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126
126
Review by Brian K Compton Author IconMail Icon
In affiliation with The WDC Angel Army  Open in new Window.
Rated: 13+ | (4.5)
Dear Kåre เลียม Enga Author Icon,

Some interesting anecdotes and thoughts that I feel are familiar to myself in this short, non-fiction, prompt piece. I'm not surprised that prose began evolve into the sound of beautiful poetic depictions by the end.

I assume the quote and not the music video is prompt for this non-fiction construct that appears that it might not have been completed for submission for whatever activity this was.

What you've related in the opening is so familiar, a diploma and what good is it. A certain Northern college misspelled my first name on a B.A.! That's the only thing that gave it worth for me. It's a wonder how tuition still manages to sky rocket. *Laugh*

Sabetha, Kansas and it's small town feel, maybe in 1975, sounds absolutely welcoming with all the farming depictions and nature in that tiny county region. I have researched a lot of places around the country (for retirement) and that has to be the smallest Midwest area I've come across. For me, the introduction to this settlement of yours is enchanting.

What is it about being penniless/jobless and either in or fresh out of college that feels so nostalgic and romantic to me? There is such a freedom exhibited in your words as you transition out of higher education into poverty in a small town. I think the only thing I would have liked expanded was to give more detail on the lesson in kindness that didn't seem to sync up in details offered here.

I love the feeling of the remembrance of Laura with the long blonde hair, which further captured this feeling of freedom. And let's not forget that depression lifting. College was full on depression for me and I think I was grinding too hard. I can imagine that the headache and worry of college would dissipate and this wonderful, new community would lend to the joy to replace the unhappiness. Only thing missed is a cold drink in hand, view of a sunset and the large dog at your side. Or is that my vision?

This was heartwarming and rich, with details and words economized but functioning so well in a brief write. I don't even wonder about the line, "Images come to mind of ladders and splashing white oil paint, of machetes, velvet weed, and shatter-cane," because it sounds like several jobs, experiences either painting or harvesting. The way described, therapeutic a bit, that I think this fully chased any remaining depression away.

So quick, and maybe a little editing needed for appearance, but overall enjoyed the experience captured by your words here. I happened to catch this on the read and review pages tonight.

Sincerely,

Brian
WDC Angel Army Reviewer
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127
127
Review of Little Girl Lost  Open in new Window.
Review by Brian K Compton Author IconMail Icon
In affiliation with The WDC Angel Army  Open in new Window.
Rated: 13+ | (5.0)
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Celebrating your writing this month with a review.


Happy Account Anniversary EyeSingOnTheCake Author Icon,

The title of this poem combined with description line gave me some extra information after reading this poem that might give further context to this troubled soul, detached, possibly from oneself in self-monologue, directing attention away from this speaker's hidden feelings, while indirectly stating just that.

It might be considered dramatic, as a reading audience would understand -- this is ramping up to feelings of self-pity amid the remorse. But, this is human reaction and the culmination of thought to express, and very touching for me with it frame-worked so well in narrative. While it may have directed other readers away from the speaker, this condition speaks to others who might understand.

Psychologically, I think this is someone who is used to being judged for their outward appearance, repeatedly misunderstood and/or stereotyped. It makes sense to not call attention to oneself, because it would be more of the same and get the 'here we go again looks/responses'. This poem really depicts the true ignorance of unsympathetic people who have no time/ability to truly understand. Nothing to give.

But moreover, this is partly a plea for understanding in this understated tone, without asking for it -- simple statements that if someone should catch on, then the speaker will know 'they get it' and it might be enough to feel safe, to not feel alone with this pain, to have expressed it to someone who might actually empathize.

That could be going overboard on my part. But, I look for evidence and start with the opening two lines...

"Do not mourn or pray for the girl
Dream for her"

It's spiritual in a sense, while rejecting Christianity, which never did this soul any good. Mourning is like pity. Who wants that? What can a prayer do? The line "Dream for her" is powerful, because she's lost hope, she needs someone to construct believable visions to integrate in a story with hope. I might be wrong for saying this, but line three is not needed, as I have inferred it. But, it does punctuate the point and it does speak to those who cannot comprehend and is trying to get there in poem.

I like the next two lines that she has no tears left to cry. If I were to suggest just one word 'dry' as replacement, you can get right to the next conjoining statement, "For her eyes/are red with blood" (Blood is font red). The way the poem is constructed could sound too self-pitying to someone who might get the message -- back to that drama that others tune out. Maybe, a direct point that is blunt is what the audience needs to hear? But, just a thought. And it's not a condemnation of the statements. This is a free flowing poem full of truth and sentiment that is honest and has worth.

The next few lines open some doors to the possibility there is hope...

"And while it seems
she has no fears
she has no faith..."

This goes back to the misread by others and is pretty profound, intelligent and logical in communicating to ignorant others. It's knowing to phrase it "...while it seems..." It shows emotional intelligence, as well. This is to the point of being paternal toward another to help them understand, what you see is not reality, and your judging a book by its cover. What's hopeful here is the use of the word 'faith'. That doesn't have to have religious connotation. It's right next to hope. We have a person that cannot emote what other people need to see, dry of tears, numb. Negative stereotypes come out of that about one's attitude, which is also unfair.

And to land on "her pain is dear" suggests she's willing to suffer through the agony, having faith what's missing will be restored. In fact, the process of emotional pain is complex and psychologists can't truly pin it down like some five stages of whatever.

I feel she really is suffering on the inside and not showing it on the outside. To acknowledge the pain is to open up to those who don't know how to properly respond. There, I feel better now. I've experienced it, too. Through a lot of years of throughput. I become monotone by 17. Definitely a reflex to anxiety that can stir up so much, being kept pinned down by 'helpful' others. and, opening up can also set one up for manipulation. But, that's another story.

You navigate this poem so well with brevity and the indirectness that seems to speak more to oneself and to the air, than to really anyone. Perhaps, soliloquy? Because, if opined to someone, just one more thing they won't understand. The poem, however, is the conduit to a world of sufferers and empaths who get it. You obviously know that. Writing purges some of this, and in a construct as good as this, puts it in the proper context, forum, for fuller understanding.

So, well done. I'm crying on the inside right now. *Smile* And considering one of the other poem's by you read this evening, it feels like 'suicide' if you spoke the words of someone braver. If we launch into something, we have no idea if we'll hang ourselves with our words. But, we have learned from some ventures to know that feeling. We. You.

I hope I've come close enough to understanding the sentiment and output this poem intends. It's a melancholic pleasure to have considered for feedback.

Sincerely,

Brian
WDC Anniversary
and Angel Army Reviewer
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Now back to decompressing and filling my head with late 90s sitcom binging to melt my brain.


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128
Review by Brian K Compton Author IconMail Icon
In affiliation with The WDC Angel Army  Open in new Window.
Rated: E | (4.5)
Dear Fyn Author Icon,

I found this poem on the read and review page at WDC and was intrigued at first by the metaphor of a furnace as beast and alligator, until I sat back and really looked to note the words had shaped to offer the profile of an alligator face.

I liked the sarcasm in that opening statement and with this shape form, it flows rather well to emphasize this frustration with the furnace. The direction you took the overused phrase “Far from the least” to show “just the single largest” problem this speaker has to deal with...was nicely constrasted to make statement.

I like new expressions and tried to think of ways “mingle-mangle” functions in description of the personified furnace. It could be a particular vernacular or expression germane to a region, but also like to think as poet, forming words into new expressions, we can test reader’s knowledge and ability to transform these new phrases, incorporated in a story poem like this. It can give greater dimension envisioning what you craft here.

“Mingle” seems out of place but with “mangle” there is a co-mingling of alliteration and assonance with a fun lyrical quality. It helps keep the tone of the poem light, tempering frustration and sarcasm in rant. I might quibble with what it is really doing, but there is some evidence further down in poem in describing that gives one a clue.

The furnace is described as “demanding” reverence while the sheet metal encasing it is rusted and the thing has “noxious carburetor breath.” Therein, I see some irony at play. So, it’s old and not working right and the narrator is turning it into this thing that is dominating home life, perhaps over-consuming fuel, or at least leaking it, suggested by poem end? Either way, personifying it and giving the notion of sending it away to a scrap heap one day is ‘fond desire,” again, tempers this voice with the torment of something described as a beast/alligator.

I like the idea of the thing lurking in the dark, bellowing and belching, as would a dragon. Dragons can seem more ferocious or noble, so an alligator in its swamp, peering at one with eyes over water gives a creepy feeling. I’m surprised there is not something more about how it represents as an alligator. Though, the shaped text is amusing.

I’m along for the ride with this one. It presents a narrative voice well and personifies this rusty old furnace in a way that one must think the owner/operator has to put up with it…either from the cost to replace/repair or as tenant where landlord is not interested in the cost of its replacement. I’d have to assume it’s ownership, as you end with this desire to scrap it. Love where you broke off “twist-ed” on the two lines with the hyphen sticking out, could almost be longer and serve as tongue or tooth perhaps?

Also, the “it’s on my list” line seemed an interesting point in this context. I wonder, if besides the cost, if this person is burdened with a lot of to-dos and adds character to speaker. This poem rant is from an overwhelmed state where one must dream the future scrapping to watch it “bleeding fuel and silently, dying." Destroying something is theraputic. (I think the comma there could go?) I did notice a missing ‘d’ in ‘demanding’.

Overall, this was clever and a joy to consider for feedback. It shows creativity and a good handle on language to bring the furnace beast to life for a reader like me to image and relate in knowing similar ailments with home heating devices, the trouble, the cost and more. Respect for this.

