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26
26
Review of Ten  
Review by Cobe
Rated: E | (3.5)
Author:minniemouse
Reviewer:Cobe

Hi! I'm here to give you a review in affiliation with "RAOK Upgrade Brigade Group as part of a challenge for "a very Wodehouse challenge. I found your piece on the "read a newbie" page and picked it out because this character contest sounds interesting to me.

In General: Evie sounds like an interesting character to write about. I like that you haven't just made a list of characteristics about her, but rather have shown us who she is through her interactions with other characters. We also have a sense of her emotional state.

Voice: 1st person - you've stayed in the voice well and kept the reader inside Evie's thoughts.

Setting: Well she starts out in a school but then moves to other places. I'd like to see a few more details about setting here to help the reader understand where she is and how she reacts to her surroundings. For example: If she were to bang her head against a locker, the reader might assume that she was somewhat self-harming which would either make them more sympathetic towards her or repulsed by her, or if she was to hide in the girls room and smoke a cigarette the reader might see her as a rebel and identify with her that way. (Doesn't everyone love a good rebel. *Wink* )

Flow: This is a bit of an issue for me because it jumps from one scene to the next without any real transition or notice. By the end I'm wondering what's happened that she's now in a care home instead of at her house with her mom and dad and two siblings. Plus the middle section, while it refers back to the conversation in the beginning, doesn't seem to transition to either the first part or the last part. Honestly, in this short of a piece, you might want to stick with just one scene and let the other bits filter in through conversation or the thoughts in her head. Just a suggestion.

Overall: Evie seems like an interesting character that I'd read more about. Thanks for sharing!

Happy Writing!! *Bigsmile* And welcome to WDC!

Cobe


*Gold* My review has been submitted for consideration in "Good Deeds Get CASH!.
27
27
Review of View From A Roof  
Review by Cobe
Rated: 13+ | (4.5)
Author:kiyasama
Reviewer:Cobe

Hi. I'm here to give you a review in affiliation with "RAOK Upgrade Brigade Group as part of the challenge for "a very Wodehouse challenge. I picked this piece because it is flash fiction and I'm still finessing my own abilities to write in this style.

In General: I like this. The scene is quick but it has lasting effects on the reader. The subject is high suspense which grabs the reader well and holds them through to the end. It has a beginning that sets the stage, a middle that creates conflict, and an end that has a climax and resolution.

Characters: The sniper is well portrayed, cold, heartless, on a mission ... and yet human, too. He is shown as nervous, worried, and sweating. I almost want him to mutter his own name somewhere because having a name always helps connect the reader to the character.

Voice: 1st person - this is well done.

Word usage: You've kept it short, as flash fiction is supposed to, but there are still words that could be cut without affecting the meaning or flow of the piece. For example:
"My mission is simple – to take down the rebel leaders. From my vantage point on this rooftop, the village looks idyllic and peaceful."

Could be written "My mission is simple - take down the rebel leaders. From my rooftop vantage point, the village looks idyllic and peaceful."
It eliminates three words, which isn't a lot but in flash fiction those three words are really useful.

Hook: This is a high energy piece full of drama even though the action is stationary because of the content. I think it's a great read.

Overall: Very nicely written and put together. *Bigsmile*


*Gold* My review has been submitted for consideration in "Good Deeds Get CASH!.
28
28
Review of I Am Jill  
Review by Cobe
Rated: 13+ | (3.5)
Hi Cobe here to give you some input on this piece for entry into "What a Character! : Official WDC Contest.

The first person POV is carried through well and I didn't find any hiccups in the voice. As well, I didn't find any grammar issues.

From reading this, I get some sense of the physical characteristics and background of Jill. However, where I think you could add to this is by showing us her emotional state as well. Right now you have given us facts about her life but we have no idea how she feels about those facts. You come close by having her say she no longer sees her father, but the reader still doesn't know if that is by her choice or his choice, if she's happy about it or distressed by it. You could easily fix this by just a quick edit maybe like this: " My parents are divorced, and now that I am over the age of eighteen I don’t see much of my father." could become maybe "My parents divorced when I was eight. After ten years of being shipped across the country to visit my dad and listening to my mom tell me about every bad thing he did, my dad remarried and now won't even give me his phone number. Well, good riddance, I say. Life is too short to waste on him."

Jill also presents this relationship with a man and tells us that it wasn't meant to be, but again we don't have any sense of her feelings over it. Was she devastated by it? Or did they only break up because they went separate directions?

Remember, when the reader connects with a character, they don't just connect with things they have in common. They connect with the emotional side of the character, whether that is good or bad. There are several ways to connect the reader with the emotional side of the character - show they are loved by someone else (no matter how horrible they are), show that they are imperfect in some way, make them a leader/popular in their own circle, make them really really really good at something they do, etc.

Let the reader get into her head and learn who she is, not just what she looks like. Think about what you remember about people and what you want to people to remember about you and then use those things to lead your character's introduction of herself.

I hope that helps. Let me know if I can give you any more thoughts. *Smile*

happy writing!!





*Gold* My review has been submitted for consideration in "Good Deeds Get CASH!.
29
29
Review of Sine Qua Non  
Review by Cobe
Rated: 18+ | (4.0)
Hi, I'm Cobe, here to give you a peer-to-peer review of one of your pieces of horror. I chose this because 1) I liked the title and 2) I have recently started to write horror stories myself and reviewing others work helps me to refine my own.

I love the idea behind this, using a latin phrase to create a story. I also like how we are immediately dropped into the protagonists viewpoint and held there throughout the piece. The surprise ending is a great twist, something I'm finding is essential in a good horror story and a good short story as well.

The piece flows very well and keeps moving from start to finish.

Characters - You stuck with only a couple, which is important in a short story. I had a little trouble understanding why the doctor on the plane was thought to be creepy and I really wanted some names. Names are so important to help the reader connect with the story. Had the two men just introduced themselves casually on the plane, that would have been enough.

This sentence is the only place I had an issue with grammar. "His scrubs are splattered with blood and he's holding a bloody scalpel." The rest of the scene is written in past tense and this one sentence is in present. It made me stumble as I read it. To keep it in flow with everything else it should read "His scrubs were splattered with blood and he was holding a bloody scalpel." Otherwise, you did a great job with grammar!

The setting is fine. I would have liked just a touch more. Maybe the color of the seats or the feel of the wall of the airplane as he leaned against it ... something physical that would give the reader a feel of the senses. I had an issue with him describing where he was after he was off the airplane. You've said "darkened hospital room. There was no power" but then you go on to describe "the checkered tile floor, neutrally painted green walls". How can your character see these things if he's in a room that is dark with no lights?

You did a great job with the voice and keeping us in his head until we got to "And then I felt myself descend into darkness for the last time." By then, I had already figured out something was happening that wasn't normal that gave away the ending and reduced the impact of the twist. I think I'd change this line to something like "Darkness descended through me." and then pick up in the voice of one of the police officers. That was the reader wouldn't know he was alive still.

Overall this is great little horror story with requisite blood and creepiness. I enjoyed reading it.

Happy Writing!
Cobe


*Gold* My review has been submitted for consideration in "Good Deeds Get CASH!.
30
30
Review by Cobe
Rated: 13+ | (4.0)
I found your entry in the writer's cramp and it looked interesting, so I'm reviewing it for the Sr Mod Birthday Challenge!

General Comments: This is pretty well written, given the time frame, and the storyline flows well. The main editing I see needed is in tightening up the word usage and eliminating excess phrasing. Your characters are believable, you've stayed in POV well, and it's an engaging tale. I enjoyed reading it.

Line-by-line:
Your words will be in blue.
My suggestions will be in red.

Remember I am a writer just like you and want to help you make this the best that it can be. Please use what works and ignore the rest. *Bigsmile*



Mylar entered coordinates while Amazon looked watched, his arms crossed over his chest. “You think those are gonna get us there?” Because this is Amazon speaking, I would rearrange this to read:"Arms crossed, Amazon watched as Mylar entered coordinates. "You think those ..." This makes Amazon the subject of the paragraph so the reader knows who is speaking. We don't need "over his chest" because that's where you cross your arms normally and the reader will assume this.

Rolling his eyes, Mylar paused before opening his mouth. He had a tendency to tell people to go to Mercury too quickly To eliminate adverbs you might use another phrase like "without thinking" or "when agitated". Either would give us more insight into the character.. “Yeah, Zon, I’m more than certain.”

