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273 Public Reviews Given
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Honest but encouraging. I don't believe in tearing another person down. Consider me the middle step reviewer; someone to read the edited draft and point things out so you can polish it then have a 'zero fluff' reviewer have a look at it and see how it holds up. I focus mostly on how the story flows and makes me feel. My responses will usually be long and detailed - hence the larger than normal GP minimum.
I'm good at...
Supportive feedback while giving the writer mountains of suggestions they can use if they feel are valuable or ignore if they wish (it's your writing after all). I'll point out spelling and grammar problems as long as the story isn't riddled with them (and I go typo blind).
Favorite Genres
Fantasy and Sci-fi are my favs. Horror, Comedy, Thriller, YA too. I will read erotica as long as scenes are relevant and not just thrown in "because" (artistic, well written and tasteful, please).
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Romance, Religious, Historical, Fanfiction, extreme rough drafts
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Short stories and books.
Least Favorite Item Types
Poetry and essays. Mostly because I can't really give good feedback on poems and, as a teacher, I proof read essays enough that my eyes bug out; don't want to read more here.
I will not review...
Poetry and Essays
Public Reviews
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51
51
for entry "Vit
In affiliation with P.E.N.C.I.L.  
Rated: 13+ | (4.0)
Hi JJ!

Here's another review of "Threads in the Tapestry, Chapter "Vit

Synopsis
*TagP* As one of the old members from the military unit controlled by Kohl, Vit is picked up in the new and insanely expensive RPA proto-type.

First Impressions:
*TagV* For a moment, I thought the opening was a description of a cinematic from Call of Duty. I think I play too many video/pc games ahaha. As for Vit, I like how you gave him a decent amount of emotion in such a short time. This chapter also had much better balance with info and dialogue. Fairly solid and quite easy to read. I wouldn't even recommend taking anything out except one tiny tiny thing I mentioned below.

Suggestions:

*FlagR* I try to give as many suggestions as possible, so the writer can use anything they feel will help their story and disregard the rest. Please remember that each point is given with the intention of being helpful.

In General:
*TagG* Aside from watching out for commas around names, there actually wasn't much in the way of general suggestions for this chapter. So, I gave a little more of the nit-picks.

Specifics:
*TagG* “Do you believe this shit,” Vit yelled. (should this be punctuated as a question?)
*TagG* Repetition of LED 4 times in one paragraph. See if you can whittled it down to 2.
*TagG* Your work is done here.” “And what a fine job you’ve done.” (perhaps omit/reword one of the "done"s)
*TagG* “All clear(,) Captain.”
*TagG* “Holding at fifteen mph. (would he say "M.P.H", you might have to spell it in full)
*TagG* “We have company,(") (missing punctuation)
*TagG* “Look at you. If you were a puppy (I would put this with the line before)
*TagG* “You're not coming back, are you(?/.)” Pavel yelled. (missing punctuation)
*TagG* “There’s an ear-mike(mic?) sitting on the built-in table separating the seats. The hand-held device setting (sitting?) beside it
*TagG* The controller works like a TV remote.... (is it important for the reader to know all these instructions? Is it possible for him to look at it and get an idea of what to do? Would it be necessary to mention it at all? Or even just stop at "remote")
*TagG* I can’t answer (all your) the questions you have swimming around in your brain right now Vit, but then you already know that.
*TagG* deliver you to"---he paused for a moment as if conflicted--"a military installation "deliver you to..." (he paused for a moment as if conflicted, "a military installation." The dashes look out of place)
*TagG*A small tattoo, rippled in sinew, held the inscription, Fuck Custer, and the horse he rode in on. (comma heavy)
*TagG* asked about his tattoo. “A fitting epithet for my epitaph.” (comma rather than period, I think)
*TagG* head fucked (maybe head-fucked)

Favorite Lines:
*TagB* his mouth open wide enough to accept a regulation-sized baseball.
*TagB* the icy wind oozed through the cold weather fabric.
*TagB* The general's sudden appearance escalated Vit’s tickle to an itch.
*TagB* touched down with a ridiculous amount of finesse.
*TagB* I like how the things in the locker were personalized.

All in all:
*TagO* It was just a passing thought, but there were a couple lines made me wonder how effective Vit is going to be in the coming misson. He already misses Pavel and worries he might not be up for it. Granted, he obediently answers the call, but I wonder if this sudden surge of emotion will have implications later on. Hmmmm interesting - I'm quite curious. I really liked the part with the pilots.

A pleasure as always.
Robyn

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52
52
for entry "Inklings
In affiliation with P.E.N.C.I.L.  
Rated: 13+ | (3.5)
Hi JJ,

There is another review of "Threads in the Tapestry, "Inklings

Synopsis
*TagP* A brief, ummm 'meeting', between Rho and Merci bring us to a private jet, where she watches Simene's video about the Island conspiracy.

First Impressions:
*TagV* I loved the opening of this chapter! It made me blush and giggle. I liked that the two story-lines have come together and Merci knows far more about the island - which brings her closer to being on par with the military (sort of lol). As usual, I have put my suggestions in the green section, but I did have a question - There was a lot of material accumulated for this dvd docudrama - granted he's a genius and into conspiracy theories, but was all that material found before telling him the story of the boat? Or was it found after their conversation? I only ask because it felt rather quick between their meeting at the lake house and her receiving the dvd. It's a really good posibility I missed something that tells me the truth of it all, but you might want to double check that timeline, just to be sure.

Suggestions:

*FlagR* I try to give as many suggestions as possible, so the writer can use anything they feel will help their story and disregard the rest. Please remember that each point is given with the intention of being helpful.

In General:

*TagG* The welcome on the plane - You're in lucky today. As someone who's lived in China for 10 years, I can offer a few more insights as to the kind of welcome she would receive. If the jet is a high-end/posh clientele as I think it is, there would be at least two stewardesses (yes, they would be women. They wouldn't have men - but that's a conversation for another day) lined up at the door. They would rest one hand one on top of the other, then have them positioned on their midsection torso. They would then bow and probably say something like, "Huānyíng guānglín" -- Phonetics "High-yin Gwan-lin -- which is a formal welcome. Since they speak English, they might just say, "welcome", but who knows - I usually get the Chinese one. They would take her to the seat then offer a drink. They tend to fawn over people during the first few minutes to make sure they are as comfortable as possible. Then they would stand off to the side (when not required to sit for take-off etc) and wait to be called on or to clean something up. Even the slightest rubbish would be immediately taken away. Drinks would constantly be filled. etc. These kinds of details might be good to throw in to break up the long information reveal during this chapter - but that's just a thought.

*TagG* Standard culling of info dump - Despite the enormous amount of information delivered during this chapter, I like how Merci is now armed with at least some basic knowledge. The section feels like a much need tie between the two threads - this is good!

I have mentioned this in other reviews, and I will mention it again here *Smile* - cutting out a little extra info of the dvd section might be wise. It was around, "By the summer of 1950..." I started to have trouble continuing to read on.

"Since your already bored out of your gourd," - I would say I was bored, but I would say I had info overload. There were some places you could cut the excess "fat" of the story, but still keep they key information.

Now, I will add two disclaimers (I do love my disclaimers), I could be completely off base with this - all the information could be needed for future sections. I just wanted to share where I had trouble committing to the rest of the chapter. Second disclaimer - I might just have temporary AHDH. I really might. - Please don't start culling until you get a second and third opinion on Inklings. I would suggest having two other people read that part and tell you if they had the same issues as me. If they did, have them tell you specifically which part. If they had no issues, then I would encourage you to totally disregard this section of my review *Bigsmile*.

Specifics:
*TagG* weird symmetry--a sudden urgency surrounding Merci's--events--had entered their plans. (clunky flow due to dashes. Consider polishing/rewording)
*TagG* Underneath the wing of the Boeing 737 he was about to board sat a private jet, a Gulf Stream G650. (this was confusing)
*TagG* “Image(,) my dear.
*TagG* cathartic for you(.) my love.
*TagG* kissed him passionately…” She kissed him again… (check online if the second ellipses have proper placement of if they should be there at all. I feel like there should be a comma or something else instead)
*TagG* Rho raised an eyebrow, grinning wolfishly. (adverb - flashed a wolfish grin)
*TagG* she began to see the luxury (hmm you could consider saying "The moment she stepped on the plan, she immediately saw..." Began would suggest a slow realization, while a jet is small and you'd see everything the moment you cross the threshold)
*TagG* laced with- you know what. (lace with you-know-what)
*TagG* excellent English(,) contrary to Rho’s crew details, (comma)
*TagG* uncle{'}s fishing boat. (apostrophe)
*TagG* “Okay, you already know about my fascination with secret military facilities. (this feels repetitious considering the paragraph before)
*TagG* So. here’s all the info (comma, not full stop)
*TagG* freaking invisible barrier. (needs end quotation marks)
*TagG* Yeah Merci, you heard me, invisible barrier, as in, I can’t see it, but its there. (comma heavy)
*TagG* Close held military secrets produce... (this sentence was also comma heavy and rather long - I would suggest breaking it into two)
*TagG* Merci was both amused and bemused (tell)
*TagG* To make a long story short, when you see one of these, the mystery boys are nearby.

Favorite Lines:
*TagB* The entire opening!
*TagB* She gave the boarding attendant a fist pump and followed her down to the tarmac.
*TagB* Live long and prosper, and bring me back a souvenir.

All in all:
*TagO* You writing style remains lush and filled with vocabular I would have never thought of using! Well done! Lots to think about here. I'm even more curious how Merci fits into it all. Please remember, even though I pack soul-breaking amounts of suggestions into these reviews, I am still thoroughly enjoying the story - never doubt that! *Heart*

A pleasure as always. Keep writing and good luck!

Robyn


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53
53
for entry "Roman
Rated: 13+ | (3.5)
Hi JJ!

Here's another review of "Threads in the Tapestry, Chapter "Roman

Synopsis
*TagP* Rho leaves his current archeological dig and finds good fortune with a free ride back in a new military plane.

First Impressions:
*TagV* Ah, we finally get to meet Rho! I liked his description - sexy. This chapter seems to be reserved for setting up his character. I can't wait to see to important characters finally join together in the plot. There wasn't much direct action in the chapter, more areas of interest and fascinating tid bits. The lack of action didn't put me off. There was one part where I found my ease of reading strained, but I put that in the suggestion section.

Suggestions:

*FlagR* I try to give as many suggestions as possible, so the writer can use anything they feel will help their story and disregard the rest. Please remember that each point is given with the intention of being helpful.

In General:

*TagG* Commas around names and conjunctions - I couldn't include all the ones I spotted in the manuscript. But when you get to the point where you need a line-by-line polish, I will be happy to point out them all. There was a trick I had mentioned about finding repetitive words, but I think it would be useful here too. In the "Find" function, put in a character's name and permanently highlight with one colour. Then, do the same for your conjunctions - and, but, so etc. Then, look at each one and see if there's a comma needed. Voila! Easy editing. This, of course, would only really be for a final polish of the next round of edit. Just a random thought.

*TagG* Info Dump - It started with the sentence, "Roman McNeil's Australian decent radiated from his face." and went on for several paragraphs. Normally someone would suggest spreading the information throughout the book, but I don't think it's possible in this case - you might be stuck with the current set up you have at the moment. Personally, I didn't find the new information hard to take in this time - it was just the length that concerned me. You mentioned you wanted to know places where the reader might be tempted to put down the book or give up. It was at the line, "Like money to a presidential re-election Campaign" where I started to wane, and by the next paragraph I had to really push to keep going.

Basically there's four or five paragraphs in between my keen interest and my urge to stop. Once we got back into dialogue mixed with description, I was perfectly fine. So the good news? It's only a few paragraphs, easily fixed with taking out or moving some information. But remember, you know your book best, if all the information is needed then you might have to keep it, but throw in an internal thought to break things up. Does that make sense? I particularly liked the brief mention of refueling. It's good to keep things accurate/real.

Specifics:
*TagG* Come in(,) Ramey base.
*TagG* Joe Johnson said with a hard southern drawl from just outside the radio room. (sounds like the drawl is outside the room rather than the character. Perhaps reword)
*TagG* had broken down a week before(,) and the repair parts were still in route (comma)
*TagG* "Time to jog over and check on my crew anyway(,) Joe," Rho said. (comma)
*TagG* to make her smile," Rho beamed (beam isn't exactly a dialogue tag, more of a facial expression. Perhaps "beamed and said.")
*TagG* acquired under the sun of Malibu beach. // Crocodile Dundee edge acquired from being (repetition)
*TagG* He felt like a proud father and(,) on their return(,) would heap on
*TagG* At Twenty-one, one of the youngest ever, (use lower case)
*TagG*"Well I'll be go(ing?) to hell. (reads strange)
*TagG*"ere's the thing. (Here's)
*TagG*'(")needs to be back in its hanger at Ault field, (double quotation mark needed)

Favorite Lines:
*TagB* A moment later, the dense jungle swallowed Rho, and Joe Johnson became a memory.
*TagB* Jimmy Hendricks flailing away at his guitar...
*TagB* much to the chagrin of Arecibo's horny honeybees.

All in all:
*TagO* I'm thinking the fact Rho can fly a plane will be important later on. I'm wondering if it has anything to do with the military creations that are happening in the other thread. I'm also wondering what the surprise is? Don't tell me thought! I want to read it *Smile*

Thanks for sharing your work. Keep writing and good luck!

Robyn

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54
54
Rated: 18+ | N/A (Review only item.)
Title: Time Keepers
Chapter: "Chapter 03, Timekeepers
Author: Max Griffin 🏳️‍🌈

*PenBl* Plot: Whether through bad luck or good, recently terminated Nathan Hilbert finds himself in the middle of a Viking fight with Hakkon wounded. Hakkon takes them to the Rune Caves where he tells Nathan they've time traveled. The chapter ends with another jump to safety.

