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26
26
Review of To the Death  
Review by JoDe
In affiliation with The Talent Pond  
Rated: 13+ | (4.0)
This review is given in goodwill. Take what you want from it, but just keep writing. And please remember that 3.0 is average.

Title: To the Death
Chapter: n/a
Author: SoCalScribe

Plot: Hayden (our hero) finally reaches the inner lair of his greatest foe, Reiko. They fight – to the death, or not.

Style & Voice: Third person/Hayden’s POV

Referencing: fantasy

Scene/Setting: Reiko’s castle dungeon

Characters: Hayden, Reiko

Grammar:see line edits

Line Edit:
‘…valiant knights who had failed, their suits of…’ Comma splice—change to semi colon or begin a new sentence
‘…“I was wondering when you were going to get here,” he sneered…’ Two things—first, you’re going to have to convince me that a ‘sneer’ is a sound or you need a period, end quotation marks and an upper case ‘H’; & theoretically, Hayden can’t ‘see’ himself sneer – now, I’m pretty lenient about this—but there are those in MM (novel group) that would throw a flag on this—absolutely.
‘…Reiko would never admit it, but he was impressed with Hayden’s determination. On a good day, he and Hayden were equals on the battlefield. But after braving his dungeon for a week while Reiko rested, trained, and prepared himself, it wasn’t going to be much of a challenge…’ Oops—POV slip. No head-hopping.
‘…“Good,” Reiko conceded…’ Again—this is pushing the sound envelope


Just My Opinion:
‘…As he mentally catalogued all the valuables in the room, Reiko stepped out from the end of the hall. He had been living well apparently, draped in a silk robe embroidered with glittering gold and silver. He smirked at his nemesis…’ This para is confusing—it sounds as though it’s Reiko who is mentally cataloguing the valuables, etc. You saved your POV with the ‘apparently’—but just!
The banter is a bit stiff…I’m sure you could make it more natural.
‘…Reiko shed his robe, revealing… / / … scabbard at his waist…’ Okay, this could be just me, but Hayden is paying way too much attention to Reiko’s clothes and physical fitness.
Too much telling in general – show at least the end of one of Hayden’s fights to make it through the dungeon.
In the second group of speech, you add tags on every line. Whether you belong to the ‘minimalist dialogue tag team’ that sticks very close to ‘said’, ‘asked’, etc., or the more open-minded group that like to ‘mix it up’ with ‘hollered’, ‘whispered’, etc.—you only need a dialogue tag every four to five lines.
Okay, now really—if this guy, Reiko, was so evil—why would Hayden even think he’d lose all his possible weapons???
‘…“As soon as you get rid of the poisoned spike in your right boot.”…’ Ooh, how very General Klep of you-or him. (the evil woman in ‘From Russia with Love’)
‘…Four dozen knights worked tirelessly to remove all the riches from the room…’ Okay, is it me, or shouldn’t Hayden be annoyed? Why the (bleep!) couldn’t the four dozen knights get there a bit earlier and help fight?! How long did it take for them to get there? And where was Reiko’s ‘uncorpse’ in the meantime?
Huh? Is Reiko dead or not? See, this is why you need to cut off his head, cut his heart out and burn the body—then pour acid on it.

I liked this—and wonder if there is more…or was it written to for a contest—since it’s just under 2000 words.
PS: 22 ‘ly’ adverbs - @ 1% -- not the worst I’ve seen by any means, but still—strong verbs eliminate the need for adverbs.

27
27
Review of Time Enough  
Review by JoDe
In affiliation with The Talent Pond  
Rated: 13+ | (4.0)
This review is given in goodwill. Take what you want from it, but just keep writing. And please remember that 3.0 is average.

Title: Time Enough
Chapter: n/a
Author: k.i.montgomery

Plot: After four years or so of taking her husband's physical abusive, Bea draws a line in the snow...she takes advantages of Joe's sleeping form and uses the poker to beat the new rules of their marriage into him. Her brother stops in to check on them and she tells him Joe's been hurt in an accident

Style & Voice: Third person/Bea's POV

Referencing: Northern Michigan-1919

Scene/Setting:a small farmhouse, during a blizzard.

Characters: Bea, her small son, Clarence, her abusive husband,Joe & her brother, Floyd

Grammar: You have some problems with commas, but then who doesn't? I'm sure every item in my port posted before I took the class has serious errors in them. The New Horizon Academy 'Comma-Kazi' class is the best 2000 gift points you'll ever spend. See line edits for examples.

Line Edit:

'...exceptionally cold with...' I think you need another comma here between 'cold' & 'with'--actually, the back half of this sentence is a comma splice. It either needs to be broken into two sentences, or change the comma between 'snowfall' & 'even' to a semi colon or em dash.

In the paragraph beginning 'Beatrice Ketzbenh...' you use 'jokingly' and in the next sentence 'joked'. Avoid repeating words.

'... inches tall and weighing...' Not using a comma here is correct, but the next sentence (beginning '...Her smile was...' needs the comma between 'infectious' & 'and' because it's a compound sentence (one that could be broken into two complete sentences--if you left out the second 'her', it would no longer to a compound sentence and you would not need the comma).

'...one thing. If Bea set her...' Instead of the period, I think I'd use a colon here.

'... with her and she just...' Another compound sentence that needs a comma between 'her' & 'and'

'... her hands, and made...' Not a compound sentence--so no comma here.

'... the huge black cook stove...' 'huge' & 'black' are coordinating adjecives. You can tell this because you could flip them-even though it might not sound 'right'. I might consider hyphenating cook-stove, but if you don't, you don't want a comma-because you couldn't write '...huge cook black stove...'

'... of coffee and a glass...' There are some editors that would expect a comma between 'coffee' & 'and'--this is referred to as an Oxford comma and kind of optional now-a-days. Newspapers usually do not use it.


Just My Opinion:
I liked this. You painted a vivid picture of the setting and Bea's situation. One thing you might try to avoid in the future is 'information dumping'--although, sometimes we just have to. Beginning with the para starting'...Beatrice Ketzbech... you broke away from the 'story' and gave the reader 'backstory'--it is disruptive. Try to get around paragraphs like these by passing information through conversation or thought. And, as a last resort, the flashback.
You should also try to avoid relying on 'ly' adverbs by using your thesaurus and finding a verb that is more descriptive. Compare 'He walked along slowly.' to 'He strolled along.'
All-in-all, a well-written little slice of life.

Thanks for the read, JoDe
28
28
Review by JoDe
In affiliation with The Talent Pond  
Rated: E | (4.0)
Okay Karie. Line edits coming in an attachment to email. Maybe you should buy a blue pencil for your editor and give him the sublte hint.

You do need to use commas at the end of a quotation that's followed by 'he said; she says ect.

And you need to indent your paragraphs or add an extra line.
29
29
Review of Death Chamber  
Review by JoDe
In affiliation with The Talent Pond  
Rated: 13+ | (4.5)
“Just what kind of freak are you?”

Hawkins reached over and grabbed the man’s arm in a tightening grip. “You better keep talking, cause I don’t need this kind of crap right now, understand?”

I found this confusing--and think it should be one paragraph.

believe, that LaStrom I don't think you use a comma before 'that'

you head-hopped---you began in the policeman's head--and jumped to the mortician's when the policeman sends men to the funeral home
all in all--a great little story

And I do appreciate the big type--thank you
30
30
Review by JoDe
In affiliation with The Talent Pond  
Rated: E | (3.0)
Okay, even though this is an editorial, rather than a news, piece, you still can’t insert speculation. Who says he’s nice? You could redo to begin ‘If asked, most people who know Paul Caron would agree he’s a nice guy. (See picture above) They say he always seems to have a soft word and a smile for them.

Paul Caron is one heck of a nice guy (that’s him up above). He’s soft spoken with a friendly smile, lots of people know that about him. He owns and operates a local business, Caron Custom Homes, and even serves as trustee on the Decatur Village Council. new paraBut what you may not know about him is this: Paul Caron can sing.….and I don’t just mean sing as in ’carry a tune’, I mean, Paul Caron can knock your socks off sing!

It all started 18eighteen years ago at TJ’s Pour House in Gobles, where at the age of 16sixteen, Paul worked as a dishwasher. Karaoke was just becoming popular at the time and TJ’s had Karaokeit every Saturday night. After seeing how much fun everyone had getting up there and singing, Paul decided to give it a try. He knew had a pretty good voice.

“One Saturday night I got up there. And wow, I didn’t know I was good. It just sparked something. And I started doing it more often.”

He even developed a bit of a ’fan base. Some of the people who liked to hear Paul singthese fans would sneak him into bars underage for karaoke nightknowing he was underage. (I write this knowing that the statute of limitations is 7 years), andfF rom then on, singing became a hobby for Paul. {spell out numerals! And by my rough math, he was about twenty-nine in 2004—yes—no--

By the time he was 29, s S inging had become a became his passion. By 2004, hHe passive had taught himself to play guitar and even had preformedsome singing gigs. He also had written a few of wrote several of his own songs and began to competestarted competing in contests. New paraIn 2004, Paul won the Hometown Idol contest sponsored by 103.3 WKFR and the Twin Cities Jaycees and 103.3 WKFR radio. As the winner, hHe sang the final song of the Hometown Idol Concert on stage at the State Theatre and was awardedas well as the opportunity to make a demo tape with Brown and Brown Studio in Kalamazoo. Paul chose to record ahis own song, he wrote, entitled “Candlelight” for his demo tape.

“It’s a honkey tonk song about a date looking much better at the bar the night before than the next morning,” he(either said, grinning. OR a period after ‘morning’, two spaces and upper case’H’e grins.) “She sure looked good by candlelight last night, the song says.”

WKFR was supposed to play the song on the radio on a Friday during happy hour but ended up refusing, becausestating it’s a country song, and they are a pop station.

