewer’s Raid has led QueenOwl's wings to your port. And because your work deserves a read and a review, here she lands to pore over your literary piece.

Here are some comments you might consider when you decide to revisit it for tightening and improvement. My observations and suggestions are enclosed in brackets and color-coded green.

*Content
Fantastic story. Perhaps it can draw more interest if the main characters are engaged in dialogue instead of being narrated by a third person. Would you consider a revision with a show-and-tell version? Worth a try? I would love to take a second look if you go that route.

As far as *Mechanics,*Syntax,*Punctuation Marks , Spelling and other nitty-gritty go, here are some snippets I cut and pasted that may need tweaking for clarity, conciseness and readability:

I. Introduction
Presentation of Numbers: When numbers are used infrequently: if a number can be spelled out in two words or fewer, spell it out. All whole numbers between zero and one hundred will therefore be presented as words.

"...a war between [2] [two] clan..."
"...a war between those [[2] [two] vindictive tribes..."

Her home is far from the village since she is certainly a powerful but above all clumsy fairy. [Two ways to fix this sentence:
1) Her home is far from the village since she is certainly a powerful but [above all] a clumsy fairy.
2) Her home is far from the village since she is certainly [a ] powerful but above all [a] clumsy fairy.

2. The Encounter:
Those ears are pretty long and pointy at the top and both [wears] [wear] golden earring at their lobe.

3. The Conversation:
"Take a [sit] [seat]!" she offers, noticing your catalepsy. [ I was going to give you a pass on this misspelling because it's a dialogue and it may be the way this character talks; but, if this is not intentional on the part of the narrator, the correct usage is seat.

You didn't think she was at this [ point... and yet...:]
[Uses of Ellipsis: Let me share with you what I learned about ellipsis. It might help you minimize its use just as it did me.

Ellipses, also known as ellipsis points and suspension points, are punctuational device composed of a trio of spaced periods. (Always make sure that all three periods fit on a single line of text.) Ellipses have two important functions.

First, they are used in dialogue to indicate that a speaker has not brought an utterance to completion or to indicate that there are awkward pauses in the utterance.

Second, to indicate that one or more words have been omitted from a direct quotation because the quoter considers them irrelevant to his or her purpose.

If you delete one or more words from the beginning of a quotation, you do not need to use ellipses – unless the document you are writing is unusually formal, in which case the blank space will separate the opening quotation mark from the first ellipsis period, but one blank space will follow the final ellipsis period.

If you delete one or more words from the end of a quotation positioned at the end of the hosting sentence, however, you need to use both a period and ellipses if the quoted matter has the status of a grammatically complete sentence. No blank space will precede the period.
If you are deleting one or more words from the end of a quotation that has the status of a grammatically complete sentence and that ends with a question mark or an exclamation point, position the terminal punctuation mark after the ellipses.]

4. The Preparation:
You see her taking a deep breath, before suddenly saying [: ] [,] "Well! I have things to do. [Replace colon with comma. I see this pattern used throughout the whole manuscript]

5. Armistice
After you're well locked inside. She returns to her side of the table and kneels down. [To eliminate the fragment of the first sentence, consider revising by combining the two sentences into one:

After you're well locked inside, she returns to her side of the table and kneels down.

wich [typo for which]

"It is not for you to go [there.] [,]" she says with her mother tone, [Replace period with comma.]

6. An Unexpected Guest
Punctuation marks need fixing in this area where direct quotations are employed.

Attribution
Dialogue tags are part of the sentence. Use a comma instead of a period to complete the sentence. Use lower case (for pronoun) to complete the sentence.

7-12 show the same or similar violations in the application of punctuation marks. The whole manuscript needs polishing.

*Dialogue
I believe this story can pop, sizzle, and dazzle if more dialogue is employed rather than straight narration. Narration becomes monotonous and puts the reader to sleep.

*Disclaimer
I hope my observations and suggestions can help you tighten some loose ends relating to the mechanics in writing. Keep in mind, though, that these are from one reader's point of view. As such, take it with a grain of salt. The decision to adopt or discard suggestions is your prerogative.

*Over-all take away As I mentioned above, this story can pop, sizzle, and dazzle with characters interacting with each other with their own words instead of coming from a narrator's point of view.


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57
57
In affiliation with WdC SuperPower Reviewers Group  
Rated: E | (5.0)
Cute, Sum1.

I learned quite a few obsolete but new words for me from your poem today. One that stands out is formication. I thought it was a misspelling. I had to consult my sidekick, dictionary.com. Son of the morning! It is a legit word! What a tingling sensation indeed to add this to my vocabulary; albeit, ancient or antiquated? LOL.


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58
58
Review of A Grandma's Wish  
In affiliation with WdC SuperPower Reviewers Group  
Rated: E | (3.5)
Hi, StarrQueen:
~ Click here to join a fun group ~
WDC SuperPower Reviewer’s Winter Raid Review has led QueenOwl's wings to your port. And because your work deserves a read and a review, here she lands to pore over your literary piece.

Here are some comments you might consider when you decide to revisit it for tightening and improvement. My observations and suggestions are enclosed in brackets and color-coded green.

*Content
This exercise has shown the three elements of a short story: Beginning, middle, and end. This is a good start for a newbie. As you progress, you will soon be adding more elements that will make your work pop, dazzle, and sizzle.