*Globe* Scene/Setting: Great description as always.

*People* Characters: I liked how you described Nathan without the normal info dump. The Sinead O'Conner reference was a nice touch.

*Dialog* Style & Voice: Still going strong, nothing to point out.

*Gear* Technical: Mostly sentences that needed polish for better flow and a few commas here and there - nothing earth-shattering.

*Document* All in all: Another great chapter. Stories about time travel usually stretch my brain, but the first thing that jumped into my head was, "It can't be a coincidence that Hakkon stumbles on a man who's trying to prove time travel." Granted it's was a jump just to get to safety, but in the border-less world of time travel, I really wonder if it's some kind of scientific fate, even Nathan being the one who "discovers" how to travel through time (when it was just someone coming back and showing him). But then we get into complicated time lines that make me cry *Laugh*, so I just end up filing it in the back of my mind and reading on. I could be totally off with my guess, but I still wanted to share it so you know what one reader predicted. *Smile* All in all, another fantastic chapter.

------------------------------------------------*Bullet* *Down* Line by Line *Down* *Bullet*------------------------------------------------


*FlagR* I will try to point out as much as possible, even if the writing is great and I have to nitpick, so the writer has a mountain of suggestions they can pick out what they feel is useful and disregard the rest. Very often I will point out sentences with awkward wording of hindered flow that could be polished. I also feel pointing out things that really worked is just as valuable. Please remember this is all given with the intention of being helpful.

*Info* Related text I am commenting on will be in bold.
*InfoB* My comments/suggestions are in blue.
*InfoG* Lines that really caught my attention are in green

Timekeepers
Chapter Three
22 September 2018
Iowa



Nathan HIlbert shuddered at the chill autumn wind that swept through the campus wildwood. Amber light pooled under intermittent streetlamps, while low clouds sped across the gibbous moon and sent shadows racing ahead of him down the gravel path.

Distant thunder grumbled and lightning flickered through the barren treetops. Another flash turned the forest blue-white for an instant. That was close, but where was the thunder? Instead, something--a siren?--keened up the scale and disappeared into supersonic silence.

Maybe it had been a mistake to take his usual shortcut from his physics lab to the bus stop. His former physics lab, that is. His stomach clenched at the memory of Dr. Wilson's words earlier today. "Fantasy theories," he'd said. "Willful disobedience." "Dismissed from the program."

Worst of all had been his scorn-filled last words: "Your fellowship is terminated immediately."

Nathan's shoulder ached from the dozen textbooks he'd stuffed in his backpack when he'd vacated his lab. At least his notebooks were safe online. He'd show that jerk Wilson yet. (this sentence feels off. Perhaps it's the "yet". Maybe omitting it?) His experiments proved that he was right: under the proper circumstances, quantum information could arrive before being sent. His photon entanglement experiment proved non-local causal loops existed, no matter what the conventional wisdom said. "Ridiculous," according to his doctoral adviser, the esteemed Duane P. Wilson, Ph.D, Professor of Physics, and full-time asshole. "Time travel violates the second law of thermodynamics," he'd sneered. (hmmm sneered is more of a facial expression I think, rather than a way of speaking - then again, it might just be my interpretation of the word.)

Just wait until Nathan's article came out in Physical Review. Then he'd be the smart one(,) and Wilson would be exposed as the idiot.

Meantime, without his fellowship, how was he going to pay the rent? Or eat?

Two wolf-like dogs raced around a bend in the trail in front of him, and he pushed his glasses up his nose to better peer at them. ('peer' feels out of place. Maybe something like "pushed his glasses up his and blinked hard, wondering if he was seeing things". Not the best example, but I hope you get the idea) The hounds' ears flattened against their enormous skulls, and their tongues drooled over their dagger-like teeth.

Nathan had never seen dogs loose on the campus trails, and certainly not beasts like these. He froze as adrenaline sent cold electricity down his spine and tingling out his fingertips.

The dogs loped closer. Their black eyes and foam-lathered lips exposed them as merciless predators on the hunt. They barreled directly toward him, their clawed feet scrabbling against the gravel pathway. His heart jack-hammered, but then, in a rush of fetid fur and savage snarls, they raced past him and vanished down the path.

Nathan let out the breath he'd been holding. Despite being scarred and bedraggled, those weren't strays. Both animals wore heavy leather collars with metal spikes. Their master must have unleashed them to hunt something--or someone. (I really like this line, but if feel a tad 'old world' for the setting and character you have now)

He clutched at his hoody and increased his pace, eager for escape to the solitude of his efficiency apartment. (I had to look this up, cool! I just wonder if other readers might think it's an error, like I first did. The line is great and you should definitely keep it, Im just sharing reactions) A frigid raindrop splatted against his forehead, then another struck his glasses. Perfect. Nathan's mouth turned down and his throat tightened.

He glanced at the threatening sky, then back down the trail where the dogs had vanished. Time to get out of here. He tucked his thumbs through the straps digging into his chest and started to trot. Gravel crunched under his sneakers. The rain turned to a steady drizzle. His glasses fogged over, and his vision morphed to a blurry mess of grays and blacks. His usually frizzy blond curls slapped against his ears and clung to his neck. At least he'd have time to get a haircut now that he'd lost his job. He just wouldn't have the money to pay for one. He considered shaving his head, except that he knew that then he'd look like (flow is off with awkward wording. Maybe something like "but he knew he would only end up looking like...") an anorexic Sinead O'Conner. Not that it mattered how he looked, not after his ex-boyfriend Claude had dumped him last month. Lately, he just couldn't seem to catch a break.

Lightning flashed and thunder cracked. Twenty feet (is this specific number important? I've always honed in on numbers like these, thinking they have special meaning to be mentioned in such detail. If not, perhaps make it a description rather than a number.) to his left, a tree splintered(,) and he skidded to a stop. One of its massive limbs split and drooped toward the forest floor. The scent of ozone burned in Nathan's nose.

He flinched and chewed his lower lip. He raced on, looking at the broken tree instead of the path. (these two sentences feel like they could be put together) His foot splashed into a muddy puddle and caught on a hidden root. With a curse, he flung out his hands to break his fall. Pain wrenched at his ankle. His backpack thudded into his torso. His head struck a rock(,) and the world disappeared in starry blackness.

When he woke, gravel pressed against his cheek. His ankle throbbed. A giant's hand pressed against his side and he couldn't breathe. No, wait. That was his backpack, not a giant. (repetitive) He pushed to a sitting position and assessed the damage. His glasses must have gone flying when he fell, but at least he'd landed near one of the few lamps that lit the trail. Blood seeped from the heels of his hands where they'd scraped against the gravel. He wobbled his ankle, wincing. Lucky him: it wasn't broken.

His knapsack had shifted. Now the straps dug into his side, throwing him off balance. He turned to watch while the broken tree branch twisted in a gust of wind and then settled with a screech to a heap on the ground. He must have been out for just seconds.

Where in chaos were his glasses?

That last thunderbolt had unleashed the storm's full fury. Nathan peered through a wet smear of shapes while he crawled on hands and knees, patting the ground. A flash of blue light glinted against something shiny and metallic under a nearby shrub. His glasses! Nettles bit his fingers when he grabbed them, but at least they weren't lost. Except when he put them on, one lens was missing and the other was cracked. He sighed. Whatever.

His imperfect gaze sought shelter--a place to pull himself together and adjust his knapsack. The fallen limb from the lightning strike might do. He crawled underneath it until he reached the tree trunk, where he slumped and removed his pack.

Muffled shouts penetrated the storm and Nathan tipped his head. Did they come from the direction where the dogs had disappeared? He wiped rain out of his eyes and peered down the path.

A lanky man rounded the curve and raced in Nathan's direction. The newcomer's long, open overcoat fluttered behind him like a cape, revealing a white shirt, black trousers and knee-high boots. Rain spilled off the wide, floppy brim of his fedora. The sound of his breath rasping from his gaping mouth pierced the constant patter of the rain.

The runner reached the puddle where Nathan had tripped, flailed his arms, and then tumbled to the ground from the same hidden root. His hat spiraled away, revealing thick braids coiling from his head. He was handsome in a rugged kind of way, like the Marlboro man. Or like Claude (this made me pause and wonder if I missed something, then I read on and saw it was his Ex. I wonder if other readers might have the same reaction and lose reading momentum), right down to the permanent stubble on his chiseled cheeks. Nathan's mouth quirked, annoyed with himself at the memory of his ex.

Marlboro Man rolled to a sitting position and cast a googly-eyed stare backward down the path from where he'd just emerged. Light flashed again, and the voices called more distinctly. Were those war whoops? Maybe Nathan was witnessing some kind of stupid (There's nothing wrong with this word at all, but you can also consider: ridiculous, over the top, surreal) fraternity hazing.

The sudden cries of hounds filled the woods.

The man froze and then snatched at a medallion dangling from his neck on a heavy chain. His fingers stroked the surface, and it glowed in response.

Nathan squinted and cursed his myopia. What was the man holding? A cell phone? Why wear it on a chain around his neck?

Something whizzed through the air and thunked into an oak tree not ten feet behind where the man huddled on the trail. Nathan swiped water from his eyes. What was that? An arrow? (it might be stronger if it was worded like "Was that...an arrow?) More swooshes, and more shafts quivered from the surrounding trees.

Marlboro Man screamed and slammed to the ground. An arrow jutted from his right shoulder. Crimson darkness oozed into his shirt and pooled onto the path beneath him. He'd been hit! (hmmm somewhat repetitive considering the statement before)

Without thinking, Nathan scrabbled the twenty feet to the man's side and examined the wound. Seeping, not spurting. Good. Maybe the point had missed any arteries. He snatched off his hoody and pressed it against where the arrow grew out of the man's chest. He had to stop the bleeding.

The man gasped and tugged at Nathan's sleeve. He whispered, "Get down, before the bastards shoot you, too."

An arrow buzzed by and Nathan flattened himself to the gravel. What to do? Call the cops? He reached for his cell phone, but it was no longer in his pocket. Maybe he'd lost it when he fell. Marlboro Man was back to stroking his phone or whatever it was. The ghostly glow from the screen illuminated his craggy features. He paused and wheezed at Nathan, "Stay close during the jump." With that, he stabbed at the surface of his device with a bony finger.

A tiny vortex of light plumed out of the base of the man's phone. It whirled and twisted in ways no normal light could or should. In seconds, a pearly glow expanded and swirled about the pair. Pastel rainbows shot through the iridescence as it accelerated and grew, like a tornado of photonic energy. A subsonic bass tone rattled through Nathan's chest. The sound's intensity oscillated, accelerating, while it changed in pitch. It rose first to a siren's wail and then screeched beyond human hearing. From somewhere nearby, dogs caterwauled in pain.

The world coiled upon itself. Needles of pain shot through Nathan's head, just behind his eyes(,) (you might need an oxford comma here, unless you want the two parts together) and into his ears. Gravity undulated in waves, sending vertigo sweeping through his body. A thousand invisible hooks snatched at every surface of his body, inside and out, wrenching him away from the here and now, away from the path, away from the agonizing cries of the dogs.

It lasted only a fraction of a moment, but seemed to stretch to eternity. Nathan's body jolted when silence and darkness returned like a thunderclap. Nausea seized him and vomit hurled from his mouth and splattered onto the snow.

Snow? What the hell just happened?

An insistent hand still gripped his wrist.

Marlboro Man's eyes bugged out of his head. He struggled to an upright position. Pain cramped his voice, but didn't hide his urgency. "Hurry. We don't have much time."

A frigid wind blasted Nathan's cheeks and froze his wet hair. Snowdrifts glistened in the moonlight, and the path had vanished under a blanket of the nasty white stuff. He couldn't see the arrows that had sprouted from nearby trees just moments ago. At least the dogs weren't howling anymore, and no one seemed to be shooting at them. Nathan shivered and wrapped his arms about himself. "What did you do? Where are we?"

The man ignored him and instead pulled Nathan's hoody off his wound, wrapped his fist around the arrow, and snapped off the end with the fletching. He shrieked. Blood squirted like ink and steamed into the snow while his face corkscrewed in agony.

Shock gripped Nathan's gut, and his teeth were already chattering from the cold. "Holy crap, man. What do you think you're doing?" He wadded his hoody back over the man's injury. "You could bleed to death."

The stranger gasped and his eyes rolled in their sockets like billiard balls. "No time." He leveraged himself against Nathan's shoulder and struggled to his feet. "Hurry. They followed me uptime from Scarborough. They can follow us here." He waited, his breath husking from his mouth in a fog. "Come on. Get up. We need to get to the Rune Cave. Do you know it?"

Nathan stood and clasped his arms about his shivering body. How did it get so cold, so fast? "You mean that grotto in the bluff? The one that's supposed to have Viking runes? I've been there. They're fake." Claude was an anthropology student, and he'd had nothing but scorn for the local legend.

The man tugged at his arm, lurching forward through the drifts. "Not fake," he gasped. "I might need your help getting there."

Nathan let the man lead him. A trickle of blood ran down the man's wrist and dribbled onto the snow. His skin was cold under Nathan's fingers. "Buddy, you shouldn't be going anywhere, not with that wound. I seem to have lost my cell phone. Can you maybe use yours to call for help?"

"I don't have a cell phone." He grimaced and heaved a quavering breath. "Help is at the Rune Cave." He paused, snatched at the gizmo dangling from his neck, the not-cell-phone, and peered at the display.

On closer inspection, Nathan recognized the device was shaped like a metal cross, and hung from a coarse rope. The display was some kind of holographic projection, except the only place he'd seen one like this was on TV.