“From 2004 through 2006, I would compete in anything I could find.” (This is the place for the comma.) Paul says. He even traveled as far as Huntington, VA to compete in Nashville Star, . aThis nationwide NBC TV singing competition hosted by Billy Ray Cyrus that is similar to American Idol but is the country version.is the country version of ‘American Idol’, hosted by Billy Ray Cyrus. Paul also sent his demo tape to Atlantic Records but talks fizzled out after the rep he was talking to was Can you say ‘law suit’? firedNew paraNegotiations with Atlantic Records broke down when the representative he was working with left the company. At one time, someone also wanted to buy his song “Candlelight” thinking it could be used in a movie soundtrack, but they wanted 100 percent copyright and Paul refused”Candlelight” was also considered for a movie soundtrack. However, the producers insisted on retaining one hundred per cent of the copyright, and Paul refused.

These days, you can find Paul working his tail off hard at work as a general contractor in Decatur and Sister Lakes. The family owns two homes in the area, both of which they are renovating: a hundred year old Victorian that has been in his wife, Jennifer’s family for years, and a house on the channel that they actually lifted from the muck. Paul puts his heart into his building, just like his singing.

“How many times do you hear people say, if I could find my contractor I would choke him.? I couldn’t stand that!” extra space Paul says., “I feel like after I work for someone, I’ve made a new friend or acquaintance, and that’s really what makes me tick. People will tell you when you are good and when you are not. I do the best job I can because I want it to turn out great. I want all my customers to feel like they hired someone who is competent, good and accomplished, because then they’ll tell other people—no space between em dash and word Paul Caron is building my house right now. I’ve had people say that at village functions and that’s what really promotes my business. And I made a new friend. If a customer is not happy with a job, then I’m not happy.”

When he’s not working on houses (yours or his!) he also servesor on the Village Council,he likes to hunt and fish, and spend time with his family.

Neighbors is a new weekly column about the folks that make Decatur “tick.” If you have comments or know someone who would make a great “Neighbor” please contact kariejeanne@hotmail.com.

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31
Review of The Test  
Review by JoDe
In affiliation with The Talent Pond  
Rated: 18+ | (4.0)
This review is given in goodwill. Take what you want from it, but just keep writing.

Title: The Test
Chapter: n/a
Author: Callie Leonore

Plot: Miranda’s life seems to be crumbling…somehow finishing school with honors, good job offers and the world is her oyster has morphed to no future, no job and no money. After another unsuccessful job interview, she treats herself to a soda and is approached by an intriguing man. He offers her one million dollars to have sex with him. He offers to give her time to consider, and kind of stalks her. Even though no jobs materialize, her electricity is shut off and things just keep on sliding downhill, she refuses Gaderel latest offer of two million dollars. She does manual labor, she sees things she shouldn’t see—that no one should see, let alone experience—and still she does not give in to his four million dollar offer. Her life goes on, and while it doesn’t become ordinary or easy, she’s kept her integrity.

Style & Voice: First person/Miranda’s POV

Referencing:present day

Scene/Setting:a bus; a food court; in general every day places

Characters:Miranda & Gaderel

Grammar: I understand that often (okay, read always) the WDC site messes up the formatting when you copy and paste into a static item—so I can understand the erratic indents, but the spelling errors are inexcusable. Especially in this day of spell check. You never know who (because there are agents, editors and publishers here) might stop by. So you want to always present your best foot forward. That means formatting, spelling and punctuation.
Grammar, punctuation and spelling errors will be below in the ‘line edits’ but in general you need to break up your paragraphs more, watch where you put reactions to dialogue, and pick a tense and stick with it.
I’m not sure why, but agents, editors and publishers all seem to want ‘curly’ quotation marks. You might as well get in the habit.

Line Edit:
‘…I felt a drop of sweat glide down my thigh and mee the silken material of my slip…’ I think you meant ‘met the silken material of my slip…’
I’ve got a problem with this—she’s standing, sweat is running down her leg. A nylon (and let’s face it, she isn’t wearing silk) isn’t going to absorb sweat—but a cotton skirt will.
Cotton – with two ‘o’s
New para ‘…There are a few people..’
‘…cell phone…’ Two words
‘…wallet are at the bottom..’ ‘are’= present tense but in the next sentence ‘…things were worth…’ ‘were’= past tense
‘…my bill was overdue…’ ‘was’ = past tense; next sentence ‘…wallet is as..’ ‘is’ = present tense
New para ‘…The little hairs…’
‘…, but didn't see anyone but a bleached blonde with…’ two ‘but’s not only in the same sentence, but only three words in between. How about using ‘except’
‘…Unfortunately, I was now…’ slipped into passive voice
‘…Wordlessly we had communicated…’ Comma after ‘Wordlessly’
‘…I had circled the add with…’ ‘had’ = passive ‘add’ = math ‘ad’ = advertisement
‘…Probably, everyone on this bus…’ sentence fragment
‘…Just two months ago I was…’ Comma between ‘ago’ & ‘I’
‘…I exhaled…’ I’d start a new para
‘…Positive vibes…’ sentence fragment
‘…career person I will…’ comma between ‘person’ & ‘I’
‘…study renaissiance literature…’ renaissance
‘…up to the mall and I nodded again…’ compound sentence (you use a lot of compound sentences—you might want to try and do that less) so this needs a comma between ‘mall’ & ‘and’
‘.... I am ready. I brought copies of my resume…’ ‘I am ready.’ = present tense ‘I brought copies of my resume.’ I think this is past tense
‘…The little hairs on…’ new para
‘…is definately around…’ definitely
‘…noone is there. Don't sabatoge your interview…’ no one = two words sabotage
‘…Sodom and Gamorah…’ Gomorrah
‘…I grabbed a soda and took out the… … past tense then ‘…Pretty much all my bills are overdue and my electricity had already been shut off once…’ ‘are overdue’ = present; ‘had…been shut’ = past tense
‘…the deepest darkest eyes…’ co-ordinating adjectives need a comma
‘…His eyes were the deepest darkest eyes I have ever seen, and in them were the secrets of men and women…’ This is a bit awkward—and you kind of want this back half of this to be noticed.
‘…noticed a faint European accent…’ Huh? European? English, French, Italian—but what is ‘European’?
‘…"Alright," I said and…’ While alright is widely accepted, ‘all right’ is preferred
‘…. Thank you." I said…’ ‘Thank you,” I said
‘…“To a certain demographic our reputations…’ comma after the prepositional phrase—To a certain demographic, our…’
‘…double –talk was…’ a hyphen is an en dash (the single one) ‘double-talk’
‘…expected to hear.” He said nonchalantly…’ ‘…expected to hear,” he said
‘complement’ = something that completes ‘compliment’ is what you meant
‘…asset, and of course the act of intimacy is exactly that-intimate…’ ‘asset, and of course, the act of intimacy is exactly that—intimate (now the em dash)
‘…proposals like mine you and I would…’ comma between ‘mine’ & ‘you’
‘…“O no,” He smiled,…’ “Oh no.” He smiled. “And you mean ‘a’ child.
‘…A kid is a baby lamb…’ NO, a kid is a baby goat (you would think that this guy would know about goats) and a lamb is a baby sheep.
‘…I just stared…’ You need a period at the end.
OH not just O
‘…“Fine. Gaderel.” Gaderel smiled…’ “Fine, Gaderel.” He smiled and
‘…use for fraternity barbeques…’ She’s a girl, right? Sorority, perhaps, but not fraternity and ‘barbeque’ is the English spelling…You probably need to use ‘barbecue’
Para beginning ‘…That night, by candlelight,..’ needs to be broken up
‘…What if he made the offer again…’ The next several sentences shift from first person  second person
‘…Sleep is a luxury my head said. You won’t have it for long if you don’t find a job….’ This makes no sense to me—what else does she have to do but sleep? She has no job.
‘…As bus thirteen coughed up to the curb I saw a figure against the sun and dust...’ you had Bus Thirteen in caps and comma between ’curb’ & ‘I’
‘…I looked to my buddy and nodded to her and she boarded the bus…’ I think you meant ‘as’ she boarded
‘…“Gaderel,” I said…’ period after ‘said’.
‘…“Until you say otherwise I make it…’ comma after ‘otherwise’
‘…A little but I…’ comma between ‘little’ & ‘but’
‘…My I take…’ May I take
‘…meeting with you.” I said…’ ‘with you,” I said
‘…. I nodded and turned around and felt the bus cough…’ Lose the first ‘and’ and you’ve had the bus cough several times—the problem with hitting on a vivid adjective is that it sticks out when you over use it.
‘…. Somehow I felt…’ Somehow,
Watch your tenses
‘…Starbucks, ensuring that we wouldn’t be seen by anyone prominent. The…’ Huh? Who’d recognize her?
‘…The waitress took note of Gaderel the moment we enter the place, and I wondered if I refused if he would “make an offer” to her….’ Another compound sentence/comma splice also need comma after ‘refused’ – ‘86’ the second ‘if’
‘…“Miranda” I said…’ “Miranda,” I said
‘…know why but I told…’ comma between ‘why’ & ‘but’
‘…If I was smart I would…’ comma between ‘smart’ & ‘I’
‘…Thank you.” I said…’ Thank you,” I said.
‘…“So, is this the treatment you give all your girls?” I asked Move up to the para before—it’s still her speaking and you need a period at the end of the sentence.
‘…“Then what do you have.” End with a question mark, not a period.
‘…“I see.” He said, but not a muscle in his body relaxed, “I do not do this, ever. You would be my first.”…’ “I see,” he said, but not a muscle in his body relaxed. “I have not done this—ever. You would be my first.”
‘…handsome man buying sex…’ another sentence without a period.
‘…But, while we are on it would I be your first?”…’ But, while we are on ‘the subject’, would I be your first?”
‘…. For without your parents having sex you..’ For, without your parents having sex, you
‘…“It is the other way around.” I answered…’ “It is the other way around,” I answered.
‘…trust you if your…’ ‘trust you, if your’
‘…Gaderel asked staring…’ ‘asked, staring’
‘…single question he had…’ ‘question, he’
‘…“Well.” Gaderel said leaning…’ “Well,” Gaderel said, leaning
‘…I looked down at my hands desperately wished I could know what he would do next…’ this needs to either read ‘down at my hands, desperately wishing I could’ OR ‘down at my hands, and desperately wished’
‘…smiled triumphantly. “I’m not saying I accept. I just want to know.” I added quickly…’ ‘smiled triumphantly.’ Is spoken by Gaderel. The rest is spoken by Miranda—why are they on the same line?
‘…Truth be told I’ve…’ ‘Truth be told, I’ve’
‘…And no, I don’t want sex with you. I want everything.”…’ What does this mean?
‘…We give each other something, and you get paid…’ The two halves of this sentence – Either just use the first half ‘We give each other something.’ Or something like ‘You give me your body, and I pay you.
‘…raped from you, your spirit will…’ I’d use either an em dash or a semi colon—not a comma.
‘…With my offer you use up less time.”…’ Comma between ‘offer’ & ‘you’
‘…question if the time comes.”…’ comma between ‘question’ & ‘if’
‘…But, I reject them both. “ I said looking…’ But, I reject them both,” I said, looking
‘…Sometimes my thoughts would wonder to…’ ‘Sometimes, my thoughts would ‘wander’ to
‘…Once the truck was full I would get cleaned up and take…’ ‘Once the truck was full, I would…
‘…I made it to the farmers’ market and it was the usual crowd….’ How about ‘market and found the usual’ or ‘market. It was filled with the usual crowd.
‘…,” he said warmly…’ “Miranda,” he said, warmly.
‘…“Gaderel” I smiled back, “Apple?” I held one up to him…’ “Gaderel.” I smiled back. “Apple?” I held one up to him.
‘…I was deflecting and I didn’t care…’ Compound sentence—so a comma before ‘and’
‘…“Thank you.” I said…’ “Thank you,” I said.
‘…He doubled what he was offering last time….’ Either ‘He doubled what he offered last time… OR ‘He was doubling what he had offered last time…
‘…That night I collapsed onto the bed I rented from the boarding house…’ I’m sure she rents more than a bed—I mean it’s not just a bed on the sidewalk.
‘…Out here I’d seen power abused….’ Out here, I’d seen power abused.
‘…. The orchard owners hired out to illegal immigrants and paid…’ I’m wondering if this is a regional slang—The orchard owners could hire out cars or room to the illegal immigrants—but they merely hired the illegal immigrants and paid them less.
‘…If I accepted Gaderel’s offer I could get away…’ If I accepted Gaderel’s offer, I could get away…
‘…After I, you know, with him I wouldn’t…’ Why the sudden primness? She can’t even ‘think’ the term sex, or make love, or relations?
‘…. But, he could have black mail on me…’ Odd wording…he could black mail me, or he would have something to black mail me with.
‘…Life goes on and I am meant to live it…’ Another compound sentence—which needs to be broken into two parts, or have a comma before ‘and’.
‘…When I see Gaderel the coming night I will once again, refuse his offer….’ There’s something in this and the sentence about black mail that make me wonder if English isn’t your first language. This is nothing to be ashamed of—quite the contrary. But sometimes little prepositions get muddled in translation. And, it is definitely something you want to put in your bio block—and biography.
‘…and stood in the doorjamb…’ doorjambs are the two vertical posts framing the opening. She can’t really stand in one of them—but she can stand in the doorway.
‘…“Gaderel.” I answered back’ “Gaderel,” I answered back. (Use a comma with a verbal dialogue tag.)
“…I have said before and feel the need to say again. I am a man in a position to make things easy for you.”…’ I have said this before and feel the need to say it again, I am a man in a position….
‘…“In a word, yes.” He said. Anger flared in me….’ “In a word, yes,” he said. Move the ‘Anger flared…to the next para—it’s her feelings.
‘…obvious at this point.” He said lightly ‘…obvious at this point,” he said, lightly.
‘…“So, if I accept you this time not only would I be able to get a job but I could…’ “So, if I accept you this time, not only would I be able to get a job, but I could get…’
‘…“Why do you want me? You could get anyone.” I asked…’ ‘You could get anyone,” I asked…’
‘…My reasons that is.”…’ ‘My reasons, that is.”
‘…“All in due time, Miranda.” He said, “But the question of…’ Okay, either “All in due time, Miranda,” he said. “But the questions of…’ OR “All in due time, Miranda.” He said, “But the questions of…’
‘…repulsive about me?” He asked…’ ‘about me?” he asked…’
‘…And for, most jobs, their presence….’ I do not understand this.
‘…. I worked hard, and I honored every promise I make…’ Pick a tense. Either ‘I worked hard, and I honored every promise I’ve made… OR ‘I work hard, and I honor every promise I make…
‘…. Everything was still, it was as if Gaderel had disintegrated…’ I would divide this—‘Everything was still. It was as if Gaderel had (maybe) evaporated…
‘…for after a while the people working…’ ‘for after a while, the people working…’
‘… It’s been two years since I’d last seen Gaderel….’ Pick one—‘It’s been two years since I last saw…’ OR ‘It’d been two years since I’d last seen…’
‘…I’d moved from my orchard job, as I’d been fired…’ This is redundant—I’d lost my orchard job, OR I was fired from my job at the orchard…you get the idea.
‘…and l learned from an old surfer how to etch scenes into driftwood…’ do you need this?
‘…It was an early morning…’ New para
‘…It is peculiar that as of this day he is the longest relationship I’ve had with anyone in a long time; and in all that time I’ve never seen him when he wasn’t well-dressed…’ It is strange that this strange relationship is the longest I’ve been in in a long time. And in all that time, I’d never seen him when he wasn’t well-dressed…’
‘…asked me out for dinner we…’ ‘asked me out for dinner, we…’
‘…before you broke and gave me yourself.”…’ Awkward—flip it to ‘before you broke and gave yourself to me.”











