You ask if it’s good or not, so here goes. I like the idea for the story.
DISCLAIMER: The following observations, opinions and suggestions are strictly my own and are simply observations, opinions and suggestions. I, in no way, wish to rewrite your story my way. It’s your story and what you do with it is entirely up to you. That being said, I hope you fine the following helpful.
OVERALL IMPRESSION: You grab my attention right away and have me asking questions. Why are there no people on the street? You do a good job of building tension and maintaining interest throughout the body of the story. The ending, from the time the figure comes through the window, seemed to be another writer or possibly a rush job.
VOICE, TENSE, ETC: This is an area I have a lot of difficulty with myself, but it’s really important.
Alexandra Harlem… Nothing really wrong with this, but is the last name really necessary? She’s going to be dead in half a page. Just a first name keeps it more personal and intimate and helps draw the reader into your character. Unless you’re setting up a book where a relative or old school friend avenges her, you probably don’t need it.
…even this late at night, but that night there was… I found these words distracting in the same sentence. Try “…even late at night(period) Tonight(comma) there was…
Her heart was beating, I hope so, or your story is over. Also, this is Passive Voice. Stories are built on action. Try pounded (instead of was pounding), or hammered, or…
…ribs were aching…was running out… Passive voice again. You need to rephrase like you did in the next sentence when “she reached the door, she realized... (good job)
She fumbled in her purse and knew she was finished. When I know I’m finished, I don’t continue to fumble with the door. I’m going to turn and face my attacker. How about you? Haver her look for him, even if it’s just a glance over her shoulder to see if she has time. Think about what you would do.
Once the door was open she ran… Passive voice again. The door wasn’t open. She opened it, and then ran…
It was as if someone was climbing it… Give your readers some credit. They got that from the clank. At this point they already assume it’s him on the escape. This distracts the reader by making them wonder why you think you need to explain it.
Then her window busted in The window didn’t do it. Something or someone busted the window. Try “A bullet shattered the window…” or “The window imploded as a piece of brick scattered her CDs.” Or?
OK
This is where you lost me:
The man, who happened to be her ex-husband, jumped in the window and shot Alex.
Take some time to rewrite this section. He didn’t jus happen to be her ex. You need at least a line or two of dialog here. eg:
(A man leapt through the broken window. :”Tom!,” she cried, recognizing her ex-husband. Before she could say more, he was across the room and had a gun to her head.)
Now you need to plan out how he’s going to make it look like a suicide. Show me, don’t tell me. Make him go through the steps of staging the scene and/or planting false evidence. Was he wearing gloves or did he wipe his prints? How will he account for the broken window? You stated that she lives in an apartment. Did he use a silencer? How did he make his getaway? You have to tie up all these loose ends in your conclusion. More than that, what part of the evidence did one cop believe and the other not? He doesn’t have to tell his partner, but YOU have to tell your reader.
He shot her in an apartment building and the cops didn’t come until the next day? When they come isn’t important to the story, but your believability is. Give ‘em a break with a realistic response time. By the way, why did they respond? Did someone hear the shot and call it in? Did someone notice the broken window? Did her boss contact someone when she didn’t show for work?
It’s ok to leave us wondering if the cops follow-up on it or just write it up as a suicide, but these other questions have to be answered.
Her session for it was ended in… Passive voice. Omit “was”
SPELLING AND PUNCTUATION:
As she continued down the road she occasionally… down the road(comma) she
She turned around but every time she did no one… She turned around(comma) but every time she did(comma) no one…
He dove behind the garbage can but did it… …the garbage can(comma) but…
Searching her pocket for her phone she realized… …pocket for her phone(comma) she…
Catching her breath on the bed she heard… …breath on the bed(comma) she heard
…between her and her councilor(an attorney) …and her counselor(a therapist)
“Look you judge it by its cover, but it’s not what happened.” The officer said, and then walked out of the room. “Look(comma) you judge it by its cover, but it’s not what happened(comma)” (the) officer said(comma) and then walked out of the room.
CONCLUSIONS: I really like the way you grab the reader and pull them into the story. Even better, you constantly build tension and suspense through the first five and a half paragraphs. From there on, you need a good rewrite.
You may find that you have to go back and change some things earlier in the story to make your conclusion work. That’s ok. eg: She may need to live in a house instead of an apartment to give him the opportunity to stage the scene and get away.
This story is definitely worth working on. As I said earlier, it seemed almost like two different writers. You were an easy 4 or maybe even better until the bedroom scene. Put all that talent into your conclusion as well.
Let me know if you rewrite it and I’ll be happy to take another look. Write On.
My review has been submitted for consideration in "Good Deeds Go Noticed" .
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