The man pointed to his right and muttered, "This way. It's not far." With trembling fingers, he plucked at a pocket of his voluminous coat and pulled out what looked like a ballpoint pen. He used it to jab himself in the chest, near where the nub of the arrow still protruded, and it emitting a faint hissing noise. He gasped, staggered for a moment in a brief spasm and then stuffed the pen back in his coat. Whatever he'd done, it seemed to give him new strength. He gripped Nathan's arm and staggered forward.

Nathan waded through snowdrifts, his ankle throbbing and his toes already turning numb from the arctic weather. His breath puffed in frigid clouds from his lips and his arms shook. It must be worse for his companion, what with the loss of blood and his wound, but the guy pushed on. "Hey, man, how come it's so friggin' cold?" He paused, and then added an afterthought, "Who the hell are you, anyway?"

The man didn't look back. In fact, he seemed more resolute than ever. "My name's Haakon, Haakon Sigurdson. As to the weather, it's winter, of course." He laughed, or maybe it was a snort.

If he could be snarky, he must be feeling better.

Except his answer made no sense. Nathan skidded to a stop. "But it's not winter. It's just late September." A gust of icy air lashed at his exposed skin and sent snow fleecing from the tips of the surrounding drifts. He continued, although self-doubt crept into his thoughts and his voice, "At least, it's not winter in Iowa. Where the blip (blip?) are we? What did you do with that thing?" He nodded at the man's cross.

Haakon halted next to him, panting, and peered at his device again. "Look, our location didn't change. I didn't have time to adjust the spatial offsets, just the temporal." He stared at the exotic characters streaming across his device, and Nathan wondered what language they might be in. Before he could ask, the man snapped, "They've found us. Hurry!"

"Who's found us? Wait!" The man sped away, his hand like a vice around Nathan's wrist. How could he go so fast, with an arrow in his shoulder? He must have pumped himself full of drugs back there with that pen thing.

Haakon's words came in short bursts, between panted gasps while they trampled through the woods. "Hardrada's thanes, that's who's on our trail. They'll scalp you, slice you open, and pull your guts out just for the fun of hearing you scream. Vikings! I hate 'em."

Nathan rolled his eyes. "What the hell are you talking about? I mean, I'm a Packers fan myself,(this made me laugh!) so I don't like the Vikings much either. But they wouldn't kill anyone. Good grief! They're just football players!" If Haakon could be snarky, so could Nathan.

The bellow of hounds catching scent of their quarry filled the night. Nathan thought of the vicious-looking creatures he'd seen earlier and a jolt of fear tingled the back of his neck and chilled his core. When a ravine opened in front of them, they slid to a stop on the slick trail. Nathan recognized the stone steps leading down to the so-called runes. Haakon gaped at him with wild eyes. "Hurry. There's better equipment in the cave. It's our only hope."

Anything had to be better than standing here in this wind. Nathan followed Haakon down the slippery stairs and onto the icy rubble at the bottom of the ravine. A dozen steps later and they entered the Rune Cave, which was pretty much the way he'd remembered it. It wasn't a cave so much as a hollowed out place in the limestone bluff, barely ten feet deep and perhaps seven feet high. Haakon headed straight for the rear wall, which Nathan remembered held the engravings, the runes.

At least they were out of the wind. He shivered and wished for a nice, warm fire--away from hounds and Vikings, too, for that matter. If he had his phone, he'd call the campus cops, except all they'd do is cite the archer for littering.

Haakon hunched at the rear of the grotto, the light from his device illuminating the wall. The engravings could have been anything, as far as Nathan was concerned, although Claude had said they were obvious fakes, a jumble of runic styles from the eighth to the eleventh centuries.

Haakon stroked the lettering in what seemed to be a particular order, consulting his display every few seconds. Suddenly, the engravings on the cave wall flickered to life, emitting a neon-white inner glow. Heat pulsed through the chamber and warmed Nathan's cheeks. Haakon's features broke into a toothy grin. "Ahhh. That's it." More swipes and the runes started to crawl across the rock in a serpentine wriggle of indecipherable characters. Whirls of light swirled out of the wall and engulfed the two men, enclosing them in a bubble of phosphorescence and warmth.

Nathan realized his mouth was open and closed it. "Holy shit."

Hounds snarled at the entrance to the cave and stuck their snouts inside. The rune-light flashed streaks of greens and blues when the dogs tried to probe its boundary. Multi-colored sparkles streaked over the dog's noses and crackled. The animals jumped back, yelping.

The same subsonic tones that had come from Haakon's cross now filled the cave. The light grew brighter, and the images outside the cave more nebulous and harder to discern. Two figures rushed to the entrance. They were short and beefy, muscled like East European wrestlers. They wore animal furs, peaked metal helmets and heavy boots bound with straps of fabric. Their hair corkscrewed in a twisted bramble down their necks, and their eyes gleamed madly over unkempt beards.

Most importantly, one had a longbow and the other a broadsword, both held at the ready. Nathan's breath clogged in his throat and his heart thudded in his chest. He could believe these wild men would gut their victims just for the sadistic joy of it.

The bowman gave Nathan a gap-toothed grin, pointed his weapon and loosed an arrow. Nathan threw his hands up in instinctive defense. The pervasive tone filling the cave escalated in pitch and intensity, and sparks of energy cascaded about them. The arrow never made it to Nathan: it now hung suspended above the ground, half in and half out of the lambent field, at a dead stop.

The man yelled something incoherent in what sounded like Swedish, (perhaps something like "Yelled something in an incoherent, foreign dialect") while his compatriot thrust his sword into the light that enfolded Nathan and Haakon. This time Nathan watched while the luminescence reached out in a burst of color and fireworks that raced down the sword and up the man's arm. He screamed and smoke rose from the hand that gripped the haft of his weapon. Then the light flared brighter still and the world outside the cave vanished in a brassy, coppery glow.

"Sweet god in heaven, what's happening?" Nathan whispered.

Haakon squatted on the floor, staring at the runes streaming across the back wall. "I told you the equipment here was better. For some reason it's slow powering up, but it's still better. Must be an older model I've not seen before. Anyway, it's shielded. They won't be able to track us this time. We'll be safe on the other side." He closed his eyes and rubbed the nub of the arrow sticking out of his chest. "This is too much for one dose of nanodocs. " He seemed to fall asleep, but then muttered. "What's your name, friend? What do you do when you're not saving strangers in distress?"

"I'm Nathan HIlbert. I'm a physics student, or I was until today. What do you mean, 'the other side?'"

Haakon nodded and a smile bent his lips. "Nice to meet you."

Nathan scowled. He wanted answers. He pointed to the glowing symbols still squiggling across the back wall and hoped Haakon was too out of it to see how his hand trembled. "How did you make stuff engraved in stone do that?"

"It's not stone. It's a machine, a Timepiece or, more exactly, an intertemporal transporter."

"What? An intertemporal transporter? You mean a time machine?" Nathan felt as if he'd stepped into the Twilight Zone and that Rod Serling must be lurking somewhere nearby, cigarette in hand.

"Yeah, a time machine."

He snorted. "I don't believe it. I'm a physicist, remember? Don't try to mess with me. There isn't any such thing as time travel." He stopped, his mouth agape. That was exactly what his asswipe professor had told him this afternoon. Maybe this Haakon dude (feels out of place with the other words he's spoken or thought) was telling the truth.

His companion's eyelids drooped, and his words started to slur. "It's nearly finished its power-up cycle. We'll be at the safe house in a few seconds." His eyes drooped and his head sagged. He jerked back awake. "I'm losing it. Damned nanodocs must be dumping painkillers into me." His words slurred. "You don't believe in time travel. Fine. Maybe I shouldn't believe in you. Come to think of it, you're probably just a drug-induced hallucination. Make a good story when I wake up." He leaned back against the wall and closed his eyes.

A sonic pulse shot through their bubble of light and gravity surged, tugging him to and fro in nauseating waves. It was too much. Nathan's stomach twisted and foul bile spewed from his mouth. But then it just hung there, in front of his face, in a disgusting fountain frozen in time. The invisible hooks dug into his skin just like before, only it was worse this time. Pain shot through his skull and the cave disappeared in a whirling vortex of sparkles.

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In affiliation with  
Rated: 18+ | N/A (Review only item.)
Title: "Chapter 02, Timekeepers
Chapter: Two
Author:Max Griffin 🏳️‍🌈

*PenBl* Plot: Amidst the viking raid, Haakon helps a priest, woman, and child to a trail leading to a cave. He distracts the strange warrior with the Harley Davidson emblem then jumps to Iowa, but they pursue.

*Globe* Scene/Setting: A continuation from the chapter before. Great detail. Then we get to Iowa. There was enough scattering of details to make it vivid enough, but I hope there will be more environmental descriptions next chapter.

*People* Characters: The secondary characters were described with enough detail to make them believable, but not so much that I thought them to be relevant to anything outside the initial story line.

*Dialog* Style & Voice: Strong narration carried over from previous chapter. So far, so good.

*Gear* Technical: Just some minor tweaks to polish sentences.

*Document* All in all: I liked the ending hook! There's enough suspense and mystery built up to make it a page turning quite quickly.


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*FlagR* I will try to point out as much as possible, even if the writing is great and I have to nitpick, so the writer has a mountain of suggestions they can pick out what they feel is useful and disregard the rest. Very often I will point out sentences with awkward wording of hindered flow that could be polished. I also feel pointing out things that really worked is just as valuable. Please remember this is all given with the intention of being helpful.

*Info* Related text I am commenting on will be in bold.
*InfoB* My comments/suggestions are in blue.
*InfoG* Lines that really caught my attention are in green

Timekeepers

Chapter Two
11 September 1066
Scarborough, Earldom of Northumbria
Kingdom of England



Haakon squatted in the shadow of Gunnar's hut and stroked his Timepiece. When a holographic map of Scarborough jiggled into existence above the device, he squinted to make out the details. Smoke burned his eyes and his chest throbbed where the Viking's sword had struck him. He tried to ignore the villagers' cries and concentrated on memorizing the route to the parsonage. It wasn't like Scarborough was a city. It was just a cluster of huts centered on the village green and the church.

With a flick of his fingers, he expanded the map, and a whispered "Aha" escaped his lips. The display showed a system of caves on the beach below the headland, along with a footpath twisting down the side of the bluff. That could serve as an escape route and hideout for Ralf, if they could get there.

His Timepiece grew hot in the palm of his hand. He closed the display and let it drop back against his chest, where it warmed his skin through his flaxen tunic. The blade must have done something to it to make it overheat. No time to worry about that now. He snatched up Gunnar's axe and scuttled into the mist.

He trotted down the crooked lanes. Surreal scenes coalesced out of the swirling mists and then faded to oblivion behind him. The thatched roof of a hut blazed, sending harsh fumes into the air. Farther along, a man's nearly beheaded body lay in a twisted heap across the path. A mongrel dog stood guard and snarled as Haakon approached. Around a bend, pigs squealed inside a split-rail enclosure, their eyes gleaming red in the flames.

At the next twist in the path, a Viking straddled a bloodied woman, raping her.

Haakon swung the flat of his axe against the man's skull (it feels like there could be a little more here. A sound? Description of the skull cracking - but not with too much gory detail), and he fell to one side. The woman moaned and rolled glassy eyes at him. No time to help her.

Haakon sprinted on.

Outside the wood-framed church, a child--a girl--(a tiny girl, or something like that. The dashes put of the flow a little) wailed over the body of the dead priest.

Haakon grunted and knelt next to the waif. "Baby, it's going to be all right. You need to come with me."

She shuddered away from him, hiding her filthy, ashen face behind trembling hands.

He stroked her tangled, raven-colored hair. "I won't hurt you, darlin'. Promise."

She peeked at him from between her fingers. "The bad man killed the Holy Father."

"I know, sweetheart." He kept his voice soft. From somewhere in the haze, a man screamed and a battle horse neighed. "I'll protect you." He held his arms open for her.

She collapsed against him in a burst of sobs. He clutched at her frail body and stood, holding his axe in one fist while his free arm enclosed her. The parsonage must be nearby. "Darlin', can you tell me where the Holy Father lived?"

She pushed her hair back from her face. "In his home."

"I know that, baby'. Which way to his home?"

Her chin trembled, and red rimmed her eyes, but she pointed. "There."

He nodded and raced in front of the church toward the opposite side of the building.

A shout thundered from the broken doors to the sanctuary. "Let the child go, you devil."

Haakon peered through the murk. He knew that voice, that hulking, muscular profile. The man, battle scarred but still in his prime, stood at the ready in the shadows of the sanctuary. The double doors hung open, one slanted askew, fastened by a single leather hinge. "Brother Ralf? Is that you?"

The man advanced and circled him in a warrior's crouch. He carried the Rector's staff as if it were a sword, ready to parry any attack. A gap-toothed grimace opened a hole in his scraggly beard. "Release the child, I say."

"Ralf, it's me. Lord Haakon." He shifted the girl in his arms and thrust his face forward. "I'm returned from my mission to Iceland, only to find evil has fallen on this land."

Ralf's eyes widened. "Lord Haakon? It is you. What in the name of all that's holy are ye doing here?"

"I had business with the village chandler, but we woke this morning to this." He hefted the child to a more comfortable position and nodded toward the village. Screams and the thud of horses' hooves sounded nearby, shrouded by smoke and fog. "We've no time, my friend. We must quit this place."

Some of the tension went out of Ralf's pose (hmmm, not sure why or how, but this sentence feels 'off'. Maybe something like "A fragment of tension fell away") and he gestured to the church. "The sanctuary should be safe, at least for a while."

Haakon followed him to the dank interior. Except for being large enough to hold perhaps sixty parishioners, it wasn't much different from the villagers' hovels: plank floor and thatched roof. The only chair was a wooden, throne-like affair at the front, near the altar. Two slit windows on the left and right walls let ruddy light from nearby fires flicker through. A woman hunkered near the altar.