Brian

WDC Angel Army Reviewer
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Wow, I got through whole review before I knew it was you! *Laugh* Only had 44 minutes to get done. Hope it doesn't sound too rushed.


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129
129
Review by Brian K Compton Author IconMail Icon
In affiliation with The WDC Angel Army  Open in new Window.
Rated: E | (5.0)
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*CakeB* HAPPY WDC ACCOUNT ANNIVERSARY!!! from "Anniversary Reviews ~ Summer BreakOpen in new Window.*CakeP*
Celebrating your writing this month with a review.


Happy Account Anniversary cheese111 Author Icon,

Looks like I'm in the minority on this one. I found it was your anniversary at Writing.Com today, and noted only two items in your portfolio here. However, I could not resist this poll as I am notoriously a fan and author of first person fiction and poetry. I can comment on that and some of the reasons why I might be one of only eight in your poll that prefer the limited POV of oneself.

The omniscient voice in fiction is one that seems to be captive for an audience. There are few times when the flavor of a first person narrative can hold a reader or viewer, from Holden Caulfield to Ferris Bueller. With the all knowing god-like entity telling us like it is, why don't we question whether that voice could be true? It's just one person playing god to convince readers the events and story are true, which in both aspects can be understood as fault. That's what's great about fiction.

To me, the first person is closest to real, not truth. We are all flawed and like the idea of a person misleading a reader in story, sometimes to such great proportions Bueller style that the reader/viewer can question and make their own assumptions about what is really happening. With the limitations of a first person, we can see flaws in the storyteller, see what is true and what is evidently a person on an arc of their own. Hopefully one that actualizes them by story end. Or, a story where they can show how they got to a revelation either mid or end story, to the satisfaction of the audience.

Any other POV to tell a story comes with struggle, relating a story through what someone else said? Isn't that second hand and the least trustworthy? It serves for short fiction, I believe. And a writer has to know it will compel a reader. Omniscient to me is in the shadow of flawed truth. As a writer, I cannot put myself in god-like shoes. I can't possibly know every character's motivation, the effect and how it moves the story. I do know what I observe and with many questions why. It could be just my limitations where many others do know or can assume into fact before they write.

I'm disappointed by how little I can grasp and how the world can repress and suppress the protagonist, or even the anti-hero, which we know is as unreal as the omniscient one. Anti-heroes usually do what writers want the power to do, some low-level vigilante Batman who had to witness atrocity and overcome it with some more fictionalized ability and ever so lucky events to overcome. History is written by victors. Does that mean fiction is written by losers?

I just came up with that. Hmm. Why are we all here writing and/or reading instead of just living life? My back patio is calling. Yet, I haven't cracked open a cold one to celebrate a publication, nor the freedom of taking my brain outside and stare at the rabbits nibbling ever so close to my guarded garden. What choice do I have? First person all the way, life and fiction. I know the difference between the two and can apply my logic to what I envision and be just as good as any omniscient voice. People will pick me up and put me back down, no matter what.

This was fun. Thanks for the poll and the incentive to opine upon the reasons for it and to lend my input on the subject. Best to you.


Brian

WDC Anniversary
and Angel Army Reviewer
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130
Review of Aftermath of War  Open in new Window.
Review by Brian K Compton Author IconMail Icon
In affiliation with The WDC Angel Army  Open in new Window.
Rated: E | (4.5)
I'm reviewing you as a member of *Angel* "The WDC Angel ArmyOpen in new Window.. With an eye toward new talent on Writing.com, I hope my review helps welcome and shed light on "newbies" like you...

Dear Rishi Author Icon,

I hadn't noted you were a new member until I finished reading your poem for feedback. I was impressed with your handle on language and the progression this poem takes to finish. Sadly, I had visions of the current war or wars that are weakening hope. This poem is wrought with images that contrast the rhyming theatre in which your have portrayed our words to a reader.

I found this poem on the read and review page. My review will be shorter than usual due to the time constraint and hope that it will suffice as feedback for the poet.

By the time we got to 'palace' and 'king' I felt this was a bit more fantasy and fictionalized. The genres are philosophy, political and war. I do see the title line with mention of it as a former fantasy piece. I should have noted. Time restraint factor, I guess.

The poem has a great cadence and flow to start with the stark depictions of the aftermath of war, sets up visually and puts a reader in the scene and can carry the vision forward. What's unfortunate is this may have gone on too long and could be boiled down to the elements a stanza or two less to the outcomes. It seemed difficult to keep up the great rhythm and rhyming nature of the write. You do portray in natural order events, though do not give many specifics on what they strike as deal, trade for, etc. I'm curious what prompts this and what it takes to resolve.

The statement that realization began of 'what they had paid' was already a given, unless it was about the deal struck. It struck me as something that could be given consideration in first or second verse to lead to the negotiations that end war. Otherwise, the outcome and factor upon loved ones would have that realization, and perhaps this is transition into relating those final depictions.

However, when we get to the end, it feels glossed a bit. Could give a reader more revelation about these losses, the heartbreak to fully feel the message this poem sends. I think you've done a great job and see potential in this poem. I would ordinarily take more time to consider and give my thoughts more context without the read and review time contraints.

This is a worthy poem and have been pleased to consider and lend what thoughts and reactions I've had to it. Hope I may find time to find more of your work and words in another way, another time, on this expansive writing community. Enjoy your time here.

Brian

WDC Newbie
and Angel Army Reviewer
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131
131
Review of Bread  Open in new Window.
Review by Brian K Compton Author IconMail Icon
In affiliation with The WDC Angel Army  Open in new Window.
Rated: ASR | (4.5)
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*CakeB* HAPPY WDC ACCOUNT ANNIVERSARY!!! from "Anniversary Reviews ~ Summer BreakOpen in new Window.*CakeP*
Celebrating your writing this month with a review.


Happy Account Anniversary Genipher Author Icon,

Reversal on the Jack and Beanstalk tale with a not so happy ending. It seems fiction has reversed with villains getting more victories. I wonder if the man in white is finally relegated and buried in libraries of yore. I don't disagree with outcome, saddened by the loss of righteousness with a mighty 'Hi, Ho, Silver!" with that will to overcome great odds and spare the innocent victims. Though, it can be conceived in your story that the thief had no right to the golden goose. The story wasn't from the perpetrator's perspective. And, victors do write history. So, here we are in redraft. Giant 1, Jack infinity streak snapped.

What I noted as I read, foremost, language usage. I liked character names and am unfamiliar with fantasy genre, but certain that these names genuine to folklore and just give a bit of flavor along with the few expressions that typify a particular flavor for language, as with the giant.

Also when the giant snaps his beefy fingers, I want a feel for that sound. How does it affect space, others around him. How would one describe this sound because it is likely 50 times more powerful and could compel objects with its force, creating a deafening sound. I think that is something to play with right there that could fascinate a reader who will immerse in scene.

Which goes to pacing. It's quick. I think a slow reveal is better. I wouldn't discount revealing some of the actions premeditated in those final moments to grab the golden goose. It's apparent he's fraught with fear, it's likely precipitated by nervous actions that led to ultimate failure.

Where's the back and forth between giant and goose thief? Sometimes, these stories have a little negotiating before the giant gets final say. Yeah, hungry. A cannibal. Dark and sickening, if that's what you go for, it could be preceded by more unseemly things that forebode, and what the giant will likely do when goose thief caught, causing more trepidation for reader. All in the pacing, lengthening of this short fiction. Of course, if for a short fiction activity, by all means. But, story could have a dual life.

Only other note: a cliché that could be upgraded/removed: "wash over his soul" with 'wash over' an oft used expression. The giant really enjoys his goose, because he doesn't eat it? Perhaps, his love of its music could affect him more viscerally, furthering any foreboding of his anger when its music interrupted.

That's all I've got to this point. I like stories getting flipped on their head with new revelations. I intone Paula Cole, "Where Have All The Cowboys Go-aa-onn-ee? Yippy-eye, Yippy-yay!" That's my cue. Does the goose know that one?

Had fun reviewing this story. Hope review was good. Happy Month Long Anniversary!

Brian
WDC Anniversary
and Angel Army Reviewer
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132
132
Review of The Climb  Open in new Window.
Review by Brian K Compton Author IconMail Icon
In affiliation with The WDC Angel Army  Open in new Window.
Rated: E | (4.5)
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Celebrating your writing this month with a review.


Happy Account Anniversary Quick-Quill Author Icon,

Nicely worded, short, tight poem that I'm instructed at outset has derived from prompt words that seemed to point writers toward a fantasy genre, as you cultivated a visual piece with a message employing nature...something more my flavor. So, let's take a look:

The path is steep and narrow
Boughs arch shelter from the sun
A bridge gives rest for dry feet
As sun rays warm cool skin


I break out these four lines that act as introduction to scene and some sensory words come in play. A reader is given a poem with a narrative voice that directs our view to the 'path' described as 'steep and narrow' and felt the sense to duck, as 'Boughs arch shelter' above a head, and that kind of put me there, and then my eyes, redirected, spared from that sun by end of line two.

Line three might seem tired and does not build on the active imagery. It tells, as it can be assumed what a bridge does. I found this an opportunity to help us visualize here, depict with appearance and placement of that structure...high, low? And then, back to the sun. I see an opportunity here to already imply the sun's influence on the surface of whatever bridge material and still employ those rays to 'warm cool skin'.