Just My Opinion:
While I appreciate your choice of the name, Gaderel—other than Jewish scholars—how many of your readers going to ‘get’ it? Brooke and I both found it odd, and figured it had to mean something. I looked it up in my names/nationalities book and didn’t find it. Brooke found it on the internet.
‘…It was hot…’ Isn’t the most exciting first sentence
‘... I had circled the add with a pencil, I couldn't afford a red pen…’ I’m not sure you need this sentence at all.
About 45 ‘ly’ adverbs in 5000 words = not awful, but not great And they tend to be in clumps.
‘…what he wanted and something…’ I think it should be ‘but something’
‘…“That is the question I expected you would ask first. But, before I answer that I would like to say something. Your first reaction, while not expected, is not surprising. The demographic I referred to earlier holds similar sentiments. A woman’s virtue is her only true asset, and of course the act of intimacy is exactly that-intimate. I do not agree with this really. I mean without this and perhaps, proposals like mine you and I would not be here. Every world religion holds this in high regard, as they should I believe, however they do not hold it accurately. The chief end of every animal, man or beast, is production and the act itself is sacred in that without it we cease to exist.”…’ I feel like I’ve just wandered into ‘1984’ – and ‘new speak’ – this is all gobbly-gook.
Whether you follow the minimalist school of dialogue tags, or the more varied one, you should use dialogue tags every four or five sentences, and you seem to stretch this out to six lines.
‘…Time will be raped from you, your…’ I suppose that the ravages of time will rape you, but I’m not sure that ‘time can be raped from you’.
‘…They raped the women, saying if they didn’t sleep with them the women would lose their jobs….’ I’m not sure ‘rape’ is the right term. They coerced the women with threats of losing jobs, but I don’t know about ‘rape’.
‘…. “Gaderel, I know why you are here….’ This is superfluous—we all know why he’s there.
‘…You are responsible for me not getting a job?”…’ Either ‘Are you responsible…’ OR ‘That you are responsible…’
‘…“Only if you wanted to repeat the act. But, only the one time is required.”…’ Lose one of the onlys.
You ‘show’ much more than you ‘tell’—but near the end, you start telling more—even rambling a bit.
‘…“Well, you’re wrong. It has been hard for me, but it hasn’t been bad. I’ve seen and done things I would not have if you hadn’t been a jerk. I’ve woken up before the sun to get to apples and seen them turn from green to red. I’ve listened to the native songs of the immigrants that are far from home. I’ve trudged with the huddled masses as they look for jobs and seen the relief when one finally gets one. I’ve helped children learn to read that wouldn’t have because their teachers are too busy with the thousands of students in their classes. I’ve seen the sea right after a storm when the animals and barnacles try to rebuild their homes. I’ve learned how to make a piece of art out of something someone else would throw away. You’ve made my life hard, but not bad. You don’t get to do that to me.” This is very long—break it up and it’s bordering on preachy…maybe you could tone it down a little.
I liked the premise. I don’t hate the characters, although we don’t get much of a picture of Miranda—except she likes cotton skirts. I do think that the end needs polishing, but all in all, not a bad read. Keep working!


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Review by JoDe
In affiliation with The Talent Pond  
Rated: 18+ | (4.0)
This review is given in goodwill. Take what you want from it, but just keep writing.

Title: Rest Haven Cemetery
Chapter: (extended version)
Author: Piper

Plot: Teenage girl suffers from ‘Mall Separation Anxiety’ after moving to a small town; made worse by her parents’ sudden insistence on ‘responsible behavior’. Walking home one night after her late shift at Burger Hut, she takes what she hopes will be a shortcut, through a deserted cemetery, she is accosted by a being, who seems to recognize her. She doesn’t get too worried until he almost smothers her (literally) with kisses and catch sight of his fangs.