Ralf stood over her and turned defiant eyes on Haakon. "This is the good woman Catherine Corbett, late of the court of the Queen of Montes. Good King Edward found a place here for her and that child you hold, Charlotte. I undertook a commission on the King's behalf to protect them."

Haakon strode forward and handed the waif off the woman, who opened her arms in a caress. "A commission on the King's behalf, you say? They must have pleased him mightily to merit royal attention."

"Indeed, my lord."

Haakon mentally shrugged. So the waif could have royal parentage instead of being Ralf's, maybe even from King Harold himself. It scarcely mattered, as the bloodlines of Anglo-Saxon nobility would soon be less than meaningless.

The important thing was getting away from the Viking berserkers. He turned to Ralf. "I have a plan of sorts. There are caves at the base of the headland, near the beach, and a trail leading down the bluff. If we can make our way there, you can hide. The Vikings will leave once they're done plundering, and then you can return to Jorvik and the safety of the Abbey."

"Caves? Aye, that could work. And once we be back in Jorvik, the Abbess will see to the women and her child. 'Tis a bold plan, Lord Haakon, and full of risk. But 'tis better than staying here and waiting to be stuck like a pig." Ralf spat on the dirt floor. "Hardrada might claim to follow Christ, but his men still be pagans. They have no mercy in their hearts."

Haakon doubted that followers of Christ would show any more mercy than pagans, but held his peace. "For true, they killed the priest. The child," he nodded to the black-haired tot who regarded him with somber eyes, "was with him when I found her."

"Aye." Ralf's face darkened. "The priest had a fair heart. He was the younger son of Lord Morcar. That dark one, Lord Tostig, was here with these heathen Vikings. I saw him. He's plotting no good against his brother, good King Harold, and doubtless would murder the poor child if he knew of her history."

Haakon caught his breath. If only Ralf knew the turmoil that awaited this land. "So Tostig killed Lord Morcar's kin? He must be scheming to sit again as Earl of Northumbria."

"Could be, my Lord. Forsooth, he was in league with Hardrada's thane, the one with the gleaming battle helmet and the black stallion."

Whatever was behind this Deviation had penetrated all the way to Tostig's camp, and therefore to Hardrada's, too. That couldn't be good.

A scream, plaintive and agonizing, shrieked from the distance before dwindling to silence. Time to get out of here. Haakon's heart thudded and his hands jittered with the need to act. "We've no time to discuss politics. That's for the high born. Do you have a weapon with you?"

Ralf spread his hands. "Ye knows I've taken vows, my Lord." His gaze fell on the axe in Haakon's fist and his eyes narrowed. "Still, Christ will forgive me if I'm protecting His followers."

Haakon hesitated but then handed the weapon to Ralf. "You'll do better with this than I, my friend." Besides, if things got tough he could use his Timepiece to escape. Speaking of which, he should pre-set his destination. Every second could count. "Before we take our leave, I need a moment." He knelt before the altar, held his cross in his hands, and bowed his head.

Ralf harrumphed, but kept his voice hushed as he gathered the woman and the child and led them to the front of the church.

Haakon stroked his Timepiece and set the coordinates for Chicago Control. The display flickered(,) (is the comma needed there? Not sure) and reset to a space-time locus he didn't recognize. He frowned, and re-input the settings, getting the same results.

Ralf called from the door, "Hurry, Lord. We have little time."

Haakon pressed the info button next to the coordinates of the unknown locus and a little balloon of light filled with text bubbled up. Rune Cave, Middleton, Iowa, 22 September 2018. Level three station. Caution: use not recommended after 1880 due to proximity of temporal settlements. For security purposes, arrival coordinates offset by 3.2km.

"God's navel, a level three in Iowa?" he muttered.

Sounds of a scuffle filled the chapel, followed by a meaty thunk. Ralf called out, "Now, my Lord."

Haakon glanced over his shoulder to where Ralf stood over the body of a Viking, pulling the axe out of the man's skull. Iowa would have to do. He could figure out what was wrong with his Timepiece there, when there weren't Vikings trying to skewer him. Better yet, he'd just use the level three station to get back to Chicago Control.

He accepted the setting, set it as the destination, and scrambled to his feet. "Head north, Brother. There's a footpath that leads to the beach and the caves."

Whether God, or Odin, or just blind luck was with them, they managed to run through the narrow pathways of Scarborough and avoid further warriors. Pungeant soot clogged the air, but the sun was beginning to burn off the morning fog. Haakon led them through the shocks of a wheat field. The air at last cleared when they reached the bluff that overlooked the sea, thirty or forty meters below. Haakon slowed his pace and watched the brambles for an opening. "There." He pointed.

Ralf stopped and cast a doubtful eye at the narrow trail that descended into the dense growth. "Are you sure, my Lord? It looks like a game trail, not something suited for human feet."

The woman--what was her name? Catherine something. Corbett? She'd been carrying the waif, Charlotte. The woman's chest heaved and her face was flushed from the effort.

Haakon pointed at the trail. "I'm positive. It fishtails around, but goes all the way to the beach. A land-yard north you'll find the entrance to the caves, behind a boulder." At least, that's what the display on his Timepiece had shown. "Go. I'll follow you down."

Ralf studied his features for a moment. "All right then. On your feet, child. Let's go!" He swatted Catherine on her behind and the woman staggered wearily onto the path. He followed, and the shadows of the dense growth swallowed him.

Before Haakon could join them, a clatter made him turn back toward the village. "Merde." The warrior, the one with the Harley-Davidson helmet, sat astride his mount, staring at him. Haakon glanced back to where Ralf's eyes peered at him from the thicket. "Go! Hurry. I'll distract him."

"My Lord, I can't let you--"

"Go, I say. Remember your oath to King Edward and your duty to the woman and child. I can take care of myself."

"Godspeed, then, my friend." Ralf gave him a quick nod, and pushed down the path.

Haakon turned back to the warrior. A motley array of foot soldiers had gathered around him, along with two hounds tugging on chains and howling for the chase.

This was going to be tight. Good thing he'd pre-set his Timepiece.

Haakon ran at a trot away from the bluff and toward the forest. The first thing to do was divert the Vikings away from the refugees headed toward the beach.

The mounted warrior shouted something in the Dansk Tunga that he couldn't make out. With a yell, four of the warriors (repetitive words placed too close together) set out after him, their dogs tugging at their chains. The warrior's mount reared on its hindquarters, and he whirled back toward the village. So far, so good.

Wait. The mounted warrior was back, but with two bowmen. That wasn't good at all. Haakon doubled his pace. Fifty meters to the forest. Once under cover, he could trigger his timepiece and give them the slip.

Thirty meters. An arrow whizzed by and thudded into the dirt to his left. Fifteen meters. Another zipped by so close the rush of wind tousled the dreadlocks hanging over his right ear. Five meters. Two arrows in quick succession quivered from trees in front of him.

Shadows closed in and he was in the gnarled blackthorn that bordered the forest. He changed to a weaving trot, taking advantage of the cover provided by the undergrowth. The dogs howled. Another set of arrows thudded into trees on his right. Time to go.

He lurched to a stop and placed an ancient hickory tree between himself and his pursuers. When he activated his Timepiece, the familiar colors of the space-time twistors swirled about him. The device whined with the momentary high-pitched tones of transit and then fell silent as the field collapsed at his destination.

He swallowed sour bile and shook off dizziness from jump jeebies. No time for that now. He reached for his Timepiece to check the map of his location.

"Serd!" The blasted thing was too hot to touch. He let it slap against his chest and winced at the heat. For sure, it was screwed up. Still, he'd escaped. He heaved a sigh of relief, and the odors of twenty-first century pollution fouled his lungs. Even so, an urban park in Iowa was better than facing down Vikings. Next stop, Chicago Control.

Clouds roiled overhead, and thunder rumbled in the distance. A real boom-banger seemed to be in the offing. At least his floppy merchant's hat would give him some protection. A gravel trail curved to his left, lit by electric street lamps. The joys of civilization.

He really needed to look at a map. He gripped his Timepiece using his shirt as a make-shift hot pad and brought up a display of the local environs. The Timekeeper station was 3.2 kilometers away, just like the info balloon had said, mostly along the pedestrian path on his left. An easy walk, even in a downpour. If he hurried, he might get lucky and beat the storm.

He set out, slogging down the trail. In less than a minute, lightning flashed and high-pitched sonics keened through the darkness. A chill gripped his guts as he recognized the distinctive sounds. It was another Timepiece, and from the pitch and duration, it was straining to transport three or more travelers, not just one. Hounds howled, and war cries in the Dansk Tunga echoed through the night.

Shock sent cold fingers scampering down his spine.

Somehow, his Viking pursuers must have gotten access to a Timepiece and used it to follow him to 2018 Iowa. First() (comma) the events in 1066 were off kilter, and now there were Vikings in Iowa. This Deviation was getting out of control.

Cold determination gripped him. He had to survive to report in. The level three station would have shields to protect him, and that would also prevent the Vikings from tracing his next jump.

He took off at a run.


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for entry "The Watchers
Rated: 13+ | (3.5)
Hi JJ! Here's another review of "Threads in the Tapestry - Chapter "The Watchers

Synopsis
*TagP* This chapter gives us a closer look at the surveillance systems and outpost on the island, as well as a glimpse into life on the island that would change the world if people ever became aware of it. Those curious and brave enough to risk going closer to the island are either imprisoned or killed.

First Impressions:

*TagV* I really like how you tied in the man that had been shipwrecked (in a previous story). I also liked the description of the facility that was watching the village. This, however, makes me wonder. The inhabitants (as you said) are indifferent to being watched. I have no idea about what the island is or the barrier is (other than it rejects human DNA) but I would think they would be a little more wary of the growing military wall that surrounds them - especially since the chief moved his people further inland. It seems that even he might be a little wary.

Which brings me to Enoch. I read through that section of the chapter a few times and it sounds like Enoch can get off the island (going to books stores, but I could have interpreted this section totally wrong). But why would the Chief let him leave? The stereotypical military response (I think) would be to grab the guy and start experimenting on them. They want past the barrier, I would think they would do anything to get it.

Now, one line was "The brass was putting all their efforts into courting this new generation". That single line doesn't feel like enough to explain why the inhabitants aren't rounded up anytime they leave. All this is just my initial reaction as a reader, that I hope will be valuable in some way - this chapter left me more confused than with a lingering "ooooo, what's going to happen" feeling.

Suggestions:

*FlagR* I try to give as many suggestions as possible, so the writer can use anything they feel will help their story and disregard the rest. Please remember that each point is given with the intention of being helpful.

In General:

*TagG* Punctuation - This chapter had a scattering of missing punctuation. No biggy, just something to watch out for when you start to polish.

*TagG* POV - In the middle of this chapter, there seemed to be some point of view changes between Wilson, Thomas, and Blatchford. I would either separate these with an extra space (like you did later on in the chapter), or change it to only one POV.

*TagG* Characters and info dump - I like that there was finally a bit of information dropping in about the island and the people, but (for me), I found there were many new characters added. We have Wilson, Thomas, Blatchford, Bill, Enoch, Lyle, and Olsen. This makes me wonder who is going to be relevant later on in the story. If it's all of them, it's still a rather large information dump in a single chapter and a lot of new people for me to integrate into the movie that's going on in my head.

Specifics:
*TagG* irregular shaped island, (How can an island be irregular shaped?)
*TagG* “Jesus," it's true, he fairly whispered. (did you mean "Jesus, it's true," he whispered. ? the original sentence is odd)
*TagG* Hhe double checked the diver propulsion vehicle (capital)
*TagG* mini-drones, high-tech drones that looked (repetitive)
*TagG* Another RIB followed close behind. (RIB?)
*TagG* Marines he thought, both officers, (put this in italics?)
*TagG* That’s going to put me off my schedule(,) son. (comma, I think)
*TagG*“Shit(,) Wilson. Snap out of it.” (comma, I think)
*TagG* (")You have less than twenty-five minutes (missing punctuation)
*TagG* “Something has to be done, something has to be done.(")
*TagG* Goddamn it, not again(,)” he hissed, (comma)

Favorite Lines:
*TagB* powerful enough to pick up a seal fart from miles away (this made me laugh)
*TagB* pushing on the invisible barrier like a Paris street mime on speed.

All in all:
*TagO* This chapter leaves lots to think on. I think cleaning up the POV and punctuation will be an easy fix. The issues with the confusing behavior of the military and the locals on the island might be something that will be harder to address, and involve large changes or re-writes. With anything that large, I always find it good to leave that kinds of advice on the back burner for a few weeks to mull it over.

Thanks for sharing your work. Keep writing and good luck!

Robyn

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57
57
Rated: E | N/A (Review only item.)
Hello, ♥Hooves♥

I'm reviewing "♥Streets of Dingle♥ as part of "WDC 14th Birthday Sr. Mod. Challenge. I have also abandoned my usual reviewing template for something a bit more festive for this birthday week.

I'm pretty new at reviewing poetry *Blush*, so please forgive the lack of technical terms . . . and pretty much every other strange thing that comes out of my mouth *Laugh*

*BalloonP* Rhyme: It seems you're going for an "ABCB" style. There was one section where it didn't quite match - Crib/live. However, I think it's pretty hard to come up with a pure rhyme to Crib and you got as close as humanly possible.

*PartyHatP* Syllables: I think this is called "meter"...maybe (I looked it up on a site). I noticed the lines varied between 6-8 syllables. Was this intentional? I only mention it because (to me) it put of the flow slightly.

*GiftP* Suggestions:

*Bulletv* No big things I can offer. Maybe looking into the meter, but I don't think it's a deal breaker at all.

