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For Authors: July 30, 2008 Issue [#2534]

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For Authors


 This week:
  Edited by: NanoWriMo2018 Into the Earth
                             More Newsletters By This Editor  

Table of Contents

1. About this Newsletter
2. A Word from our Sponsor
3. Letter from the Editor
4. Editor's Picks
5. A Word from Writing.Com
6. Ask & Answer
7. Removal instructions

About This Newsletter

Hi. I'm Robin, and I'll be this week's guest editor for the For Authors Newsletter.


Word from our sponsor

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Letter from the editor

The highest point in TN

Finding Your Pique



Reading transports me. I can go anywhere and never leave my chair. It lets me shake hands with new ideas. - Rolfe Neill

I’d like to add to Neil’s quote by saying; the writing must be engaging in order to transport me.

How can writers engage their readers? Easy! Through tension, conflict, and suspense. Stretch or strain the scene. Collide or disagree, or maintain a degree of uncertainty while instilling in me, the reader, the absolute need to know the outcome --and you have me. Struggles, anticipations, expectations, worry, anxiety and stress can present themselves in the form of emotional struggle, physical brawl/race/challenge, or spiritual grappling.

Here are a few ways you can establish and underscore your tension, conflict, suspense.

Through Creating Connections


First, generate a connection between two things.
Emotional Struggle:
*Bullet* Man against nature
*Bullet* A teenager and her wish to leave home
*Bullet* Work ethic collides with family loyalty

Physical Brawl/challenge:
*Bullet* A home invasion
*Bullet* Olympic Gold, The Wimbledon title, or anything sports related
*Bullet* War, battle, playground scuffle, etc.

Spiritual Grappling;
*Bullet* Wish to adhere to religious beliefs while being tempted by sin
*Bullet* Falling in love w/ someone of another religion
*Bullet* Search for the very existence of a higher being

Through Word Usage


Once you’ve written your first draft and you’re ready to grab the magnifying glass and go over your work, pick up your thesaurus, or visit one on line at www.dictionary.com. Nothing beats this reference tool; a must-have for all writers. If you aren’t in the habit of using one, it’s not too late. Start today. *Bigsmile*. A thesaurus helps you paint a more detailed picture of your scenes. Words like grabbed, yanked, snatched have similar meanings, but different connotations.

*Bullet* grabbed her coat off the hanger.
*Bullet* yanked the boy’s arm.
*Bullet* snatched the money from the cashier.

The shorter your piece, the stronger word choice affects the overall outcome of your writing. In other words, how the reader perceives your story. In tennis we refer to solid shots made with consistency as “weapons”. A thesaurus is more than a writer’s weapon, it’s an essential tool. Everything I’ve ever written has had the benefit of thesaurus use.

Through Dialogue


Dialogue can be tricky at first. Novice writers may overuse dialogue. But don’t be afraid to let your characters speak. However, when you do, ask yourself the following:

*Bullet* Are your character’s words necessary?
*Bullet* Do the words help to convey the point I am making?
*Bullet* Are the words age/gender/culture appropriate?
*Bullet* Can I narrate what my characters are saying and come out with a stronger paragraph/scene?

Tip


Vivian , published author of five books and one more on the way offers the following advice. "Create time pressures and constraints. Your story's momentum might build gradually at first, but soon it becomes a race against the clock, and it accelerates as it rushes towards its fateful climax."

Now, for a little bit of "housekeeping"…you know, those nasty typos, small errors in grammar and punctuation...in this section, we'll look at attribution (a.k.a. dialogue tags).

*Flower3*Housekeeping*Flower3*


Lots of writers have punctuation issues when it comes to dialogue tags. Here are a few quick rules:

*Bullet*When the tag comes first, you must follow it with a comma. Ex. Judy looks at Laney and says, “Okay. Let’s take my car.”

*Bullet*When the tag follows the quotation, two things happen:
         *Check3*The tag begins without capitalization. Ex. “No,” she says, fingers still typing at the keyboard.
         *Check3*The quotation ends with a comma. In other words, the comma replaces the period at the end of the quote. “No,” she says, fingers still typing at the keyboard.

*Bullet*If the tag breaks up the quotation, then the quotation will carry on without capitalization. Ex. “Are you,” she pauses to glance down at his mismatched socks, “okay?”

Remember, to produce engaging works you should, bridge connections, insert struggle and strife, pull out your thesaurus and revise your dialogue. Your readers will reward you with positive reviews.

Finally, have FUN and get busy writing!
Robin
A sig gift from anonymous!


Editor's Picks

 Invalid Item 
This item number is not valid.
#1445508 by Not Available.

AUTHORS' SPOTLIGHT - Season 6  (18+)
A 15 - day challenge to WDC authors and writers.
#1349008 by 30DBC Creator/Founder

Jake and the Professor  (E)
A bright young artist learns of failure and success in a small town retirement village.
#1425718 by SWPoet

SAIDism  (E)
The bane of good dialogue.
#1317481 by Ladyoz

 Invalid Item 
This item number is not valid.
#1445942 by Not Available.

FOLDER
Poetry from the Field (Social Work)  (E)
Inspired by social work career: Topics-Child abuse, Substance Abuse, Social work career
#1401106 by SWPoet

 
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Ask & Answer

Since I'm a guest editor, I won't ask or assign, but I challenge you to look over items you've already written and see if you can't revise them with some of this information in mind.

*Bigsmile*,
Robin

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