Style & Voice: First person/girl

Referencing:Present day

Scene/Setting:Decaying cemetery in a small town

Characters: The vampire & the girl (would really like some names)
[I don’t suppose you’d consider having her recognize him—refer to him by name—as if Christine is channeling through her]

Grammar:Okay, you do have some issues.
In general, watch your ‘ly’ adverbs. Seventeen out a 1700+ word story isn’t too bad—but it is one percent. And I think one was a typo—that you meant ‘earthy’ not ‘earthly’. Just take a minute, highlight them, and then look how they fall. The problem with them is if you give in to ‘just one’-another will sneak in. Weak verbs (like ‘walk’) need propping up. Strong verbs (like ‘saunter’, ‘strut’ or ‘trot’) eliminate the need for adverbs. (And it was Max who turned me into the ‘ly’ adverb Nazi.)
Here’s an example: ‘…hear him laugh softly, like this was…’’…hear him chuckle, like this was …’ See, I’ve eliminated the dreaded ‘ly’ but still kept your meaning of a soft laugh.
Another problem is ‘passive voice’ and I struggle with this one too—constantly (OOPS-see how they sneak up on you?). Try a avoid helping verbs, like ‘has’, ‘had’, ‘was’—you get the idea.
For example: Instead of ‘…It worked, with one small exception. I had to cross a cemetery…’ ‘…It worked, with one small exception. It took me through the cemetery…’ It’s just a little more ‘active’.
You might think about breaking up some of the longer paragraphs.
Whether you belong to the minimalist school of dialogue tags—who believe that you should keep it simple—said, asked, etc., because they are ‘invisible’ to the reader OR the flip side—who believe that you need to mix it up—‘whispered’, ‘choked’, ‘croaked’ etc., because they are more descriptive, you need to use tags about every fourth or fifth line. You use very few.
Line Edit:
‘…I'd just moved to the area, and, to my parents annoyance, I wasn't happy about it…’ She didn’t move there alone—so it should read ‘…We’d just moved….’ And I’m not at all sure you need the middle clause.
I think: ‘…whole small town, backwoods, total lack of fashion-sense situation that pissed me off…’
‘…My parents thought I looked "fetching". I, on the other hand, wanted to retch a tropical flower…’ Couple of things—I’m not at all sure I would use ‘fetching’—let alone a grown child of mine—and I would use single quotation marks around whatever you use. I’m also thinking this might be a good place to ‘nest’. Right now, the girl’s parents think she’s stunning, but she says it make her want to retch—apples to oranges. Keep the first part, but then have the girl also ‘think’ it looks like something the cat threw up—or something—apples to apples.
‘…made easy quick steps…’ ‘easy’ and ‘quick’ are co-ordinating adjectives—they are both
describing the ‘steps’ AND could be flipped around and still make sense—so they get a comma between them.
I don’t know why—but if you submit anything, they will want ‘curly’ quotation marks. You might as well get used to them. Basically, they’re the same—EXCEPT if you use em dashes – to indicate someone has cut someone else off mid sentence. The thing you need to remember is to stick a letter in so the quotation mark curls the right way. For example: ‘…are you—“ -wrong way. But if I type ‘…are you—m” and then delete the ‘m’ they’re the right way.’
‘…"Let go of me" I…’ ‘… “Let go of me,” I…’
‘…swung, aiming for that irritating yet somehow sexy mouth…’ missing commas – one between ‘irritating’ & ‘yet’ and I think one between ‘sexy’ & ‘mouth’
There are several places while they’re interacting that could use some more commas. Also, these long paragraphs need to be broken up.
‘…of its reason, it's Him...it's finally Him… I don’t think you meant he was God—lower case ‘h’
‘…smell the earthly…’ I think you meant ‘earthy’
‘…I clutched his trench in my fists, and felt the smooth texture of the leather…’ This had me puzzled for a while—you mean his trench coat. I didn’t notice you mentioning a trench coat earlier—if you did, I apologize—but if you didn’t the ‘trench’ comes as a surprise. And it’s a leather trench coat—all I can see if an SS officer (they wore those long, black trench coats)
You’ve reversed ‘breath’ and ‘breathe’
‘…"Go on now..." …’ You need a space between the periods for ellipsis . . .”
‘…"Alright Sunshine, listen...’ Although both ‘alright’ and ‘all right’ are both accepted—‘all right’ seems to be the preferred form
Just My Opinion:
I liked this. I loved her edgy sarcasm—but I would have liked her to have a name. In fact, by adding a name (that’s not Christine) you’d be underscoring the fact that he’s mesmerized her—that she doesn’t even realize she answering to someone else’s name. That would make the last line pop!
I’m sure as I do the line edit, I’ll have some more comments, but for now here’s my advice—take this from your port and work on it. This place is vampire crazy the entire month of October, and I’m sure there’s a contest for this then. BUT, lots of them want stories written for that contest—so as long as it needs work, remove it and rework it.
I have a couple of questions:
Why are her eyes gold too?
Does she know him or not?
Why was he there in the deserted cemetery?
It might be just me, but I think a vampire would have good grammar—I guess because he’s an old entity. He’s very sarcastic, isn’t he? *Wink*
‘…help the thought in the back of my mind, telling…’ how about ‘voice’ in the back of …= telling
‘…goose flesh from my heated skin…’ This is all me—but I find this a little unsettling—like she’s being cooked…
I like the vampire—but I want to ‘love’ him…smooth him out—and maybe give him a name other than ‘Big Bad’
I love that he doesn’t want to hurt her—that he’d rather lose her again. Boy—you don’t think you could expand this to about 65,000 words, do you?
I really want to see what you do with this! 
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Review of 11 Days In Hell.  
Review by JoDe
In affiliation with The Talent Pond  
Rated: 13+ | (4.0)
This was rough, but you evoked a lot of emotions. Good work! I look forward to the next part.

I know that you’ve already heard about the spacing. I’m going to show how much of a difference formatting can make. *Wink*
I’ve also corrected spelling, punctuation and rearranged word order here and there.

And the damned formatting didn't copy--so, I'll save this and send it to you in WORD as an email attachement if you'd like.

JoDe

Day One
I was in P.E., if sitting in a room hanging out with your friends is P.E. Well, everyone else was hanging out with their friends. I was sitting in the middle of the room by myself.
You would think someone would’ve seen my head down, figured I was crying and com sit with me. Yeah, you would think.
Life Lesson #1: No one has to care. I don’t know how long I was crying, probably most of the period. The scary thing was that I didn’t know why I was crying.
All I remember is the pain I felt. It was indescribable. If felt like a ghost was reaching for me, like there were demons surrounding me, like the gates of Hell were in my own heart.
I couldn’t breathe very well. Time had stopped. I prayed and prayed to God to make time go faster. He might have been busy, or just didn’t care, but he didn’t answer me. So I sat there, counting the dots in the carpet.
My body started shaking, and my chest felt like it was caving in. I couldn’t take it anymore. I stood up, walked over to my coach, told him I was having female problems, and ran out. When in doubt, tell the man in charge you’re having female problems. It works every time.
Nothing mattered anymore—but that bathroom stall and the piece of metal in my pocket. I ran into the bathroom and slammed the stall door. The pencil sharpener blade in my pocket felt like it weighed one hundred pounds.
I knelt on the ground in front of the toilet and held my arm out over the bowl. For a minute, time stopped again. It was almost as if God was giving me a chance to stop, to realize what was happening, to run away.
Too bad I’m not a good listener. I slowly got the blade out and gently pressed it to the bluest vein. A rush shot through me, my pain nearly obliterated. Nearly wasn’t good enough. Taking a moment to soak in the last bits of pre-high, I jerked my hand. I didn’t understand this line. Also, look at how many ‘ly’ adverbs you gave in to in just this one long paragraph.
I didn’t feel anything, but when I opened my eyes, I saw blood crawling out of my arm, dripping rhythmically into the water. When it landed, it sort of bloomed like a rose; expanding in swirling release. I realized I wasn’t breathing and exhaled. Nothing compared to this—a moment of no pain, no fear. Sweet adrenaline—my drug of choice—washed away all my self-loathing. It was the closest I would get to happy, but all too quickly, it was gone.
I got on the toilet and pulled my pants down. There was no hesitation this time. I swiped the blade across my leg twice. It scared me, ‘cause I usually don’t feel my cuts, but I felt them this time.
My thigh stung with both physical pain and shame. The adrenaline was still there, pulsing from the wound. But I didn’t like it. Everything was too clear. My thoughts raced too fast.
I went back to class, but they were all outside. I sat in the hallway in front of the exit door and cried in agony. All the old pain returned, only ten-fold. It was so extreme I could feel it under my skin. Every inch of my body itched with it. I curled up in a ball and sobbed. I don’t know for how long.
Eventually, I realized what I needed to do. I got up and high-tailed it to the counselor’s office. I gave her the blade, and she got a tissue so she wouldn’t have to touch it. For a second, that pissed me off, but I got over it. She was so shocked, she almost seemed scared. I think she was scared.
I just sat there as she ran around in a twitchy manic state. My emotions were gone. I felt numb. After a few minutes, I finally said, “Shouldn’t you call my mom or something?” So she did. Then she walked me to the office to wait for her.
She told me she was going to help me. I found this hysterical. I was about a foot taller than she was. She was like a fragile child. She didn’t know s*** about my problems, but at least she cared. And like I said before, no one has to care. She had a good soul, and I’m grateful for her kindness.
What happened next changed my life.
My mother didn’t know what to do with me, so we drove around for a while. She got a call from my therapist and pulled into a parking lot. It was a big, ugly building, and the back was surrounded by a barbed wire fence. But there was something about it. I could tell it was designed to keep something in, not out. I found that strange, until I saw the word ‘hospital’ on some sign.
I asked my mom where we were, but she didn’t answer. Then I knew. I remember screaming—a lot of screaming. I begged and pleaded. I fought and struggled. But no one listened, and I was dragged through the doors. They put me in a room, my dad brought me a Sonic, and I waited as they checked me into Hell on Earth.
They tried to make it sound like fun—like playtime with peers. I knew better. I’d been through this whole thing before. They asked me a lot of questions: my birthday; social security number; favorite color; my gender preference; my masturbation patterns; and even if I was pregnant. I laughed at that. After all, who would want to get me pregnant? Still, I just said no, as a single tear rolled down my cheek.
It was setting in, and I was scared. She {{i}WHO—a nurse, a doctor, your psychologist?) gave me a tissue and told me everything would be okay. I knew they would be tissues in our ‘unit’, but they wanted the parents to think their child was going to happy and cared for.
Everyone wondered why the hell I was laughing. When I told them they wouldn’t get it, they all seemed worried and looked at me like I was crazy. Now THAT pissed me off!
They put me in a room with a fat girl. (No offense, that’s just the only this I could tell about her in the dark.) I didn’t have any clothes—nothing. (Here, did you mean you were naked, or that you didn’t have any of your personal things?) I cried while they made me make my bed. I did a lot of crying in that goddamned place.
The walls were an ugly, pukey orange and my bed was rubber. Comfy? No. It was probably two in the morning before I finally feel asleep—crying.