All in all, I really liked this poem. I will be traveling through Europe in a couple years. I may have to walk the same steps as this poem!


*CakeP* Final thoughts:

** Images For Use By Upgraded+ Only ** Bob the Birthday Warm Fuzzy hopes you have a great WdC birthday week!

Have a great day and write on!
Robyn


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58
58
Review of So long Stan  
Rated: E | (4.5)
Hello, Shady Lady of the Blue Sea

I'm reviewing "So long Stan as part of "WDC 14th Birthday Sr. Mod. Challenge. I have also abandoned my usual reviewing template for something a bit more festive for this birthday week.

*BalloonP* Plot: Anne Marie rebels against society with a lead singer from a hardcore band, but finds the thrill wearing away.

*PartyHatP* Characters: Having see many kinds of stories on WdC, I'm guessing this was a flash fiction. If you were limited with word count, I like that you still managed to get some of her personality out there, things like "laughing at the naysayers". If you ever consider expanding this story, she seems like an interesting character to explore.

*GiftP* Suggestions:

*Bulletv* There could be two ways to look at this. First, sticking to the short story convention - you need a comma after "against a wall(,)" You might also consider separating the first sentence into two. It runs on a little at the moment.
*Bulletv* The second approach - I don't know why, but I had flashes of this as a poem (granted I've been writing poetry for two days). Maybe something like a Blitz poem or even free verse - which would nicely reflect your theme of rebellion.

*CakeP* Final thoughts: I like how much description you packed into such a small space!

** Images For Use By Upgraded+ Only ** Bob the Birthday Warm Fuzzy hopes you remember that all comments or suggestions are given with the intention of being helpful. Feel free to use or disregard anything you wish.

Have a great day and write on!
Robyn


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59
59
for entry "Invalid Entry
Rated: 13+ | (4.0)
Hi, JJ

Here's another review of "Threads in the Tapestry "Invalid Entry

Synopsis
*TagP* Sam and General Kohl have a meeting about a coming operation. The old top-secret ops team will be reunited and the bunker full of high-tech transport will finally be used.

First Impressions:
*TagV* It's nice to see how Sam will be worked further into the story. I also liked how the possibility of new characters was introduced now, rather than in a surprise info dump. Both men seems unsure about the coming operation, which makes me wonder if the team will run with the same efficiency as before.

Suggestions:

*FlagR* I try to give as many suggestions as possible, so the writer can use anything they feel will help their story and disregard the rest. Please remember that each point is given with the intention of being helpful.

In General:

*TagG* Uses of "Sam" in dialogue - There were many instances where Kohl uses Sam's name during conversation. There's nothing wrong with this, but the frequency became repetitive after a while - most because it was building up with the uses of it in action and dialogue tags. Since the tags are necessary, perhaps you could delete some of the extra ones to clean up the chapter a little more)

*TagG* Kohl's speech - “In my early years," Kohl continued. (this paragraph and conversation felt like it ran on a little. If there was a way to condense it but keep the core idea, I would recommend whittling it down some. I guess since you've written Kohl to be mysterious and dangerous, a long monologue about his accomplishments feels out of place - even if it is a precursor to bad things. Now, in the next line Sam comments on the length. If you wanted to keep it as is, you could make Sam's comment come in the middle of the speech, then continue Kohl's dialogue. It keeps the reaction you want, but breaks up that large chunk for the reader too. Best of both worlds maybe)

*TagG* Cultural, locational, movie references - I've noticed many of them in the chapters I've read so far, but I'll comment on it here. In my opinion, references to movies or places can be great at aiding descriptions etc (things like area 51), but I find the more things I read that I didn't know about, I ended up feeling like an outsider to the story - that I would need to have a carbon copy of your mind to be able to appropriate these details. Others could say that not getting these terms isn't a big deal and the story is intact. I can agree with that point, but for this reader, those details push me out of the story rather than pull me in further - just something to consider)

*TagG* Repetitive (and sneaky) Language - This was one pointed out to me recently by another writer. I have taken their advice quite seriously because they are published and this was one of the things her editor pointed out to her and made her revise. There are words writers often over use. I copy and pasted your chapter and hunted down a few of them. And was repeated over 150 times. Look over 10 times etc. It doesn't mean someone is only restricted to only a few ANDs in the story, we need them, but with the plethora of other options, it's recommended to exchange a few for the synonyms. For the most part, your ANDs and WASs seemed fine, but there were a few paragraphs with large clusters of them. (You can check this by pasting it into Word, hitting Find, putting in the words you want, then Highlight in Document)


Specifics:
*TagG* Not sure if "blast wall" should be one or two words
*TagG* (only)One way in and out provided another layer of security. (could add 'only' for emphasis)
*TagG* Sam’s journey to the light started through his office door, (this part confused me, which light? Light of day? Light within the bunker? Should it be "from" the light? Consider rewording for clarity)
*TagG* The ancient lake bed had a mind-wandering effect on the human mind (This is slightly repetitive, consider changing one of them)
*TagG* Below ground, in the dark, the only rules were Kohl’s, and he only had one—you fuck up, you die—again—permanently. (sentence feels clunky, could be polished for better flow)
*TagG*His aristocratic gait moved people aside(,) and at the same time (I think a comma is needed here)
*TagG* German face--a Rutger Hauer face.
*TagG* For just a moment, Sam thought he saw (weak word)
*TagG* I loved the movie Space Cowboys, (a movie reference that many might not know about. I think the line would be just as strong with only his observations about the team's age.)
*TagG* you can argue with the general, (could be italicized)
*TagG* Half drunk, and beyond sleepy, (feel like a cute word compared to such a gruff man)

Favorite Lines:
*TagB* and most popular, Area 51.
*TagB* Kohl had been the shit thrower while Sam controlled the speed of the fan.
*TagB* general Kohl’s aura always arrived before his body
*TagB* The devil is coming Sam, and he’s bringing his most loyal and dangerous minions. ( love this line. You could also consider 'demons' instead)

All in all:
*TagO* Kohl is very interesting to me. His personality and the way others react to him makes me wonder if there is something special about him. It wouldn't be a stretch to imagine since Merci is already special. I'm also interested in seeing what will happen with all these special 'toys' and the team that will use them.

Keep writing and good luck!

Robyn

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60
60
Review of The Maze  
Rated: 13+ | (4.0)
Hi Geoff

My turn to surprise you with a review! I went through your port and this one grabbed my attention.

Synopsis
*TagP* A transcribed conversation with an old man about his philosophy in life.

First Impressions:
*TagV* Normally, people would suggest making the dialogue less colloquial for the sake of the reader. But, if this is truly the conversation that took place, I agree with honoring his words and keeping them intact. It's quite an interesting take on life, one that will linger with me. I also agree with your comment about the effect his words had on you. It's a lesson to all of us that beauty, truth, and the magical effect of words can come from anywhere.

Suggestions:

*FlagR* I try to give as many suggestions as possible, so the writer can use anything they feel will help their story and disregard the rest. Please remember that each point is given with the intention of being helpful.

In General:

*TagG* Since the dialogue will stay as is, I would recommend breaking up the paragraph with some white space. You'd be amazed at what a little extra paragraph break can do.

Perhaps put these into new paragraphs:
Kinda like a maze a choices.
Well me, I knows it aint no god

*TagG* I would also recommend a few more descriptions of the beach, weather, etc. Sights, smells, sounds. Putting a little of this at the start of the story will help pull the reader into your world.

Specifics:
*TagG* He looked like the typical beach-bum we get around here a lot. (Maybe give us some more description. I would really like to know what he looked like. Beach-bum doesn't conjure up a vivid enough image and his words are potent enough the reader might like to have a corresponding picture in their head)
*TagG* He just walked right up to me and started talking ('just' outside of dialogue can sometimes weaken the sentence)
*TagG* I'm glad I did (-) (Consider a full stop instead of a dash)
*TagG* I was tempted to poetically say that I could hear the voice of God in the waves. (Why not say that then? Something like "Uncommon, unrestrained truth poured from his lips and I saw God in the wave". It's clear the moment stuck with you, enough that you had to write it down. Know what I mean?)
*TagG* A old man wancit told me a story - (')Tthere aint no God(,)(') he said. (')Aint no shiney old feller what's tellin' us what we gotta do. Go right ahead - do whatever ya want,(') he tell me. (if there is dialogue within dialogue, we need the single quotes and the standard comma punctuation around tags)

Favorite Line(s):
*TagB* ifn' a man gits all the way through that maze - to tha very end - an still kin sleep real good ofa nite, he musta been makin' some mighty good choices

All in all:
*TagO* A wonderful journey. I liked it very much.

Thanks for sharing your work. Keep writing and good luck!

Robyn

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61
61
for entry "Dead Soldiers
Rated: 13+ | (4.0)
Hi JJ,

Here is another review of "Threads in the Tapestry chapter "Dead Soldiers

Synopsis
*TagP* We meet Colonel Samuel Remy. A dangerous and mysterious man with a long military history. After a fiasco with a basement full of dead children, he was wiped off the grid by the government then reassigned to over see the creation of special surveillance vehicles. Since a the sudden stop and reassignment of his workers, Sam has waited in his mountain fortress, awaiting orders. The chapter ends with a call from his commanding general.

First Impressions:
*TagV* This chapter is a tricky one, not in a negative way, but in the way I guess some people might welcome it. Meaning - some people are really hard core about the 'Show, don't tell' rule. Even I have commented on it in several of my reviews to people. This chapter is pretty much Tell 'Sam is this way because of this history and these situations' etc. But, I'm not sure there's any way to get around that. I'm guessing his story needs to be dropped on the reader because he will be brought into the action very quickly. Also, the rich language choice made it feel less like 'tell' and more like a poetic recount. All that being said, I found about half way through, it start getting hard to read. Is there any way you could condense/omit things (even move them other parts of your book) You don't have to answer me directly on this, just something I wanted offer you to think about.

Suggestions:

*FlagR* I try to give as many suggestions as possible, so the writer can use anything they feel will help their story and disregard the rest. Please remember that each point is given with the intention of being helpful.

In General:
*TagG* I've already mentioned my concerns on the 'tell' in this chapter. I'll add the lack of conversation was a big factor. I'm worried you may lose the reader part way through. But I'm confident whatever solution you come up with will be great.

Specifics:
*TagG* with a solid thump (consider italicizing sounds)
*TagG* The chair(')s smooth Corinthian leather
*TagG* He fell back in his chair and puffed on a fat Cuban cigar, (this sounds like he stood again then sat down again, maybe 'stretched further back' or something like that)
*TagG* Moonlight illuminated the sleeping man’s torso. (this word, or even this sentence, feels like it could be expanded slightly. Maybe instead of the cliche 'the moonlight lit something' talk about the harsh shadow of the body or the tint of the skin - or something like that)
*TagG* Sleep/Sleeping man was repeated several times - perhaps find another way to explain.
*TagG* He gave it a rap with his knuckle's which always made him grin as its incredible detail was unrecognizable from the real thing. (this sentence feels a little awkward. Perhaps something like "He gave it a rap with his knuckles and grinned at the incredible detail")
*TagG* but then, money was not a problem in Sam’s world. (this could be an independent sentence)
*TagG* media-hyped national event (I think, maybe, there could be a hypen, but you might want to double check)

Favorite Lines:
*TagB* Sam. These are my brother’s finest from the upper island plantation. Enjoy. Fidel.
*TagB* dying expressions became a telltale sign of his surgical perfection
*TagB* Sam pulled the ice pick from the dead general’s temple.
*TagB* When it rang again, he jumped, followed by an irrational urge to stand at attention.

All in all:
*TagO* Despite the small issues stated above, I really did like Sam's character. If he's going to be an alley, Merci will find him useful. If he's going to be an antagonist (or on that side), I feel sorry for her. I also like the comment about 'dead soldiers', the beer bottles, and how it also represents so much more.

Keep writing and good luck!

Robyn

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62
62
for entry "Invalid Entry
In affiliation with P.E.N.C.I.L.  
Rated: 13+ | (4.0)
Hi JJ,

*Pencil* This is a "P.E.N.C.I.L. Review *Pencil* for "Threads in the Tapestry - "Invalid Entry

Synopsis
*TagP* Simene and Merci continue to discuss the drawings and the incident during the fishing trip. A strange discovery with a penny, Roger's call about strange solar/atmospheric activity, and a visit to a in-sync pair of twins, leaves Merci with far more answers than she had before, and the long-lost feeling of hope.

First Impressions:
*TagV* This chapter gives the reader another dose of answers and finally drives the plot further with Merci leaving her home. I liked the meeting with the twins very much. They were definitely interesting characters. It was such a captivating scene, I wished it had been extended a little longer, but Im not sure how much you could draw it out before the moment loses it power. I like how she felt hope again at the end.

Suggestions:

*FlagR* I try to give as many suggestions as possible, so the writer can use anything they feel will help their story and disregard the rest. Please remember that each point is given with the intention of being helpful.

In General:

*TagG* Penny dilemma - Simene was able to hone in on the penny and not Merci? She's been built up as rather observant and I have a hard time believing she wouldn't have at least an inclining of something strange near the penny bowl. Then again, there could have been breadcrumbs scattered that she had, and I missed them (I'm not very good at picking up on subtle hints in stories). Looking at it from another point of view, she could have simply been overwhelmed with what has already happened - kind of like when you get used to a bad smell in a room and don't notice it anymore. Not sure if anything needs to be done about this, just offering what my first reaction was.

*TagG* Simene's voice - His dialogue seems to have the same issues as Merci's journal entries. There were moments I really started to hear a unique voice from him - things like "Welcome to the real world" and "If you’re feeling the love, you might leave a little something-something on the kitchen table". But there were times where he slips into the same voice at the narration - very formal etc. Now, this could very well be his personality, but I'm not sure how many readers would buy that or be able to easily slip into that character.