As far as *Mechanics,*Syntax,*Punctuation go, here is one snippet I cut and pasted that need tweaking for clarity, conciseness, and readability:

Early one morning, that call finally arrived and she rushed to be by her daughter's side as [her precious] I made my way into the world. [Delete or revise as this is awkward and out of place.]

*Point of View (POV)
Very nicely written from the point of view of a long-awaited grandchild.

*Dialogue
Try to employ dialogue to show your characters interacting with each other. Show, don't tell. The secret in storytelling is in the dialogue. Let your characters talk to each other.

*Disclaimer
I hope my observations and suggestions can help you tighten some loose ends relating to the mechanics in writing. Keep in mind, though, that these are from one reader's point of view. As such, take it with a grain of salt. The decision to adopt or discard suggestions is your prerogative.

*Over-all take away Good writing exercise as you begin your journey as a wordsmith. Stay with it. Soon you will see rewards for your tenacity.


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59
59
In affiliation with WdC SuperPower Reviewers Group  
Rated: E | (4.5)
Hi, Samson:

~ Click here to join a fun group ~
WDC SuperPower Reviewer’s Winter Raid has led QueenOwl's wings to your port. And because your work deserves a read and a review, here she lands to pore over your literary piece.

Here are some comments you might consider when you decide to revisit it for tightening and improvement. My observations and suggestions are enclosed in brackets and color-coded green.

*Content
Cute!Great for illustrated children's storybooks.

As far as *Mechanics,*Punctuation,Spelling and other nitty-gritty in the written language go, Here are some snippets I cut and pasted that may need tweaking for clarity, conciseness, and readability:

"Who needs the old rules!" asked the exclamation point peacock[,] [.] [Replace comma with a period.]

"Yeah. we need to go tell everyone else[.][,]" said the comma llama[,][.] [Replace period with a comma.]

So, are you really serious about changing the rules as shown in these two examples above?
As to the first example: It's simply using a terminating period at the end of the sentence, which leads me to surmise this could be just a typo.

As to the second example: Attribution
Dialogue tags are part of the sentence. Use a comma instead of a period to complete the sentence. I do have to mention this may just be another typo inasmuch as the rest of your punctuation marks in all other areas are done correctly.

*Dialogue
What makes this story pop, dazzle and sizzle is your employment of dialogue showing your characters interacting with each other. Delightful, entertaining, and amusing for use as children's learning tools.

*Disclaimer
I hope my observations and suggestions can help you tighten some loose ends relating to the mechanics in writing. Keep in mind, though, that these are from one reader's point of view. As such, take it with a grain of salt. The decision to adopt or discard suggestions is your prerogative.

*Over-all take away You're a creative and crafty wordsmith. This would be great to submit for publication to a Children's Illustrated books editor/publisher.

Go for it, Sam. You got what it takes.


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60
60
In affiliation with WdC SuperPower Reviewers Group  
Rated: 18+ | (4.5)
I like this short story, Schnujo. It’s interesting as well as entertaining.

Here’s a sentence I copied for you to take a second look for tweaking:

“With a final wave, Jody hurried to the parking lot only to find [it] the Visitor’s Section deserted.”

This is the only sentence that sounds awkward to me. Deleting “it” can fix this minor glitch.

All in all, I totally appreciate your lively exchange with a crude senior citizen who may not be all there, to boot. Lol.

Gosh, was I relieved to know you were able to catch your ride after all!

Write on.

61
61
In affiliation with WdC SuperPower Reviewers Group  
Rated: ASR | (5.0)
Hello Monty,

Please accept my condolence on the passing of your beloved wife. May you find comfort in the knowledge that she is resting in peace in our heavenly Father’s arms.

The Lord gives and the Lord takes away. Blessed be the name of the Lord.
62
62
Review of A Haunted House  
In affiliation with WdC SuperPower Reviewers Group  
Rated: 13+ | (3.5)
Hi, WakeUp calls from yonder:

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I am reviewing in the "WdC SuperPower Reviewers Group - Ghostly Hallows Raid."
Here are some comments you might consider when you decide to revisit it for tightening and improvement. My observations and suggestions are enclosed in brackets and color-coded green.

*Content
I want to bring to your attention this snippet I cut and pasted that may need tweaking for clarity and readability:

[ It wasn't that big, but big enough for the both of them, her friends, and they loved living there.

When they became pregnant with their first child nothing could be more wonderful.]

The above snippet is a bit unclear and confusing: The main character of the story is supposedly Ann-Louise who did not believe in haunted houses. The second paragraph digressed into another scene which describes a big enough house for several people residing there. Who became pregnant? The foregoing paragraphs indicated Ann-Louise was a mere friend of the couple who birthed Jay and not the mother of the dead infant.

This introductory scene needs tweaking to clarify who the parents of the baby were; otherwise, the reader is left scratching his/her head.

*Element of Conflict
There is an element of conflict that needs to be redefined in detail.

*Climax
The twists and turns from one scene to the next need clear transitions to avoid an anti-climactic effect on a potentially good story.

Spelling
[immanent] [imminent] [Correct choice of word or spelling]

[Rumour] [rumor]
[Nuance in spelling between American and British style]

The child, named Jay[,] was healthy and exceptionally lively. [Insert comma]

Till day 4. [See Presentation of Numbers]

Presentation of Numbers
Just thought of sharing what the authors of Writers Digest Grammar Desk Reference have to say about the presentation of numbers.

