Hello Pseudo-Intellectual Pseudonym,
I absolutely love your story! It is a Kafkaesque look at domesticity. I love the insinuations-man's conciet in domesticating the wild-his expectations of the extent of that adaptation (why does the cat retain its wild instinct) and how that reflects on man's own domestication. The end of this story is brilliant! The insinuation of a new life into this untamed atmosphere is shocking and real.
The story is awkward at moments and contains a few gramatical mistakes, which can be easily fixed. I hope you will continue to work with and develop this story. It is simply too good to let go. You have a wonderfully creative mind-I could never even think of something like this! I envy you!
A few things I noticed:
"Suddenly, there was a sharp clatter, which made her spill coffee and vodka over the surface."
I am wondering-the surface of what?
"The cat shot past her, the flap still crackling." I don't understand; 'the flap' referrs to what? Do cats have flaps that crackle?
"Mud, feathers and blood" Use a comma to separate three or more words, phrases, or clauses in a series. The comma is missing after 'feathers'.
"Her husband growled and, heart beating frantically, ear pressed against the kitchen door, she realised that she should have disposed of the blackbird this time, but remained in the sanctuary of her kitchen while the terrible noises worsened in the background." This sentence contains awkward phrasing. "Her husband growled and" the conjunction links the husband to the beating heart and listening at the door, but it seems that the woman is nervous and listening at the door. Consider rephrasing to clarify.
"Between the half dead bird and those f***ing shrieks, your screams, work, the sound of the television, the rain, everything, I saw red, and at that moment I booted him." Two things; one, insert the word 'and' at the end of this series: the rain, and everthing (else)...; two, the word between restricts you to listing two items-between one or the other, among is more correct but may sound stilted in this instance;consider rephrasing.
This is a good list-it works to hold the reader in the tension of the moment. Consider working with it a little bit to develop that tension. Look at the order of the items-can you arrange the items into some suggestive order? Perhaps, an order that mimics the movement of the story? Perhaps a shift from the extranious, work, traffic, and rain toward the more immediate-the cat, the screaming bird, and finally ending on the horror of the wife? What do you think. I love the potential you have created with this simple list!
Keep writing-I look forward to seeing this story in print!
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