*TagG* POV changes - There were only a few (around 3) times where the story seemed to change POV. I listed one in the 'Specifics' section.

*TagG* Merci's survival instinct - "How do you do it?" he questioned. Where do you find the -- emotional serenity -- to cope with a demon in your head?" He shrugged. "Let alone being able to rationalize a floating penny. "Aren't you ever -- afraid?" This section pretty much summed up what I had been wondering since Chapter two. The reader now has a clear idea of how she is able to brush off everything and move on so quickly. Beforehand, I know there were several moments we were told about her ability to adapt (from the race through the jungle etc), but I'm wondering if it is enough for the less observant reader (like me, lol). You could consider throwing in a clear, single sentence in an earlier chapter and let this chapter be the confirmation - Even take one line from her long speech and plug it in elsewhere. Now, getting to her rather long explanation - this felt (to me) like a bit of an info dump. You could consider breaking up that large paragraph with a few questions or comments from Simene.

*TagG* Revealing her body - Since she had revealed her face to him years ago, I would assume there would at least be mention that it went to the rest of her body. Therefore, I'm not sure the purpose of her taking off her robe for Simene now.

Specifics:

*TagG* a somewhat weathered artist's sketchbook (Consider omitting this word. I find it take away from the strength of the adjective)
*TagG* When he looked up again, Merci noticed his usual carefree attitude had changed. His eyes were now bright with curiosity, glistening with--admiration. (This feels like a POV change)
*TagG* Merci stared intently at Simene, trying to gauge his mood, (and?) his ability to absorb what she was about to reveal.
*TagG* He cleared his throat, suggesting an awkward discomfort, (There's actually nothing wrong with this line, it just feels like it could be polished. I suppose if the story makes a point of telling us he's clearing his throat, I think the reader will assume his uncomfortable. Then again, I might be putting too much faith that most readers will have that reaction)
*TagG*(.)She giggled. (stray period)
*TagG*I have everything I need in the lab, laptop, Internet, (and?) DVD burner.
*TagG*I frequent several subculture websites (Hmmm, this word feels out of place in dialogue. Maybe something like "I haunt" or "I stalk". Just a thought, tho)
*TagG* I didn’t perceive anything sinister, (another out of place word)
*TagG*It’s about time(,) Roger. (comma?)
*TagG*{")The intensity of this storm (missing quotation marks)

*Tagy* Chapter comparison - The flow from the previous chapter was flawless. I struggled to find something to suggest, other than what Ive already mentioned above, but ended up with nothing to offer. These two chapters seems to flow much better together than the ones before, so much they feel like one big chapter. So, well done there!

Favorite Lines:
*TagB* For a moment, his face blurred, replaced by her father--who smiled, nodded, then faded back into Simene.
*TagB* He handed the penny to her with cautious reverence.
*TagB* She had no doubt that he had created the amazing frankenphone inside a cloud of the psychoactive cannabinoid,
*TagB* designed by Timothy Leary on a bad trip and landscaped by Gomez and Morticia Addams.

All in all:
*TagO* I liked that things are finally progressing - her leaving tells me something will happen very soon. There are enough 'bread crumbs' for us to follow that the reader will be fairly hooked on the story at this point - things like the penny, her coming trip, finally meeting Rho, and the twin's information. The very ending word of the chapter was great. Some people would want you to put in more of a hook, since the current version sounds like an ending, but I think that is entirely up to you and wouldn't be a deal breaker.

Now, with sadness, this brings us to the end of our PENCIL experience. I will be emailing you later to open up a dialogue should you have any further questions or concerns. I would also like to leave you with a bonus section.

*Infor* BONUS *Infor* I took a step back and looked at the story as a whole and would like to offer the following suggestions and comments:

Each major character's voice could use some fine tuning to make them unique and somewhat separate (they don't have to be really different though). I haven't read ahead yet, but I would also look at your other characters to make sure the narration language hasn't seeped into their dialogue. Aside from the journal entries, which we've already talked about, Merci's is the strongest and best flushed out by far, but there were still a few incidences where her choice of language was 'off'. Giving us more hints as to why she's able to brush off the strangeness so easily, would benefit the reader. She is an adaptable woman but many readers might not be able to relate to that. Descriptions remain vivid throughout the entire story so far, so there's nothing to worry about there. Plot remains intriguing, so much that even though my formal reviews are done, I will still be reading ahead to see what happens.

As always, it has been an honor to read your work. Keep writing and good luck!

Robyn

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63
63
Rated: E | (3.5)
Hello, Dhammika,

I am reviewing "Parallel Worlds and My Childhood as part of "Note: *Clock2* 48-HOUR "Community Review" ..."

Synopsis
*TagP* The author philosophizes about time travel and alternate dimensions/realities though the medium of life experiences and reminiscing about childhood.

First Impressions:
*TagV* Wow! A very interesting way to look at it. I had honestly never thought about it that way. I'm quite happy to have this new insight integrated into my mind.

Suggestions:

*FlagR* I try to give as many suggestions as possible so the writer can pick and choose anything they feel would help their story. Some of it might be from a technical point of view, like I was an editor, or they are things I simply felt as a reader, but please take it all with a grain of salt and remember it is all given with the intention of being helpful.

In General:
*TagG* Spacing - This is a very minor and formatting thing, but putting a space in between each paragraph might make it a little easier to read. Large blocks of text can be hard for some readers to get through. But it's by no means a deal breaker.
*TagG* Commas - There was a small scattering of errors with commas. I would go over it again and try to find them.
*TagG* Ampersands - Near the end of the piece there were many ampersands. I would omit them and put in 'and' instead.

Specifics:
*TagG* The concept of parallel worlds amazed me and brought me an enormous curiosity my mind when(awkward to read, consider rewording/polishing) to I watched a TV series broadcasted long time ago when I was a little boy. (repetitive)
*TagG* At that time(,) I thought of making a time machine... (comma)
*TagG* Anyhow(,) the time was passed by(,) many years turning days into weeks (commas)
*TagG*So what’s the wrong of (with) naming these two eras as two different worlds ?

Favorite Lines:
*TagB* How I was afraid of ghosts, how I feared and lamented over petty things and attached to pretty things
*TagB* So what’s the wrong of naming these two eras as two different worlds ?

All in all:
*TagO* Quite a thought provoking piece and something that will definitely linger with me for a while. After another edit/polish, I think this already great piece will be fantastic.

Thanks for sharing your work. Keep writing and good luck!

Robyn

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64
64
Review of The Key  
Rated: E | (4.5)
Juliet,

I am please to review your story for the "Note: *Clock2* 48-HOUR "Community Review" ..."

Synopsis
*TagP* A tiny fairy tries to escape the clutches of a warlock.

First Impressions:
*TagV* A vivid and capturing story in such a small package! Much like your main character.

Suggestions:

*FlagR* I try to give as many suggestions as possible so the writer can pick and choose anything they feel would help their story. Some of it might be from a technical point of view, like I was an editor, or they are things I simply felt as a reader, but please take it all with a grain of salt.

In General:
*TagG* Usually with stories this short, they are pieces jotted down to satisfy a hungry muse, or limited for a contest entry. Either way, if you wanted to, you could add more detail about the environment/room, the character's appearance etc. The descriptions you have are already great, more would be fantastic! Also, you could considering adding more about how/why she was captured. Maybe add a few dashes of what the warlock was doing - a spell? Maybe sacrificing something?

Specifics:
*TagG* Artificial and alien, yet strangely lovely. So very different from the moonlight of her homeland. (these lines feel like they could be put together, and improve the flow of reading it)
*TagG* The warlock’s back was still turned(;) she had to move. (Consider a full stop rather than a semi-colon.)
*TagG* The key was, after all, almost as big as she was.

Favorite Lines:
*TagB* the staccato hammering of her heart.
*TagB* She was drowning in the dusty fabric, in the stench of him.

All in all:
*TagO* I liked it very much. Let me know if you choose to expand the story. I would love to read it.

Thanks for sharing your work. Keep writing and good luck!

Robyn

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65
65
for entry "Simene
In affiliation with P.E.N.C.I.L.  
Rated: 13+ | (4.0)
Hi, JJ.

*Pencil* This is a "P.E.N.C.I.L. Review *Pencil* for "Threads in the Tapestry - Chapter 3 "Simene

Synopsis
*TagP* Simene shows up, to the delight of a full purring Mandy, and presents his latest gadget to Merci. Another glimpse into her past is presented through a journal entry about her and her Uncle accidentally getting to close to military controlled waters, then notes about 'events' that followed her after.

First Impressions:
*TagV* This chapter sat pretty solid. It flowed perfectly from the last one and ended with a great hook. There were a few suggestions (see below)

Suggestions:

*FlagR* I try to give as many suggestions as possible so the writer can pick and choose anything they feel would help their story. Some of it might be from a technical point of view, like I was an editor, or they are things I simply felt as a reader, but please take it all with a grain of salt.

In General:

*TagG* Forcing the theme - This one I may be totally off the mark with, but it seems the mistrust of humans and the disappointment (even disgust) with how they treat the environment, seems to be an underlying theme to your story so far. Now, it may just be on aspect of her personality. But to me, it's felt forced in (like a big sign that says, "This is how I feel") and would have liked to see it woven in like you had with some of your other details. For example, the pride and disappointment Simene felt regarding his device felt very natural. It was worked in through dialogue, body language, etc.

*TagG* Journal voice - I mentioned this in another review. Although Merci's voice is established and clear in her dialogue, the journal writing doesn't seem to match. It still sounds like a morphed version of your narrative and her voice. Not sure if that makes sense.

*TagG* Plot & Pace: I happy to see another piece of the puzzle shown (the fishing trip). I'm also hoping the tension from the ending carries over, at least a little, to the next chapter.

*TagG* Characters: Simene is established very quickly. He cute and nerdy.

*TagG* Setting & Imagery: I can really see your love of nature and fishing show through in the journal entry. Very detailed.

*TagG* Themes: See note above (journal)*

*TagG* Emotion, Mood & Atmosphere: The mood was neutral through most of the chapter but peaked near the end when the military showed up, and especially at the end. I was hoping for another rise in tension and was surprised where it came from.

Specifics:
*TagG* Simene had immediately sensed that something was not right with his secretive friend (This feels like a POV switch, a little confusing)
*TagG* (')you’re not going to believe this(') one type of grin (this line might be clearer if you put '' around the long descriptor)
*TagG* two mammoth bags of tootsie roll pops, huge five pounders, found only at Costco or Sam’s Club. (redundant)
*TagG* When you return, you will be able to see through anything, 'cept lead. (insert a quip from Merci?) Hey, I’m not Superman.” (this feels like it could have a little quip in between to bring on the joking defensive like of "Im not superman.)
*TagG* Okay Doctor Jekyll, your turn.” (if this a reference to his inventing skills, although the Jekyll reference is clear, it doesn't seem to fit. Is there a different name reference that could be thrown in?)
*TagG* 57-Cadillac-grille grin…” and ta-da, a satellite videophone (quote tucked against the ellipses rather than the And)
*TagG* My god, this thing is amazing.(,)" she squealed, (comma?)
*TagG* The drawings were good, dam (damn?) good,
*TagG* These things screamed military, heavy-duty military. (you can also consider a (--) rather than a comma. Not sure why, it just feels like it might be better emphasis.)

*Tagy* Chapter Comparison: We are carrying on strong since chapter two with no major issues. This journal entry feels more naturally put in and relevant compared to the one in chapter two.

Favorite Lines:
*TagB* always looked as if he had just stuck a bobby pin in a light socket.
*TagB* To the uninformed eye, the decor mirrored the work of a speed freak run amok in a Radio Shack.
*TagB* “That’s a goddamn Swift boat.”

All in all:
*TagO* No spelling errors I could find. Most of the TLC needed is the wording of the journal (but that's just me). I'm hoping the doodad Simene made will get use later.

Keep writing and good luck!

Robyn

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for entry "Invalid Entry
Rated: 13+ | (4.0)
Hi JJ,

Here is another *Pencil* A "P.E.N.C.I.L. Review *Pencil* for "Threads in the Tapestry

Synopsis
*TagP* We learn a little about Merci's grandmother, the guesthouse, and the hidden cold-war bunker within.

First Impressions:
*TagV* Much better chapter compared to the second one.

Suggestions:

*FlagR* I try to give as many suggestions as possible so the writer can pick and choose anything they feel would help their story. Some of it might be from a technical point of view, like I was an editor, or they are things I simply felt as a reader, but please take it all with a grain of salt.

In General:
*TagG* Since she is alone, and her only companion is her cat, it is hard to work in dialogue to break up the long blocks of narration. The paragraphs themselves are well written, but I found it a harder push to read through. It's tricky because of her situation. Im not sure how it could be addresses, or if it even needs addressing at all. But this is all just my first reaction to the text, so you know what one reader is thinking)

*TagG* Plot & Pace: This second chapter seems to be a continued build up to the next major sequence of events, as well as establishing a few more crucial detail, I do hope that there will be another high soon, even if it's just a minor one.

*TagG* Characters: Simene sounds interesting, but perhaps you could include a tidbit or two of physical description. I have a pretty good understanding of their personality, but I would have liked more of a complete picture in my mind.

*TagG* Setting & Imagery: I liked the introduction of the bunker and a further explanation of the property, my concern with this is covered in one of the 'specific' points further down (the last one)

*TagG* Themes: Merci's sensory levels and connection to nature seem to be important in this chapter. It makes me wonder what will come of them or how they will be relevant later on.

*TagG* Emotion, Mood & Atmosphere: No real emotional connections but I don't think that was the intent of this chapter. There was a cuteness factor with the cat.