“I’m just saying that it looks like you’ve put in three jumps when it should only take two to get us to the Dysentery System.”

“Who named it that anyways?”

“Anyway. And beats me. One of those contest winners most likely.” Amazon pulled up the grid of nearby space, including their own Terran System and those near the Dysentery System. “See, jump here and here and we’ll be there in no time.”

He When having a conversation between two character of the same gender, you need to use names to keep the reader from being confused. stared at the display and clicked his teeth. “I know that that looks like a good route, but you’re forgetting Hydra’s Heart. It’s here right now,” he said while pointing to the rogue comet "...right now." He pointed to the rogue comet." You don't need the tag line "he said" if you are going to have the character do an action. The reader will infer this.. Tapping it’s icon highlighted the egg-shaped orbit of the paradoxically icy fireball. (grin) “By the time we jump to our first point, the Heart will be in the Googlebing System and distort our gravitation readings anyways. Meaning we’ll have to jump above the galactic plane first and then reorient toward our next leg. Trust me. I know what I’m talking about.”

“Anyway.”

“What? You disagree?”

“No, not at all. It’s solid math and a glaring oversight on my part. But anyways is not a word. It’s anyway.”

Mylar held Amazon’s gaze. The pasty, muscled co-pilot had the hint of a smirk. half-smirked. Going for broke, Mylar he said, “I’ve always thought that your name was stupid.”

“What?” Amazon said, his face becoming blotched "coloring in blotches".

“Your name. Amazon. It’s stupid.”

“And what kind of name is Mylar. What are you, a man or a balloon?” Amazon chuckled. “Well, I guess you’re like a balloon: you’re filled—”

“—with hot air. Hardy har har. Like I haven’t heard that before, you pompous ass.” He focused back on his the control panel in the captain’s seat. The two They were the only people aboard the Davenport Flame so it hardly mattered didn't matter to either if they shouted or whispered their fights. But Mylar knew it was counterproductive so he decided to let the situation slide.

Beside him, Amazon started adjusting his stance and Mylar knew what was coming. “No, don’t you dare…” But it was done: Amazon had passed gas. “Oh, you sick bastard! Did you guzzle from a sulfur pool or something? What is wrong with you?” He flicked the air scrubber in hopes that it would dissipate Amazon’s the obnoxious odors more quickly.

“And where would I have found a sulfur pool around here? It’s nothing but desert our there, man.” Plopping down in his co-pilot chair, Amazon picked up his personal tablet and started playing a game with decidedly annoying background music.

“Could that be any louder?”

With subtle strokes this is an action of your non-POV character so unless Mylar is intently watching him, he won't know this., the music became gently louder The volume increased until it threatened to drown out the sounds of the engines warming up. (paragraph) Mylar yelled, “Okay, I get it. Now could it be any quieter?” (paragraph) Give each character their own paragraph in dialog to keep the reader from becoming confused.With another chuckle, Amazon turned the volume down and proceeded to play. “And why exactly aren’t you doing something important, Zon?”

“Building up my dinosaur army is important. Some bastard from Archeopteryx Tribe raided my cave and took a dozen fossils.”

“That game is ridiculous.”

“I know! Like the archeopteryx even existed at the same time as the dinosaurs!”

“Not that, moron. Why would there be dinosaur fossils when you’re building a dinosaur army? They’re still alive.”

“When humans die, we leave bones behind, right?”

“And?”

“Dinosaurs left bones behind, man. When they died.” He put his finger to his temple. “Think about it.”

Rolling his eyes again, Mylar said, “Yeah, I’ll think about that while I think about that ridiculous case you have around your tablet.”

Amazon grinned. “You don’t like my stone tablet?”

“It might as well be one of those wood grain skins. It’s ridiculous. This is the twenty-third century. You should embrace this age, not the stone age.”

“I’m embracing that someone thought it would be a cool idea to make your tablet look like it’s a stone tablet. That’s too cool for words!”

The console beeped. “Finally, the engines are ready. Can you get on the comm and ask Eff Cee if we can leave?”

“Just a sec,” Amazon said with a grunt as he tapped "...sec." Amazon grunted and tapped his tablet screen. “I’m placing my troops.”

“Okay… just take your time… I guess.”

Several minutes passed with Mylar clicking his teeth while Amazon continued tapping and dragging on his modern day stone tablet.

Finally, Mylar said, “Zon!”

“Alright! Okay! Don’t see why I gotta always be the one to do this anyway. You’re sitting right there. Okay,” he said while sitting up in his chair, putting down his tablet, and clicking the comm switch while putting on his headset. Okay." Tucking his tablet away, he sat up, clicked on the comm switch, and adjusted his headset. “Flight Control, this is Davenport Flame requesting persimmon to leave.”

“It’s permission. Not persimmon.”

“Shhh, Mr. Rude.”

“Rudé.”

Amazon listened for several seconds. Mylar could only make out a bit at a time but he sensed it was not good news. His co-pilot concluded the call and hung his headset. “Bad news and good news.”

“No kidding.”

“A sandstorm is bearing down on the spaceport even as we speak. We won’t get to leave for three hours.”

Mylar groaned. “And the good news?”

Grinning, Amazon pulled out his tablet again. “The gentleman at Eff Cee just comped our Wi-Fi for those three hours. Meaning no extra data fees on the bill!” He then gave all of his focus to his dinosaur troop while Mylar sat back.

After several seconds of listening to the music, Mylar gave in and pulled out his own tablet to fire up Tyrant Lizard Kings. “Okay, I haven’t logged in in a while. I keep getting notifications that I’m losing fossils. Like I care about that anyways.”

“Anyway.”

They made eye contact and then grinned simultaneously before focusing on their efforts to kill time.


*Gold* My review has been submitted for consideration in "Good Deeds Get CASH!.
31
31
Review by Cobe
Rated: 13+ | (4.0)
This is a neat poem form and new to me. I'm reviewing this as part of the Sr Mod Birthday Challenge.

I like the idea behind this of slipping away and finding a dragon. Your word choices have captured a mystical quality.

You've done a good job with following the form of a Decuain - 10 lines, 10 syllables each, and you've used a "ababbcbcaa" rhyme scheme.

A few phrases struck me as odd and didn't flow as well as they might with a little tweaking:
- "slipped beyond my sight" ... I'm not even sure what this means. Maybe "slipped beyond all sight" or "slipped past mortal sight" ??
- "and felt that touching" ... what did this fell like? Maybe "its rippling warmth" or "and it firm strength altered"??
- "to see with a new light" ... this struck me as somewhat cliche. Maybe "to see with dragon sight"??

I loved these lines:
"my musings filled with dragons in the snow"
"a dragon with his fire aglow"
"and words that echo dreams of dragon flight"

Nice poem!
Cobe


*Gold* My review has been submitted for consideration in "Good Deeds Get CASH!.
32
32
Review of Strange Storms  
Review by Cobe
Rated: E | (3.0)
author: morning dove
reviewer:Cobe

I found this on the "read a newbie" page and am reviewing it for the Sen. Mod Birthday Challenge. The description interested me so I thought I'd give you a few thoughts. Remember I'm just a writer like you, so take what you can use and ignore the rest. *Smile*

In general - this is an interesting account of watching for a storm. I live in the south and tornado alley is something I have grown up with so I understand what you are explaining. This flows pretty well in a train of consciousness type thought and I enjoyed reading it.

I would have liked it to end a little differently though. Maybe with something relating back to the storm or how it ended that night.

I've made a few suggestions in a line-by-line edit. They are mainly punctuation errors and spelling corrections and a few ways to take out unnecessary phrases. I hope they help.



I was watching the storms that showed thier their face in our little town over the last few days which just happend to catch my attention rather easily this time since you've already told us that your watching the storms, you don't need to tell us this too. Maybe it was because all summer I had not heard our storm sirens warning us of bad weather until this past weekend.This I think is the wierdest weirdeststorms that I have seen since I move(d) up here back in the end of 2009(.) and I do have this to say iIt had the haair on my arms standing up and chills ran down my spine but yet the excitement level was up Again we don't need this information because you've shown us that your senses are heightened.. You may be asking yourself if I like watching storms and yea for a while I thought being a storm chaser would be fun(,) but I never took that route. I dont mind watching storms as long as no one gets hurt but unfortunately many people are not that fortunate(.) and my heart and prayers go out to the ones not so fortunate to survive them.