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Review by JoDe
Rated: 13+ | (3.0)
Okay, this is very well-named, becaused the plot line is definitely 'splintered'.

I will begin by welcoming you to the site. You can learn a lot here. Think about what reviewers say (and here I mean reviewers that are giving you something more than 'Wow, this was great--can't wait to read more' with a 4-->5 rating). You don't need to agree with everything--but if you begin to see a pattern, you might want to pay attention. Review others work. I know it's difficult at first--it makes you uncomfortable, but do it. You'll learn just as much from the reviews you write as the reviews you get. If you are having trouble with something, ask questions. The Angel Army no longer has a mentoring program, but people around here are pretty anxious to help you. I used to pop into the lobby of chat and ask questions. There are groups for newbies. There are also groups that teach here. New Horizon Academy is great! They have a wide array of courses, and the cost of 2000 gift points (which is 20 cents) a terrific bargin.

Now, many agents, editors, and publishers do not like prologues or introduction. So, if you're hoping to get published, you might want to take that into consideration.

That said, you are all over the place. I copied and pasted this into a WORD document and worked almost two hours on the first three (of six) pages. You are missing most of the commas that are needed. You also slip into passive voice a lot.

Aside from that, I'm not sure what the story is about--since you kill off the only character at the end of the prologue. So, for six pages you 'tell' (instead of 'show') Faldir's story and then kill him off. I know I'm old and confuse easily, but come on.

If this book is about the spirit Faldir releases, don't waste your readers' time blathering on about someone who really isn't 'in' the story. That's like spending the first seven or eight pages of "Gone With The Wind' talking about Scarlett's father's mother's cousin, back in Ireland.

Your opening line has to GRAB the reader--pull them in. What is going to make them keep reading? What is going to keep them turning pages?

Is this a novel? And are you working from some sort of outline? What kind of story are you shooting for?

Please remember that '3' is average. It's not an insult. Write back--and be sure to tell me if you can open a WORD document. If you can, I'll finish the edit and send it to you.

A final note: fill out your bioblog and biography. Be sure to write whether English is not your first language (although, I believe it is yours). The point is things like age, schooling etc., effect a reviewers reviews and ratings. After all, you wouldn't expect a second grader to do high school math, would you?

I hope to hear from you again, JoDe
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Review of Orange glove  
Review by JoDe
In affiliation with Rainbow Madness ~ Reviews and...  
Rated: ASR | (3.5)
Title: Orange Glove
Chapter: n/a
Author: Snow Lake

Plot: Well, we've got two stories going on. The first is about a young woman--Anna--and a tramping holiday on the Isle of Skye (although we only know which island the story takes place from the tag line beneath the title)

Style & Voice:Confused--a tennis match between present and past tenses. As to the voice--that also seesaws between third person/Anna's POV and at least two others: third person (present)/Mrs. Witherspoon's POV and I suppose, the hotel owner, Mr. McLeod's POV--but it's almost an omnipotent being's POV at times. I suppose that we could say the entire story is in third person-omnipotent.

Referencing:Well, the Isle of Skye (because of the tag line) and after WWII (I'm assuming that war) and most probably within the last ten years because of the reference to Pilates.

Scene/Setting: The beach and an exclusive hotel's deck.

Characters:Our hiker-Anna; A number of hotel guests, including Mrs. Eva Witherspoon; the croupier, Malcolm and the hotel owner, Mr. McLeod

Grammar:

First, twenty-seven 'ly' adverbs in a story of less than 1200 words. What's that? About two and a half percent? Try to choose the perfect verb--one describing a very specific action. Strong verbs eliminate the need to have supporting adverbs.
Next, do you understand what I'm saying about the Point of View (POV)? See below...

Line Edit: '...The dirty quilt, carelessly thrown over the hills regains its usual turquoise color embellished with the appliqué of sheep and lambs...' This line is confusing. I think that you are comparing the hills studded with sheep like an old quilt--but it's very obtuse.

The next line is a bit more clear.

'...huge opal – a dull boulder in the...' no spaces between the words an 'em' dash '...huge opal--a dull boulder...'

'...Today she plans to walk along the beach and have a cup of tea in the old hotel on the other side of the bay...' I could be wrong about this, but read this sentence over aloud. I think she should have her tea 'at' the old hotel. Your way it sounds as if she drinking her tea out of the hotel.

Now, I don't have very much experience with sea smells--but iodine? And 'seaweed' ocean=sea - I see with my eyes.

'...Murmur of waves, chattering of birds, soft cracking of stones under her feet...' This is not a complete sentence.

I love dashes. I overuse them. So, just try and keep them under control.

Just My Opinion:

The images of 'fresh morning air' fights with 'smell of decaying seaweed.

You've come up with a really interesting premise here. But we're so removed from the story. I felt most connected to it when we were in Mrs. Witherspoon's head--most 'invested' in it, if you understand me. She needs the money. This is about the only time when we 'feel' anything. The rest is very antiseptic and cold. Although, I suppose that might be what you're shooting for.

The title is a stretch. Now, I'm the queen of bad and/or lame titles--but this doesn't really tell us anything. I know that Anna finds the orange fisherman glove (which I'm accepting as correct--I wouldn't know a fishing glove if I was slapped with it) with flesh in it. But she doesn't pick it up.

I hope you will work on this. Don't try so hard. It's to short a story to float around - just pick one perspective and stick with it. Maybe someone could have binoculars and be watching Anna the entire time, since she's the one who has so much riding on when or if Anna falls.

This reads more like an outline for a story--you telling yourself what you want to happen.

Also, no one would commit suicide by taking arsenic. It is a slow, agonizing death--cramps, vomiting and diarrhea. Prussic acid or cyanide would be very quick.

Now, don't get discouraged. You get right back up on that horse! Good luck! JoDe
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Review by JoDe
In affiliation with Rainbow Madness ~ Reviews and...  
Rated: E | (3.0)
First there are tons of mistakes on your biography page--lots of uncapitalized proper names. Your bioblock and now biorgraphy page (looks like you showed up just after the StoryMaster announced the 'Newport' changes) are going to be the first look anyone stopping by sees of you. You want to shine. If you're that careless with something 'public' they might wonder how careless you might be with your postings and give you a pass.

Correct spelling, proper formatting and punctuation aren't going to make bad writing good--BUT incorrect spelling, punctuation and formatting can make average writing difficult to read and seem worse than it is AND make below average writing look so bad no one will read and review it.

Title: 'The Girl from Pompeii'
Chapter:{/b }n/a
Author: T. C. Elofson

Plot: A brothel owner and a beautiful vampire make a business arrangement.

Style & Voice: Third person - see line edits below

Referencing: 33 A.D. - Pompeii

Scene/Setting: a brothel and the streets of Pompeii

Characters: Giaus, the vampire's latest victim and superfulous; Fabiana, the vampire & Claudius, the brothel owner; three unfortunate thieves

Grammar: This doesn't seem to be your problem

Line Edit: Point of View by paragraphs
Part I
'...He should...' Giaus' POV
'...Giaus cringed...' Giaus' POV but then '...For Fabiana...Fabiana's POV--in the same paragraph
'...Fabiana pushed...' Fabiana's POV
'...A man,...' Fabiana's POV
'...She tossed...' Fabiana's POV
'..."Good evening...' Fabian's POV
'...She walked...' Fabiana's POV
Now if you cut the first line and redid the paragraph beginning '...Giaus cringed...' so that we were in Fabiana's head you'd be all right
Part II
'...As the pimp...' Claudius' POV
* * * * *
'...The moon...' Claudius' POV
'...He walked...' Claudius' POV
'...As he walked...' Claudius' POV
'...For some...' Claudius' POV
'...She walked through...' Fabiana's POV
'...She walked to...' Fabiana's POV
'...Her skin...' Fabiana's POV
'...Three men...' Fabiana's POV
'..."Well,...' Fabiana's POV
'..."Two lovers,...'Fabiana's POV
'...Claudius sat...' Caludius' POV
'...Claudius sat,...' Claudius' POV
'...The woman...' Fabiana's POV
'...'"What are you?...' Claudius' POV
'...'"I am the Vampire...' Fabiana's POV
'...The next night...' Claudius' POV
'...It was a dream...' Claudius' POV
'..."I have spared...' Fabiana's POV
'..."What?"...' Claudius' POV
'..."I have spared you for...' Fabiana's POV
'..."Yes, but how...' Claudius' POV (but I'm a lot more flexible then most) or Fabian's POV
'..."I read it in...' Either POV
'...Claudius sat...' Either POV
'..."Then I will...' Either POV
'...Self preservation...' Claudius' POV
* * * * *
'...As the vampire...' Claudius' POV
I hope you see that there's a lot of head-hopping going on.

If you don't understand how I've determined the POVs please let me know.

Remember to 'show' your story to the reader instead of 'telling' it. For example the paragraph beginning '...The pimp watched...' you are telling about how he loved to watch her seduce men. Show us by having her lead a man in with Claudius watching, perhaps even welcoming them in.

Also try and not add in too much backstory. To avoid this information dumping you can fill in backstory by conversation, thoughts and with prudence, the overused flashback.

You have 20 'ly' adverbs in just over 1700 words. If you highlight them, I think you'll see two things. The first is that is you control yourself and stay away from them the odd one is fine. BUT if you indulge yourself they multiply when you're not looking. The second thing is to watch word repetition. Of the twenty adverbs--four are 'slowly'; four are 'suddenly'; two 'silently'. Get a thesaurus and search for strong, descriptive verbs. By finding just the right verb for a specific action, you won't need to prop it up with adverbs.


Just My Opinion:

Now a couple of things I had a problem with...