To this point the poem functions. I'd like to see you get even more mileage out of those words. Anaphora is your friend to tempt a reader's imagination and interest. This next line repeats 'steep', as with 'sun' earlier. With anaphora, applying like thesaurus, you can select another depictive word. However, you might want to show action, like ascent, since we already know the incline, or 'climb' or 'climb the incline' to get an inner rhyme that would be fine. But, not that much rhyme, as I've demonstrated over doing it. *Bigsmile* But, great to break out for kids or to rap?

Only the brave dare pass
Gravel stones fight the hold


In the above two lines we get a depiction of the bridge/path and the statement 'Only the brave dare pass' is like a Kafka gun in the first act, should you know the reference, 'has to go off in the second act'. Meaning, we need a reason why one must be 'brave' (we learn by the end). The treachery starts with 'steep' and 'stones fight'. How about altitude? I'll put that in play with my imagination. Scarier now.

The next line well demonstrates and shows the reader the scene once again, and works very well in this continuation: "Branches reach down their help..." I did think one word could be replaced, 'their', with 'to help' or 'with help'.

"Onward climbs the determined" Hmm.

I joke, 'determined' is a cliffhanger. Get it? It does describe a class of folk who are determined. This is something that is definitely the poet's choice. However, when thinking of our readers, we want them to keep up and join us on this climb, need all the help they can get. Perhaps, smooth the way for them so they don't stumble over a hole that might need fill of a missing word 'one' or 'ones' to combine with 'determined'. It's barely a hiccup, but something to consider when paving the way for a reader. It also helps the poet conceive of goal and how poem delivers in the end. (phew, I'm tired from all my metaphors.)

And, what do you know?

the goal is just in sight GOAL!
Green grass to comfort the weary
Instead of green, known, maybe some thing else grass, sensory?
Sweet fruit a worthy reward

These three lines are where you stick the landing. I like knowing the goal is just in sight, as my mind's eye adjusts to visualize what that might be. The green grass and it's comfort is welcoming. The final line about reward could be more specific, described even. What are we eating? This is all great and wraps up nicely. It might be fun to forebode why we climb. Perhaps, that arch could be prickly. Do we sweat and/or chill enroute?

My mind wants to imagine a secret place, perhaps a secret route to commune with a harvest. And with whom? Alone? I like all the feels I'm getting. I can apply some of this as reader myself. I'm openly stating or suggesting as I review to help myself and poet envision more, if just to consider with that next write. You have a bounty before you, created a great structure to fill, and get 'more mileage' from.

It's a short read, not a long hike. Sometimes, a reader will benefit from poem structure attuning to subject/theme, just as you have employed green font to help with depiction (nice choice, btw). I can see it being stretched out to show the difficulty, or tightly packed with more active language to struggle the dense. It's just loaded and loved to see it come to fruition, should you revisit. Had another metaphor in me. *Bigsmile*

As you see, I'm enthusiastic about this poem and enjoy commenting in metaphor and pun to intone what you have offered. Thank you for sharing this and hope to be back to pick a few more ripe pieces and harvest a review or two more.

All the best,

Brian
WDC Anniversary
and Angel Army Reviewer
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Okay, gonna hang up my eyeballs. Gotta save some for the novel.


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133
133
Review of This old dog  Open in new Window.
Review by Brian K Compton Author IconMail Icon
In affiliation with The WDC Angel Army  Open in new Window.
Rated: E | (4.5)
I'm reviewing you as a member of *Angel* "The WDC Angel ArmyOpen in new Window.. With an eye toward new talent on Writing.com, I hope my review helps welcome and shed light on new members like you...

Dear Sunny Author Icon,

This is a sad poem, Sunny. "This old dog" is an interesting title to a short offering that appears simple and direct. If I dig a little deeper, look for something in the narrative that cloaks as a self-reference, I will find it. But, there are descriptions only of an animal, thus far. Otherwise, reader and speaker seem to steer toward a connection with an 'old dog', living out its last years. There is more to be considered reading between the lines for the poem's information. That's where I'll start this review.

There is some sensory experience but especially empathy flowing through the first four lines..."This old dog longs to rest/To feel the breeze in its fur/To have the warmth/Of the sun on it’s spotted nose..." It's interesting to note how this is broken up and where the emphasis of the words are placed to show a little something in that imagery.

That break between line three and four is early and decides to drive on two fragments "To feel the breeze in its fur" / "To have the warmth," which I think is an interconnected sensory experience here. You share from the dog being tired, to it experiencing relaxation, and then finish referencing the sun on its spotted nose...thus, description. It feels deliberate, but naturally breaks this up for reader.

There definitely are characteristics of a dog relaxing in its latter years, but is contrasted with the last three lines: "This old dog is losing her youth/This old dog is going to come to and end/-the end of a chapter"...I feel this is where the emphasis has changed from dog to the narrative voice/self. We can assume the dog's voice or the narrator giving the dog it's own voice, but there is an unnatural transition from watching an old dog and then relating the rest of the poem to the speaker.

It feels like a self-describing section, thus evoking sympathy from the reader, perhaps sadly forecasting the end of a part of life...because it's only the end of a chapter, not story/life. But, it suggests the best part of the dog's story is over, possibly well past falling action. Perhaps, nearing summary?

There is no detachment from speaker at this point in describing the dog that originally felt like empathy in observation. Now it is speaker foretelling the future, even though we sometimes think we know the fate of an animal. But, if it's just a chapter, it's not dying. Therefore, this poem might seem a little confusing because of its approach to depicting the 'old dog'.

But, for a reader, there will be connection, their own interpretation. And, the little bit that's obtuse gets them to think/feel, go from empathy to sympathy. There's no argument to be made about what this is about, but what this is supposed to make a reader feel.

I felt empathy, an understanding through experience of how life does end, that parts of life are better than others, and that getting 'old', the emphasized word, is what puts a chapter of life to rest. We can feel something symbolically here, too.

What if there's no dog? What if this is just expression to express how life is, operates, how we feel in relationship to it? Your poem might seem simple on the surface. I see many layers and much to consider.

There was one small typo where you intend 'an' instead of 'and' in line six. Without punctuation, while using capitals to begin every line, the poem could confuse, but you make simple and direct statements that are easy to read and consider for your audience. It functions.

Your poem is an interesting choice to start a collection and could imagine it might be about wisdom, experience, aging and gets into nostalgia and more to lend to theme. I haven't read anything else by you, since I picked this up on the read and review page. It was a pleasure to discover and consider for feedback.

You're not a newbie to this, are you? Good to have your words in the WDC universe.

Sincerely,

Brian
WDC Ange Army Reviewer
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134
134
Review by Brian K Compton Author IconMail Icon
In affiliation with WdC SuperPower Reviewers Group  Open in new Window.
Rated: 18+ | (5.0)
Dear iKïyå§ama Author Icon,

Just from that opening paragraph from a male point of view, and depiction with first person, you are nailing down character when you hit on the notes of vanity, insecurity, really getting inside the head of character to project a voice that sounds true. Furthermore, you portray one who is well-to-do with a lot of shame and guilt, ironically the most grounded person in core family. This slow reveal to psychiatrist, as confession moves forward, providing this reader with empathy I can feel for him.

What I can’t comprehend is his status, lifestyle exhibited. The fact that he is grounded in hard work, background of being raised poor, by a single parent with no siblings, he might have been entitled if not for a lack of a mother, having a stern father who taught work ethic.

You’ve developed a very sound and logical character, ironically struggling despite status and wealth, with a mess he feels responsible for. And yet, the breadwinner provides Band-Aids for not being there with family. And it does not sound like the oldest son or wife are likable. The son having a chance by story end to get dad‘s perspective of early life, going back to childhood haunts. This is a great idea for sharing and connecting with a child. And I think his big mistake is thinking his wife could take care of things on the home front, buying his kids, and wife, supplying them because of his job demands.

Here, further we get into first person protagonist confessional, more details emerge that fully conceive something that seems to be building toward outcome, or setting reader up in anticipation of where this is all headed, somewhat like foreboding. And, by the end of session, he has revealed some things about the important people in his life that are already changing, finding a connection to both son and spouse, where she sweetly crawls into bed with him. To me, her likely need to apologize and show that she forgets he is good man, maybe lost in her own delusion -- also could use a psychiatrist, couples therapy, healthy for the two characters.

The steps he’s already made can mend relationship, new start given, as he seeks answers to apply to depicted situation. All very believable, intricate in storytelling, and very relatable for me as reader to immerse in this story that gave satisfaction by end. Happy to read and wish I could’ve given more time in review, if I had not been knocked off internet during this 'read and review' that limits me on amount of time to react. Normally I would outline notes, takeaways, and then draft supporting thoughts using each notion as topic sentences for composed paragraphs. Now, just talk to text with iPad after laptop crapped its pants.

I copied and saved everything before laptop issue, present below what I had been working on. Sorry that it’s not fully developed, but attempt to tie up loose ends. Have to be somewhere, now late, thought I’d be out of the house. Here’s what I had:

Picking up after opening comments above...then, this hits me: “What fatherly instinct is left in me? How the hell do I look at him and say the words my dad said to me many times? Grow up and become a man! Work, work, work till your goddamn hands bleed, and then you’ll understand the true value of money!”

This alone, the epicenter, strikes me with an arrow and so many ways. Psychologically, comes from a generational perspective that could come right out of television drama, mirroring real life. Maybe, confessions you have come across patients with similar stories, time allowed to fully share. Shows observance on the part of writer to cull these male perspectives that zero in on what is happening to this generation, parents who cannot govern their kids anymore...not even because they’re too busy.