When the first storm came through(,) our town the thunder had made me jump(.) I just was not expecting it and then the lighting flashing flashed in the sky and then the storm siren going went off so I stepped outside to see how the sky looked(.) andThat's when the cold chills started. the way the clouds were boiling and how the trees in front of my apartment were swaying back and forth started to put a little fear in me. (paragraph) The sky was gray and then a little dark but not bad and then but some of the storm clouds looked as though they were just waiting to gang up together to start some and cause caos chaos. but as I looked around the house on all sides part was light with the sun shining then the gray clouds that were sitting still and then dark blue and then light on the other side of the house it just all seemed so strange and when I speak about light the sun was shining in those areas even though it was still rainng and rather windy. This needs broken down into smaller sentences. Maybe - As I walked around the house, the sun was shining on part of it even though the sky was dark above. It was an eery green color almost. Something not natural. As my neighbor and I were watching the ways the clouds and wind were going(,) a man rode by on his bike yelling that the town we live in is was going to be judged tonight and when somone made a comment about that message but I told him maybe he should take and read the bible.Which when I told him that he got cold chills along with the hair sticking up on his arms and necks(.) and bBoy I wish I would have had my camera on me cause the look on his face was a total shock when I said that. I am a person that does read the bBible(.) and no I don't have all the answers but I have seen many things including the light at the end of the tunnel(.) and I also saw an immage in the sky that looked like a baby that was wrapped in his mothers arms and I believe there was a reason for this.


*Gold* My review has been submitted for consideration in "Good Deeds Get CASH!.
33
33
Review of Elevation  
Review by Cobe
Rated: 13+ | (3.5)
Author: BloodToTheQuill
Reviewer: Cobe

I found this on "read a newbie" and am reviewing it as part of the Sen. Mod Birthday Challenge. Remember I'm just a writer like you, so keep what you can use and ignore the rest.

*Bulletr*General Impressions :This is interesting. I started out thinking this was going to be a war story and then realized it had a good twist at the end. I'm curious to read more.

*Delight*Favorite Parts :I love the opening paragraph that hooks the reader in.

*Bulletr*Characters :You need to name your character from the very start. Readers have a difficult time connecting with a nameless character. Maybe the apparition whispers his name or something.

*Bulletr*Hook: this starts really well and makes the reader want to keep reading

*Bulletr*Setting :this gets a little confusing because you change from place to place. I would pick one or two for the chapter and let the other come out later on. Otherwise you've done a pretty good job of showing us what's around him.

*Bulletr*Dialog :When using dialog, make sure to change paragraphs with each speaker so that the reader isn't confused about who is saying what.

*Bulletr*Voice:I'm not sure why you switched voice after the first section. Personally, I think this piece would read much stronger and have more impact if you kept it all in first person like in the beginning section.

*Flagg*Line-by-line:

A void ripped through the living room. There was a man who appeared to be in full uniform five feet from me. Judging by his stripes, he had served most of his life, but somehow his body seemed unanimated, like it wasn’t there with me. My eyes watered, focusing in and out on the entity I was faced with. A soft blue light shined behind it, the evening moon creating a glowing dusty image out of the dark figure. Whispers filled the room. I like this opening. It pulls the reader in and makes them want to know what is going on. You've done a beautiful job of "showing" us what is happening ... except for the highlighted section. Maybe try something like - "A man appeared five feet from me. His uniform adorned with the stripes and medals of many years of service. But his body hung motionless, as if projected there beside me from some distant place."

“Can you hear me?”

Wind flushed through my veins. The window shutters began to clamor. An essence grew strong. The room darkened.The voice was heard again I heard the voice again - otherwise the reader asks "who heard the voice again?", as if I was inside it’s head nice.I felt pain. I felt confusion. Can you show us this? Maybe - "Pain seared through me. I didn't understand." My heart stopped. The room blazed then burnt to a sulfur. I felt death.?? What does that feel like?
~-~


He felt the ground for the last time. His face and hands contained as much rock as the mountainside, the rest of his body scattered with shrapnel thrown from the grenade of an enemy I don't think you need this phrase since shrapnel is usually from a bomb or grenade blast.. A freshly shot enemy. Yelling encased his ears, covered in a blood paste. The soundwaves crept through his eardrums. Fire after fire. Warcry after warcry. The soldier looked up at the sky, paralyzed, his back impressing the ground as a space rock would. Through his hazy vision, he saw something fly across his field of sight. It was an enemy bomber, on a course to destroy this settlement. Light blinded him. try not to repeat words so close together
A light went on around him. Placed in a room, surely, but there was no evident matter viewable.lt was a room made out of nothing. A hallway appeared with walls separating it from the other nothingness. Winston lay down upon the ground. The soldier was still cold, yet he couldn’t feel around him or anything such as one feels when they inhabit their body. All the movement occurring was by his doing and his doing alone. ?? I'm not even sure what this means. Nothing else was truly moving, but rather generating, his mind interpreting things. Winston got up, just as he did his final morning, without pain.
Surprisingly, there were no more holes in his body than the amount he was born with. His skin was all one, no scratch whatsoever to be found. The infinite space around Winston suddenly closed to square area in, with walls reaching to the non apparent heavens(.) and it A door connected with the hollow hallway. The soldier did what he was known best for. He marched forward into the unknown.
It seemed days had been He spent days in this hallway, having an occasional turn inside the straightforward endeavor what???. It was as if the surrounding nothingness responded to his hope and despair. When he wished tongue continue hoping he would find an exit, it would display a wall in the near distance. A target to walk to when nothing else could be seen. The wall brought him to the conclusion of this conclusion, only to allow him to find at the end of the hall’s beginning, was simply a beginning to a nonexistent end.
"Last call for courtroom one, last call for courtroom one, thank you," A stale yet youthful voice blared through the hallway. Further on, appearing to Winston's left was a standard mahogany door with a brass knob. Above it there was a gold plaque which read:

ATTORNEY'S OFFICE smile

The letter seemed to burn against the gold, as if those who passed by it were watching a smelting process. One that continued over and over again. Winston, seeing an option where he knew no others, he opened the door.
He was blinded by the light of the room. Nothing visible but white everything, containing no shape.
"Greetings, Mr. Valapit," it was the same voice he had heard through the walls earlier, but it's sound resonated differently, more feminine, and somehow, more beautiful, more pleasing. "Welcome to the Defense Experimental Attorneys for The Hellbound. I will be your attorney in the court of the sinful." (paragraph) A shock built up inside Winston, a familiar one. All he saw was unimaginable in terms of all existing creation.
"What exactly is this room?" He questioned the unembodied voice. A silence was thick in the air, slowing time itself, but not straying from the harshness of sound. Winston was aware of everything. An abrupt movement in space occurred. The walls felt like they were separating, as branches do from the base of the tree, and the floor turned into a crevice, as a white ooze emerged from the floor it, repairing itself. The hallway stopped existing.
"It is what you believe it to be. Under reason that is. We can't have all our people making things willy nilly now, can we?" Her voice changed. It wasn't a woman's anymore, but a nondescript man's. A dark toned man's. "That could provide a hazardous environment...."
"Where am I?" His head was still spinning, yet he felt nothing. It was almost as if he were operating his body from another location.
“You are here.” The voice was calmer now. (paragraph) The room turned an unrealistic shade of blue. There was an intense glow to it. It soothed him. The color made him feel safe. There was no reason to feel endangered right? His mind turned over, all his will became harder and harder to reach. His skull buzzed, overshadowed with the thoughts of calmness. Two words echoed continuously in Winston’s subconscious. It was in the shape of his mother, taken by Leukemia two years after joining he joined the service, the reason he was now a 1st sergeant. The voiced kept repeating, in that same soothing voice he remembered, trancelike, “You’re safe…”
You’re safe…


*Starb*These are just my thoughts and ideas as I read this piece and are intended to help. Please use what you can and ignore the rest. You know what is best for your story.*Smile*

I hope this is useful. Happy Writing!
Cobe


*Gold* My review has been submitted for consideration in "Good Deeds Get CASH!.
34
34
Review by Cobe
Rated: 13+ | (2.5)
Author:kiab
Reviewer: Cobe

I found this on the "Read a Newbie" page and it looked interesting. I'm reviewing it as part of the Sen. Mods Birthday Challenge.

Since I have never reviewed you before, you may find this more than you want or need but I use a form for chapters to keep everything straight. I tend to look at ways to tighten the prose by removing unnecessary phrases and eliminating passive voice. I also look at POV and give suggestions for keeping in one voice. Although I will pick up a few grammar points here and there, I am not much of a grammar guru or anything. Please remember that I am a writer just like you and I hope to help you make this the best it can be. Use what you can and ignore the rest. Only you know what is best for your story.