There are some who might find the term 'girl' in the title a bit demeaning--including Fabiana. *Wink*

Pompeii's main business was prostitution. The pimp deciding he was near his own estabishment because of the phallus on the sidewalk is rubbish--they were all over the place.

I believe that traditionally, (and I know you are an Anne Rice fan--I read 'Interview with the Vampire' when it was first out in paperback in the late '70's--long before she did the chronicles) vampires tidy after themselves. Dead bodies lying about draw attention. And I'm sure that if Claudius is disposing of bloodless bodies from his brothel he's going to attract more attention. He might get away with one or two--but regularly--no!

Hibernia! I've been struggling all afternoon trying to think of what I think Spain would be referred to, just as France would be called 'Gaul' by the Romans, So I would '86' the half Hispanic'

My last comment is about the use of 'Miss' and 'Mr.'.

Please take these comments with the good will they are given. Welcome to WDC. If you have any questions--ask someone. Reading and reviewing really will improve your writing--IF you take it seriously. Most people around here are serious about their writing and want honest, informative reviews--not 'feel good' ones saying 'this was awesome'. Contests are a great way to meet new people, learn your way around here and sharpen your writing skills. Writing to a prompt, in a limited amount of time is a good way to flex your writing muscles. Good luck, JoDe
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Review of Yellow Paper.  
Review by JoDe
In affiliation with Rainbow Madness ~ Reviews and...  
Rated: E | (4.0)
This was very nice. Thank you. You paint a clear picture of this woman who is locked into the mundane existence of her life--and free her with advice from the janitor. I love it!

I'd make just a few suggestions:

         I'd cut these words or lines

                   '...over and over again....'

                    '...Her family had tried to convince her to quit, but she loved it too much...'

          I'd put the note in italics

          Indicate a scene/POV shift after the line 'A lot better.'

Is this perfect--no--but it was a positive joy. Why don't you try and rework it with no 'telling'--'show' us. Add conversation to augment her thoughts and then then shift to the janitor's POV for the last paragraph.

Good luck and let me know if you rewrite this. JoDe

                    '...Her next day at work however would prove to be different. A hiccup in her everyday routine would be the best thing to happen to her in a decade.
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Review of LIFE  
Review by JoDe
Rated: E | (3.0)
First of all, welcome to the site! I hope you find support, wisdom and friendship. I was looking for a specific review and found a review of this piece. It was so harsh and uninformative, I had to look at this. If I'm wrong, I apologize, but from your name, I'm assuming (always a mistake) that English is not your first language. If I'm correct about this--add it to your bioblock. It can effect how people review you.

Now, my major complaint about this is that it is 'told'. Don't 'tell' your reader how your heroine feels. Drop us right into her head. Let us in on what she hears, sees, feels, tastes and smells! Let us in on her thoughts.

Aslo, You begin in first person (I) POV (point of veiw--or perspective), then switched over to third person (she), and then in the last line you end in second person POV (you). You need to maintain one POV consistently.

I think that 'God' needs to be wih a capitol 'G'. Write out numbers like three. I have no idea what this means '... and live life with +ve attitude..'

This is what I 'get' from your piece--A girl, loved and supported by her family, well-educated and protective ofher brother, feels out of sync with other people. She has been raised to try new things, but for some reason, she came to believe that her true purpose n life is to marry and take care of her husband (and I'm assuming, children). She marries only to find that there is no fulfillment of her dreams--and she begins to question her life. Years pass and she decides to break away and try again. She is sucessful in her career, and meets someone new. She now knows that life is to be greeted with joy--and to be lived.

You do have some major grammatical issues. Why don't you take this piece and use it as an outline. Then rewrite this, from the girl/woman's POV. Give her a name, make her real and then have her tell us her story by how she acts, what she says and thinks. There's emotions in here struggling to get out.

Nowhere did I see her as selfish or immersed in self-pity OR a lesbian. (Not that it would matter if she was) I am not at all sure the earlier reviewer isn't the one immersed in self-pity. Your piece, a raw as it is speaks of the joy of life--that each day is a precious gift and should be treated as such.

Please keep working. And let me know if you redo this. Good luck, JoDe
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Review by JoDe
In affiliation with Rainbow Madness ~ Reviews and...  
Rated: E | (4.0)
'...Some of the children were getting poisoned from cheese others meat and others mayonnaise...' you need a comma--'from cheese, others meat and others mayonnaise'

First question--Did you research anthrax? I'm not sure you can get it from eating--remember after 911, it was infected powder-that was inhaled-that was the problem. Okay, I did a quick check and it can be consumed. Still, unless your heroine is set up in a professional lab in her home--having any amount of anthrax is risky--for herself, as well as the rest of us.

'... in the tainted food and in the autopsies of the victims show that enormous amounts of the poison were in the food...' This sentence is redundant.

What was the prompt here?

'...Kathleen was visibly shaking her foot, which she made stop...' Huh? If you read this it sounds as though Kathleen was able to make her foot shake by looking at it.

Technically, there's a lot of information duping--which could be added through her repeating things to someone and/or thinking about them. You show the story - which is good. You used four or five 'ly' adverbs in the beginning and there were very good about avoiding them--and then BAMMM--you used another clump of them--seven in one paragraph. Once in a while is fine--but if you look for a strong, descriptive verb you won't need the adverbs.

Now, plotwise, I know nothing about food processing plants--but it doesn't sound logical for them to transport different types of food products (meat, cheese & mayo) to somewhere else for packaging. Also--aside from the illegallities of her possessing 'weapon grade' anthrax--for her brother to steal--how did he contaminate the packaging without contaminating himself, therest of the plant workers and anyone who came into contact with the packaging? And you have her in a video conference while the authorities are raiding the place--and before the end of it, they not only have him in custody, but he confesses and dies...thin--very thin.

This needs some work. One of the great things about participating in contests is you are challenged to think of a plot - fast! But once the contest is over you aren't restricted by time or word counts. You've got the beginnings of a good story. Now dissect it. Do some more research and polish it up and make it shine. Good luck, JoDe
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Review of Midnight Apology  
Review by JoDe
In affiliation with Rainbow Madness ~ Reviews and...  
Rated: E | (3.5)
Beatriz,

Okay, did you ever have one of 'those' days? This is the third time I'm doing this review. First, welcome to the site. I hope you enjoy the experience. Please take my comments and suggestions in the spirit they are given--with care and encouragement. Reviewing makes us both better at our writing.

First comment--this is very short and I don't mind reading little pieces that are single-spaced, but there are people who will open something up, see that it is single-spaced and moved on. And, it is hard to read long pieces, Now, since there are actual published writers, agents, editors and pulishers around here, you always want to put your best foot forward. So try and always post things are correctly formatted as is humanly possible. And formatting around here can be tricky. Copying and pasting from WORD doesn't always work. For some reason, I usually lose the bottom half of my paragraph indentations.

The second comment--is more of a question and request. I've never seen your name spelled with a 'z' or recognize the origin of your last name, so where are you from? I'm asking for a couple reasons. The first is to know if English is your first language. People writing in a second language have trouble with word choice--the subtle nuances of words are 'lost in translation'. The second is because American English uses the double quotation mark { " } to denote the beginning and end of speeches, and the end punctuation goes on the inside of the quotation marks. British English uses th single quotation mark { ' } at the beginning and end of speeches, and the end punctuation goes on the outside of the quotation marks. Now, these are two rules I know--they are probably more, so you need to research this.

Moving on--was this written for a contest or class assignment? Because it isn't really a story. By definition, a storyline or PLOT needs a series of components. They are 'exposition'-->'rising action'-->'climax'-->'falling action'-->'resolution'. Now, while they are most probably in that order, they don't need to be--but they need to be there. So this isn't really a story--but more a scene or vingette. It is part of a much bigger story. We (your readers) sort of parachute into the couplesbedroom. They've had some sort of disagreeent and the woman is still distressed and having nightmares. The man regrets their argument and is trying to make ammends. But we don't know who they are, or what they fought about.

It is very much over written. In 621 words, you use 'orbs' at least twice; 'tears' and/or' tear-stained' a number of times and twenty-two 'ly' adverbs. That's about 3.5%--WOW! I suggest you get a thesarus and use it. Try and search for the verb that best describes the action you're writing about. By using strong - specific verbs - you eliminate the need for descriptive adverbs. This makes for cleaner, tighter writing.

There isn't much dialog, so I'll show you how it should be formatted.

YOURS: '...-"I'm so sorry about earlier" he whispered softly into her ear, watching from the corner of his onyx eye as her orbs increased in size and she gasped with surprise. "its just that i love you far too much to lose you" She turned to him with fresh but happy tears as she smiled sweetly and sadly at the same time.
-"i know" she whispered, caressing his cheek. "thank you". He captured her swollen lips once more, claiming her as his. "i love you too" she mumbled among his kisses. He watched as her eyelids slowly sealed themselves as she welcomed sleep, and he cuddled against her petite body, burying his head against her neck, inhaling the enslaving smell of her hair, before following her and drifting away with the only woman he ever loved. ...'

MINE:
"I'm so sorry about earlier," he whispered softly into her ear , watching from the corner of his onyx eye as her orbs increased in size and she gasped with surprise. watching as her eyes widened as she gasped. "It's just that I love you far too much to lose you."
She turned to him with fresh but happy tears as she smiled sweetly and sadly at the same time. withher sad, sangune smile. "I know," she whispered, caressing his cheek, "thank you. He captured her swollen lips once more, claiming her as his. pressed his burning lips to her cool, pale ones. "I love you too," she mumbled among his kisses. cooed between kisses.
He watched as her eyelids slowly sealed themselves as she welcomed sleep, and he cuddled against her petite body, buryin his head against her neck, inhaling the enslaving smell of her hair, before following her and drifting away with the only woman he ever loved. watched as she drifted off to sleep. Clasping her closer, he presses her head into the crook of his neck, and inhaling he intoxicating aroma that is hers alone, he allows himself to slumber.

Now, we're going to talk about point of view or POV. This is wrritten in third person from the man's POV. That means we can only know what he knows, or sees or hears. I'm only going to go into details with one sentence--'cause it's late and this is the third time I've written this.