Easy-to-use methods for the presentation of numbers:

1) When numbers are used infrequently: if a number can be spelled out in two words or fewer, spell it out. All whole numbers between zero and one hundred will therefore be presented as words.
2) When numbers are used frequently such as in useful business-related, technical, and scientific documents: numerals are more reader-friendly than spelled out numbers, so the only numbers that are presented in words should be the whole numbers zero through nine; numerals should be used for all other whole numbers.

Family and friends gathered around to support the young couple and Ann-Louise[,] as their closest friend[,] was there every step of the way.
[Enclose in commas dependent clause.]

She was one of the friends to stay with him whenever she could[,] reciting poetry to his little vulnerable corpse.[Insert coma]

Closest family and she[,] as their best friend[,] were there putting nails in the coffin. [Insert commas as shown]

[She was] [Afraid] [afraid] in her own house, in her own bed, with her own pet.

*Dialogue
Try to employ dialogue in critical areas where there's a call for it to show your characters interacting with each other. Plain narration bores the reader. Show your characters bantering, exchanging curt remarks. In other words, show action to help move the story and to keep your reader's interest until the climax drops.

*Disclaimer
I hope my observations and suggestions can help you tighten some loose ends relating to the mechanics in writing. Keep in mind, though, that these are from one reader's point of view. As such, take it with a grain of salt. The decision to adopt or discard suggestions is your prerogative.

*Over-all take away
This story has its potential to shine, sizzle, pop, and sparkle. Go back to the drawing board and revise it. The writer's secret is in revisiting and revising until the story hums!

Write away, WakeUp calls from yonder. You have it in you to restructure your story. It's a lot of work but it pays off in the end.


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63
63
Review of The Dinner Party  
In affiliation with WdC SuperPower Reviewers Group  
Rated: E | (4.0)
Hi, Write-fully Loti :

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I am reviewing in the "WdC SuperPower Reviewers Group - Ghostly Hallows Raid."

Here are some comments you might consider when you decide to revisit it for tightening and improvement. My observations and suggestions are enclosed in brackets and color-coded green.

Formatting
For clarity and readability, observe proper formatting. Readers read for enjoyment and entertainment. With that being said, reading one blurb is onerous and taxing to your reader. Paragraphing and spacing are essential elements in writing (whether formal or informal) to be understood and to be taken seriously. This is especially true if your goal is to be published one day.

Bear in mind that each new idea should be in one paragraph. Transitioning from one idea to the next should be in a separate paragraph, as well. For example, your first paragraph was fine. Start a new paragraph with: "It was late..." Maybe you meant that to be a new paragraph but to the reader, it looks like a continuation of your introduction. This is true to this entire narrative. To fix this stumblingblock, leave a space between each new paragraph.

*Content
I like the way you introduced your characters and how it progressed into an unusual encounter with a strange woman during your bus ride. You and your friend seemed to have been hypnotized by this stranger's allure that you've been taken unaware and transported into a world of the unknown. You developed your story well from beginning to end.

As far as *Mechanics/Syntax,*Punctuation, Spelling, and all the nitty-gritty in the art of writing go, you have a good command of the written language. The area where you need polishing is in formatting, which leads to my recommendation: I would revise this for purposes of clarity and readability, observing a few rules we need to apply in our writing to enhance enjoyment for our readers:
*Make short paragraphs with one idea per paragraph
*No extra space between paragraphs
*Only one space between sentences
*If you choose to add a line between paragraphs to indicate a change in location or passage of time, center a typographical dingbat (like ***) on the line. (Some published writers suggest double spacing between paragraphs.)

*Dialogue
I see your dialogues are not highlighted nor given special attention. In order for your dialogue to stand out, make a new and separate paragraph for each speaker. (This boils back down to formatting.) I do want to give you credit for using proper punctuation marks for your direct quotes.

*Disclaimer
I hope my observations and suggestions can help you tighten some loose ends relating to the mechanics in writing. Keep in mind, though, that these are from one reader's point of view. As such, take it with a grain of salt. The decision to adopt or discard suggestions is your prerogative.

*Over-all take away
How bizarre this story developed and how it ended. It gave me goosebumps! Nice job, Loti.

Write away. You have it in you to be a wordsmith.



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Review of The Umbrella  
In affiliation with WdC SuperPower Reviewers Group  
Rated: 18+ | (4.5)
Hi, James:
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I am reviewing in the "WdC SuperPower Reviewers Group - Ghostly Hallows Raid."
Here are some comments you might consider when you decide to revisit it for tightening and improvement. My observations and suggestions are enclosed in brackets and color-coded green.

Formatting
Well organized.

*Content
I can see the recriminations and guilt feelings you carry on that has burdened you, which you expressed so poignantly. And I can see how cathartic it is for you to write how you made peace and got healed from the burden you carried. Good ending.

As far as *Mechanics,*Syntax,*Punctuation,Spelling and the nitty-gritty of grammar go, here are some snippets I cut and pasted that may need tweaking for clarity:

[16 year-old] [16-year-old] [I think this is just an oversight because you have done it right before this one.

“I know, Tom.” He said, and I wondered if he did know. “Say, what kind of beer did you want me to bring you. You never said.” [Attribution: A tag line is part of the sentence. Use a comma instead of a period, and, use lower case for He to complete the sentence.]

my self [myself] [I'm not sure if you separated this word intentionally or not because, in standard use, myself is one word.]