I have so much to say on this subject, because it is more difficult to discuss with kids that need a father‘s attention, and tough love, discipline -- guarded in society today. Sometimes, it’s a fractured parent unit that each apply rules without council of the other, and this is not knowing what’s going on because dad‘s are left out of the loop. Even as a kid, my mom sheltered me from an abrasive dad who worked up to four jobs, creating a similar scenario. Mine, with a limited education like, could still apply wisdom that I utter to myself, like, “think about what you’re going to say, before you say it,” without admonishing me. So, surprising how difficult this generation can't find a way to communicate, some walls formed, made much thicker and denser to penetrate with today’s social peril of words or subjects who cannot say or approach, creating further division within.

The character portrayal of yours, with his wealth, unable to discipline as absent parent is sound. But also, the options to discipline with tough love are a further reach. The character might have wealth, but lacks a little intellect to ration or reason a way to intervene, until clarity. But, right in that depicted moment observing son, defeat. It hits me, because I am on the outside, looking in at two adult kids who were my best friends as kids, a father of the year every year until they didn’t need me, fun dad, always accessible.

Your character and my father and these stories are not so different on this front you’ve depicted with such detail, insight, understanding the first person dialogue that seems well considered. Whether researched or possibly experienced, you might be a great listener, knowing your occupation, and apply a wonderful tool to aid, as with your patients. No doubt, your profession is a great resource for stories. I can attest as my wife works with surgeons as a tech and has some very insightful information and colorful stories of personalities and incidents and accidents that have entertained over the years. Could be borne out of your own experiences in that environment, up to and including doctors, who are human, will confess these types of personal insights.

Your story all the more impressed, with my entire existence on this website in your company, likely why I feel safe sharing in this review. I will sum up since I am running out of time and patience with a fickle internet and disappointing laptop, thankful that I have an iPad, with talk to text. I apologize if review sounds confusing, as it is rambling because of struggle. I just wanted to take a moment to acknowledge your writing. And, tie thoughts to group affiliation...(attempting the obtuse) something going on at my reviewing group since departure of a great inspiration there. Not being acknowledged for reviews since end of last month; it happened before, despite pointing out to a group leader, was never addressed then, let lapse without reason.

Sad when Eyestar passed on, recruited me to review, fueled a new romance to review again, level up, and that flowed back over to Angel Army. I get overzealous, hungry to feel a part of a safe environment, inspired by mere acknowledgment of crafted words continually noticed by writers and groups. Never disappointed with AA, you, Webbie, others in group. Thank you.

The hassle of the internet has made this a messy review. I am glad to go back over it. Thank you for sharing such a wonderful story that goes to the heart of my own character, personal issues that relate, knowing it’s a sad reality in society today to have these rifts, communication between generations further breaking down. Our children need parental influences, sense of family, loyalty, history to form future bonds. I’m saddened that I’ve lost two good friends, replaced by indifferent adults, know spouse operates without my consult, leaves me in dark, possibly giving them the impression I don’t care. While available, it intimidates me into silence, knowing my words go unobserved.

Your story supplies thoughts of a PC world today, where words are redacted from baby boomer vernacular, sadly represents how little information my offspring are willing to consider from me, public education, history, to open eyes, apply to real life. We could all be closer, share family heritage, relate stories.

A good vehicle, your story, and how I wish to express myself that connects all, limited by societal complacence and the gags of conformity. Hence, I write, newly diagnosed neruotypical (on spectrum with ADHD) and been on a learning curve lifelong, awkwardly with many cringe moments that feel like failures. To overcome these obstacles and be what others need, before self, has taken me to new levels of understanding on psychological levels where I shouldn't play. I could just crack open a beer, sit on a lawn chair, and stare at sky and greenery, but no retirement for me until every word and experience documented and written to make sense of all.

Thanks for relating a poignant, insightful, and psychologically depicted dialogue from a perspective that seems so far removed from your own. It intones so many revelations, I feel you’ve gotten inside a lot of heads with your patience and willingness to understand other human conditions, even if drafted from other fiction, or dialogue with doctors/PAs/nurses, describing home lives. Doesn’t matter. Great attention to detail.

Let's see how this goes, thank you,

Brian,
WDC SUPER POWER reviewer
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Review of Willowsong  Open in new Window.
Review by Brian K Compton Author IconMail Icon
In affiliation with The WDC Angel Army  Open in new Window.
Rated: ASR | (5.0)
Dear Kåre เลียม Enga Author Icon,

I found this old poem while scrolling through the read and review pages and decide to give it a look-see. Since I'm on the clock, let's see how sharp I am tonight.

This poem uses interplay between imagination and elements of dreams to convey its message. The imagery gives me a sense of ethereal wonder, themes of longing, exploration, and an awareness, or plague, of deeper truths.

The poem’s structure and repetition hint at a dreamlike state. The narrator, and possibly protagonist, lays his head on a pillow, perhaps sleeps and dreams. The "solar winds" and the "sap rise within the willow" suggest a connection to nature and cosmos, as in dream imagery, a flight of imagination where the boundaries in of reality in this poem blur.

Your poem reflects a conscious engagement with existentialism and universal knowledge, maybe reflections that stem from deep contemplation or creative imagination. The willows metaphor has wisdom or insights about life, creation, and the knowledge that may disrupt happiness and future existence.

I could interpret the poem to come from perspectives borne out of both imagination and dreams. It feels between subconscious and waking thought, gets into profound themes with richly woven imagery and emotion. Your interplay of these elements invites one to ponder our knowledge, existence, and burdens that come with knowing.

I had to ask myself some questions to hopefully understand more fully this complex poem. Foremost, The 'He' in the poem presumably represents a contemplative one who possibly seeks understanding of the world and existence. Rather than first person, the way I go, it feels detached from poet who may have been the one heavy with burden. The separation from self would be understandable, as we often try to get as far away from difficult subjects as possible. It nearly romanticizes with this consciousness and the imagery applied to demonstrate to reader.

This character lies in bed and dreams of what the "solar winds" might carry —perhaps a longing for exploration, adventure, and mysteries of the universe? The solar winds can symbolize unseen forces that inspire creative imagination and reflection, encouraging these personified willows to reach distant places and experiences. Could just be a poem that came from a strange dream. What did you do or eat that day? *Bigsmile*

Given a voice, willows express desire to travel (which you do) and share knowledge. However, burdened by the realization of "Creation's tears" could be pain and suffering in these struggles that more ordinary may reference His difficulties that restrain one from moving forward with life. Thus, there is a juxtaposition between the desire to seek knowledge and the sorrow that one cannot access what is desired or sought.

What is good about this poem?
1 Imagery and Symbolism: The willow and solar winds create beautiful, uniquely visual pictures. With a little research -- willows symbolize flexibility, resilience, and deep roots, while solar winds are about ideas of freedom, movement, and the mysteries of the cosmos.

2 Themes of Exploration and Sorrow: Between the joy of discovery and the burden of knowledge its emotionally impactful, with a rich and thoughtful exploration of existentialism.

3 Structure and Repetition: The refrain structure emphasized a cyclical nature of thought and dreams, which delivered this burden, and enhanced the emotional depth of your poem.

4 Personification: By giving the willows human-like qualities, you effectively convey feelings of longing and sadness, creating this connect between nature and human experience.

5 Philosophical Reflection: The poem prompts me to more deeply consider an inexperienced understanding of my world, but the cost of knowledge, and the nature of existence as I know it personally.

I have no suggestions. This was a big reading assignment tonight. Your ability to weave complex themes into a lyrical and musical structure, how it blends nature and existential inquiry, was deep. Googled a bit to be sure I had a good idea of what this is, how to approach and peak to what I felt you conveyed.

A pleasure as always,

Brian
WDC Angel Army Reviewer
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Review of The Beach  Open in new Window.
Review by Brian K Compton Author IconMail Icon
In affiliation with WdC SuperPower Reviewers Group  Open in new Window.
Rated: E | (5.0)
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Happy Account Anniversary Winnie Kay Author Icon,

A poem worded so well with personification and great sensory experience, it reads smoothly and goes down easy. I'm delighted I stumbled into "The BeachOpen in new Window. while considering items from your portfolio for an anniversary review.

So well done, I'm not overwhelmed by an end rhyme scheme, while obvious at work, it instead offers so much rich content and scene depiction to overwhelm, stimulate. The perspective shared from narrator to reader is superbly orchestrated. This poem has a wonderful voice and is a great guide to showing how to experience a beach and with such a lovely guide.

I decided to break apart the poem to focus on each section with my takeaways as I saw them reading and rereading, even from bottom to top.

Winds weave clouds’ design;
waves kiss the sandy shore.
Wonders so divine
the soul cannot ignore.


Good hook. It gave me pause. It takes wonderment and some imagination to consider clouds' formation, whether low or high. And of course, we consider these shapes with the mind's eye to envision what might be represented.

When waves kiss the sandy shore, personification takes hold, in the mind of the poet who offers that nature is not something you can ignore. It's beauty and majesty, both far and near, you offer evident truth here and something on a deeper level yet to play with the reader's consideration.

Waves kiss the sandy shore,
endlessly churning,
then pulled to sea once more,
forever yearning.


Personification at work, you also show through the stanza and ebb and tide read with the long and short lines syncing up, showing you put thought and care into delivery as much as possible through poetic devices to connect a reader to text. Unfamiliar with the form, I note the exchange of lines from verse to verse, which complements subject and theme. This repetition of ‘kiss’ can feel like a step back reconsideration of moment, to pause, maybe redirect.

