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Review Requests: OFF
272 Public Reviews Given
437 Total Reviews Given
Review Style
My reviews are thorough, honest, and balanced. I read each story/poem multiple times: once for pleasure and judging emotional impact, and at least once more to focus on the technical aspects. I like when writers have at least one specific question about their work when submitting it for review. It helps the reviewer understand the writer's intentions and thus provide more useful feedback.
I'm good at...
English grammar and spelling, suggesting improvements in word choice and sentence/paragraph construction, spotting plot issues and underdeveloped characters, offering specific suggestions for improvement, pointing out my favorite passages/characters/etc.
Favorite Genres
Literary fiction, fantasy, young adult, poetry
Least Favorite Genres
Very technical science fiction, romance, erotica, persuasive essays with poorly supported viewpoints
Favorite Item Types
I generally only review static items. Books and book entries are negotiable.
Least Favorite Item Types
Anything that isn't a static item or book.
I will not review...
1) Persuasive essays with poorly supported viewpoints. 2)Extremely rough drafts, unless the requester gives me a heads-up on what to focus on as I read.
Public Reviews
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76
76
Rated: E | (3.0)
Fun story *Smile* I remember wanting to write a story for this Writer's Cramp prompt, but I ended up not having time :( I also thought the style you wrote it in was weird and unique and fun to read- kinda stream-of-consciousness mixed with storytelling, haha.

Here are some nice editorial suggestions (yay!):

"...instead of a roaring line when..." Do you mean "lion"? (And that's funny, cuz I always think my alarm clock sounds LOUDER when it's waking me from sleep tham when I'm already awake, hee hee.)

"... I ran toward the bathroom." Needs an "and" before "I".

"Now, who in the world calls a meeting for first thing on Monday morning." That needs a question mark (and one possible answer is: my evil grad school advisor!!!)

"We knew it was going to be stressful." - Who's "we"?

"There was no time to start the car so I’d have to deal with the cold." - How about, there was no time to warm up the car? Cuz you're not getting to work at all if there's no time to START the car!!!

"...and my being late, forced me to park..." No comma needed

"Grabbing all my necessities I ran for the door." Take that superfluous comma from above and stick it in here after "necessities" *Bigsmile*

(I totally agree that umbrellas are sissy-looking, hee hee hee. Yes, the fact that my username is "umbrella" IS supposed to be ironic *Smile*)

"I entered the room..." What room?

"...backs to me, as they faced..." No comma needed

"I was only a few minutes late so the meeting had not started." You're implying a causality here, that the fact that you were only a little late CAUSED the meeting not to have started yet- and that isn't true. It was just late getting started.

"...and a hot bath feeling especially proud of myself." Try sticking a ", and" after "bath."

Keep writing!!!!!!!!!!!!!

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#1227445 by Not Available.
77
77
Rated: 13+ | (4.0)
Plot: Great so far- a little slow at the beginning because of all the back story, but the ending is quite suspenseful. Note that your first few paragraphs aren't really all that gripping. Can you think of something that might spice those up (or at least the very first line) a little bit? Of course, they're not THAT uninteresting- they obviously hooked ME...

Scene: You do a good job of setting the scene at the beginning, but after that you kinda leave off giving us details. What does the inside of the cabin look like? You mention the cradle and the table, but is it just a one-room place? What does Seamus and Treasa's (great name, by the way) bedroom look like?

Character Development: You've developed Seamus as a character, mostly through backstory and less through the action that's happening, and even less through personal detail. He's a man of tradition, and he cares about his family. What does he look like? How old is he? You don't have to describe ALL of this now, but some more specific detail would help the reader picture him better.

Grammar, Punctuation, and Style: You seem to use "began to" in a lot of places where the past tense of the verb would work just as well( if not better; eg. "As Séamus began to wash his teeth with the cloth..." --> "As Seamus washed his teeth..."). The official count: you use the word "began" ten times (yeah, I know it doesn't SOUND like a lot, haha).

Favorite parts: I love the climactic part where he hears the screaming. You wrote that scene VERY well. I could feel my pulse rate increase, hee hee.

