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Poetry: May 10, 2006 Issue [#1033]

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Poetry


 This week:
  Edited by: John~Ashen
                             More Newsletters By This Editor  

Table of Contents

1. About this Newsletter
2. A Word from our Sponsor
3. Letter from the Editor
4. Editor's Picks
5. A Word from Writing.Com
6. Ask & Answer
7. Removal instructions

About This Newsletter

Poetry! It comes in all styles and meanings. Some poems express personal feelings; others demonstrate a particular pattern. Most of us write some combination in between. I'll be offering advice on different styles and pointing out techniques to improve your poems. Enjoy *Delight* --John~Ashen


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Letter from the editor

Slam Poetry

A Brief History

         Poetry slams began in the mid-80s in lounges which offered 3-5 minutes of open microphone time to any local talent. Competition-wise, the first national slam began in 1990 in San Francisco.

         From the start, props and costumes were banned. The words were what mattered. Since the judges were generally a random panel of listeners, contemporary themes and pop culture references dominated the poetry's content.

         By the late 1990s, slam performances using the hip-hop style became trendy. The national winners are not usually hip-hop artists, but they still use the same vocal delivery method as in hip-hop music.


Different Types

         Most of us are familiar with Poetry Slams as quick contests of freshly-written verse. There are all types of slams, though. Let's see:

Open Slam is what we're all used to. Anyone can enter, any topic.

Theme Slam is when all the entries are of the same theme, genre, or prompt.

Anti-Slam (aka Lowball) is when everyone is trying to do the worst, not the best.

Dead Poet Slam is when entrants perform the poetry of dead poets, not their own material.

King of the Hill or Battle Slam faces off poets against each other, eliminating down to a final matchup. See the movie 8-Mile for great examples.


Oral vs. Written

         It is important to remember that slam poems are meant to be performed aloud. When reading them on the computer screen, you must cast aside your normal mindset for evaluating poetry.

         Slam poems will rhyme and alliterate excessively. They'll probably jump around topics and use pop culture references that will be forgotten next year. The poems will make plays on words and their sounds, like homophones (words with the same sound but different meaning).

         Slam poets, because of their experience, have a large vocabulary of available rhymes and rhythms. This lets them formulate lyrical blocks in their mind which are easily rhymed to or filled in with whatever the current slam topic is. Therefore, they are able to come up with verses seemingly on the spot, to the amazement of crowds and fans.


Editor's Picks

Some slam poems I found on the site:
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by A Guest Visitor
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by A Guest Visitor
 Fish Dish To Go  [13+]
A Carry-Out Recipe for Death (for the Anti-Slam).
by Katya the Poet
 At the Spine  [ASR]
Egad! I think I might need some counseling! Mini-SLAM entry.
by BeHereBook
 Re: This Empty Writing Desk  [ASR]
The first of slam poetry for June for me.
by VictoriaMcCullough
 Bite Marks  [13+]
The bad habit of biting pencils
by Joy

 SLAM!  [18+]
Spring 2006 SLAM! - Congrats to the winners - see you all next time!
by Cappucine

 
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Ask & Answer

Night Visions asks: is that writing opportunity really legitimate? it seems kind of fishy to me.

Answer: I'm not sure which opportunity you mean, but my answer is the same. Always look at offers with a critical eye. If they spend a lot of time telling you how much money you stand to make instead of what is required of you, it probably is as illegimitate as it smells.


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