Wonders so divine,
as far as sight can reach—
winds and waves entwine,
breaching beyond the beach.


Third stanza, here’s the moment, the arrival to note wind and waves arriving, as if an exhilarating moment. Know to visit a beach or two, consider this moment with further thought about imagery through expression. It's about how our subconscious might be knowing if we steep ourselves there to immerse oneself, listen and feel the experience. It is enchanting.

And, when waves and wind entwine, a very suggestive word that is evocative, it allows me to see their union personified like romance, and breaching that beach together. There is harmony at work in this verse and the poem as a whole. There is a thorough connection to the beach and nature. A reader might feel so overwhelmed, they might have an experience from memory from this clearly depicted emotional and natural scene. My fan is blowing right now and it seems to be playing a bit on me the thought that it too sounds like both the wind and waves, as it directs air to and away from me.

I’m reminded how air intake on a lovely beach outing seems greater, the smell of the air, the slight annoyance of seagulls, and smothered conversations of other beachgoers because of these nature walls isolating. This scene plays to us solely as we share in the joy of the poet narrator.

The soul cannot ignore
the powerful peace
of surfs' deafening roar
and ebbs’ soft release.


Beautifully phrased ending with the imagery and the sensory of sound with waves arrival and departure. Here a reader is presented with more evidence of patterned sound, not only water, but sound of those waves arrival and departure sucks the air right out of scene. This staccato has a hypnotic effect and is well represented in this poem as a device to capture one such as myself.

I'm very glad the community recognized this poem twice with worthy awards. Certain fodder for a poetry publication. It was a pleasure to read and consider this for feedback for one hacking away at a keyboard tonight in dim light. I hope this is readable enough. Ready for bed now.

Brian

WDC Anniversary
and Super Power Reviewer
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Review by Brian K Compton Author IconMail Icon
In affiliation with WdC SuperPower Reviewers Group  Open in new Window.
Rated: E | (4.5)
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Happy Account Anniversary cheshire Author Icon

I found this poem to employ the intellectual with message and employed language. I was drawn by the title, 'A Voice In The Wind'. It gave me pause -- which direction poem could take. As a breeze, there is direction. Also, wind is a firmer word, not like gale force, but has power...to carry or to quash a voice. I've not known a voice to be carried on the wind like a scent. The description line did not add anything but what was assumed, a 'human voice'.

What could help a reader of lesser ability to wrap their minds around this read -- break those lines in two and create four line stanzas, especially with free verse. You introduce well in each stanza, with your meted words. If a reader can pause, take a breath, and consider -- it allows their minds with developing thought, reading between these moments moving forward.

"Summits, valleys, pulsing rhythms, the magical whisper of life is on the wind."

I have to stop after the first line because there is so much to consider. I'm visualizing a sound wave, more like a wavy line that goes to that summit and is sent to valley. After rhythms, there should be caesura. This is a beautiful place to take a breath and consider the next words 'the magical whisper of life' and it is upon the wind.

It's fantastic that you've introduced theme and subject and created great imagery and anticipation for a poem that is engaging, just in one sentence. If I were to write a line like this, I'd break it in half. Words drive this message, especially specific nouns, the depicted concrete imagery paired with the spiritual awakening.

Pacing can help this poem just a bit. Some readers don't know to pause, despite commas and other punctuation demonstrated. The power of the vision in the first part, coupled with the magic in the second part, work together seamless and yet apart, and each fragment needs its own billboard entrance into the poem.

Another note. It could be the end of the poem. None will question. This is a sweet sentiment, speaks to beauty and life and carries wonderfully as visual. It can act on its own and also lend to the opening of whatever a poet might want to follow, and like wind, go in any direction. Sort of like a Discovery tv series. Even with a serialized documentary, narration utters this phrase in introduction to each show, exploring yet another exciting area of life in a magical nature setting.

"Wafting, screaming, shaping silhouettes, its serene touch moves the world unceasingly."

This line didn't describe as well as a follow up. Between 'wafting' and 'screaming' I wondered where this line and the rest of the poem takes me. I have the Swiss Alps as imaginary local, but if the wind is wafting and screaming, I'd reconsider and look at what meteorology suggests as wind movement to give it more credence. I loved 'shaping silhouettes' as an expression that suggests it moves the environment, like trees of the night. I don't mind 'serene' so much as a beautiful word. I prefer the tangible, but it works.

"Crashing seas bring forth new changes, mysterious and deadly."

I think tying this to wind and its voice, with effect to change, might help here. Usually, I associate crashing waves with tides, but storms' winds send force with it, adding a new element to message. I think this line loses connection with theme and could use a little further consideration.

"A new age arises stretching to the sun."

Nice foreboding, it gives a reader something to expect, anticipate, consider upon new arrival.

"A challenge grows in the wind, seeds drop and life begins." (upon the wind, to show seed carried)

This wind is a carrier of life. It's a challenge because of the wayward nature of wind and how seeds travel. I also feel taking liberties with 'grows in the wind' as expression works nicely. It gives a reader something to chew on, as if fact checking an article. Does it work that way? And make argument for it: The 'challenge' is in the wind, wind nothing but messenger, delivery service for these seeds across land.

We come to the middle of the poem and have arrived at hope of new life. There might be some balance at work, also, in this message.

"Strengthening, the wind turns into a raging river until one voice is heard, the voice of man."

This was a stretch for me. I knew from title and subtitle man's influence would come. But, he hasn't been a part of the metaphor yet. The verb 'turns' is operative but not poetic. It's an opportunity to clarify expression because wind molecularly cannot change into water without a lot of remarkable element to lend assistance. You could try 'wind like a raging river', though it seems to be corrupted by the man element at this point.

"The thunderous voice strives to change the present, shape the future, and preserve it.
Majestic unmovable mountains wane.
Bowing to the voice they shudder and shake, finally crumbling to dust."

This stanza makes me think of Greek gods. It also reminds of politicians. I'm somewhere in between. If metaphoric, I can't decide why mountains crumble to dust. Our planet was struck by a large asteroid or comet once. Man didn't come for some time after, evolving from apes. Now I'm being too literal.

"Seas vast, deep, and mysterious are traversed, used by the voice, and tamed."

Could it be 'tamed by the voice', instead here, as it seemed an awkward placement as modifier, or as the modified?

"The land, broken and altered by man’s mind, submits to the revolution.
A new eon has begun."

That's a lot to chew on. Ending as statement gives pause. A lot of narration, without the previous imagery woven in quite so well. I did not see a parallel to man and wind, or consistent. Man just jumped in and took over, or became wind. I couldn't conceive of making a case for going in this direction. The language is powerful and commands. It does show change, as structured with the seed, delivery system and the arrival of man.

It's a lot to consider and I thank you for the journey. My attempt here is to react, lend thoughts and hope that it might be enough. To interpret or suggest changes is not something I'm equipped to do here. I just know that a lot of energy and inspiration aspired to lend these words to my lighted screen. I thank you for sharing this.

Brian

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#1300305 by Maryann Author IconMail Icon



Among the genres, you could also include 'fantasy' with some of the elements introduced from 'magical' to my assumption of mythological voices.


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Review of The Road of Life  Open in new Window.
Review by Brian K Compton Author IconMail Icon
In affiliation with WdC SuperPower Reviewers Group  Open in new Window.
Rated: E | (4.5)
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Happy Account Anniversary Sunshine :) Author Icon,

I tumbled into your port and came across this poem and couldn't let it go. I enjoyed the construct visually of "The Road of LifeOpen in new Window. that almost looks like a twister/tornado, if that was intended as sort of shape poem (and my intone last word "Dusty"). The structure cleverly enhances the poem's theme. What you’ve offered here illustratres the overwhelming complexity, and urgency of life decisions at college.

Looking over the poem's format: fragmented, irregular lines with varied spacing and indentation mirrors a chaotic and disorienting nature, navigating challenges and choices in a new environment. And, coming straight from the nest, not so easy at outset, alone.

The way the structure appears, tight lines add to theme with a scattered, hurried pace of that current/former student who faced that test. The fragmented presentation of words and phrases, such as “many play…few understand“ and “thousands…of roadways,“ creates disarray, as I read it, with the uncertainty.

This visual form represents the confusion and difficulty in choosing a path as (with back-and-forth jagged lines with hurried thoughts) amid the anxious moments. The abrupt shifts from lines like “choose…decide" to “hurry…no time” emphasize the pressure, urgency to not err, figure it out, like those dreams where we feel naked and unprepared. From high school to this, overwhelming for some with life-defining decisions and potential consequences.

It’s almost funny to think how uptight and serious a young one is in order to keep head above water. And, always wonder, jealous of those people who can casually find their way about? For me, the experience with undiagnosed ADHD and on the spectrum, or neurodivergent brings some haunts of those memories.

Furthermore, the irregular spacing in invitation can be seen as a metaphor for the unpredictability and lack of clear direction in life. For example, the poems final line, “Dusty…“ Placed alone and at the end. Seems that of resignation, or maybe, the idea of being left behind after making choices. Your solitary ending offers something to symbolize feelings of isolation that comes with making difficult choices, and while playing a game as you describe, that one may not have fully conceived the rules about. Something I am very familiar with in scenarios where you cannot possibly know everything, as if is kept from you so that you might learn something?

Difficulty to navigate life paths, the chaotic nature, seem driven by fear of unknown, outcomes. It reminds making an acquaintance or having a senior to show freshman the ropes is a missing component.