Specifics:
*TagG* Could she let them go? Could she walk away? Could her demon really show her another destiny, another path? (If she pursues her destiny, why would she have to let the memories go? My interpretation is she would still have all of the books and memories when it was all said and done.)
*TagG* Her grandmother had refused to live in the A-frame after the death of her grandfather, choosing instead to live in the guest house, refusing to inhabit the place where her beloved husband had taken his last breath. (these two sentences are somewhat repetitive. Perhaps condense into one)
*TagG* Massive(,) slate stepping stones paved the trail between the two dwellings. (You could consider a comma. I found it hard to read the first time. This might clear it up and tweak the flow)
*TagG* The squall passed quickly. (The placement of this sentence threw me off. Perhaps you could put it later on in the paragraph or integrate it into another sentence. In reading, it felt like it rained for a second then immediately stopped)
*TagG* She wanted to make sure the place was tidy since Simene would be spending the next several weeks caretaking Waterwood while she was in Alaska. (I'm not sure why, it's just a feeling, but this concept might work better in dialogue. Something like, "Don't make a mess puss puss, we have to keep this place clean for Simene when he comes to housesit" or something like that)
*TagG* Satisfied all was well, Merci closed the secret door, which reinserted its locking bolts. (Why was she looking in the bunker at the lights then immediate closing the door? The interpretation of what I had read so far made me think the lights had been installed a least long enough ago, that she would have checked by now. The glimpse into place seems unnecessary -- if it's just for the readers benefit, I think there would still be a legitimate reason for her looking it. It is a strange point to focus on, but for some reason the action sat very strange with me)

*TagY* Chapter comparisons I found the flow infinitely better in this chapter compared to the last one.

Favorite Lines:
*TagB* sitting at her feet like an obedient dog. (this made me laugh)
*TagB* They demanded nothing of each other but the quiet appreciation of being.
*TagB* By adolescent osmosis, Merci did not play well with others, especially those of her own age group.
*TagB* he twenty-foot deep edifice of 60’s paranoia
*TagB* Merci’s understanding of electronic hardware began and ended with the on-off switch

All in all:
*TagO* I'm still thinking about your first chapter. It's sat with me more than the others so far. The action and mystery had me on a high and ready to jump into the meat and potatoes of the story, but I find the connection and excitement starting to dim. I hope there is some more action soon, even just a little episode. I'm also still finding it hard to believe the event and message hasn't got her more worried. It's just a few hours later and everything seems to be right as rain, like nothing has happened. Then again, she's been living with it for a while. Not sure how to take it. On the positive, the actual writing is great!

Looking forward to reading about Simene.

Robyn

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Review of Spilt Milk  
Rated: E | (4.0)
Eliacie,

I came across your story while searching through the horror section and decided to have a read.

Synopsis
*TagP* Oliver gets young Peter in trouble once again and is locked in the guest bedroom by the nanny.

First Impressions:
*TagV* Great story with a fantastic ending. I don't want to post any spoilers, but I will say I had an guess about was the ending would be - but I was still very surprised with the extra tid bit at the end.

Suggestions:

*FlagR* I try to give as many suggestions as possible so the writer can pick and choose anything they feel would help their story. Some of it might be from a technical point of view, like I was an editor, or they are things I simply felt as a reader, but please take it all with a grain of salt.

In General:
*TagG* I would do another edit to address the few comma errors - especially around dialogue tags.

Specifics:
*TagG* ‘Oh no you don’t' (s)She snapped. 'In the living room. Now. While I clean this up.’. (e:left}(omit second period)
*TagG* His stubbornness (had) sent Oliver into a rage. He (had) knocked Peter to the ground, gave him a black eye with his wildly flailing fists, and stomped the little car into tiny pieces. From then on Peter (had) tried not to upset him.
*TagG* ‘It’s where I became like I am now.(,)’ Oliver had said.

Favorite Lines:
*TagB* but she snatched him up and put him under her arm like a brief case
*TagB* He had pronounced his brother's name perfectly.

All in all:
*TagO* I liked it very much, especially the very end. I get hints of the movies "The Others" and "Sixth Sense". If you're not restricted by word count, you could consider expanding it a little more.

Thanks for sharing your work. Keep writing and good luck!

Robyn

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Review of The Scientist  
Rated: 13+ | (4.0)
Scarlet Black,

I came across your story while browsing the Horror section and decided to have a peek.

Synopsis
*TagP* A flash fiction about a scientist/doctor experimenting on humans during an unnamed war.

First Impressions:
*TagV* A tight nit story with all the needed elements. Many people criticize stories like these for not having enough detail, etc. But one can't adopt the same reading expectations for every piece. In stories this brief, I believe it's important that a single event or character sticks in the readers mind. It doesn't have to be both. I think you've handed this task well. The situation certain lingered in my mind, especially the last sentence.

Suggestions:

*FlagR* I try to give as many suggestions as possible so the writer can pick and choose anything they feel would help their story. Some of it might be from a technical point of view, like I was an editor, or they are things I simply felt as a reader, but please take it all with a grain of salt.

In General:
*TagG* If you ever consider re-writing or re-visiting the story, you could experiment with perspectives. First person works well in some situations if the reader can easily relate to what's going on, but experimenting on humans might be harder to imagine doing yourself. Changing to third person might add another level of connection, that they are witness the atrocities, rather than doing.

*TagG* You could also consider exchanging some of the superfluous actions for more meaningful detail - Example: "she squeaks and you let your pen drop to the paper, leaving a small black mark."

Specifics:
*TagG* Your shipments are late(,) and you need to make the most of your last specimen.
*TagG* "Why are you doing this," she breathes. (You could consider changing it to 'said' with a descriptor at the end. Some readers are picky with what is an appropriate tag, but I think it's still up to the writer and their style.)
*TagG* He is thin, but strong - maybe a soldier. (I don't think the comma is needed)

Favorite Lines:
*TagB* Your shipments are late and you need to make the most of your last specimen.
*TagB* The shipment has arrived. "Wonderful. Leave it by the door."

All in all:
*TagO* I liked it very much. You could also think about expanding into a longer story.

Thanks for sharing your work. Keep writing and good luck!

Robyn

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for entry "Invalid Entry
In affiliation with P.E.N.C.I.L.  
Rated: 13+ | (3.5)
Hi JJ,

Here is another *Pencil* "P.E.N.C.I.L. Review *Pencil* for chapter two of "Threads in the Tapestry

Synopsis
*TagP* Merci continues to process the recent 'event' she had. We learn a little about her love interest, Rho. We also have glimpse into her childhood.

First Impressions:
*TagV* I had mentioned the language and grammar choices being hard for me to follow, but it seems two chapters is nearly enough to condition the reader. I think by chapter 3 I will have enough of a feel that I can pick up to my normal speed.

Suggestions:

*FlagR* I try to give as many suggestions as possible so the writer can pick and choose anything they feel would help their story. Some of it might be from a technical point of view, like I was an editor, or they are things I simply felt as a reader, but please take it all with a grain of salt.

In General:
*TagG* I didn't come across any spelling or grammar issues - keeping in mind I wasn't hunting for them, and was watching out for other things. I would recommend keeping an eye on any comma heavy sentences.

*TagG* Plot & Pace: The first section - Although every description you've put in is clearly necessary and tied to everything else, I felt some of the explanations were a bit jarring in their placement and pulled me out of the moment. My reading/thought process was as follows: "She's worried about what's going on. I would be too. Wait, why are we talking about the world destroying itself? Okay, we're back to her emotional reactions, cool. Wait, why are we talking about taxing inheritances? Ohhh, she has money to look into her problems. But...what does taxes have to do with anything? Okay, keep reading. She has a journal? Where did that come from? Was wasn't it in her thought process before?"

*TagG* Characters: Merci started off in turmoil and reacted how I would have expected. But now in chapter two, I'm not sure what to feel about her. Her independence and fortitude have definitely been reinforced. She has an electric and passionate connection to Rho. She is also determined to find answers. However, I started to emotionally detach from her because her reactions felt jumpy and "off". Even if someone had been dealing with these events their entire life, the message she wrote on the bed I thought would have pressed more on her mind, but moments later she is thinking about her sexually charged relationship, wondering about luggage, and reading a journal.

*TagG* Setting & Imagery: These continue to be superb. The descriptions and word choices are things I would have never thought of.

*TagG* Themes: I'm still not sure what the overlaying theme is yet, but that is only part of my adventure as reader - to discover. I have mystery and world destruction so far.

*TagG* Emotion, Mood & Atmosphere: This was also affected by my issues with plot, pace, and character.

Specifics:
*TagG* In the Pacific Northwest, occasional thunderstorms were the soup of the day. (This line on its own is fine but imagining I was going directly from chapter 1 to 2, this line seems like a rather awkward segway. Perhaps just focusing on the rain and not the geographical location would improve the flow)
*TagG* a light rain began to dapple the veranda Terra Cotta. (I had to look that part up.This isn't a criticism, it's perfectly find to add in things readers might not know - it's just to tell you were my mind was at during the reading process)
*TagG* and like yeast tossed into unleavened dough, Merci was feeling a raising pressure. (This sounds too gradual, yeast is slow, but the atmosphere and residual fear would make me think of fast rising pressure. Maybe something related to the environment around her?)
*TagG* and already disillusioned by a civilization hell-bent on destroying the planet and each other, (felt out of place)
*TagG* Her journal entry - If it was written when she was a child, the language seems way too mature, but if it was written when she was an adult, it reads very similar to your voice and not like a journal entry by a separate person. This isn't really a flaw, I would just consider altering it slightly so it doesn't match the narrative. Give her a unique voice.

*Tagy* Chapter comparisons: Both chapters maintain great descriptions, but I felt chapter 2 wasn't as strong - mostly from the flow. (this section will gradually increase as I review more chapters)

Favorite Lines:
*TagB* After a half dozen sessions, she concluded that the storefront ilk, although college educated, were clueless morons who offered no more than drugs to cover their stunning lack of imagination. (made me laugh)
*TagB* Loved the letter, especially the end. The father is already a strong character without even being physically present in the story.
*TagB* My filthy body was welted with midge bites, tasseled with a colorful assortment of leeches, and still burning from a severe case of vine-rash. (ouch!)

All in all:
*TagO* Flow and placement of information. All the pieces are there but they feel out of order (like the thoughts on packing which could have been addressed in chapter one as she's walking around late at night), a few feel unnecessary (sentence about taxes), a few were a surprise (the introduction of the diary, where I would have expected a tiny mention earlier), and one felt out of place (reading the journal entry, made me wonder why she had to read it then). I have a feeling that nearly everything in there must be in there but so much left me asking 'why is it there?' (and not in the mysterious sense).

I hope you found some of this helpful. Also, please remember these are just the reactions from one reader. I look forward to chapter 3.

Robyn

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for entry "Merci
In affiliation with P.E.N.C.I.L.  
Rated: 13+ | (4.0)
Escape Artist,

*Pencil* This is a "P.E.N.C.I.L. Review *Pencil*


Synopsis
*TagP* The first chapter of "Threads in the Tapestry introduces us to Merci, a woman with Hyper-Leucism and a high developed sense of smell. We find out she suffers from "events" that are usually triggered by brief pain. The first one the reader observes is accompanied by excruciating agony and the discovery of a strange message written on her bedsheets.

First Impressions:
*TagV* The first chapter has lots to keep the reader interested and provides enough mystery we want to read further.

Suggestions:

*FlagR* I try to give as many suggestions as possible so the writer can pick and choose anything they feel would help their story. Some of it might be from a technical point of view, like I was an editor, or they are things I simply felt as a reader, but please take it all with a grain of salt.

In General:

*TagG* Dashes and Spaces - I think there should be a space in between your dashes, Eg. She glanced at her watch(space)--(space)11:55, right on time.
*TagG* Ellipsis - This one I learned recently. You need a space in between the word and the three dots. Eg. “Poor girl,” they all whispered as one(space)... Putting a space in between each dot is a style choice. I think.
*TagG* Sequence of events separated with commas - some of them required an 'and' with the last event.

Others:

*TagG* Plot & Pace: Generally the plot was very intriguing and the paced quite fast, a positive for the current book market which loves fast beginnings. There was one situation I was confused - where the cat started to growl because it was scared. I found it hard to know which sections were talking about the cat and which were about the 'unseen intruder'.
*TagG* Characters: Merci has just been introduced so her character is still under development. The things I've learned about her so far are: she's somewhat reclusive, she understands a little about her condition but still acknowledges she doesn't know a lot. She is embarrassed and tormented by these events but deals with them fairy well, which shows me how strong she is. Other characters: she has one friend who knows about her events, another geeky friend she might tell soon, and a fairy progressive, rich, and deceased father, as well as an old woman whose time has run out.
*TagG* Setting & Imagery: I liked how you dealt with not just sights. There were sounds, smells, and touch as well. The cottage and view sounds beautiful.
*TagG* Themes: I'm wondering if the carving in the table is a hint to a coming theme. I'm not sure about any other themes at the moment, but Im sure they will present themselves.
*TagG* Emotion, Mood & Atmosphere: Very creepy right off the bat. Also lots of mystery which is great.