*Bulletr*General Impressions :While this seems to have the bones of a good story, you have included so much extraneous information that it is hard to read and understand what is happening. I think you have some good ideas, certainly, and know where you want the story to go but you need to focus on mechanics a little more to make this a clear read for others.

*Bulletr*Characters :Sir Bradshaw - a 25 year old knight that doesn't seem to want to be a knight except in title only
Lord Sedrik - we know almost nothing about him
2 or 3 others

Usually the first chapter introduces us to the main character and maybe one other. Lord Sedrik is okay because we just get mention of him but I would choose one or the other of the man or woman and save the other one for the next chapter. The reader needs to finish chapter one with a good idea of who the character is and needs to have some reason to sympathize with them or root for them. I'm not sure you've achieved that yet.

*Bulletr*Hook:something magical, dragons, dog-wolfs, etc

*Bulletr*Plot :This is okay, but it gets lost in all the verbage on the page which makes it really hard to follow.

*Bulletr*Setting :I have no idea where this is other than some woods. Add some details to give us firm setting that the reader can imagine.

*Bulletr*Dialog :Always give each speaker their own paragraph to avoid confusing the reader and keep the conversation flowing well.

*Bulletr*Voice:1st person, which you've done pretty well but you keep wavering between present and past tense. Pick one and stay with it.

*Exclaim*Suggestions:Break this up into smaller paragraphs based on actions, characters, thoughts, movement. When a reader sees a long paragraph, they skim read it automatically. If we are going to bother to write the words, we don't want our readers just skimming them.

*Exclaim*Grammar:There are several missing words and wrong tense usage.

*Flagg*Line-by-line: I've made comments on part of this but it became to confusing to sort through, so I quit. If you do a rewrite and want me to re-review it, send me a message and I'll give it a look.

Barrenshire



I gather medicinal herbs name them, crushing them in my hands before rubbing them into my arm that was bitten by the dog-wolf. I cringe as a sharp pain lances up my arm. Ripping some of the cloth from my winter cloak I wrap my arm up to avoid infection. The back of my coat now had an upside down V shape missing from the back. I gingerly sit down, being careful of my arm, my back against a great oak tree. I close my eyes. The content from this first passage is good but the flow is awkward and wordy. Try combining some of the thoughts to make your writing more concise. Maybe something like - "I crushed a palmful of hensbane mixed with bloodoats and toadlick and then rubbed them into the bite on my arm. Pain lanced all the way through my shoulder. I drew a sharp breath and muttered a curse at the dog-wolf who attacked me. Sitting down against a great oak, I ripped a V-shaped wedge from the back of my winter cloak and wrapped my wound." (paragraph) My quest began twelve nights ago when Lord Sedrik, master of my native kingdom, Harkfell, called me into his bed-chambers. “Sir Bradshaw, please come in, have some wine.” My mouth waters at the thought of the warm red wine, now, while I lie in the snow. “It has reached my interest that there are some very peculiar happenings going on the Old Rift.” Sedrik lazily lifted an eyebrow at his shoulder, pinching pinched off a grey hair from his shoulder.

“What of it Lord Sedrik?”

“There is something I wish for you to retrieve.” I began cursing, few men had escaped the Old Rift. The ones that did were too mad to remember what lurks in the dark tunnels along the jagged rocks. “To tell the truth; I do not know what, though.” what, though," he added.

“What madness is this to send a man to his doom! For what? You haven't a clue?” I suddenly felt hot around the neck. I'm not sure who is talking in this paragraph. If it is two different people, then it needs to be in two separate paragraphs.“Juan The Mad is sending countless soldiers there. I do not know why. But I want you to retrieve whatever is there before they can reach it. Bradshaw, you are my greatest warrior. I need you. Besides you have done many quests before...”

“What's in it for me?” I remember stroking my stubble. paragraph - new speaker “Whatever you find. You can keep.” paragraph Now I was interested. But this was the temptation for everything Sedrik offered me. “Very well, I shall do it. When do I begin?”

“Come morn.” paragraph I was surprised but the deed had to be done. “Very well.”

“May the gods smile upon you and fortune grace your blade.”

“Yes my Lord, as to you.” My voice recedes into the depths of my memory as sleep takes over me.

I have a dream concerning the origins of my blade. A voice as ancient as the ground beneath my feet says, “A fine blade you wield by your hip, sir.” I smile. “It wields a deceptive ability, sir.” My eyebrows knit together. “What ability do you speak of?”

“The power of the snake...” The voice trails off, I begin chasing Your characters should never be beginning to or starting to do anything. Just have them perform the act. So here just say "I chased after it ..." after it but to no success. I wake with a start. I squint as the warm rays of light weave around my eye lashes.

I stretched my cramped legs. It was time to leave the forest. I've always loved the outdoors. The soft song of the birds, the sweet scent of a thousand thousand flowers permeating the air. I love the animals, they always look so beautiful and welcoming. Even the wild ones that would attack if you get to close. While this is a nice sentiment and all, I'm not sure why it's here. It seems out of place in the storyline. I straddle over a fallen oak, running my fingers back through my wiry, shoulder length, hay colored hair. My heart leaps as the roar of a dragon cracks through the sky like a whip, albeit it's too far away to be a threat. You've given us this great bit of drama finally and then immediately killed it with this phrase. Let the reader feel the tension, heighten the mood. I love that too. I'm around eight days away from the Old rift and this is my fourth day travelling since my quest had officially begun. not needed, you've already told us about the journey earlier I look up as the chatter of birds demand my gaze. There were This is passive voice and "tells" us things. Try to "show" the reader the scene instead. two bright yellow and red birds playing played by a cherry tree. paragraph I fall into a state of solitude what does that mean even? during my quests. Often times I yearn for someone to talk to. I'm also so young for a knight. I'm only twenty-five, nearly twenty-six. I was battle-born, learning and learned how to fight from at a very young age. This is what It gave me an edge over my colleagues when we trained for knighthood. I was Lord Sedrik knighted me six years ago and Lord Sedrik considers me one of his best. I don't know why I'm always the one being sent on high risk quests. Wouldn't he want to preserve my youth if I was so valuable? But he's always sending me out to fight the dragons and hunt for treasures when I would rather be back at the castle. Sometimes I think of leaving. Just leave on one quest and never come back... this strikes me as very odd. He's trained his whole life to be a great knight and then when he's sent out on a quest he's whining about doing his job. Why did he become a knight then? Does he just want to sit around looking the part and playing with swords? I realize that I'm clenching my fists in anger. I raise my head. This would be the time for me to find a companion. I am now walking down a path, my boots kicking up brown dust. A signpost rests ahead. I carefully read the words that have been scratched into the weathered wood. Barrenshire 1 mile North East. I begin exhaling a sigh of relief when a poster catches my eye. There is an expertly drawn portrait of me with a message from The Brave telling anyone who has information on 'escaped fugitive Gared Bradshaw, Knight of Dark to come forth for the rewards will be great.' I glare at the poster with disgust. Without thinking I spit onto it with loathing before tearing it down, grinding it into the dirt with my boot. I carry on walking down the path kicking up dust as I went. I'd done nothing to upset The Brave. Nothing. I was just travelling in the woods, minding my own business. It turns out that I was 'intruding private property.' If I didn't want to be caught I had to conceal my true identity. I pick up some of the dirt from the path and spit on it to give it a sticky consistency. I cringe as I rub the mess into my face. Why would he cringe at getting dirty? I pull up the hood on my cloak to further conceal my features. I then carry on walking. Fortunately I don't cross paths with anyone on while on my way to Barrenshire. I had heard about the small town when I was a boy. I only know it is a small place but the inn's are said to be home to some of the bravest adventurers and quest seekers. All the better for me to find a companion. Finally I reach Barrenshire. There is a small inn, The hungry ferret. I smirk at the name but it looks like a hospitable inn that's clean and it also seems relatively quiet. I enter the inn and I'm greeted by a short and round lady. “Afternoon, mister. Will we be wanting a room for the night?” When she spoke there were only three teeth visible in her mouth. “Yes. If I could have a small room, that would be lovely.”