Poetic devices, I note, effectively convey theme. The use of enjambment, obviously where it’s a downward spiraling read, since word driven in those quick moments, until those plateaus where we quick, consider like a mind with ADHD in fact, quick decisions, turnabouts that sort of twist the read back-and-forth.

There are parts where thoughts, flow beyond individual lines, giving it a continuous, almost breathless quality. It’s a rapid, overwhelmed narrative. Seems like self speak to negotiate oneself through this process. At the heart, “play the game/or/fall/behind" you use quick enjambment to underscore pressure to keep up or risk falling behind.

Repetition is another key device. The word road is implied in the structure, and the repetitive emphasis on choice (“choose…decide") and consequence (“Fall…behind") offer a recurring nature of a student's life with new challenges. This repetition reinforces the central theme of navigating numerous choices and how it is affecting our speaker.

Should appeal to current, former or upcoming college students who’ve can relate to your depiction of familiar experiences. College students like me often grappled with significant decisions without “mom and dad" who step back, or can’t be present.

The fragmented structure and smart use of language capture the essence of early college experiences, relatable, and colorful depiction to perhaps revive memories of old fears and anxiety, and not to mention frustrations.

What I know foremost is how structure helps telling narrative and theme, an urgent presentation. Through the diced up poem sections, a reader connects through fragmented form, enjambment, and repetition which altogether are very effective to put us there emotionally. Visually, or with sensory, a bit lacking. It could, quick hit a few scenes on campus where these jumbled thoughts purge from. Connecting narrator further using using time elements, assignments, navigating all aspects, physical and emotional, could deepen an already well expressed experience.

Constant pressure to make decisions, lends familiar reflection for anyone was faced the complexities of college campus life. It was a pleasure to read and consider your poem for feedback.


Brian
WDC Anniversary
and Super Power Reviewer
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Review of Man-Spell  Open in new Window.
Review by Brian K Compton Author IconMail Icon
In affiliation with WdC SuperPower Reviewers Group  Open in new Window.
Rated: ASR | (4.5)
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Happy Account Anniversary Jimminycritic Author Icon,

I scanned your part to look for some thing that I could respond to (for your Anniversary Review) when I came upon this poem and was struck by some profoundness and an interesting structure that helps lend to a message about aging, and perhaps perception reflected back to the judging youthful ones.

Just on the first verse alone, you strike on a truth that is relevant and yet seems to defend the aging process in a way that would suggest society does not accept aging or older people. The truth being, this feeling seems apparent. Judged yet for beauty and not wisdom/experience. Judged by cover. It strikes me that when one no longer maintains a youthful appearance, can seem on a downhill slope...yet untrue of some very strong people I've known.

The second verse isn’t as strong and reverses the mantra that opens with from here to there previously there to hear as the loft expression used. Already developing a certain lyrical cadence in these short lines delivered. Then, intoning Kennedy's quote in that middle line, seemed to poke fun at the poem itself, sense of irony. the cleverness of turning these lines and turning it into some kind of ad, or mantra, made it seem darkly comedic. It has value.

The last line also echoes 'sad' and in a way, pokes fun again, almost cynical or mocking, and perhaps directed at society. It's a very simple poem, straightforward, does make good social commentary. I found it refreshing. In a way, I relate. I'm getting there. I'll not go down without a fight. Told my wife, I'll die on the basketball court uttering my last words, 'worth it'.

Uniquely inspired poem, liked how it presented, and found a pleasure to consider for feedback.

Brian
WDC Anniversary
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Review of Summer  Open in new Window.
Review by Brian K Compton Author IconMail Icon
In affiliation with The WDC Angel Army  Open in new Window.
Rated: E | (4.5)
Dear dragonline (dragon online) Author Icon,

This popped up in the read and review page, so I gave it a quick read through. I find the narrative voice to be a bit grouchy, irritated, as anxiety and stress are melting away. This poem could serve as the catharses beginning, with that pen put to paper.

If I look at your poem on the whole and respond, even if spoken in conversation, it would be yes, yes and yes! But, why are you here talking about it, go do! It feels like this is what the narrative wants to be, and is finding time to unwind, but idling. Obsessed with issues unresolved, perhaps? Going back to the reminder of annoyances, with 'the absence of sound' that still seems to haunt, plague, as if those unruly kids will come back.

As for showing, there's mostly telling, no scenes to engage reader but depictions of what this speaker wants to do. It comes across as an experienced voice, but one that is troubled despite this break from the world. Sometimes, all we can do is complain. It feels like in that emptiness, we bore someone with this or that, forgetting their not interested, not interested in them ourselves. And yet, I find this to be honest and true about some people.

I feel this needs some specific imagery; what's the deal with kids? How can we see them disturb? Why is the voice saying what it wants to do, rather than give glimpses of these freedoms to release a reader, too? I think the word play is fine. It employs long sections in each verse before end rhymes. It's not as tight of a poem that employs this type of rhyme scheme well, usually faster paced.

The word play could be upbeat, but I don't know. Maybe, it could be more lyrical to convince me, but the speaker feels tired. And, maybe a poem like this best describes their mood...not quite there yet.

It was a pleasure to discover your writing today and hope to be back again.