'...She blushed faintly realizing her current position and mumbled a quiet apology before turning away from him, only to be held tighter, securely by his pale, well-built arms....' Now, he can see her (even feel her) blush---but he doesn't know what she is thinking--so, except for the mumbled apology and her turning away we don't have much. And he would hardy be refering to his own 'pale, well-built arms...

Now don't get discouraged or all upset. It was a long and had review. But you need to ask yourself 'Do you want to learn to write well? or Do you want a bunch of people to tell you how great you are because it's nicer and what you want to hear?'

I hope to hear back from you. You know there are several groups here that have classes in all aspects of writing. Good luck. JoDe
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41
Review by JoDe
In affiliation with Rainbow Madness ~ Reviews and...  
Rated: ASR | (4.0)
Okay--when I see something this short WITH a word count included, I'm assuming that it was written for a contest. So, what was the prompt?

'...the velvetine table...' I think you meant '...the velveteen covered table...' since velveteen (which is velvet made from cotton usually) is a fabric and not something to make a table from.

'...There was of course one difference in this reading. She opened her eyes and stared glassily into the space where the client would usually be sat. The chair on the other side of the table was empty, and for the first time ever...' HUH? Did you lose the end of this sentence? For the first time WHAT???

'... The house she wanted to buy, the one with the towering conifers and hedges cut into animal shapes. The one with the original rustic wardrobes built into the walls. The one which was more than a smidgen too pricey for her kind ... but she just had to have...' I'm guessing that at least one of the prompts is buried in this line, because it has nothing to do with anything in the story. So, if you rework this, now that the contest is over--take it out--or make it fit--one or the other.

Also, pick what you're going to use xxx-xxx; xxx--xxx; xxx - xxx; and stick to ONE.

I think I'll like both sides of the phone conversation--unless Stacy and/or yoga (or something else reguarding her) was one of the prompts.

Remember even these little writing exercises, which are really what these contest entries are, need to have all the components of a story.

I hope you tweak this and let me know. Good luck and keep writing, JoDe
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42
Review by JoDe
Rated: 18+ | (4.0)
This is actually very nice.

BUT you do repeat words often. For instance, in the second paragraph you use 'morning' three times in two sentences.

You also start the story in the morning--in the present tense, you begin in past tense while describing what had happened the night before and then slipped into present tense at some point. I would redo this so that you remai in past ense through your recounting og the night before.

I don't think you need the paragraphs beginning '...Other nights from this position...' and end '... emotions continue to build...' These paras disturb the flow you had. I get the feeling that you added these to work in oral sex. Don't--save it for anothe story.

'... I feel tension in your tight trembling body, and see it in your eyes as they plead to mine as you restrain to wait for me...' This is awkwardly worded and if you really 'read' the last part of the sentence--it's contradictory-- 'as you restrain' (as you prevent) to wait for me. Either you've left out one or more words or you made a bad word choice in 'restrain'.

What I like about this so much is the love and tenderness in this. I will have to look ito your port. Keep writing! JoDe
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Review of Taken Chapter 1  
Review by JoDe
In affiliation with Rainbow Madness ~ Reviews and...  
Rated: 18+ | (3.5)
First off, formatting around here is a pain. For some reason, 'copying & pasting' from WORD doesn't work. Some of the paragraph indents will transfer--and some won't. Italics and bold type have to be added in manually. Look up to the left--under site tools for the codes. There are also some people who will not review single spaced items--so always double space.

Okay, now the first few sentences were all right, and then '... It was almost like someone had clamped down on her stomach and squeezed with a vice like strength making her whole body ache and throb. The silence only made the tightening worse...' These sound like you (the author) 'telling' us (the readers) how your heroine feels. 'Show' us. Let her show us. You need to keep a grip on the 'ly' adverbs. There are five in the first para. I don't think you need 'twice'--she's blinking in the darkness. I think she would notice that her mouh was taped right off--certainly when she screamed. You repeat 'realized' in the last two sentences of thefirst para...you want to avoid that. And '...smell the rancid scent of her own fear sweating off her skin...' This is good. Let us feel, taste, hear smell what she is--use as many senses as possible to immerse us in your character's situation. I'm not sure about the 'sweating off her' though. Something's off--a bit awkward.

Remember to maintain one POV (point of view)--no head hopping. If we are in Anna's head--seeing things from her perspective-- '... The two young lovers had been together for two years now....' Not only do you repeat the word 'two' ina eleven word sentence--but it sounds like author intrusion. Your are inserting information. No information dumping. You need to give thereader backstory through thoughts, and conversation--and a controlled amount of memories/flashbacks.

'... Danny had been taken back and incredibly attracted to this clearly stunning girl with long blonde hair and dazzling blue eyes, she looked better to him than most so called ‘top’ models. He had been intrigued as to why such a beautiful girl would have such little confidence in herself and her appearance always wearing long shirts and trousers...' See, we can't know how Danny 'felt' because we're in Anna's POV. POV is tricky--but it's crucial to understand the concept. POV and 'showing' instead of 'telling' are two of the most important (and probably difficult) concepts to grasp for good writing. And they are illusive--you an think you've 'got it', and a second later you don't. Just keep trying.

'... Her head began to spin wildly out of control she knew these containers more than she cared to...' I think that there's something missing here. I don't know if you intended a period after 'control', or what. More information dumping and telling.

I think you added an extra line between your scenes--but you need to denote a change of scene-since it's also indicating a change of POV. * * * * * ; + + + + + ; or ~ ~ ~ ~ ~ something. Just don't use an entire line of whatever--since 've been assured it will do something wierd here on WDC.

A lot of 'ly' adverbs. Get a good dictionary and thesarus and use them. Search for strong descriptive verbs--they eliminate the need for the adverbs.

Okay--while I don't usually say this-(because agents/editors are suppose to HATE the prologue or preface) the detective's childhood might be something that would be better presented before the first chapter. I'm assuing that Anna and the dectective will end up together--but one should never assume--and I'm a hopeless romantic.

Am I right in my thought that Anna cuts herself? And is this something important to the character and story--or what?

Now, I know this looks horrible. But I am trying to steer you in the right direction from the start. One of the best things I can suggest is to read
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#1522464 by Not Available.
--it is one of the best articles I've seen on some basic rules for writers. Don't give up on yourself. Rome wasn't built in a day--and "War and Peace" wasn't written in a week. Writing is more than just scribbling down your ideas--there is an art to it and it's something that will take time to master. But if writing well (and really, why would you want to do anything if you don't do it well--or at least try) is important to you then you dive back in and work. I stopped working on my revisions and have spent several hours with this, so I hope you're willing to take my criticisms in the manner they're offered--to help you hone your craft.

Good luck. Let me know how you feel. Really wishing you well. JoDe
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Review of Paradox  
Review by JoDe
In affiliation with Rainbow Madness ~ Reviews and...  
Rated: 13+ | (4.0)
I really liked this.

Now for the pain... (Oh, relax-I was kidding!)

You use three 'ly' adverbs in the first two sentences. Try to use stronger, more descriptive verbs and you'll eliminate the need for so many adverbs (and adjectives).

'...As I turned in the long corridor a young man faced me at its end...' I understand what you'resayng--but it's awkward. I'm sure you can do better. For instance: 'I turned to see the face of a young man at the far end of the long corridor.')

'...Fear, trust, uncertainty, belief, disbelief, pain, tears, but most of all heart achingly familiar memories washed over me fresh and intense...' Eight things is too much. I like the idea of the pairin of belief and disbelief--I like the rest too--but I think you need to break this up into at least sentences.

'...You left to find me and never returned...' I didn't understad this--and I think from things said later--it's important.

'...They paralyzed me with emotions that a woman such I had not felt in a long while....' This also awkward. Don't try so hard. Write as you speak.

'...Tears I had learned to suppress suddenly came without a single will to stop them...' Same as above.

'..."Wait," I croaked desperately, "Where are you going?"...' I believe the 'W' should be 'w'. You have several instances of this.

I know I've made several comments--I still like this. But it's overwritten. I know you are probably going for a cetain 'tone'--but still. I hope you try this again--a little more natural AND give us a bit more missing information.

Even if this was written for contest, the contest is over--so redo it. Then let me know. Good luck. JoDe


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Review of The Sea Witch  
Review by JoDe
In affiliation with Rainbow Madness ~ Reviews and...  
Rated: 13+ | (3.0)
Okay, I comment on things as I find them--because if I don't I'll never find them again. First things that I noticed is you used 'feeling' and 'feel' in the firsthalf of the first sentence. And then you repeat 'chuckled'. True there were a couple paras between, but still... And the word choice kind of bothered me anyway.

Next point--how do you steal a large ship--alone???

'...I must have been asleep no more than a few hours at the very least...' This is odd--there's too much going on in there. 'I must have been asleep at least a few hours.' or 'I only slept for a few hours.' or 'I was alseep for no more than a few hours.'

'... boisterous chuckle...' Chuckle again--buy a thesarus! Ad the two words kind of contradict each other. Boisterous=loud Chuckle=soft laugh

'...reverted my eyes back on to...' revert back is redundant

All in all not a bad little story--an interesting plot. But your word choice is very odd. For instance, you use 'gouge' when describing your (well, your character's) internal pain. But gourge brings up the pcture of 'digging'--not 'bursting'. You use the terms 'powdery' and 'granule' describing sand in the same sentence. You do this often. I'd like to see you try this again, but without the flowery overtones an choosing your words more carefuly.

Also try and do your revision in an active voice.

I have a feeling that this is all for naught--nothing's been posted in your port for over a year. Bt if you do decide to rework this, please let me know.
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46
Review of Affection  
Review by JoDe
In affiliation with  
Rated: E | (4.0)
'...off to the gallows’ pole for me...' I don't think you need both--either 'the gallows' or a 'hangman's pole' but this sounds off to me. Did fid references somewhere that refers to a 'gallows' pole'?

'... In said tales, she...' I think it should read 'sad' shouldn't it?