Specifics:

Favorite Lines:
*TagB* Every living thing on Earth suffers from our existence. (Makes me wonder if this is a theme that will carry out through your story.)
*TagB* she enjoyed a rousing session with her favorite vibrator (I liked this because it set target age of the story with one little sentence)
*TagB* Her own concoction of Dr. Pepper and Ginger Snaps was tasty, but doomed from the start. (no kidding, sugar!)
*TagB* trying to ignore the conga line of Daddy-long-legs skittering down her back. (fantastic line, so descriptive!)
*TagB* a Gothic tableau as real as the pain.
*TagB* Her body was pushed deep into a Winnie-the-Pooh-themed pillow bunched against the headboard
*TagB* “the hermit of Waterwood.” “The wraith of Wing Point.” (fantastic additions about Merci. I'm not sure if the first one is her too but I'm guessing it is.)
*TagB* There must have been a solar flare last night, she thought. A big one. Why hadn’t Roger called? Why didn’t he warn her? (great line at building suspense)

All in all:
*TagO* I think this chapter is pretty strong. I don't want to add too much about how to craft your sentences, since that's more of a style thing - but I will add that this particular style is a little harder for me to read through at a comfortable pace. Mostly it's the choice of vocabulary and structure with commas. I see a pattern of 'sentence, comma, additional information tacked on' style. There was a lot of this, and there's nothing wrong with it. I put a little of that in my stories as well. But there were a few places that it became a little confusing. That being said, I enjoyed the story very much and didn't when I couldn't resort to my normal reading speed (which is very fast). I'm excited to see what's going to happen with all these little threads you've placed.


Robyn

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Review of Safeway Rebel  
Rated: E | (5.0)
L.A. Roper ,

I came across your story in the Random Review Tool. I spotted 3D animation and read on.

I think this is the first review I've written where I had to abandon my favorite reviewing template - mostly because analyzing for grammar etc. doesn't seem appropriate here. Instead, this will simply be how I connected to your piece.

Fate, it seems, has us walking along a similar thread. Your current experiences mirror my past ones and it was like reading my own diary and reliving my own turmoils. It was 10+ years ago I had graduated from Seneca College and Sheridan College with a pretty piece of paper saying I was a 3D animator and designer. Choosing this course was never an issue for me. I knew exactly want I wanted to do and had dreams of watching my work on the big screen or walking around New Zealand with a sketchbook doing concept art for Lord of the Rings Part23 or whatever new epic Peter Jackson had going. Oh but I was young and the idea of 'education inflation' was completely unknown to me. I graduated and started sending out my resume and portfolio to any design house knowing I would get something - my teachers praised my work after all. And then ... nothing. Silence.

Then? Bills came in, cars needed gas, and my family (despite being generally supportive) has a firm rule of 'you're over 18 and we will no longer support you' (my family is BIG on early independence). So what could I do? There were no job offers, even the ones from the local sign company. It seems others had beat me to the foot in the door step of my career. So my glorious job in Chapters store began. I shouldn't complain too much, I was a manager who dreamed of being a writer/artist and working around the things I loved most.

One year later - oh god I was antsy. Was this the rest of my life? I dreamed of traveling and seeing the world. My boss pulled me aside and said he was going on paternity leave and wanted me to take over as the next level manager, for a whopping one more dollar an hour.

That was it. Something snapped. This is life for me now?

Now, I should add a disclaimer: in no way would I ever think less of someone for working in these job and settling for whatever path they feel fits their future. There are kids, problems, complication, friends, family, and a million other things I can never know that influences another's choice. But for me, it wasn't the life I wanted.

Long story short? We bought a plan ticket and moved half way around the world. I jumped out of my confining comfort zone and forced myself to live the dreams many would be too scared to try. And what was the result? I'm not a computer animator, but I am a teacher. I found a passion I never new I had, and through whatever big or small choices I've made, I have somehow found the thing I wanted when I started off all those years ago. I may not work in an office making movies, but my design skills have been invaluable in the classroom and my art skills have help me make gifts that I could never buy. And am a writer now? Yes. I'm closer to that dream than I would have ever been if I had stayed in that bookstore.

So what's your life going to be? I have no idea. Would following what I did result in the same life outcome? Definitely not. Your path is unique. You are Bilbo Baggins sitting in Bagend and wondering what to do next. You are Luke Skywalker looking into the sunset and wanting more. I have no idea what will spark your life's adventure and I am no archetypal Mentor with gems of wisdom. The only things I know for certain:

*Bullet* Things won't happen if we do nothing
*Bullet* There are opportunities everywhere (although they may not have been the ones we envisioned)
*Bullet* You are the one that has to live every second of your life, so at least make sure you're happy
*Bullet* If something doesn't work out, it's not the end of the world. We won't fade away and cease to exist.
*Bullet* Money may disappear but we can always get more. We may have to work a crap job for a while, but we can always quit it. We may not get the dreams we want but there are a million more out there.

Never be afraid to write what you feel. Even if you saw this as an emotional rant, you have connected deeply with another person half way around the world. You have made me relive my best moments and left me thankful for what I have now. That is magic.


Thanks for sharing your work. Keep writing and good luck!

Robyn

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Rated: 13+ | (3.0)
apraildesiree,

Today, I jumped in the "Please Review page, scanned my favorite genres, and your hook caught my attention.

Synopsis
*TagP* A witch curses the land with plague and a young girl's powers emerge. The girl escapes with her friend and dragon to a fairy kingdom.

First Impressions:
*TagV* Lots of great fantasy elements in this story.

Suggestions:

*FlagR* I try to give as many suggestions as possible so the writer can pick and choose anything they feel would help their story. Some of it might be from a technical point of view, like I was an editor, or they are things I simply felt as a reader, but please take it all with a grain of salt.

In General:

*TagG* Restating the obvious - there were many small references to actions or observations that could be taken out. Example - there were jugs of water on the table for them to drink - 'for them to drink' is obvious and doesn't need to be stated.

*TagG*Show vs Tell - There was a lot of 'tell' - Don't worry, even I catch myself doing it in my stories. I find these sites really useful and have them bookmarked just to remind myself when I go about editing.

Grammar Site 1  
Grammar Site 2  
Grammar Site 3  

Specifics:

Click for details

Favorite Lines:
*TagB* like raindrops running down a painted wall. (I liked the imagery)
*TagB* You have green magic, Eve. (I liked how her powers appeared as a natural balance to the curse)
*TagB* Dragons weren’t permitted to fly in the Kingdom for over one hundred years. (interesting idea!)
*TagB* The Sage Coven (I like the name)

All in all:
*TagO* I was able to read through the the first two parts, but found it an effort to keep going (from the lack of flow and things like what I stated above) however, I really like the idea and combination of fantasy elements. I recommend giving this another thorough edit to address character development (I found I didn't emotionally attach to anyone), style/grammar (show vs tell), and work on the ending (I feel like there could be more). I think there's a gem of a story in here.

Thanks for sharing your work. Keep writing and good luck!

Robyn

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Review of The Stone Lady  
Rated: E | (4.0)
My task today is to review fellow participants in the Draw Your Swords contest.

Synopsis
*TagP* A magi leads a small group of people away from the New Holy Empire. They come upon a valley where an enormous statue of a woman sits. We find the MC was the first of the magi and cursed to wander the world and never die, and that he carved the image of his long dead wife with his bare hands.

First Impressions:
*TagV* A wonderfully tragic romance, all in so few words. Wonderful!

Suggestions:

*FlagR* I try to give as many suggestions as possible so the writer can pick and choose anything they feel would help their story. Some of it might be from a technical point of view, like I was an editor, or they are things I simply felt as a reader, but please take it all with a grain of salt.

In General:
*TagG* There were no glaring issues that needed to be addressed, just some small things.

Specifics:
*TagG* slowly up the mountain path, dragging their feet (you don't need the adverb, the last part already paints the picture)
*TagG* taking the hike with no difficulty was also by far the eldest.
*TagG* Out of sight from below (I just had this one pointed out to me too in one of my stories. Ellipse need to have a space before and after eg. Blah . . . blah - putting spaces in between is stylistic choice left up to the writer)
*TagG* Taking up more space than they could believe possible was a statue of a woman, in giant proportion. It must have been close to the size of the mountain they were currently climbing. (Repetitive description of size)
*TagG* in all of the men who had had to leave left their families behind.
*TagG* then one day (,) he just vanishes
*TagG* and then others think that he vanished because of her.”
*TagG* Mag stood up and went to look at her. It had been a hundred and twenty years since he last stood and looked at her, (repetitive wording)

Favorite Lines:
*TagB* Perhaps a team of Magi, in the early days of potent Magic, before we became diluted shells of their former power
*TagB* “Herodimus, the first Magi, got his powers from the gods in ancient times. (I liked this whole paragraph)
*TagB* He cursed Death’s name and Death cursed him in return.
*TagB* so they stood and gazed at each other for ten thousand years.
*TagB* and over six thousand years… carved this statue of his wife with his bare hands

All in all:
*TagO* A great short story. I especially liked how the back story and why they were leaving didn't feel pushed in. It was enough I didn't find myself wondering about it or wanting more details. The ending was very moving.

Thanks for sharing your work. Keep writing and good luck!

Robyn

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*Gold* My review has been submitted for consideration in "Good Deeds Get CASH!.
74
74
Review of MATCHBOX UNDIES  
Rated: 13+ | (4.5)
Sandra,

I couldn't help myself. I spotted another of your stories and just had to add it to my Newbie Misson list.

Synopsis
*TagP* A fond recollection of the author's favorite doll, the Barbie, and the large wardrobe she had accumulated with the help of her grandmothers' sewing skills. A matchbox full of underwear end up lost in the the trash.

First Impressions:
*TagV* First - you made me realize...Barbies had no underwear. My god, how could I have missed that?! My world is changed. Second - I made a personal connection with this story. My favorite Christmas by far was waking up to see the dollhouse my mother, grandma, and grandpa had made for me. Grandpa was a carpenter and had crafted the house AND all the furniture. Grandma has sewn everything; right down to sheets, comforters, and pillows for the beds. Mom had done the carpets, wallpaper, and other decorations. Gifts like this (thoughtful things - big or small) are things we never forget.

Suggestions:

*FlagR* I try to give as many suggestions as possible so the writer can pick and choose anything they feel would help their story. Some of it might be from a technical point of view, like I was an editor, or they are things I simply felt as a reader, but please take it all with a grain of salt.

In General:
*TagG* Even though this seems to be more of a blog or journal entry, I would still look at it like a short story when it comes to punctuation. The (brackets) would be find in a few places, but after a while they end up cluttering the piece. The second paragraph needs an edit from this.

Specifics:
*TagG* We schoosed, ( schussed?), down European mountains. (I'm not sure either but you could say: skied, slalomed, or sped etc.)
*TagG* But she did not have any undergarments whatsoever. (Maybe something like 'She had no undergarments whatsoever')
*TagG* Dressing her was difficult,(full stop) it took patience and some skill.
*TagG*Appearances can be deceiving. (you could add 'but' at the start, just for emphasis)

Favorite Lines:
*TagB* Underwear for Christmas?? For back to school, okay, but as a present? (made me laugh)
*TagB* The threading configuration was also beyond my understanding. (I remember that feeling too)
*TagB* Why couldn't she be a nurse, a stewardess, a fashion designer, AND a glamorous model? (damn straight! High five!)
*TagB* Barbie bravely ventured forth commando style. (It's alright. All other Barbies have as well. I think she would have been out of place WITH undies)

All in all:
*TagO* This piece is a wonderful glimpse into your childhood and a catalyst for nostalgic flashbacks into mine. Hugs for that!


Thanks for sharing your work. Keep writing and good luck!

Robyn

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75
75
Review of I Want To Live.  
Rated: 18+ | (4.0)
nic bowen

I came across your story while searching for things to read for the *Clock2* 48-HOUR "Read a Newbie" MISSION *Clock2*. The first few lines hooked me and I had to keep reading.

Synopsis
*TagP* Written from three perspective - a killer for hire, a husband, and a dying wife. The husband, Welsh, decides to have his wife killed. At the start, it comes across as an act of greed but later we learn she is very sick and even if her health improves, she will still have permanent brain damage.

First Impressions:
*TagV* I liked how this story explores different perspectives/mentalities towards death - eg. the kind release, the slow torture, god like power over people's lives etc. I especially liked how you crafted this to make the reader feel one thing towards the characters but quickly and skillfully change our minds to see things a different way. I'm assuming the ending isn't complete yet and look forward to seeing what happens. (I won't assume what happens at the ending since the theme so far has been 'things aren't always as they seem.')

Suggestions:

*FlagR* I try to give as many suggestions as possible so the writer can pick and choose anything they feel would help their story. Some of it might be from a technical point of view, like I was an editor, or they are things I simply felt as a reader, but please take it all with a grain of salt.

In General:
*TagG* Dialogue tags could use some TLC. Many are missing commas - "You're Steven? I was told to ask for Steven(,)" asks Welsh.

Specifics:
*TagG* He looks as nervous as they always are, and he looks as tired as they always will. (I see that you're going for stylist here, but (to me) the repetitive word could be omitted)
*TagG* He produces a torn photo of a smiling woman in her forties. (This sentence and the two after have the word photo, the sentences themselves are fine but feel slightly repetitive from that one word.)
*TagG* "I'm Mitchell Welsh, although you probably already know that" say Welsh (sayS)
*TagG* Welsh starts glancESing around the restaurant,
*TagG* My passivity sways over their entire being. (This sentence is a little confusing)


Favorite Lines:
*TagB* Families, friends and lovers have congregated together to share in this twenty-first-century feeding ritual. (I liked the poetry of this, rather than just saying 'dinner')
*TagB* hey only get to leave this pale, illuminated room after I do. Only after the doctors come and raise the sheets a few inches higher. (Wow! Great line. So powerful)
*TagB* Each time we looked at each other it was as though we were staring into a mirror, reflecting one another's regrets and misspent lives. (great set up)
*TagB* I was both the architect and the builder. In a way, I was a god over their reality. (I liked how this still painted him as the antagonist but not in a serial killer kind of way. It's a hard thing to make a contract killer sympathetic but his reasoning keeps him at least a little human)

All in all:
*TagO* I enjoyed this story a lot and look forward to the ending.

Thanks for sharing your work. Keep writing and good luck!

Robyn

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