“Of course, mister. That will only be eight gold pieces.” I fish the gold from my trouser pockets. I then place the required amount of gold onto the counter. The lady offers me an ugly smile and gives me the key to my room. I thank her and bid her farewell. When I exit the inn I release a sigh and think of what I should do for the rest of the day. Then I remember the arrows that I had used up during my escape from The Brave. An old man with a face etched by hard work hobbles along a path. I reach out towards him “Old man!” The man slowly turns around, a kind smile upon his face. “Yes young one, what is it?”

“Is there a good smith here in Barrenshire?”

“Why yes. Just up the road to your left.” The old man opened his mouth as if to say something else but instead chose to continue down the path using his walking stick as an aid. “My thanks, old man.” I smooth my cloak with my hands and start. On my way to the smith, I notice that the town is quite lively. People roam the streets, constantly venturing in and out of stores minding their daily business. Eventually I spot a forge and a shop next to it. The forge is scalding hot and expertly crafted weapons and armor lay fresh by the anvil and workbench. I push open the door to the store. There are no customers. My eyes widen in surprise as all the items in the store look brilliant. Swords that were so sharp you could hardly see the blade when seen edge-on. Armor that could withstand the mightiest of blows rested around the store. There were also axes, war hammers, knives and many other weapons that lounged around the store. Two things really caught my eyes though. There was a very large quiver of arrows with some of the most amazing arrows that I've ever seen. Then there was a brilliant armor, as well. It was leather like his but it looked a lot tougher. It was equipped with a small amount of chain mail at the hem of the sleeves. Just how I like it. On closer inspection, I notice that the whole armor piece is lined with the chain mail. My right eyebrow rises as the armor is, to my pleasant surprise, extremely light. “How may I help you, sir” comes a smooth voice from behind the counter. There was a young man who must be at least three years older than myself. “Do you smith all of your weapons and armor yourself?” The man smiled. “Why yes, sir, correct.”

“Your items are of exceptional quality. I feel as if it would be a disgrace not to buy any of your items.” The smith smiled, “Please, sir, feel free.” I already begin to feel a warmth towards the man. I stroll over towards the appealing arrows. I want to know more about the origin of the arrows. “Please, tell me more about these most fascinating looking arrows.” The man removed an arrow from the quiver. Now that I could see it more clearly, I could see that the neck of the arrow was white with a grey tinge. The head of the arrow looked like onyx and seemed extremely strong. The feather at the end of the arrow was a cold black. “This,” the man smiled, “Is made of dragon bone.” I look in amazement. “The tip of the arrow is made of the talons of the dragon. Personally, I consider these to be the best arrows in the whole land. They will never break. Make sure that you always retrieve the arrows after use. They are too good to be wasted.” He said with a soft smile. I had heard of arrows like these only in tales. I knew of the immense power that they possessed. I wanted the privilege to own the arrows but was afraid of the costs. “I'll take some but I'm anxious of the cost.”

“You needn't worry. You can take the whole quiver for one hundred gold pieces.” This was an extremely generous price for such rare items. It was not cheap for arrows but I had looted lots of gold from my many quests and the price was nothing to me. I unlatch a satchel hanging by my right hip and give the man the correct amount of gold. “All yours, sir, eighty-three dragon bone arrows. Now, is there anything else you might be interested in?” I nod and head over towards a hip-knife that I first saw coming into the store. The blade was navy blue and the handle was silver. The hilt was black and had a sharp curve at the tip of the hilt. “I'll take this” I say with determination. “As you wish, sir. This will not come so cheaply as it has been fired with sapphire.” That explained the blue tinge that the blade held. “The blade has been sharpened on my whetstone for countless hours. I guarantee that the blade will never break. You may also discover other things that make this blade unique through regular use” I smile eager to discover it's powers and nod. I was impressed. I reach for my satchel once again, “How much will it be?”

“Four hundred and fifty gold pieces.” I grimace. I had enough gold to pay for it but it was expensive and I had to resort to my other satchel that was larger than the other, slung over my right shoulder, hanging at my left hip. After the money was placed on the counter, the man placed the blade on the counter. I notice that he has placed the blade in a sheath. After everything was paid for, I equip my new quiver, disposing of my old one. I then firmly tie my new dagger to my quiver belt that wraps around my body, over my left shoulder that goes around, under my right armpit. I thank the man for his service. I then look at the black leather armor that I had been eyeing before and sadly fingered my satchel knowing that I definitely did not have enough gold to pay for it. The smith took a hint away from my expression of agog. “Ah, I see you have an eye for luxury. After what you spent today I doubt that you will have enough gold to pay for it. You seem like a good travel partner, however. As of late I have been planning a short quest to retrieve an ancient war hammer. The location of it is only twelve miles east of here. Come with me and you can keep anything that you find. It should only take us a day. Also, I will offer you the armor free of charge.” My eyes flood with gratitude. Helping this man would not clash with my own quest if it was only a days worth. “I will venture forth with you with honor.”

“Very well. We will leave tomorrow morn.” I extend my arm, “Sir Gared Bradshaw, Knight of Dark.” The man extends his arm in response . We clasp each other's forearms, “Finley Mallister.” The two of us nodded and exchanged our farewells, looking forward to seeing each other the next day to begin our own quest. I leave the store and clear my mind. Tonight I have to clear my image. I'm going to remove the posters scattered around the city that called for my capture.



I finish my goat stew and take the last swig from my tankard, finishing the delicious ale. I head towards my room up the stairs and at the back of the inn. The lock to my room clicks as I lock the door once I've entered. The wooden floor thuds as I make my way towards the wardrobe in the room where I left my weapons and armor while having my last meal of the day. I put on my leather body piece and archery greaves. Tonight I would leave behind Grim and try out my new dagger if complications arose. I also swing my bow over my head so that the steel is at my back and the string comes over my right shoulder and under my left armpit. Then I attach my new quiver to the belt opposite the bow string. I pull my hood up. It's time. I'm nervous but I don't know why. I unlatch the window to my room and climb onto the roof of the inn. It's a cold night but all of my layers are keeping me warm enough. Goose-bumps still appear on my skin though. The roof is icy so I make sure to be careful as the moon is my only means of visibility above the ground. I scan for a poster and notice that there are surprising amounts of guards roaming the streets. There are two guards talking to a pretty lady. I want to hear more. I begin silently dashing towards the end of the roof ready to grab the next building's roof. I did not experience to much trouble keeping my footing in the dark. After all, Lord Sedrik Montgomery had named me Knight of Dark when I had been initiated into the Knight's Order. I was known for being stealthy which explained why I preferred lighter armor. In my native kingdom, Harkfell, I was known as the Shadow. I stretch myself fully, successfully finding the ledge of the next building. I would not be able to eavesdrop on the conversation from here. There was a small side ally between the building I was on and the one to the building's right. I drop down using my gloved hands to break my fall and slide down the eight foot drop. My boots touch the frosty cobbles lightly. I can hear the sounds of their voices now but can't properly establish what they're saying. I crouch down and begin breathing through my nose so that my breath isn't as noticeable when it touches the cold air. I dash behind a large oak barrel. I can hear their voices now, “... so make sure you shut your doors and windows securely. If you see any suspicious activity or have any information regarding this man,” I look over my shoulder and see the man is holding up a poster, “contact any of the guards immediately.” The woman speaks with a voice like silk, “As you wish, goodnight.” She begins to walk away. The two guards look at each other and then just like that, one starts to grope her back-side. The woman begins shrieking but she could never hold off two grown men. I grit my teeth and make towards the men, still crouching. They have their backs to me so I unsheathe my dagger, erecting myself behind one of the guards and kick him in the back of the knee. The blue blade opens the man's throat with ease, stifling his cry. Warm blood sprays on my finger-tips which are exposed because of my finger less gloves. The man left over abruptly stops molesting the woman and turns around. He sees his fallen comrade and bares his teeth. A war axe is unsheathed. The man, agile, lunges at me. I whirl underneath a killing blow and cut the guard's right shoulder blade. The man spits out a curse and faces me. I can hear the poor lady sobbing behind him. Fueled by rage, I wield the dagger like it was an extension to my arm. I twirl towards the guard, our blades meet and I kick him in the stomach. Winded, the man staggers. I seize the opportunity, spinning clockwise, adjacent to the guard. The blue dagger fires through the back of the man's skull. I kick him over and sheath my blade. Pulling my hood back I stride over to the lady, rest my hands on her shoulders. “Are you alright my fair lady?” She looks up, her cheeks glistening with tears. “Y-yes. If it wasn't for you to come along, another minute and they would've made off with me!” I wipe a tear away with my thumb. She asks me, “Are you the man that they are looking for?”