I know that you've 'told' your story rather than 'showing' it to establish an old-fashioned voice & style. I can accept that. There are times when you need to do that to achieve the 'feeling and texture' of your take. But, I'm not feeling the 'Poe' here.

I have a couple of problems...first spending time in brothels with prositutes--drinking costs money. Her time IS money. So, how is this young man who is apprenticed (and by the definition of that--most probably not being paid) paying for her time and friendship? Are we suppose to think that she is the girl's mother?

I think you missed a bet with the murder weapon--he's a fletcher---he makes arrows. That should be the weapon. The prostitute could still be stabbed with it just as easily as a knife.

It would seem that they live in a town--but no one sees our young swain broach the damsel's bedroom window? Or see the man standing outside a brothel covered in blood except for our 'hero'?

And the opening para is a bit over the top--I mean, what did really 'see'? He thinks he saw his boss streaked with blood...
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Review by JoDe
In affiliation with  
Rated: 13+ | (4.0)
'...seemed to mock at me, even...' omit 'at'--people might 'poke fun at you' but the just 'mock' you.

Contest stories are always a challenge--not only do you need to follow the prompt, but there's usually a word limit as well. Because of this, you need to make every word count! You (and you character) are telling the first two paragraphs. And while some of the information in the first chapter is needed, the second is pretty much just an unnecessary info dump. I think you intended for the first part to be thoughts, but you've not made that clear by using italics. The result is that your reader(s) aren't sure if you are talking outloud or thinking.

'... I couldn't wait to ask,...' This is not needed either--we know you are anxious to speak to your mother.

'... without letting her finish...' Again, you have indicated that you've cut her off by using the eclipses.

Watch your use of 'ly' adverbs--look for stronger verbs instead.

'...I wanted to know...' Again--superfluous.

'...I spit venom unashamedly...' This dialog tag should be with the above sentence--even though it's an 'ly' adverb AND 'author intrusion' (where you-the author-tells the reader how one of your characters is doing or saying something. Trust your reader to 'get it' through your characters actions, dialog and (clear) thoughts...'

I was even more agitated now. My birthday was always celebrated in the middle of the winter vacations; so obviously, it must have been my vacations then. But the thought that my parents left me alone with another family on my birthday, but took my sister along, was disappointing. And they hadn’t even bothered to get me a birthday dress! I was suddenly engulfed in a whole gamut of emotions.

These both are 'telling' & 'author intrusion'--you must 'show' how your character feels--what emotions are washing over her--not tell us.

Because of your name, and your character's names, I'm going to go out on a limb and guess that English is not your first language...and that is the reason you have stumbled in a few places--'mock at' '...we were in deep stress...' '... Shalini did not make any compromises...' These are all minor syntax errors. First, I want to applaud you--writing is daunting enough, but to write in a second language is amazing! *Wink* My suggestion is to ask someone you know and trust (and who grew up speaking English) to read through your pieces quickly--looking for these tiny discrepancies. I think that you will soon catch these yourself.

I think this was a great response to the prompt. Although, personally, I have trouble believing a nine year old would have forgotten so much. My brother was born the week after I turned four--and I have clear memories of my mother pregnant. I also knew that there was a baby coming--and would have definitely asked where it was. I also stayed with friends of my parents when I was nine--and remember them picking me up from school and, for some unknown reason--their car--a bright turquoise and white Pontiac with big fins. Funny what sticks in our minds, huh? And I do see that the prompt was age specific. Thank you for providing the prompt--it does make a difference.

I am particularly fond of the name you gave your story--Excellent choice!

I think this would make a good story--and now, without the contest limitations, you could smooth things out. I hope this helped you and if you redo this, let me know.

Thank you, JoAnne

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Review of Camellia Grill  
Review by JoDe
In affiliation with  
Rated: E | (4.5)
Thank you. I haven't thought of the Camellia Grill for years...I was born in NOLA and my grandparents lived on the uptown/river side of Birch St...and walked to shop and go to the movies on Oak Street. Now I don't know if it's true or not, but my dad (who worked for the Times Picauyne) that their award winning hamburgers had cat meat in them...an unrban legend.
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Review of Nightsky - WIP  
Review by JoDe
In affiliation with  
Rated: 18+ | (3.5)
I'm giving you a head's up...this isn't going to be the easiest review for you to read---but it's not hopeless. I spent over three hours reading, rereading and working on this. And everything is said to help you. So take a deep breath and read it thoroughly. Then think about it.But in the end is it is YOUR story--your baby--and your control it. You will pick and choose what advice you use.

I didn't get this--are you playing with an idea for a longer piece? Or why it's listed as a love story--let alone Erotica??? And why 'Nightsky'? You mention the sky once in the second line in a piece just under 5000 words.

One thing I will say is you are very good about maintaining POV consistenly--which is not an easy thing to grasp. Now you need to work on 'showing' your story to your readers instead of 'telling'. I'm sure you can do it--I just think you've never been told about it before.

The first lines are okay. I'm even willing to take the last clause which is dangerously close to author intrusion. But most of the rest of the para is a major information dump--and then you don't even tell us the information we really care about--why the queen and prince were banished???

'..Xereth Rowen Kellsyean...' Can you even pronounce that? Ian Fleming chose the name 'James Bond' for his secret agent because it was the simplest, most bland name he could think of. Do you know that Margaret Mitchell first called her protagonist 'Pansy'? Doesn't have quite the same impact as 'Scarlett' does it? Do you think J.K. Rowling would have sold as many books as she has--inspired an entire generation to read again--if she'd written Xenophilious Lovegood and the Sorcerer's Stone? (And that really is one of her character's names!)

'...castle noting breiflt the changes...' I have no idea what you meant... bereft? brief? briefly maybe?

'...guards bowed solemnly...' Why? How do they even know who he is? He hasn't been in the castle for 22 years.

'...not choice...' 'no' choice '... a close casket...' a 'closed' casket

The passage that begins '...looked the part ...... / and ends / ...... dressed like a slob,...' makes me really wonder why the guards didn't just cart him off to the dugeon instead of opening the door for him. And you're info dumping again. Try and work backstory into dialog '

'...acctually...' actually

The verbal exchange between father and son could be more smooth...and you used 'croaked' twice within three lines.

'...Xereth kept his face politely blank, "Do not concern yourself Father." was all he said...' I think this should be '...Xereth kept his face politely blank. "Do not concern yourself Father," was all he said.

'..the thrown...' 'throne' I throw the ball to you. A king sits on a crown.

'...inherit the thrown... )
> I think you did leave an extra space line here to separate the two scenes--but you probably need to clearly mark the end of a scene
Their medicines dispensed...' ) by using short series of symbols like... * * * * * or + + + + + or ~ ~ ~ ~ ~
but don't use an entire line (does something bad on this site)

'...you dearling?"...' dear or darling???

'...Lordship was leaving," she floated ...' Is she magic--and able to become invisible? Does she really float? And if she is the same as his mother--why can't he at least sense her?

'...soft voice, like a cool drink of water on a hot day,...' I'm pretty sure I understand what you're going for here, but I'm just not thinking it's working. You're mixing things...how about something like '..soft voice, like a gentle breeze...

We'll get to adverbs in general later, but you use 'slightly' and 'lightly' in the same sentence. A bit later you use forcibly twice in the same para.

'...you too be my...' you 'to' be my

Again clearly mark the end of one scene and the beginning of another.

'...The Table...' Why is table in caps?

'...various beverages, but no food to distract attention from the business that would be at hand. ..' This is author intrusion--if you want this info have him tell it to a servant or think it.

'...Beside him, Hable, the court scribe was taking notes, joting down the long list of instructions Xereth had just dictated to him. There was the small court matters, kingdom matters, political matters, social matters... He needed names, families, connections.... Everything he'd missed out on during the twenty two years he'd been exiled from the court. As he had just finished telling Hable, he hadn't lived in the capitol since he was six. He had alot to catch up on...' Don't tell us about this--show us. Or at least hear the end of their conversation and slip in some info.

More dumping. Now you do give your reader a lot of information about Elsbeth through dialog. You just need to do more of that. *Wink*

I have come to believe that this has to be parts of a much bigger story--because there isn't a story here--there are hints of a number of stories here. A story has a begining, middle and end. Here we really only have four or five of middles. A story needs a plotline that has exposition-->rising action-->climax-->falling action-->resolution. Now it doesn't have to have them in that order--but it needs all five.

'... small largess...' Oxymoron like 'jumbo shrimp'...

You also use terms that I wonder about 'Plan B'; Trouble with a capitol 'T'; and chauvanist pig???

I think one of the best things I could tell you is get yourself a dictionary and thesarus. I'm entering into hour 4--and it's late. 'peasant' 'opportunity' 'panicked'

Also you have @65 'ly' adverbs in a 4796 word story--that's over 1%. Use that thesarus and search for just the right verb--a verb that describes a very specific action. Then you don't need to adverbs. There's nothing wrong with the occassional adverb--but it truly is a case of 'less is more'. Also try and police your spelling. We all make typos-but you have several typos that you should have caught. My big sin is 'out' and 'our'...both words and only one space apart--easy to miss.

Do you work from an outline? Do you write up character sketches for your main characters. I don't think that Elsbeth is a trollop, but although she's potrayed as very efficient, that's what say's painted as. Your prince isn't very likeable. We--YOUR readers--need to care about your people. We won't to cheer on the hero and boo the villan--we want the boy to win the girl.

Now, I hope you read this, give some thought to things and get back in there and get back to work. And please let me see it when you do. Just keep going. JoAnne
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Review by JoDe
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Rated: 13+ | (4.5)
The first sentence is really LONG! Now, I tend to avid colons & semi colons like the plague (that's the one class I failed in GTTP) but this just seems awkward to me. What would be so bad about dividing it up into two (or even three) sentences.

'...hair handing down...' I'm pretty sure you mean 'hair hanging down'.

'...His suit somehow fit with...' I let this slide first time around...but Tarzan? What suit? A regular business-type suit? Where'd he get it? I know--you've only got 300 words...and things just need to be accepted--but I'd like more--and the contest is over. Why not expend this? At least a bit...please....
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