Hi ~WhoMe???~
I chose to review your item today as part of my review challenge at the "Invalid Item" . I'm also a sucker for dark, scary stories and this looked interesting.
Synopsis
A young woman wavers between fear and uncertainty as, night after night, a stranger appears in the corner of her room, watches, but does nothing. The ending reveals it to be a dream and leaves the reader wondering if she will replay all over again.
First Impressions:
This was a cool concept, not necessarily new but still still interesting to read. It had hints of 'The Triangle' and 'In the Mouth of Madness', with it's cyclical ending, mixed with an Alfred Hitchcock-like tension.
Suggestions:
I try to give as many suggestions as possible so the writer can pick and choose anything they feel would help their story. Some of it might be from a technical point of view, like I was an editor, or they are things I simply felt as a reader, but please take it all with a grain of salt. I also noticed there was no word limit posted and no notes saying there were limitations on the piece, so I looked at everything as if you had unlimited room to expand.
In General:
Something kept creeping into the back of her mind, making her feel like she was forgetting something.- Reading this through the first time, I found the fact she totally forgot a little unbelievable. Mostly because of the fear you built up in her the first night. Perhaps she could have forgotten during work because it was busy, but not knowing at all until it started again was stretching it. Now, since it was a dream (and the entire thing could have been a dream), one could argue that total believability could be ignored, but it seems you were going for as real as possible so the ending was a bigger surprise. I would have the feelings and fear linger. There are enough hints already.
The sequence was only a few nights - there's actually nothing wrong with this. The story sits fine with the current timeline, but if you wanted the ending to be stronger, you could extend it longer. Make it weeks, even months. It also doesn't have to be confined to the bedroom. Maybe she could fall asleep in other rooms or at her office. Have you ever had those dreams that the line between sleeping and waking is blurred(you don't know when exactly it was you woke up)? There's lots to play around with there.
Getting into the technical stuff, there were two big things that you might want to address: 1 - repetitive concepts - I noticed there were many lines that were just rewording of what you had before, things like 'she didn't move', 'she was scared', 'it was dark', 'she focused on her breathing' etc. Granted she's feeling it again because the situation is repeating, but I counted five different reiterations of 'she didn't move' within the first dream sequence alone. 2 - Internal Questions - There were many of them. I understand a 'detective' will ask a lot of questions, and a few within the story I could totally understand, but there were so many it started to feel like a plot crutch to explain her feelings.
I felt the story only explored her feelings, actions. What about smells, touch, sounds (besides silence and her heart), tastes etc.? An example would be her room. Her eyes focused and she could see the details of her room, but then we were given no details.
Specifics:
The deafening silence was so loud she could hear the train roaring as her heartbeat sped out of control. (Confusing, it reads like there was an actual train going by not the roaring silence in her head)
She couldn’t make a run for it, for he was right next to the door. She would have to run by him to get out of the room. (Repetitive. If he's by the door, then clearly she would have to run by him to get out.)
She would wait him out. She would react to his action. (This sounds strange to me. Perhaps reword or omit)
She lay there not moving for what seemed an eternity. (This phrases has been repeated many times in the story. It's also an overused phrase in most writing. I would reword)
Safe! Or was she? (This sounds a little too 'dun dun dun!" join us next time on the twilight zone - but that's just me)
She scrambled into her sleeping attire, which usually consisted of an old pair of shorts and a ragged old shirt. ('She scrambled into an old pair of shorts and her favorite ragged t-shirt' would work just fine.)
She knew she wouldn’t survive a fourth night, the exhaustion alone was sure to be the end of her. (I know it's a dream but people won't die from 4-5 days with no sleep. People have gone longer. You feel strung out, you cry, you feel like your going to lose your mind, but it wouldn't be the end. Now, if you extended the experience to months and had her pounding back caffine drinks, yes she could die)
The back door was not locked. She knew this, because the door wasn’t even shut. (If the door is open, then clearly it wasn't locked.)
Bang, the door slammed shut. (I would put Bang on it's own line.)
Favorite Lines/Ideas:
Loud music didn’t even reach the ears of a neighbor, how would a scream? (Fantastic line.)
I liked that she grabbed a rake. For some reason it made me laugh, but it was still a great weapon, better than the cliche shovel or baseball bat.
A quick snack of salsa and chips washed down with a coke, then some reading before getting ready for bed. (I'm glad I'm not the only one who eats stuff like this before bed! Woohoo!)
The cyclical ending and use of the opening line at the ending was great.
All in all:
I like the base you've built up. There's so much to work with I think you could have a lot of fun expanding and exploring. If you haven't seen either of the movies I've mentioned, I highly recommend starting with the Triangle. It's one of the few movies that actually left me creeped out for days. I think this story has lot of potential to do the same.
Thanks for sharing your work. Keep writing and good luck!
Robyn |
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