“Yes.” The lady does not look scared. I point at the still bodies of the guards, “Them? They are your enemies. Not me. The Brave are warranting my arrest. I escaped from them but only because it was necessary. I have to stop Juan the Mad. Fair lady, I am Gared Bradshaw, Knight of Dark.”

“My name is Kayla. If there is anything at all that you may need...?” I look down at my boots and back at her again, “Well there is. If you come across any posters put up by the Brave, take them down. But tonight go to your home. Now.” Kayla nods and thanks me once more. I have to get moving. I watch her hurry away, her blonde hair bouncing around. After I hide the bodies in a small alley I decide that it would be safest to navigate from the rooftops. I scale a wall, reaching as high as I can. For the rest of the way to the top of the building I climb it's face by using small dents and misplaced bricks to pull myself up. It's tiring work but I manage. It's a cloudy night and the moon is lonely in the sky. There! I see a poster, illuminated by a torch next to a shop. I climb down the building and walk towards the poster. I rip it down. My eyelids begin to feel heavy so I decide to make my way back to the inn, pulling down any posters that I come across. By the time I reach The hungry ferret I have pulled down twelve posters. I free-run up the side of the inn, catching onto a wooden beam before hauling myself up onto the stone roof. I make my way back towards my bedroom window. A sigh of relief escapes my lips as I see that my room is left the same way that I had left it. I take off my weapons and armor and make towards the sink in the corner of the room. The water is ice cold and refreshing. I pick up a cloth towel and wipe my face. As I lay in bed I think about my quest that is to come with Finley. My eyes close and sleep washes over me.

*Starb*These are just my thoughts and ideas as I read this piece and are intended to help. Please use what you can and ignore the rest. You know what is best for your story.*Smile*

I hope this is useful. Happy Writing!
Cobe


*Gold* My review has been submitted for consideration in "Good Deeds Get CASH!.
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Review by Cobe
Rated: E | (4.0)
Oh my, what fun! I love it. I'm reviewing this as a random review for the day but stopped on this one because it was short but not too short and it was new. The fact that it's fun is a bonus.

This reads like a story, which I love. And the concept behind it is awesome. I had a few places where I stumbled a bit as I read due to syllable count. And I wasn't completely happy with the end. It was almost like you added something to end it but I'm not sure it really fits the rest.

I've done a line-by-line for you because that's the kind of review I like to get. Remember everything I suggest is just my opinion. Take what you can use and forget the rest. Overall it's a great piece!


It was a time of great fun, of jokes and games. But not for everyone, for some felt lame.

Deep in a cave sat the April Fool!(don't think you need exclamation points here or at the end) A man in a costume without a single jewel!

Once the king's closest adviser, he'd had been replaced by a filthy rich miser.

"I'll teach you how to get lots of cash!" and the king threw out poor April Fool in a flash.

So April Fool sat scheming, an evil-looking jester. He sat still so long, his flesh started to fester!

It had been twelve years when he came to a conclusion. The Fool would to blend the king into a passion-fruit fusion.

Then came the day. TWhen the day came,the Fool sat ready. He was calm, still, and his breathing was steady.

He kidnapped the king and put him in the blender. He felt the king's flesh; it was soft and tender.

The Fool licked his lips; this would be tasty. But for him to succeed, he would have to be hasty.

He switched it on; heard the king's screams, and . Fforever those howls would appear in his dreams.

A fool he was once was to the mighty and great. Now April Fool was ... (just a suggestion to end it)

He died a year later; his conscience guilty. He left behind a son by the name of Milty.

On his deathbed, his last word was, "Hiya!", for he had seen a vision of his future descendant, Jeremiah.


*Gold* My review has been submitted for consideration in "Good Deeds Get CASH!.
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Review of Black Water  
Review by Cobe
Rated: 18+ | (3.5)
I think it's a good start to a story although I'm still clueless as to what is happening or where the story may be going. I think it's okay for prologue to set a scene and a mood without telling too much, though.

I'm having trouble with it being a little wordy. Maybe you could cut down on the prepositional phrases and adverbs some. I also had trouble following some of the places she went. All those hallways and doorways ...

One thing that really hit me in the middle was that she's in a hurry to get to class, her heart is pumping hard, she's running across campus ... and yet you have her stop to gently touch a tree ... If she was really in a hurry, why would she ever do that?

I'd read more. Good start.

Happy writing


*Gold* My review has been submitted for consideration in "Good Deeds Get CASH!.
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Review of Cinder Klause  
Review by Cobe
Rated: 13+ | (3.5)
I think there's a kernel in here for a story for NaNo. I like the suspense of being "chased" by the hail stones.

I'm having difficulty getting into the characters though. What I've assumed from the text is that they are orphans looking for their biological parents in some way?? Am I right on that? I think maybe the viewpoint is too mixed at the moment. There doesn't seem to be a clear single voice narrative point of view that we are being told the story from which makes it a little confusing to know which direction you're trying to go.

You asked what holiday you should make the antagonist? I have no idea what you mean by that. Can you explain further?

Maybe this "storm" ends up following them wherever they go on the train and people start to fear them because of it.

Happy writing.


*Gold* My review has been submitted for consideration in "Good Deeds Get CASH!.
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Review by Cobe
Rated: E | (4.0)
This piece came up when I clicked to do my random review for the day and since I'm ready for spring I decided to go for it.

There are some good points and some not so good points to this poem. You have some nice imagery scattered through it and you've stayed constant in the voice you use. I also like the progression of the poem from what you see to thinking about the ancients and then your wife joining you.

Usually, in poetry, we try to economize on words, using only enough words to make our vision known. In some ways this poem is almost told in a story form rather than a poetic form. It could really go either way from where it is. To make it more poetic, it needs trimmed. I'll take the first stanza as an example:
"Spring exploded a few weeks back.
This day I stand on my back porch,
admiring the fresh greenness and
all the colorful blossoms competing
for attention in the backyard.
I hear the birds’ songs and the buzz
of the bumblebees lumbering along."

This is how I would trim it to make it more poetic -
"I stand on my back porch,
admiring the explosion of spring.
Colorful blossoms compete
with a thousand new shades of green.
Birds sing in the trees.
A bumble bee buzzes by."

I've said the same thing with fewer words. I've combined the first two lines that were confusing to make them fit together into one thought and one time frame. And I've kept all your bits of imagery and sound but I've rearranged them to give them punch.

I always look at poetry as if it were a carving in words. Carve away everything that isn't part of the finished image and you have a poem.

Happy Writing!


*Gold* My review has been submitted for consideration in "Good Deeds Get CASH!.
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Review by Cobe
Rated: 18+ | (3.0)
First off, war stuff is not my thing. Having never been in a war or in the military at all, I couldn't tell you if this is how soldiers converse during battle at all.

But you asked if it made sense ... It makes sense in that I can follow it and it seems coherent.

Your first sentence is great and I'm interested in the locket but then it disappears until the end so the story doesn't seem to have anything to do with the locket really.

My biggest problem with it, is that is it almost entirely dialogue. There isn't enough of anything else. You dialogue is done pretty well, but there needs to be more to it.
My biggest question is - whose viewpoint is this supposed to be in? Is this the sarge's viewpoint or the young soldiers? Or someone else entirely? I need a character to relate to. I need a Point of View that is clearly defined to follow. I think having one character and staying in their point of view would help flesh out this story.

A few things to look at - in the start of this piece, you repeat the use of "young" several times. You don't need to. After the first time, I understood he was a young man.
- The start of the second paragraph is all telling. What does the small town look like? What are they seeing? What is happening to them that we are told is "resistance"? For someone who has never been to war, if I want to read this story I want you to give me the nitty gritty about it. Show me what they are seeing. Make feel where they are. Let me see it, taste it, smell it, hear it, ...
- the idea of the locket, like I said before is intriguing to me. That hooked me into reading more. I think, honestly, that is your story. How can it be incorporated into the story more? How can you use it to unfold what we see and learn?

happy writing!


*Gold* My review has been submitted for consideration in "Good Deeds Get CASH!.
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Review of The Parting  
Review by Cobe
Rated: E | (3.5)
I found this intriguing.

You started out well. Your first sentence is excellent. And you transitioned into dialogue well too.