*Dialogue
Good employment of dialogue showing your characters interacting with each other. Dialogue puts the reader in the head of the narrator, character, or author. It moves the story along from the conversation it unleashes.

*Disclaimer
I hope my observations and suggestions can help you tighten some loose ends relating to the mechanics in writing. Keep in mind, though, that these are from one reader's point of view. As such, take it with a grain of salt. The decision to adopt or discard suggestions is your prerogative.

*Over-all take away
This is a touching and moving story for me. I can see vividly how the scene unfolded and ended. It sounded credible except for the illusion that Pete really called to carry on a conversation after his death. But Tom could be imagining things because of his guilt and that is excusable because our minds do play tricks on us when we are writhing in grief and guilt.

Write away, James. You got what it takes to be a wordsmith.

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Review of Full Cowel!  
In affiliation with WdC SuperPower Reviewers Group  
Rated: 13+ | (4.0)
Hi, Monsoon:

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I am reviewing in the "WdC SuperPower Reviewers Group - Ghostly Hallows Raid."
Here are some comments you might consider when you decide to revisit it for tightening and improvement. My observations and suggestions are enclosed in brackets and color-coded green.

*Content
I couldn't wait to see Apollo find something to satisfy his hunger for blood.

As far as *Mechanics/Syntax, *Punctuation, Spelling and the nitty-gritty in the art of writing go, here are some snippets I cut and pasted that may need tweaking for clarity and readability: As these examples below show, the introductory clause needs a comma to prevent run-on sentences.

Hands in his pockets[,] Mister Apollo walked towards the noise.

He didn’t know what to expect[.] [he] [He] ran his right hand through his dense black hair slowly.

An alley way laid in front of him [.] [it] [It] had absolutely no light.

“Hello? Who’s there?” [He] [he] asks with a stern voice.
[Attribution: Dialogue tags are part of the sentence. Use the lower case for he to complete the sentence.]

[“Sorry,”][Insert comma] the criminal whispered, sweat was evaporating from his body.

Instead of fleeing[,] Apollo did the stupid thing.

With the speed of Apollo’s quirk[,] he was way faster [then] [than] this guy.

Ignition quickly turned around but before he could blast another one of his fireballs [,] Apollo grabbed his neck, smashing him to the ground.

Not planning this far ahead [,] Apollo jumped backwards.

“Pathetic,” [The] [the] wanted man said to him.

He hated [Hero’s] [heroes] and there would be no way that he would fail this attack.

He yelled with [a]anger.

“There’s no running this [time,”] he said smiling.

He was happy but he would much rather have [kill][killed] a hero instead.

By the way: Educate me. What does the word cowel mean? I cannot find it in the dictionary. There is cowell (with two lls but it is not recognized as a word. How about cower?

*Dialogue
Employment of dialogue showing your characters interacting with each other helped move the story. Employ more of it when action is called for.

*Disclaimer
I hope my observations and suggestions can help you tighten some loose ends relating to the mechanics in writing. Keep in mind, though, that these are from one reader's point of view. As such, take it with a grain of salt. The decision to adopt or discard suggestions is your prerogative.

*Over-all take away
This action/adventure story would pop, sizzle, and sparkle if punctuation marks were properly inserted where they were needed. Be that as it may, Apollo won the fight, albeit, still hungry for blood. There has to be a sequel to this episode, right?


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Review of Morning Miracle  
In affiliation with WdC SuperPower Reviewers Group  
Rated: E | (4.5)
Hi, G. B. Williams:

Shared SuperPower balloon image
It's a super-powered celebration. And I have chosen Morning Miracle to read and review. Here are some comments you might consider when you decide to revisit it for tightening and improvement. My observations and suggestions are enclosed in brackets and color-coded green.

Formatting
Well done.

*Content
This is beautiful. Thank you for sharing such great observation of the coming of a new day dawn.

*Point of View (POV)
And then right after I drift off into my prayers and thank [you] [God] for another day, [I see a switch in POV (Point of View) Stay consistent.

As far as *Mechanics/*Syntax,*Punctuationand Spelling go, here are some snippets I cut and pasted that may need tweaking for clarity and readability:

5:00 a.m. [Presentation of Numbers: Times of day. When you are not spelling out the times (seven-thirty; a quarter before eleven this morning; half-past nine; nine o’clock; shortly after five), use numerals followed by A.M. and P.M. (12:10 A.M.; 4 P.M.; from 11:00 A.M. to 7:45 P.M.); never write three o’clock A.M. or three A.M. Use the words noon and midnight instead of numerals.

Usually, we [,] as people [,] spend a lot of time thinking about or going over our accomplishments...[Enclose as people because the sentence can stand alone without it.

*Dialogue
Try to employ dialogue to show your characters interacting with each other. Dialogues put the reader in the head of the narrator, character, or author.

*Disclaimer
I hope my observations and suggestions can help you tighten some loose ends relating to the mechanics in writing. Keep in mind, though, that these are from one reader's point of view. As such, take it with a grain of salt. The decision to adopt or discard suggestions is your prerogative.

*Over-all take away.


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In affiliation with WdC SuperPower Reviewers Group  
Rated: E | (4.5)
Hi, G.B. Williams :

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It's a super-powered celebration! And I picked Living in Despair 2020 Style to read and review. Here are some comments you might consider when you decide to revisit it for tightening and improvement. My observations and suggestions are enclosed in brackets and color-coded green.