General comments: You have a fantastic start to a story. The country this chapter is set in sounds beautiful, and it'll be a shame to leave it to come to smelly old industrial America, hee hee. But really, your characters have worlds of potential, and you've set up a nice set of conflicts (both internal and external) to follow up on. One thing I would suggest is that you spread out the backstory a little more, like save some of it for other chapters. I got really bogged down reading through all that. To me, back story is only interesting when I'm already attached to the character. I mean, if a random person on the street started showing you pictures of their grandchildren, you would be like, "Oh, that's nice...um..." But when a close friend wants to share things with you, you are (usually...sometimes...) more interested, because you know it's important to them that they tell you- and you can empathize with them. I...hope that makes sense. Haha.

Anyway, excellent job. I'd definitely read the next chapter of this story.


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"I am not cruel, only truthful." -SP
My cup of opinions runneth over, so feel free to ignore me.
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Some specific suggestions:

"The cabin was not any more lavish inside than out, although much warmer. To the right lay young Connell..." To the right of the cabin?

"Positioned next to the cradle, the Kelley’s table..." Do you mean "Positioned next to the cradle WAS the KELLEYS' table..."?

"It was a discussion they had all too often any more." --> "It was a discussion they had too often these days."?

"He had his own reasons for wanting to stay." Kinda sounds like you mean wanting to stay in AMERICA as opposed to Eire.

"...just as his father had, just as his grandfather had." --> "...just as his FATHER'S had, just as his GRANDFATHER'S had." (since you're talking about the land, not the people)

"His father had taught him to never show weakness to the invaders..." --> "never to show"

"Maybe Treasa was right about life being easier in America he thought..." Maybe italicize the thought? Also needs a comma between America and he.

"In the past he had had problems with wolves taking sheep from the flock during the night, both the four and two legged kind." I THINK (could be wrong) you mean four- and two-legged WOLVES, but the way you have the sentence set up, it seems like the four- and two-legged refers to the animals in the flock- and for a moment I thought...he has two-legged sheep?

"Latching the gate securely he drove the herd, retracing the steps he had taken moments earlier, and rounding the cabin, now on his way to the ‘early-summer’ pasture." - I think the verb tenses in this sentence are a little quirky. Is this what you mean: "Latching the gate securely, he drove the herd back the way he had come. Rounding the cabin, they were now on their way to the 'early-summer' pasture."?

"He knew it to be his favorite grazing land..." - Do you mean "He knew it was THEIR favorite grazing land..."? Oh, no, you apparently do mean HIS. Well of course if it's his favorite grazing land then he "knows it to be." Why not just "It was his favorite place to let them graze?" (to also remove the ambiguity about him liking to graze in a particular pasture...)

"...at the cost of only a brief fifteen minute walk." only, brief, and fifteen-minute - Consider taking "brief" out- I think most people will realize that a fifteen-minute walk is pretty short.

"Upon reaching the pasture Séamus set out to dispersing the flock..." Do you mean "set ABOUT dispersing the flock?"

"Leaving plenty of time to contemplate and reflect, while keeping a watch over the herd." This is a fragment of a sentence- consider revising.

"His thoughts wondered to and fro..." Do you mean "wandered"? Though I do really like "wondered to and fro"...that's a unique way to say it...

"Even now he recalled knowing that..." That's an awkward phrase. Why not, "He recalled that..."? Or "He still remembered that..."? On another note, the rest of that sentence is a little long and clunky- consider making two sentences out of it.

"It was slower work getting the flock back, now on a full stomach..." How did his stomach get full? He never ate anything, as far as you told us or allowed us to infer. He woke up, quickly began rounding up the sheep, and began driving them back to the paddock. Oh, the end of that sentence says he's still hungry. I'm not sure what you mean by "now on a full stomach" then.

"...the adrenalin running threw Séamus’ veins..." It's "adrenaline," unless "adrenalin is an alternate spelling I'm just not aware of...And "through".

"...Connell’s cradle over turned..." Overturned is one word, methinks.

"Séamus’ fear and anxiety was immediately replaced with hatred and anger..." WERE immediately replaced...


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78
78
Review of THE LEGACY  
Rated: 18+ | (4.5)
Fantastic! This is a very well-balanced story, especially for being so short. Nice and suspenseful as well. And yes, I bet almost every writer dreams of their stories having this much influence and publicity, hee hee.

Some humble suggestions:

"...land that’s just getting further away" - I've always learned to use "farther" when dealing with physical distance and "further" for qualitative distance (eg, "further education")

"“This is how it happened”. He held up my manuscript, “exactly!..." - That period should be before the quotation mark, and exactly should be capitalized.

