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Wow, this is intense – each reading strips another layer from the masquerade that promises perfect love in exchange for blind unquestioning obeisance and sacrifice; manipulating with guile unthinking masses to seek salvation from their own inherent evil – to embark on “a path of suffering to heaven” by denying want, need, and what is unique in oneself. The speaker addresses the Almighty, then questions in each stanza a dictum or tenet of religious observance – its meaning and observance. The poem is a journey – seeking substance to validate belief, laying bare the illusion of dogma, and revealing true belief
The poem begins as a prayer or invocation that immediately challenges with force.
Reading aloud, The overlying rhythm after the opening line is forceful, demanding, with combinations of iambic and anapestic rhythm. Consider holding for focus in the third line the iambic rhythm – i.e., “You dare ask me to pray to you” – where every other word would be naturally stressed – a sense of irony in speaking. The last line, first stanza, slowing down to retain the image, consider eliminating adjective after the stop to incite a trochaic rhythm, i.e., “Full of lies, maggots feeding on truth.”
The second stanza, second line, to put natural stress on ‘pain’ consider eliminating ‘the’ before; and the third line, “held with affection” more visual; the final line a grammar thing, “We wander lost, never knowing for what we search” also puts the natural stress on ‘know’ and ‘what’ and ‘search’ or consider ‘seek’ in place of ‘search’ = seekers of truth or treasure?
The third stanza last line, “Bestowing on us your cold acid love” adding ‘on’ here adds balance to the rhythm, a natural stress on 'us'.
The fourth stanza, consider the first line opening with the same intensity as the second stanza – consider not using ‘death’ twice in the stanza, but a like-meaning image – consider the sound of “I know that I live, but see mankind’s demise” (is the speaker ‘living,’ or merely alive?) and the final line for the balance and to fix the image, consider a stop before defining, i.e., “Your words are nothing, but masked larvae of death.” (plural larvae to balance with ‘words’) or if you want to focus on the almighty ‘word’ – perhaps “Your word is nothing, but masked larva of death” ??
The fifth stanza reads as a realization, an epiphany that impresses upon the reader/listener the writer/speaker’s realization
The final stanza, second line consider keeping the intensity high in the second line – “A pit of truth chained with sin you gave us.” (eliminating ‘the’) and the next line, keep the same tense – in the present, the realization today, “The lies we all pray for, the damnation you give.” (as it’s still ongoing for the masses)
The summation – not faith, but awareness brings knowledge of a higher power, that inspires not fear but Love
These are my comments in response to your intense and provocative work – a true poetic dialogue you’ve opened that speaks to my mind and my spirit. Thank you.
Keep Writing!
Kate
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