Formatting
Well done.

*Content
Indeed the coronavirus pandemic hit us unawares and everybody panicked! Who would have thought something so disgusting, unreasonable, and unimaginable could happen out of the blue?

For me, this is a wake-up call! A call to prepare us for our ultimate spiritual destiny. Physical and earthly preparedness is fine but have we prepared our souls and spirits for that eternal abode? Since the beginning of creation, no one or nobody has lived forever. For it is appointed unto us we are from dust and to dust, we shall return. But, our spirit goes back to our Creator and Maker who resides yonder in a heavenly place.

This desperation is temporary and passing. The greater glory cannot be compared to the agony we are going through today. So, let us take heart and be comforted. We are just passing through here on earth.

Here's a song of comfort and consolation for us who have faith in God to pull us through. It goes this way:
This world is not my home I'm just a passing through
My treasures are laid up somewhere beyond the blue
The angels beacon me from heaven's open door,
Then I can't feel at home in this world anymore.

Oh, Lord, you know, I have no friend like you,
If heaven's not my home, then Lord what will I do?
The angels beacon me from heaven's open door,
Then I can't feel at home in this world anymore.

As far as *Mechanics,*Syntax,*Punctuation,and Spelling go, here are some snippets I cut and pasted that may need tweaking for clarity and readability:

That is a hold other bag.[Based on the context of the paragraph, did you mean "whole other bag" instead of "hold other bag?"

Lord [a mercy] that would make a difference, if you could just get it soon.[I don't get the gist of this cliche "a mercy" in the context of the sentence. Did you mean, "Lord, have mercy?"] Other readers may not get it as well. Perhaps you can tweak this to clear it up a tad?]

*Dialogue
Not applicable in this narrative.

*Disclaimer
I hope my observations and suggestions can help you tighten some loose ends relating to the mechanics in writing. Keep in mind, though, that these are from one reader's point of view. As such, take it with a grain of salt. The decision to adopt or discard suggestions is your prerogative.

*Over-all take away
Thank you for sharing your perspective on this unprecedented lockdown and the unfortunate side effects and outcome surfacing on a day to day basis that's hitting us hard. Indeed, this unexpected pandemic has the whole world in utter desperation. All we can do is look up and lift those wandering and hungry souls for comfort and peace until He returns to take us all up with him in glory and majesty.

Write on, G. B. Williams.

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In affiliation with WdC SuperPower Reviewers Group  
Rated: E | (3.5)
Hi, amlan:

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It's a super-powered celebration and I picked your manuscript to read and offer input. Here are some comments you might consider when you decide to revisit it for tightening and improvement. My observations and suggestions are enclosed in brackets and color-coded green.

Formatting
Following general rules to make Layout and look professional, here are pointers for future reference:
Use 12-point type
Use a serif font; the most common choice is Times Roman/Double-space manuscript
No extra space between paragraphs
Only one space between sentences
Indent each paragraph half an inch (setting a tab, not using several spaces
The text should be flush right and ragged right, not justified
If you choose to add a line between paragraphs to indicate a change in location or passage of time, center a typographical dingbat (like ***) on the line
One-inch margins (the default in Word)
Caveat: For the limited scope of formatting in this forum, you don't have to observe all these in to-to. The important consideration here is paragraphing for clarity and readability to make our writing reader-friendly, inviting, and enjoying.

*Content
Thank you for sharing your wonderful experience as a Cabin Crew. This story is touching and it reverberates in our hearts, whenever we see it, hear it, or read about it.

As far as *Mechanics,*Syntax,*Punctuation,Spelling and all the nitty-gritty go, here are some snippets I cut and pasted that need tweaking for clarity and readability:

When I did my masters in anthropology in the early years of 1985/86[,] we had a subject on Human Behavior.[Insert comma]

Every behavioral stimuli [stimulus] elucidates a different action and no two actions are similar even though the stimuli may be the same…..

[Uses of Ellipsis: Ellipses, also known as ellipsis points and suspension points, are punctuational device composed of a trio of spaced periods. (Always make sure that all three periods fit on a single line of text.) Ellipses have two important functions.

First, they are used in dialogue to indicate that a speaker has not brought an utterance to completion or to indicate that there are awkward pauses in the utterance.

The second use of the ellipses is to indicate that one or more words have been omitted from a direct quotation because the quoter considers them irrelevant to his or her purpose.

With this logic [,] the later experiences come first [,] and hence this one is from the later pages of my log.[Insert comma.]

" actually was thinking if you could help me urinate"....... [See Uses of Ellipsis]

The above are just samples of areas where you need to work on. Take a second look at your work and make corrections and improvements for clarity and readability. The human element and compassion in your experience is a beautiful story to publish.

*Dialogue
Good employment of dialogue showing your characters interacting with each other. What you need to do is learn how to use punctuation marks to make your dialogue stand out.

*Disclaimer
I hope my observations and suggestions can help you tighten some loose ends relating to the mechanics in writing. Keep in mind, though, that these are from one reader's point of view. As such, take it with a grain of salt. The decision to adopt or discard suggestions is your prerogative.

*Over-all take away
I am impressed at how fluent you are in English. What you need to work on is the use of punctuation marks to polish your writing skills. Keep up the good work you started.