Best wishes,

Brian
WDC Angel Army Reviewer
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Review of This is my love  Open in new Window.
Review by Brian K Compton Author IconMail Icon
In affiliation with The WDC Angel Army  Open in new Window.
Rated: E | (3.5)
~~~ A Newbie Review ~~~

I’m a romantic myself and came upon this poem, tasked by my group to reach out to newcomers at WDC. I like to know a little about who I’m reading the first time around, before I launch. The Angel Army has been a great guide in helping me utilize and develop as reviewer-member. I decided my gift of feedback as charitable, so long as my review can be appreciated. Let’s see what I can offer for "This is my loveOpen in new Window..

I note brevity here. One four line verse. In it, two proclamations. Odes to love, usually epic, can be boorish. Why not get to the point? Let’s go line by line before the overall theme/message.

“Some words of wisdom don’t shine…”
Case in point. I don’t believe I can offer light to fully illuminate another to realize what the writer seeks. I could be one of many with pieces to help solve a puzzle called you and/or life. Only you can gather these bits along the way to apply to your own knowledge…and how to access…apply as best can. Your statement for me hinges on ‘words’. People use tired adages, idioms because they know it loosely applies, but nothing is perfect. We can cull a thesaurus full of words that don’t exactly sync up a writer’s vision. Words are limiting. Expression is better.

Since your poem’s genre is relationship, perhaps we better include parameters outside love/romance. To hook a reader, and the subject, you’ve possibly taken on the role of ‘disclaimer’. Not all can express themselves, here, short and to the point. It’s possibly honest, but is it fully conceived? Wherein, you apply brevity, each word must carry much weight. You do set it up before:

“Sweets don’t turn brine…”.

Is a throw away line? You’ve rhymed three of the four lines with shrine, brine, shrine. ‘ fine’ is not romantic visually, unstimulating. Perhaps, a hint this verse is all the narrator can offer, but wants to, despite forced rhyme. It can do better. What’s the aim beyond fare unworthy of a greeting card, unless satire? Not a listed genre. In fact, the following lines suggest great effort will occur to woo:

“I adore you morning till evening…”.

This is sweet, basically says ‘I adore you’ just as Walmart is open 365/24/7. If relationship, what does this other want in return, reciprocated? Devotion? Faithfulness? Strength to lean? Words like ‘always’ and ‘infinite’ ascribe time’s power.

“Want to worship your shrine”
Here we have a smalll conundrum. My first poetry will immediately point out…’does the shrine already exist’? It can be further inferred this is someone many have built a shrine for, exists. Why not be the builder, architect? What do these shrines look like anyway?

Put it all together, you have a pretty clear message. How badly do we want success in relationship…and, is their trouble? Is this a poem to reconcile, repair? To succeed, all one has to consider is empathy, be in their shoes. What would please them? Do they want the pedestal, shrine, worship, or equality…my guess, 60-40, if one is penning odes to win affection.

I’d rebuild from ground up. Read some poetry that inspires the pen, vigilant to know what words will send them into your arm than the other way around. Coy, but not aloof, don’t beg or plead to apply pressure, lean away. But, compliment, tease a bit, poke fun at yourself, be playful. That’s just for starters. If it’s true adoration, cultivate it, flirt. Does this one want dominion over the poet’s soul? Is poet submissive? Lots to consider if a co-dependent relationship should occur. Have fun writing, keeping going after it. Wink and smile like you have a secret. Let them come to you.

Poetry can go in many directions by genre/subject/topic. Courting has limited boundaries, usually tied to nature or depictions of qualities of another, including beauty. Whatever you chose, stay clear of brine.

Well, I laid around most of the weekend randomly looking for writers who may or may not want input from someone with limited vision. What else am I gonna do? Have fun around the website.

Brian
WDC Newbie
and Angel Army Reviewer


New consciousness.


The best I can do with low vision. Packing up.

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Review by Brian K Compton Author IconMail Icon
In affiliation with WdC SuperPower Reviewers Group  Open in new Window.
Rated: E | (5.0)
There’s great observation in this poem. I had to stop and read, deciding to review after the read and review suggestion.

The first two words had me, even though I was teased by the title line. It’s a great framework to set up the poem, something unavailable when we read published poetic works clinging to title. And in my blog entries, I work these emotive lines under title as ominous as this, usually italicized for a reader’s attention and dramatic effect, if needed.

One of the things I like to try in review is show how a short poem like this contains its own symmetry when reversed, for instance, your poem:


clouds danced
to ethereal music
as wind whispered
across deepening
sapphire skies —
a celestial waltz
with each turn,
gowns billowing


Put a little punctuation on it to show emphasis, changing a bit the vision you’ve offered, which to me is time standing still, no one with whom to witness an awesome moment, silent, solitude. Can’t capture the same on camera/film, while neither do justice, framing it with limited vision 3D capability.

Billowed is a great word, visual, it has movement, spiritual, power with ethereal quality, and depending on dimension, as simple as a gown to jellyfish in reef, symbolic as a proud flag, to what a poet envisions in a moment on a beautiful day, heavenward.

Another phrase that caught me was ‘celestial waltz’, therein the quality ethereal. A plastic bag could wind up as focal point in a K.P. pop song, but a waltz is the thing. Perhaps, for reader, invokes the strings of those melodies, adds harmony to the read. Again, snapshots with one’s mind, pictures creating thousands of words, enough for a mind to harvest on long after, pen a poem to capture in a few words the brief vision. Time stands still. A mashed up montage that slow-loops in memory. Moment immortalized.

There are qualities here, like many objects in nature to help a negotiating mind make connections to the experienced life. Here you have done it, broadcast and disseminate with a wonderful poem easily consumed but so rich in layers for consumption to savor.

But, it’s about bearing witness to beauty and truth — not dead. Idealism on the brink and visionaries holler words we must ascribe to our own lives…simply stop and smell the roses. Easy act…but, one must feel something, emote something. Let the world know it’s alive, testify. In nature — hope. But, one might look up and see a Hindenburg. Ozone poked clear through. We might envision different, perhaps, puzzle our perceptions together to create 360 degrees of reality. If anyone could agree to disagree, yet consider.

Alas, truth is as elusive as a vision, described beautifully in poem. Savor life, read good poetry like this, consider how we truly feel inside, what feeds fear…everything is going to end. Each moment not witnessed, dies.

Great platforms, reviewing, witnessing great poems. It’s the strength to show your heart and soul, knowing one like me…lacks. Skill does not come easy, is interpretive. But, still growing, while I lay bare my words of appreciation for truth/beauty. Thanks for opening a portal to your reality, all the encouragement. Willing and ready to serve the dream, if only I can fully envision…simple, sweet, trust to near a poem with as great as your vision.


Brian
WDC Super Power Reviewer
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Review of lucie willis  Open in new Window.
Review by Brian K Compton Author IconMail Icon
Rated: E | (5.0)
I found this on the read and review pages. It’s listed as Article, genre: Other, but with subtitle “politician,” puzzled over this. Took a look at your bio to get a better idea and now can make an educated guess at what this is.

It’s a very detailed profile, and likely for interactive. I don’t know how interactives truly work, assuming like a character card/bio. I’m learning more from this than I can offer for review. Written without amendment and reason this is offered for read and review interests me.

The details including proclivity, relationship, vocation, well covered. I felt when I got to end I’d find the most interesting details, and did. There are suggestions not only in the relationship at work, but what they’re into: drone photography. It feels details like this in an interactive can aid in unique scenes and interactions. Fun learning how this operates. How articles like this define interactive make me wonder if it progression to the completion of one.

Have a good day,

Brian
WDC Reviewer


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Review by Brian K Compton Author IconMail Icon
In affiliation with The WDC Angel Army  Open in new Window.
Rated: E | (4.5)
{size}:A newbie review:

Dear ElaraFox101 Author Icon,

Short poem, huh? *Laugh*

Your poem is striking in its consideration of the duality in human experience—joy, and about fear, light and darkness, hope and despair. It starts out with a vivid portrayal of joy and creativity in nature, but as night falls, a shift to a darker theme it then becomes full of uncertainty with the fear, ending with a message of resilience through hope.

Your use of sensory imagery works well throughout the poem: "crickets chirp," "soft touch of the trees," and "faint howls from wolves nearby" to draw the reader lushness in the environ. Senses create a vivid atmosphere to contrast the initial pleasure before the oncoming trepidation. You transition from the joyful to vulnerability, marked by the repetition of sounds—“howls” that evolve from faint to louder, signifying an escalation of anxiety and the onset of fear.

Personification found used effectively, trees and the night given human-like qualities. As night descends, the trees "no longer look cheery" and instead scratch and harm. This was something I could sense, and relate to. The transformation here emphasizes the central theme: perception of surroundings can change dramatically based on one's emotional state. Very true.

The poem's structure mirrors an emotional arc, with short, staccato lines in the latter stanzas conveying panic and urgency, exemplified in “My legs ache as I run with all my speed / Powered by my fright.” This builds tension leading to a moment of surrender to darkness, where thia speaker says, “I drift into the darkness, / Letting it engulf my soul.”

Ultimately, you conclude on a hopeful note, symbolized by "sunrise" and "auroras of purple and pink." I liked this scene revealing. The final lines reinforce the enduring nature of hope, serves as personal and universal messages: "Even in total pitch black / Do not mope." Contrast of despair and hope felt deeply, leaving a sense of optimism against uncertainties.

Overall, deft use of imagery, personification, and structure to make this poem a compelling reflection on the human condition. I was with you all the way.

Brian

WDC Newbie
and Angel Army Reviewer
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Review of Walk with me...  Open in new Window.
Review by Brian K Compton Author IconMail Icon
In affiliation with The WDC Angel Army  Open in new Window.
Rated: E | (4.5)
~~~ A Newbie Review ~~~
Dear Zemira Author Icon,

This is a beautiful poem where you describe and capture nature's wonder, plus the experience of these lessons to teach a reader like me.

Remarking here about the imagery, I can see myself walking through seeing these leaves filtered by light, as if jewels in these dense forests. Especially like the notion of branches holding them like crowns, creates a sense of awe, wonder and reverence for our natural world.

I had some favorite parts like "The trees teach us all about life we attest." Found it poignant, with the feeling nature itself is teacher, as this gives lessons about resilience and strength even in darkness. Removing the label that darkness is negative, there's an emphasis on where true strength and resilience is found...exercising proper caution.

Impressed with how this poem offers keen observation of nature with a deep connection through articulated nuances. Your metaphors and imagery vividly depict, could let readers walk alongside poet in the guiding enchanting language. Anyone who appreciates the beauty of nature to find solace, such as I, can soak in this poem and find something more.

From what I've seen here and your bio, you appear enthusiastic about writing, and it comes through with this poem offering its profundity and magic. The writer's execution of imagery is vivid and evocative, and should draw readers like moth to flame, to experience a lively write. Keep exploring and expressing your unique perspective—it's a joy to read!

Sincerely,

Brian
WDC Newbie
and Angel Army Reviewer
Non-Animated Angel Army Signature





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Review of The Lost Light  Open in new Window.
Review by Brian K Compton Author IconMail Icon
In affiliation with The WDC Angel Army  Open in new Window.
Rated: E | (4.5)
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*CakeB* HAPPY WDC ACCOUNT ANNIVERSARY!!! from "Anniversary Reviews ~ Summer BreakOpen in new Window.*CakeP*
Celebrating your writing this month with a review.


Happy Account Anniversary Hezza,

Your poem shows grace to capture profound emotions with loss of a loved one, grandmother, in a heartfelt elegy. Tenderly handled, sense the loss in celebrating her life and legacy.

The poem is straightforward, with noted rhyme scheme. A soothing rhythm mirrors comfort, lends to memories shared. Consistent, there’s a gentle flow, making poem accessible and emotionally resonant for loved ones. It can reach a general reader on many levels. Some opportunities exist to enhance dynamic quality further, reflect complex emotions involved in this item with its mourning and remembrance.

I can speak to how you express this to help others connect in poignant and evocative terms. Phrases "a light went out" and "brightening heaven" offer vivid images that intone sorrow, hope of eternal peace for the beloved. There is contrast in these expressions. A repetition of "go" in the final stanza underscores theme of release and acceptance, reinforcing the message of love and letting go.

Poetic devices: The personification of "light" as the grandmother’s presence and the metaphor of "wings of your family’s love" imbue the poem with a sense of ethereal transcendence. Additionally, the use of alliteration in lines like "watched you fade" and "mem'ries you gave us" add to the lyrical quality of this poem.

On closer inspection…witnessed opportunities. To highlight your elegy going forward: my aim is focus on deepening emotional impact, using more specific personal anecdotes or characteristics of grandmother (understood by family, needed for a wider audience), describing more to transform tribute with its personal memories. Plus, ideas on the structure and categorize imagery, with transition from grandmother’s last hours to the higher calling,

From poem lead-in, asked myself questions before considering the whole of poem for evidence to put together poet/poem process to completion. It is nearly 20 years since posted at WDC, some suggestions focus where this poem could serve today as elegy, and how poet could see its evolution, if one were to revisit, however.

Hook:
I believe the opening declarative line catches a readers attention, a good hook. It’s not cliche but pretty standard in approach, definitely a write serving family to intone, overcome loss. Forward, gaveingfurther consideration, ask ‘does it set up subject well enough for impressionable audience’? A personal poem, type shared with family, might leave reader’s outside wanting more info. Could it be enough to encourage further interest?

In second line of verse, there is the use of the word “spark,“ possibly not properly applied. Regardless, doesn’t matter, but a spark ignites fuel for a fire to maintain. If one were to do a rewrite, you might find lots of different ways to explore just with that one line. It also could help serve as that stark opening hook. Your caught between light and spark, and which would produce flame/light, and for poetic devices, working toward a central metaphor?