"...notoriety and innuendo turns middle-class..." Should that be "turn"? Since you're referring to two things?

"...how to think, except on the screen..." Could that be "...how to think away from a computer screen"?

Keep writing *Bigsmile*

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79
79
Review of Nature Never Told  
Rated: E | (5.0)
This is a gorgeous poem. It's sad, and joyous, and infinitely comforting. It's like a more hope-filled counterpart to "Dora" by Thomas Edward Brown.

My favorite lines:

"I'd hoped to read you fairy tales. I'd planned to teach you rhyme;
But now your tales are fairer and your verse eclipses mine;"

I really don't know a thing about poetry, but I do appreciate the circular nature of the poem, the Spring in the last line tying back to the Spring in the first line. And the meter and rhyme are incredibly fluid and natural, not forced in the slightest.

You did a flawless job of reining in some unimaginably tough emotions and crafting them into something wonderful.

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80
80
Review of Rockabee  
Rated: E | (5.0)
Title: "Rockabee

Author: Basilides

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"I am not cruel, only truthful." -SP
         In other words, I'm assuming you appreciate honesty. If you don't, delete this review before it's too late!!!
* * * * * * * * * * * * * * * * * * * * * * * * * * * *

I'm totally speechless.

...

Ok, I'm better. What a brilliant story!!!!!!!!!!!! A remarkably crafted parable. It made me cry, and I didn't even cry when Bambi's mom and Old Yeller died. Probably wouldn't even cry if they died at the same time.

I could probably write an essay on all the things I loved about this story, but I'll just pick out some of the highlights. I enjoyed the way you set up the story, the main bulk surrounded by multiple frames, and the dash of humor. The narrator is subtly hilarious (I guess "clever" is the word for that.) The story reads completely seamlessly- I never had to stop and go back to figure out what the heck I was reading.

And I love the inventive language you use. I always get yelled at by reviewers when I try to make up words, like "breakrock" speed, hee hee.

To be perfectly honest, I usually find stories with a religious twinge to be pretentious, but this one is an outstanding exception. It's definitely a story that people will continue to think about long after they read it. (In fact, I'm thinking about it with respect to my views on evolution as I type this, hee hee.) It's going on my favorites list (incidentally, I've only put one other thing on it in the five years I've been on WDC.)



Some humble suggestions:

"... make your way to the sound of water bubbling over stones." TOWARD the sound, instead of TO?

"...will be plain for you to see." Maybe "...will be in plain sight" instead?

"But of course you will not just blindly stick your hand into a hole in a tree just because an old man.." Maybe remove the first "just"?

"I knew, for example, that long eons before there had been watery seas and real rivers and green forests." Long eons AGO instead of BEFORE? Otherwise it sounds like you're about to tell us what happened before there had been watery sea beds, etc. Or maybe just a comma after "before" would do the trick. (There's a similar situation a few lines down, "A long, long time before a king...")

"...where the rock ended, towering, over the sea of sand." Does that second comma need to be there?

"Vee’s really wasn’t interested in helping Vee,..." Missing a word in there.

"In Vee she thought she had found just the right person to spy things out." Do you intentionally use the word "person" there?

"She lost all her graphite squiggles, and as time past..." Should that be "passed"?

"...she was absorbed in brightening everyone else’s century." That made me laugh, hee hee.

"Vee’s own voice was drowned out, with her offerings of forgiveness." She's drowning her own voice with her offerings of forgiveness? Not sure I understand that sentence. (Of course, I could just not be thinking at the moment, haha.)

"...turning away from that holey place..." The revelation of the reader there, that second time they encounter "holey," is an absolutely priceless feeling.


Thanks for sharing this.


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81
81
Review of R.I.P.  
Rated: E | (3.0)
I love the quietness of this poem. It's peaceful in a disturbing, heartwrenching way.

Note that "its" is possessive, and "it's" means "it is." And also that "your" is possessive and "you're" means "you are." There are several misuses of those words in your poem- easy enough to fix :)

You repeat "rest" and "here" in the first three lines, which is fine, except that it seems like you're trying to rhyme "here" with itself at the ends of the second and third lines. (You also repeat "here" an awful lot through the rest of the poem- consider reworking it so you don't have to do that?)

I really like poems with scattered rhyme, like this one has. I like how the rhymes catch me by surprise. Good job on that.

Keep writing :)

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