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In affiliation with WdC SuperPower Reviewers Group  
Rated: E | (4.5)
Hi, LegendaryMask:
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It's August SuperPowered Celebration and we're here to celebrate! Here are some comments you might consider when you decide to revisit it for tightening and improvement. My observations and suggestions are enclosed in brackets and color-coded green.

Formatting
Well done.

*Content
This is a cute and entertaining story of children. I like the special attention Jackie and Jeff afforded the kids playing down at the beach, building a snowman where it never snows.

As far as *Mechanics,*Syntax,*Punctuation,Spelling and the nitty-gritty of writing go, here are some snippets I cut and pasted that may need tweaking for clarity:

He nodded [his head] and grabbed the camera as they went.[Omit needless words]

"Is the camera rolling?" she asked [Jeff]. [No need to mention Jeff. Obviously the conversation is only between Jackie and Jeff.]

She agreed with a nod [of her head].[Omit needless words]

I'm impressed at your skill in using punctuation marks with your dialogue. They're flawless.

*Dialogue
Good employment of dialogue showing your characters interacting with each other. Dialogue puts the reader in the head of the narrator, character, or author. Dialogue gives a story a unique personality; moreover, it breaks the monotony of narration.

*Disclaimer
I hope my observations and suggestions can help you tighten some loose ends relating to the mechanics in writing. Keep in mind, though, that these are from one reader's point of view. As such, take it with a grain of salt. The decision to adopt or discard suggestions is your prerogative.

*Over-all take away
Great story for children. Amusing and entertaining. Keep up the good work.

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In affiliation with WdC SuperPower Reviewers Group  
Rated: E | (4.5)
Hi, LegendaryMask:
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Here are some comments you might consider when you decide to revisit it for tightening and improvement. My observations and suggestions are enclosed in brackets and color-coded green.

Formatting
Well done.

*Content
I love this sequel to Sandy the California Snowman.

As far as *Mechanics,*Syntax,*Punctuation,Spelling and other nitty-gritty go, here are some snippets I cut and pasted that need tweaking for clarity:

It was busy as usual, but as soon as she walked in[,][insert a comma] silence filled the lobby.

"Yes, Jeff dinner tonight, ["Yes, Jeff, dinner tonight,][Separate Jeff with a comma]

5 o'clock
at 7 for dinner
8 am.
[Times of day. According to The Writer's Digest Grammar Desk Reference: When you are not spelling out the times (seven-thirty; a quarter before eleven this morning; half-past nine; nine o’clock; shortly after five), use numerals followed by A.M. and P.M. (12:10 A.M.; 4 P.M.; from 11:00 A.M. to 7:45 P.M.); never write three o’clock A.M. or three A.M. Use the words noon and midnight instead of numerals.]

Hannah looked at Jackie and politely said, "I don't think I will need your assistance this time," everyone laughed. [I would revise this by replacing the comma with a period and using an upper case to start a new sentence. It would look like this:

Hannah looked at Jackie and politely said, "I don't think I will need your assistance this time." Everyone laughed.

Joey told Sandy about his parents, school, Colorado, and his sister Bonnie. Who had gotten married and was going to be a momma next year. Revise by replacing the period with a comma, after Bonnie and using lower case for Who. It would read this way:

Joey told Sandy about his parents, school, Colorado, and his sister Bonnie, who had gotten married and was going to be a momma next year.

I just wonder if this image is a tad exaggerated to be credible and imaginable for the reader to believe? Besides, everybody left Joey all to himself talking to a mound of sand instead of enjoying real company who came from different places that day?]
"Sandy walked up to Joey and asked him to join him in a walk on the beach. Sandy and Joey talked for hours walking the beach and enjoying each other's company."

*Dialogue
You have enough employment of dialogue showing your characters interacting with each other to make the story move and delightful. Nice work.

*Disclaimer
I hope my observations and suggestions can help you tighten some loose ends relating to the mechanics in writing. Keep in mind, though, that these are from one reader's point of view. As such, take it with a grain of salt. The decision to adopt or discard suggestions is your prerogative.

*Over-all take away
I am fascinated with your story because I live thirty minutes away from Del Mar. I enjoyed the creativity and imagination injected into the story; albeit, a tad skeptical. Be that as it may, it's an entertaining story for children. Good job, LegendaryMark.

Keep writing. You're good at it.


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71
In affiliation with WdC SuperPower Reviewers Group  
Rated: E | (5.0)
Hi, flyfishercacher:
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WDC SuperPower Strawberry Shortcake Review Raid has led QueenOwl's wings to your entry. And because your work deserves a read and a review, here she lands to pore over your literary piece.

Here are some comments you might consider when you decide to revisit it for tightening and improvement. My observations and suggestions are enclosed in brackets and color-coded green.

Formatting
Well organized and presented.

*Content
A mother's intuition and cooking skills always saves the day for her loved ones. Where would anybody be without a dear mother always looking out for the health and well-being of her family?

*Mechanics,*Syntax,*Punctuation
It looks like you did your homework. I see nothing skewed or out of kilt to make me pause or raise my eyebrow. I like the brevity and conciseness of the scenario leading up to the healing power of a bowl of chicken soup hitting the cold spot and warming up the entire body.