These are the problems I see:
1) if you only have 200 words for your story, don't use frivolous words like adverbs. You have a LOT of them. Most of the time they aren't needed to convey meaning. Other words can tell us the same thing. for example " Finally after a long time in that verbal purgatory, I stood up wordlessly and began walking slowly back to my car." It could be written "After a long time in verbal purgatory, I stood up and began walking to my car." It says the same thing but with 4 less words. You have several other sentences that could be revised this way.
2) if you only have 200 words for a story, use them all
3) technically this has a beginning, a middle, and an end however, the end is stunted without enough information to give us a feeling of end for a complete story

I hope you keep working on this. I think it could be a great story.

Happy writing!


*Gold* My review has been submitted for consideration in "Good Deeds Get CASH!.
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Review by Cobe
Rated: 18+ | (2.5)
I'm reviewing this from the random review page ...

Whew. That is some small font there. I'm going blind reading it!

I have not finished reading this because 1- the font is too small and 2- too many cuss words and 3- predictable and 4- it's wordy wordy wordy.

That said, it could still be a good story. It just needs cleaned up and tightened up.

For example - You don't need the first two paragraphs at all. It is back story that we can gather from the following dialogue.
- Be choosy about using cuss words. Even if people speak that way (no one in my world does) no one wants to read it. Writing is all about choosing the right words to use and that applies to cuss words as well. Read the sentences without the cussing. If it means the same thing, leave them out.
- delete all of the adverbs (gently, slowly, skittishly, perfectly, etc ...) if you've used the right words to begin with, these aren't necessary.
- try to stay in the Point of view of your main character. Show us what is going on with him instead of lapsing into an omniscient narrator who tells us things.
- get rid of all the cliches ... if you've heard it used, read it used, seen it in a movie or tv show -don't use it in your writing. When you use too many of them people just quit reading, thinking they've heard it all before and could write it themselves.
- in your dialogue, let the dialogue speak for itself. we don't need exclamation marks or explanation about what was said or how it was said. Again if the words are the right ones, we'll know all of that from what was spoken.

I hope some of this helps.

happy writing!


*Gold* My review has been submitted for consideration in "Good Deeds Get CASH!.
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Review by Cobe
Rated: E | (3.5)
Well, it starts out well with the character named and in her viewpoint. And it has a beginning, a middle, and an end which are all important for a story to have.

This section is good in the characters point of view:
" She found a room but was sadly disappointed. She heard something as she flicked on the dim, bare light bulb over head. One cockroach hadn’t made it out of site. She crushed it with the heel of her shoe. She surmised that if she slept with the lights on, she’d be fine, but couldn’t bring herself toward the bed, let alone to lie in it. She sat on the edge of a wooden chair and watched the scratchy 13” TV."

As is the dialogue part at the end of the piece.

But, there are several places in this where the reader is pulled out of the POV of the main character. First, the repetitive use of her name is unnecessary in this short of a piece. Second, where we are told things that the main character couldn't possibly know. (for example, HOW does she know a woman with two children sat in the aisle behind her? Did she see them? If so, describe what she saw. Did she hear them? If so, we need to hear it too. If she was sitting in a window seat with three seats to a row on an airplane, she wouldn't have had knowledge of who was behind her without standing up or turning to look over the seats in some way, especially after the "large" man sat down next to her.

Other things I noticed:
1) the things that happened on the plane are cliche. Big man squished into a middle seat snoring loudly ... kids behind kicking the seat ... smoke in the cockpit ... blinding snow ... long wait on the tarmac ... I've flown extensively in my life (in a single year I was in 34 different airports, some of them numerous times, nine different countries, five different airlines) and I have yet to experience even one of these things even on an overseas flight of 16 hours. There are miserable things that happen on a plane though ... let your details be more realistic and less drama and it will read true and interesting and give us insight to your character. Also, blinding snow would close an airport, not leave you stuck on the tarmac.
2) You might limit the details on where every stop was along the flight path ... unless you're going to expand it and make each flight it's own living nightmare.
3) A few spelling issues which might be typing errors

This could be turned in to an interesting short story with some polishing.

Happy Writing


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Review of Unearthed  
Review by Cobe
Rated: 13+ | (4.0)
Cool. You've done a lot with a few words.

I think a few things could be cleaned up like removing the adverbs. Eerily, long, down expectantly could all be left out without changing the meaning at all. You don't even really need the word "the" in the beginning of this. It could just be:
"Rob's shadow morphed ..."

Starting with Rob's name gives us a character from the beginning. It puts us in our point of view instead of having some omniscient voice telling us things. In something this short, we really want to be in the characters head. We really want to feel the cold wind, we want to be creeped out, we want to feel fear and smell what's there.

You almost have to think poetically in this small tale. Give us the words that really mean something and leave everything else out.

I like it.

Happy writing!



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Review by Cobe
Rated: E | (4.0)
This flows very well for the most part and is quite visual allowing the reader to see and hear what is going on without telling us too much.

As is the problem with most rhymed poems, some of the rhymes seem forced and therefore don't really work with the whole. When they are forced they interrupt the flow and bring the reader out of the image you are trying to create. I'd like to see this written as a free form building tension upon tension.

I like that there is a twist at the end and that you kept my attention, but, in my opinion, if you were trying to be funny about it, it wasn't. It ended up flat instead of surprising.

You write very well.

happy writing!


*Gold* My review has been submitted for consideration in "Good Deeds Get CASH!.
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Review by Cobe
Rated: E | (2.5)
It is difficult to review something like this as I am unsure if you meant it to be serious or satire.

One of the first things every piece of writing needs is an audience, so I would ask, who is your audience for this piece? Who are you trying to speak to?

The other thing every piece of writing needs to have is a purpose, so what is your purpose in writing this? Is it just for your own musing? An entry in your diary of life to look back and see what you thought at the time? Are you trying to explain poverty? And if so, to whom? Are you just making a statement about society as you see it? What is it you are trying to accomplish?

You've managed your rhyming scheme okay but some of the words seemed forced simply for the sake of rhyming. I honestly don't like rhymed poems for this very reason.

You've also kept the tone dark throughout. Maintaining a tone can be difficult, so good job.

On a personal note - "ignorance of poverty" seems to be an appropriate line ... you realize of course that some of the brightest minds in the world started out in abject poverty, right? It isn't money or schemes that make a difference, rather compassion is what changes the world, and to withhold that says more about the one abstaining than the one who would receive ...
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Review by Cobe
Rated: E | (3.0)
I love cats so I had to review this.

I'm not usually very fond of rhyming poetry but it works for this. Most of it flows pretty well except for the third stanza. Then it loses it's rhythm and is hard to read. The fourth stanza is better.

The theme works and progresses well from beginning to end, telling us the story fluidly.

Rework the rhythm in that 3rd stanza and it will be great.


*Gold* My review has been submitted for consideration in "Good Deeds Get CASH!.
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Review of Apple on Eden  
Review by Cobe
Rated: 13+ | (3.5)
Setting - future, on a train

Characters - Adam, protagonist, middle aged man, we assume he's a gardener from your description early on, dialogue and actions seem real
- salesman, a little cliche but not overly so
- Lucy, teenager, dressed immodestly, not sure who she is or what she's done

Voice - 3rd person ... but you slip into an omniscient voice a couple of times

Since you're wanting to review this for the purpose of selling it on the market, here are my thoughts on what you need to do.
1) Your first sentence needs to be shortened. "Adam settled into his seat as the silent speed of Europa’s newest anti-grav monorail, Eden, sliced its way through the countryside." You want this sentence to hook the reader into reading more so, while the description is necessary for our understanding of scene and setting, it hinders our ability to be hooked into reading more. Starting with "Adam" is great but leave the description of the train for later. Just tells us what he is doing. Show us his action.
2) style issues - try to cut out as many adverbs and prep phrases as you can. Some of them are needed for clarity but the rest are just filler and add to the wordiness.
3) While the second stanza is interesting and probably gives us some back story into the main character, it shouldn't be in chapter one. Save the backstory for later in the book after we've met the character and understand what his problem is.
4) Your main character needs to have a problem to solve and in what you have written, I'm not sure I know what that problem is yet. We have this encounter with the girl on the train and that leaves us curious for more but maybe we need to know a little bit more about what the story is going to be about.
5) Nice dialogue.
6) I got lost in the fight scene. First the salesmen are sitting down and then they are going back to their seats. Did I miss them getting up and moving towards Adam?
7) Your ending is good and makes me want to keep reading to find out who this girl is. Is she really the protagonist, a co-protagonist, or maybe the antagonist? Where did she get "real" fruit? What has she done to the man with the razor blade?

