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Printed from https://www.writing.com/main/newsletters/action/archives/id/7499-Get-to-the-Punch.html
Action/Adventure: February 24, 2016 Issue [#7499]

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Action/Adventure


 This week: Get to the Punch
  Edited by: Storm Machine
                             More Newsletters By This Editor  

Table of Contents

1. About this Newsletter
2. A Word from our Sponsor
3. Letter from the Editor
4. Editor's Picks
5. A Word from Writing.Com
6. Ask & Answer
7. Removal instructions

About This Newsletter

The fight is one or lost far away from witnesses - behind the lines, in the gym, and out there on the road, long before I dance under those lights. Muhammad Ali

You can't build a plot out of jokes. You need tragic relief. And you need to let people know that when a lot of frightened people are running around with edged weaponry, there are deaths. Stupid deaths, usually. I'm not writing 'The A-Team' - if there's a fight going on, people will get hurt. Not letting this happen would be a betrayal. ~Terry Pratchett


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Letter from the editor

Fight scenes are extremely difficult to write. You, as the author, might have every detail in your head. You might rehearse the moves with friends and family (whether they're willing or not), and have diagrams to help
you get through each of these movements in order to write it perfectly.

Perfectly choreographed or not, what's in the author's head may not translate to the reader. We each bring our own ideas to the tale. It doesn't help to describe it down to the last little detail. "Aaron saw the fist leveled at him, moving too fast to dodge and landing exactly on the bridge of his horn-rimmed glasses with devastating crunch." (Did his nose crunch, or the glasses? Does it matter to your storytelling?) It's not just acceptable but often preferable to leave some of these details to the reader's imagination. Too many words will slow your pace wht en you're looking to keep the fight moving.

Your perspective must match your intent. Is it to follow the villain take someone down? Or is it from the victim's side to see how everything went wrong? While you don't need to switch to first person or third person for a fight scene, you need to use your chosen story perspective to make the fight work.

Use physical sensations, rather than a lot of description. Did the attacker rip clothing? Did the hand come away from the nose sticky with blood? What do you smell and feel and hear and taste from this interchange? That will bring your readers farther into your narrative than a clinical blow-by-blow.

Don't be afraid to skip showing the fight. You might start with a conversation alluding to violence, and then show the effects.


Editor's Picks

 Bait  (18+)
Fighting back against an alien invasion sometimes requires extreme measures and sacrifice.
#2042068 by ABNegative

 Why I Fight  (13+)
A real story about war and loss
#2044031 by Hawk

 Titanosseum  (13+)
Colossal warriors face off over a land dispute, but something greater may be at stake.
#2044827 by E.Lasecke

 Fight Scene   (18+)
This is an excerpt from my story I need help with desperately.
#2045665 by Lisaa

 The Will To Live  (13+)
Chased until he had had enough. Trey Long turns and fights back.
#2046563 by Bearclaw

 Shadow Watch: Incident #41 – Name  (E)
Scene in an episode where Phoenix receives her alias & runs into someone she may know.
#2051681 by Tevyn

 Prompt#13: "Losing was his only hope."  (13+)
A gladiator's only means of freedom is to lose in a fight to the death.
#2057538 by Cupadraig~The Remote Country

 The Desperate Battle  (ASR)
LIght and darkness fight an imparative battle.
#2064811 by brom21

 The Sun Above  (13+)
He fights his rival and his master and learns what is important.
#2074664 by John Locke

 Invalid Item 
This item number is not valid.
#2075223 by Not Available.

 Invalid Item 
This item number is not valid.
#2075436 by Not Available.

 
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Ask & Answer

Dandelion Man
I enjoyed your explaination of the hawkeye cauci
         Glad you enjoyed it. It's been a unique experience this year.

Monty
Thank you for an interesting News Letter.

         Thank you!

Quick-Quill
In my novel, the mob has control over the Portland Police. Since my novel is based on true events, politics has run amuck for many years. I'm not so sure it isn't still running things in the local and state government.

         Fascinating.

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