Spelling
I see no unintentional misspellings generated by auto-spell check which could lead a sentence on a tangent nor did I see simple typos to fix. You must have an eye for perfection. I easily notice these mishaps because I tend to be a perfectionist myself.

*Dialogue
Good employment of dialogue showing your characters interacting with each other. Dialogues serve as a prime mover of the story as they put the reader in the head of the narrator, character, or author and break down the monotony of narration.

*Disclaimer
I hope my observations and suggestions can help you tighten some loose ends relating to the mechanics in writing. Keep in mind, though, that these are from one reader's point of view. As such, take it with a grain of salt. The decision to adopt or discard suggestions is your prerogative.

*Over-all take away
I appreciate feature stories like this. It warms the heart and fosters familial bonds. Thank you for sharing such a poignant story.

Write away. You have it in you to pursue your talent in writing. By the way, I'm so stingy in giving a 5-Rating but this exercise deserves it.

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In affiliation with WdC SuperPower Reviewers Group  
Rated: E | (4.5)
Hi, Ruth:
WdC Superpowers Review Signature Garden #1
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WDC SuperPower Strawberry Shortcake Review Raid has led QueenOwl's wings to this entry. And because your work deserves a read and a review, here she lands to pore over your literary piece.

Here are some comments you might consider when you decide to revisit it for tightening and improvement. My observations and suggestions are enclosed in brackets and color-coded green.

Formatting
Well organized.

*Content
After all the hassle of finding the recipe, and figuring out what ingredients are necessary to make Peachy Cheesy Cake, what a delight to end up not preparing it at all yourself but having it delivered to you for Easter dinner. What are sisters for right? That kindness and love your sister demonstrated in making your dinner extra-special are indeed invaluable. I know. It's fiction but there is an element of reality in the interaction of two sisters in this story.

*Mechanics,*Syntax,*Punctuation
What I want to point out in this area of writing is how skilled you are in using punctuation marks in dialogues. I am impressed. There is only one thing I want to point out about attributions. You might be aware of this but if you're like me, I have a mind of my own and I follow the beat of my own drummer. So, here's a snippet I cut and pasted for your second thought or consideration, perhaps?

“Just let me get a working pen and this we’ll do it,” Marie sighed.
[Although I do not totally agree, according to Jerry Jenkins, an author of over a hundred books, he said and I quote, 'Primarily use said to attribute dialogue, rather than any other option.'] (asked/hissed/sighed/grumbled/agreed are examples I see from this manuscript.)

*Dialogue
Good employment of dialogue showing your characters interacting with each other. Like I mentioned above, I am impressed with your skill in this area.

*Disclaimer
I hope my observations and suggestions can help you tighten some loose ends relating to the mechanics in writing. Keep in mind, though, that these are from one reader's point of view. As such, take it with a grain of salt. The decision to adopt or discard suggestions is your prerogative.

*Over-all take away
I like the twists of this fiction story. Wait a minute, you're saying your narrator- character didn't have a broken arm? That was creative in itself.

Keep writing. You have it in you to get to an agent for publishing. Mastering punctuation obstacles as you have is a big success in itself.

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Review of Life of Hershey  
In affiliation with WdC SuperPower Reviewers Group  
Rated: E | (4.0)
Hi, Izfish:
WdC Superpowers Review Signature Garden #1
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WDC SuperPower Strawberry Shortcake Review Raid has led QueenOwl's wings to your entry. And because your work deserves a read and a review, here she lands to pore over your literary piece.

Here are some comments you might consider when you decide to revisit it for tightening and improvement. My observations and suggestions are enclosed in brackets and color-coded green.

Formatting
This is kind of unusual formatting for a short story because it's more akin to a journal, but I'll leave it at that in as much as I see the elements of a short story unfolding.

*Content,*Mechanics,*Syntax
I see nothing in this area sounding awkward or unusual to cause me to pause or raise my brow. You have a good command of the written word. What I do see are violations of the American standard rules pertaining to the use of punctuation marks. Here's sharing what I learned that may help clean some of these violations.

{c:grape*Punctuations
Here's what I cut and pasted from your story:
This morning I heard “Goodbye, we will miss you!”, and “see you this summer!”, and things like that. The boy said “Bye bye Fuffy an Nonny an Poppy an Keach an Powosie an tickens. Bye bye.”, and then a door closed.

Punctuation Marks and Closing Quotation Marks: According to The Writer's Digest Grammar Desk Reference, typographical convention in the U.S. requires that periods and commas always be inserted before the closing quotation marks - regardless of whether a direct quotation consists of an entire sentence, a phrase, or a single word. Understandably, this convention is widely violated. I'm pointing this out for what its' worth.

I do notice that some of your quotations are punctuated correctly. What you need to do is to be consistent. Pay close attention to the squiggles when working on quotations.

I wonder what crackers taste like... EW!!!!!
In this example, let me point out the uses of ellipses]
Ellipses, also known as ellipsis points and suspension points, are punctuational device composed of a trio of spaced periods. (Always make sure that all three periods fit on a single line of text.) Ellipses have two important functions.
{b}First{/b}, they are used in dialogue to indicate that a speaker has not brought an utterance to completion or to indicate that there are awkward pauses in the utterance.
The second use of the ellipses is to indicate that one or more words have been omitted from a direct quotation because the quoter considers them irrelevant to his or her purpose.
If you delete one or more words from the beginning of a quotation, you do not need to use ellipses – unless the document you are writing is unusually formal, in which case the blank space will separate the opening quotation mark from the first ellipsis period, but one blank space will follow the final ellipsis period.
If you delete one or more words from the end of a quotation positioned at the end of the hosting sentence, however, you need to use both a period and ellipses if the quoted matter has the status of a grammatically complete sentence. No blank space will precede the period.
If you are deleting one or more words from the end of a quotation that has the status of a grammatically complete sentence and that ends with a question mark or an exclamation point, position the terminal punctuation mark after the ellipses.