You have some good bones for a story here and I hope you'll keep working on it. I'd love to read more as you rewrite.


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Review by Cobe
Rated: 13+ | (3.0)
I'm reviewing this because the time-travel-space-shifting object has me intrigued.

Genre - I'm not really sure what the genre is supposed to be based on what is here. I'm guessing sci-fi or fantasy but so far it is reading like literary fiction with lots of descriptions and scenes.

Character - Brina. I'm not sure how old she is but she's carrying a book bag so I'm guessing a teen as she is out walking by herself. Also she is an orphan since her parents are dead.

Plot - don't know yet. Clearly Brina finds something strange and is going to teleport somewhere, but we don't have a sense of what is going on, what her conflict is, what the action will be about, or any hint of how it will be resolved.

Style - Whew ...
1) don't use adverbs ... (for example) instead of "Brina shrugged resentfully..." show us what that looks like - "Brina jerked her shoulders and frowned"
Instead of " She grumbled quietly..." usually when someone grumbles it is quietly and to themselves so you don't need to tell us either thing. "She grumbled as she shifted all six books from under her coat." (we don't need bulky either)
2) try to not use "to be" verbs (is, was, were, are, ...)
(for example) instead of "This was the perfect type of weather in Brina’s opinion." try "She loved this weather."
3) Don't rename your main character over and over again. We should be inside their head, they should be narrating the story to us and every time you call them by name it pulls the reader out of the story. Only reuse their name if you need to for clarity like when you have more than one female character interacting and using "she" or "her" would confuse the reader.
4) Punctuation counts (for example) "waterlogged book bag, how hanging limp and useless with its broken zipper swaying from side to side." Is the book bag swaying side to side or is the zipper swaying side to side? A comma between Zipper and Swaying would help clarity.
5) Try to cut back on the number of prepositional phrases you use. Often they aren't needed to help with the clarity and just add to the wordiness of the story. (for example) instead of "Forgetting her discomfort for the moment..." can just be "Forgetting her discomfort, ..." If you are telling the story in the narrators viewpoint, we don't need to be told "for the moment" because we will either already know that or will find that out as we go along.

Point of view - Who is your narrator? I'm assuming it is Brina but if so we need to see everything through her eyes, not through an omniscient voice. Show us what she sees and what she feels and what she does.

Sentence structure - Try to keep your sentences short and sweet. Also, only convey one idea at a time in a sentence.

Personal opinion - Like I said, I am intrigued by the idea of the object and the time-travel-space-portal thing going on and there are some well written lines like "Droplets danced on the gravel" and "Trees pressed in close on either side" and "Brina edged closer to the gates". They all have very vivid imagery and help to imply the sense of suspense you are trying to create in your story.
However, as a first chapter, this has way too much back story in it. You should never have any back story in the first chapter of a book. If you need to tell those things, they can come after the reader has already been hooked. Here we are having to wade through a lot of unnecessary information to get to the action of the story.

Here's a Line-by-line of the first two stanzas:
"She had always told Ann that she loved the rain, and for the most part it was true." (Brina usually loved the rain.)

"The silent hiss enveloped the little town on Davenport and left it a quiet slumber, while the rest of the world was in frenzy." (It's silent hiss enveloped the little town of Davenport, a quiet haven in a frenzied world.)

"Droplets danced on the gravel, jumping up again like crickets in the spring." (Droplets danced on the gravel, jumping like crickets.)

"Trees and other plant-life spread their leaves to accept the gift from the pillowed sky." (Trees spread their leaves accepting the gift.)

"This was the perfect type of weather in Brina’s opinion." ("The perfect weather," she mumbled, "for another day.")

"Now, however, was not the best time." (delete)

"Brina shrugged resentfully at the waterlogged book bag, how hanging limp and useless with its broken zipper swaying from side to side." (Brina jerked the waterlogged book bag on (from) her shoulder. Limp and useless with a broken zipper, it swayed from side-to-side.)

“Of all the days to fail…” (good)

"She grumbled quietly to herself as she shifted bulky books she now held beneath her jacket to free a hand." (She grumbled and shifted the six books under her jacket.)

"With it, she wiped back her wet brown hair and glance around to see how far she’d gotten." (With her free hand, she tucked wet brown hair behind one ear, and then glanced back.)

"It really was a beautiful little trail." (The beautiful trail led through trees pressed in close on either side.)

"Trees pressed in close on either side, as though trying to get a good look at the passersby as they meandered their way down past the cemetery." (It meandered for a quarter mile from the edge of town to the cemetery.)

"Wildflowers bloomed with abandon and swayed gently with the rustles of little creatures that lived in the woods on the edge of town." (delete)

"The cemetery stood just ahead now, strangely welcoming with its squat gates and neat rows of graves behind." (She stood at the squat gates looking at the rows of gravestones."

I hope this helps and I hope you keep working on this piece. It is interesting.



*Gold* My review has been submitted for consideration in "Good Deeds Get CASH!.
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Review of Requiem  
Review by Cobe
Rated: E | (3.5)
Interesting story. When I was first reading it I couldn't figure out what was going on but after a second time through I understood that somehow this musician is creating the "life song" of the old man as he is dying. Is that the story you were trying to tell?

Opening - While you've started with action which is always good, starting with character is even better. Without character there is no story. In a short story like this we need the character up front and in our face from moment one. (I would start with "Stuart twitched at the sudden noise." instantly we are in the action, we have our character voice, and we want to know what is going on without being confused. We ask who is Stuart? what was the noise? why did he twitch?)

Voice - I'm not sure who the narrator is supposed to be here. Is it the musician or the old man? It seems that you are writing in an omniscient voice which isn't used any more in fiction writing. Readers want to get into the head of the characters and they do that by hearing the story from one point of view. While long novels can sometimes have more than one voice, short stories and especially flash fiction, which this would be, need one strong voice to keep everything clear. (for example - In the first three stanzas, I'm confused as to who is who in this story. I can't tell if the old man is who plugged in the speaker or who is in the recliner. - if there is one voice, then we will see who is who quickly because there will be only one point of view. We'll see the musician through the old man's eyes or we'll see the old man through the musicians eyes. The views will be different.)

Style - (reference to sentence structure and word usage) Try to limit the use of prepositional phrases and adverbs. Some people say to leave out adjectives too but I don't go that far. In a short story it is important to reduce the amount of words you use so the words you use need to count. (example - "Across the room in his recliner, Stuart twitched at the sudden noise." could read instead - "Stuart, reclining, twitched at the noise." It says the same thing but much quicker. Saying he's "reclining" tells us that he is sitting down, in a chair, leaning back, relaxed. If he "twitched" (nice word!) at the noise we know that the noise was annoying and sudden or surprising, unexpected ... otherwise he wouldn't have reacted this way.

Also - give each thought or idea or character their space. Don't try to cram things together just to make a paragraph. (example - "The musician nodded as his dexterous fingers danced along the strings, exuding more sweet melodies. After a bit of playing, he strummed a soft tune that reminded Stuart of Muzak. The musician rested his considering eyes upon Stuart. “What song would you like me to make for you? I need to know what you are looking for.”" First we have the musician doing something, then we switch to what the old man is reminded of, and then we switch back to the musician again. This is where having one solid voice will make things easier to understand for the reader.) You do it again here: "The tune shifted, becoming more intense and purposeful. Stuart grimaced, clutching his chest. The musician continued at this, and he glanced up toward Stuart’s strained expression."

Structure - Don't tell us too much that isn't necessary to the story. Do we need to know about the tattoo on the musician? What does that do for the story?

What I like - "The sound flowed rich and vibrant", "The tune vibrated", " Laughter and tears, joy and pain, agony and ecstasy: they joined hands in the recesses of his mind."

I also like the idea behind the story, the idea of a song of life. I want more of the sound.



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Review of Firefly Whispers  
Review by Cobe
Rated: E | (4.0)
I think this is pretty good. I can see the fireflies buzzing around as I read it.

I like the idea of them "dancing" and then "their hunt for love and feast". Those are beautiful descriptions.

"when Sunlight shines the least" is a great line.

Grammar thing ... I'm not sure why you capitalized Sunlight.

Word Choice ... why "dismay"? Everything else in this poem seems to point to the light play and fascination with the firefly so it's curious to me that you would choose the word "dismay" which sounds so solemn and negative.

Nice writing.


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