Overuse of Exclamation Points, Question Marks, etc My mentor suggested I refrain from using extra exclamation points, question marks, and any of those marks for emphasis because it shows I'm a beginner, I'm not giving my reader credit for getting what I am conveying, and editors frown it.
“LEGOS!!!”
What is going to happen?!?!?

*Dialogue
You might try to employ dialogue to break the monotony of narration. In this story, the internal dialogue worked to replace actual conversations, albeit from a monologue of Hershey's point of view.

*Disclaimer
I hope my observations and suggestions can help you tighten some loose ends relating to the mechanics in writing. Keep in mind, though, that these are from one reader's point of view. As such, take it with a grain of salt. The decision to adopt or discard suggestions is your prerogative.

*Over-all take away
Delightfully entertaining from the point of view of Hershey chocolate chip personified.
Keep writing and revise. That's the ticket to our writing endeavor.

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Review of Rutabaga Saga  
In affiliation with WdC SuperPower Reviewers Group  
Rated: E | (4.5)
Hi, D.L. Robinson:

WdC Superpowers Review Signature Garden #1
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WDC SuperPower Reviewer’s Shortcake Raiders this weekend has led QueenOwl's wings to pick your entry, Rutabaga Saga. And because your work deserves a read and a review, here she lands to pore over your literary piece.


Here are some comments you might consider when you decide to revisit it for tightening and improvement. My observations and suggestions are enclosed in brackets and color-coded green.

*Content
What I find interesting in your experience with how rutabaga is served is what you described as "a plate of lukewarm diced rutabagas." I have a totally different experience. I was introduced to this root crop by my Yankee husband from Connecticut. He boils the diced rutabagas and mashes it with two or three boiled potatoes. The mixture neutralizes the strong smell and somewhat bitter taste of the rutabaga. It tasted strange to my tastebuds at first, but, I grew to love this side dish. I always looked forward to every Thanksgiving dinner since that first time I tasted it: not only because I acquired a taste for it but because my husband's Thanksgiving dinner was never complete without his mashed rutabaga.

Conflict
You had enough disdain for this root crop to make your story move. Perhaps, you could have expanded it with conversations with your mother giving her a hard time for making you eat it. I am referring to injecting dialogue to put a sparkle on this conflict. But, then again, perhaps you were limited in your length; therefore, I'll give you a pass on that.

As far as *Mechanics,*Syntax,and *Punctuation go, this article is well-organized and well-written. I did not encounter any sentence structure that made me pause or raised my brow.

Spelling Let me just point out two misspellings that need your attention for correction. And these are:

chiuauas [Chihuahua]

bitter tasting [bitter-tasting]

Aside from these two, you did very well in this contest entry.

*Disclaimer
I hope my observations and suggestions can help you tighten some loose ends relating to the mechanics in writing. Keep in mind, though, that these are from one reader's point of view. As such, take it with a grain of salt. The decision to adopt or discard suggestions is your prerogative.

*Over-all take away I enjoyed this entertaining telltale because I can relate to what you went through, albeit, we ended at the exact opposite of the spectrum.

Write away, D. L. Robinson. You have a way with words that I like.


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Rated: 13+ | (4.0)
Hi, Seuzz:

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Swinging by ports, looking for something to keep me occupied on a quiet Tuesday night, I find the title of this submission from random Read and Review worth a peek. So, let me stop in, take a read and offer you a review.

Here are some comments you might consider when you decide to revisit it for tightening and improvement. My observations and suggestions are enclosed in brackets and color-coded green.

Formatting and *Content
The story itself is clear, well-organized and well-presented. The only issue I have in this manuscript is the idea of bolding words and phrases here and there where the writer might think that the reader needs a little push in order to get the point.

Bolding words and phrases is a no-no in writing according to published authors, agents, and proofreaders. It is underestimating the reader's comprehension. They say it's yelling to make the reader understand or get the point.

Having said all that, my suggestion would be to minimize using that technique, if not totally eliminating it to give your readers credit for their ability to follow the story.

As far as *Mechanics,*Syntax,*Punctuation,Spelling go, I did not see any skirmish or violations that made me pause or cause my brows to raise. Good presentation. Well developed.

*Dialogue
Good employment of dialogue showing your characters interacting with each other. Dialogues put the reader in the head of the narrator, character, or author and beats the monotony of narration.

*Disclaimer
I hope my observations and suggestions can help you tighten some loose ends relating to the mechanics in writing. Keep in mind, though, that these are from one reader's point of view. As such, take it with a grain of salt. The decision to adopt or discard suggestions is your prerogative.

*Over-all take away
I like the demonstration of a typical Italian mafia character personified by Mr. McClatchy. His provincialism and his demeanor show clearly he is one of those folksy yet ruthless guys with no qualms about liquidating an individual who crosses his space.

Write away, Seuzz. You have what it takes to be a wordsmith.

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