The first two lines didn't transition well into last verse lines. With constructing a poem, there could be a parallel from that light to the lost grandmother. As years melt away, perception evolves into a greater understanding and vision, looking back upon this poem….akin to viewing Keats’s Grecian urn. Poet can speak to poem/dead and ask ‘what were you about’, and what the poet could now fully portray..

Passages:
“But the mem’ries you gave us will never pale: (example opportunity)
Your passion, your joy, your lust for life, (possible more specific?)
Your love as a grandmother, mother and wife.”

Herein questions for general readers lie. Opportunity for specificity.

“You’ve been fighting to keep your dignity (example of observance with respect to departed?)
But that fight’s now passed, so go – you’re free! (Peace, and a strong, direct narrative)
Although we are sad, and mourn you still, (shows consideration, celebrates the life)
We do know that this has long been your will.”

I can assume last line implies here the loved one needed to be a free spirit again., sought earthly departure. It’s obliquely stated, could be addressed.

“Go on, join your son; he’ll be waiting, arms wide, (This comes out of nowhere, could be worked in near your intro, give larger audience info)
And never again will you need leave his side. (Double negative…always you’ll be?)
Those who’ve been touched by you; family, friends,
You know that our love for you still never ends. (When speaking to the dead, do they hear? Or, are words for survivors? In a sense, both. Something worth noting.)
So Go, take your place with the angels above, (caps G in go, strong, need for it?)
And fly there on wings of your family’s love,
For the light that went out in the world today (full circle, back to light, good.)
Will be brightening heaven, now you’ve gone there to stay.

As elegy, and commonly of the departed ‘good’, they are light ethereal, heavenly, as if sent down through the clouds above, a face divinely lit like an Angel need no spark, no example of accelerate, but tying in one who is fire, force of nature, giving and passionate. I could suggest a metaphor path to combine both sources of imagery, to develop. Big task. Simpler is better when offering words for family. I prefer no spark over Constance of light references like ‘beacon’, something with warm energy.

I think you could have a flame that flickered out, lost from that fiery force. Perhaps, first half of poem could describe simply as earth angel. Second half of poem, transition to ethereal light, destiny heaven. Like, if flame lost, replaced by something stronger, more brilliant in Heaven, giving opportunity to be able to speak to her above, like poem does, seek counsel, or know an Angel watches over loved ones.

In building a poem with a spiritual connection like yours, brief examples of attributes and acts that intone flame can show strong worth for Heaven. In a poem that is intended to heal survivors hinges on ‘know’ in transition, the revelation shared that light exchanged, more powerful, intoning not only peace but a new force greater, both giving comfort and moving on from loss providing catharsis.

Overall, "The Light Lost" is a moving homage grandmother would express pride for. You’ve captured the duality of grief and celebration, perhaps more so in Eire than the sentimental wakes of American funerals with such a loss. Time gives perspective. My comments to illuminate process, offer adjustments to form and the inclusion of more personal details, help amplify more-so the emotional resonance in a fitting tribute to her memory. Thank you for sharing your personal loss in poem. Chose this having done a celebration of life tribute to my departed brother this past weekend, still in that mindset.

Sincerely,

Brian
WDC Anniversary
and Angel Army Reviewer
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Review of Step Right Up!  Open in new Window.
Review by Brian K Compton Author IconMail Icon
In affiliation with The WDC Angel Army  Open in new Window.
Rated: E | (4.5)
Dear Genipher Author Icon,

This is the kind of writing I find difficult yet intriguing, especially how this abbreviated short fiction speaks to me. I find this "Tweet Me A Story" activity/concept to be especially challenging, since the days of the Social Media Forum Formally Known As Twitter, replaced by the symbol X, when it only allowed 140 characters.

Most Tweeters back in the day were composing and pumping out short poems, but here I find a short fiction attempt...not even fifty words. That first line as hook, had to be good, considering the sci-fi genre tagged, and it had me hooked, considering the possibilities.

Conceptually, this is akin to the TV series Twilight Zone, rooted in the every day life, everything we know human, sort of a comic trope. That's why I'm given pause...have to think...what's in those bags, right? And, considering the attached icon on your static's masthead, outer planetary, can one infer and imply aliens, beings outside our solar system?

The next two lines could be as average as everyday conversation, but with that introduction, these lines become loaded with arrows of possibility where they story could go from there. And that's the allure of a short piece. It becomes a thinker, subjective to the tastes of the reader and imagination.

A reader can apply anything they want to visualize the scenario about to play out. In fact, this can serve as words uttered from a single-panel cartoon strip, thinking of one guy awhile back whose name I can't quite grasp, seeing humans either begging for freedom, or possibly not to be won, inside those bags the green aliens consider.

It was fun visiting this short write. I feel if a person attempted to go longer, it would lose its luster or appeal. But, if you were considering an adolescent young reader type of fiction, this could be an R.L. Stein-style introduction to 90-120 pages of a strange fictional experience, from multiple perspectives, given the human and the aliens as two character types.

I just stumbled into this while trying to keep my daily review streak alive, in my own plastic bag, while clicking on items popping up on the read and review link. I passed up a lot of stuff before landing here. Worth it. Thanks for sharing

Brian
WDC Angel Army Reviewer
Non-Animated Angel Army Signature


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Review by Brian K Compton Author IconMail Icon
In affiliation with The WDC Angel Army  Open in new Window.
Rated: E | (5.0)
Anniversary Reviews email siggie


*CakeB* HAPPY WDC ACCOUNT ANNIVERSARY!!! from "Anniversary Reviews ~ Summer BreakOpen in new Window.*CakeP*
Celebrating your writing this month with a review.


Happy Account Anniversary Elle Author Icon

I like your article and have loved the notion of letter writing, as to the activity and what it has inspired. I think I attempted to get involved but don't think I got there. But, it did remind me that my brother could have used letters from me, since he refused smart phones, computers, internet etc.

You mention handwriting as being the longer the better. It stirred several thoughts, even now as I process while writing, in whatever order:

The longer a letter goes, my handwriting suffers. As one who got A's in penmanship from fifth grade on, I took pride in it and know it's not endurance but the quick sprint to the end of a page I enjoyed. But, a letter doesn't have to be written all at once. You can start it, relate some activities and thoughts, left out where one will be reminded to continue until ready to send off. Penmanship shouldn't suffer in this way. But, with the handwritten, what the loved one/reader views is a part of that writer/person that immerses you deeper in the experience from knowing the curvature of those penned characters on mead, familiarity that might feel like home/comforting. My brother worked as a diesel mechanic/foreman and wrote everything in block letters, partly as an exercise from spending his life abusing those hands...strong enough to rip a phonebook in half despite his 5'9", 160 pound frame. I saved those letters and will reread since his departure in February. It's a piece of history, could be a part of genealogy for any family in this way. Something a family might use when compiling unique information to collect.

I'm also reminded by your activity as it closely relates to offerings of writers in this community who pen odes. Some of the great poets like John Keats, known for their letters to one that they love, had outpouring that were noted by literary historians. As part of these exercises, it would be fun to try love letters/odes to someone special. It could be expressed as admiration, too. What was intimated in many early letters poet to poet, poet to brother or family, is still studied or used as some sort of measure on a historic scale to show the growth and development of these passionate and keenly attuned writers. Some of the most inspirational stuff comes from wooing and courting in those old notes. It could be revived as a poetry activity to write toward a society of dead poets. Too bad they couldn't stick around to see how the affected other writers and minds. Currently, they're writing elegies to any musician dead or alive for an activity.

I think the process of handwriting is slow and doesn't serve this old noggin' that's output is faster than the arthritic joints that want to quit gripping a utensil after an hour. If they could invent something to write with that grips you more than you it that might be an invention to help note-takers and possibly resurrect letter writers, if postage stamps would stabilize. Reminds, I was a stamp collector. Post office tried to make a mint of this with different type of issuances, as with coins. The year Elvis stamps came out, people were routing mail either to themselves or others through the Rock, Michigan post office...leaving them quite the task then.

Wherever this letter writing project is going, wherever you'll be, it has worth as a writing exercise. I should have given it more consideration. It's unfortunate that you cannot be here to stimulate its proliferation, sensing it did not get a lot interest. I never wanted to see you go and struggle with affliction, as you have shared. You are brave to bear your soul and allow others to offer whatever comfort, should it aid in returning you to us, as I've outlined in response to your recent blogging (so eloquently *Smile*).

You know I love you for all you have done for me. This thing Idealism taught to the child self is unshakeable, to want fantasy to be reality: everyone a king and queen or prince and princess or the knight in their own right. Dragons? Have to have a foil for purpose of story, though... But, reality is messy. If we can take off the rose colored glasses and see it for the way it is, I would just sit back in my lawn chair and watch the carnage. Yes, there are good people, like you, but trapped in their towers, surrounded by moats with combatants to divert, divide us, while the world touts inclusion. *Sad*

And this community was never going to be my route to being discovered as novelist I thought I wanted, again with the fantasy, long shot, gamble with words. I got distracted because...oooh, shiny thing(s)! And, I guess I came up short as just poet with something of 2,000 complete and these incomplete, short little interruptions wherever playing on whatever lighted screen viewing, mocking me, to myself. But, I'm good with that. I can write many things yet and hopefully something will be long enough or worthy to publish, as have a few pieces in recent years. I don't doubt my skills, doubt the world and the way it functions to absorb me or spit me out, decrying the flavor. And sadly, that has motivated me, too.

That sounded like a downer. No, you and me will be good. Lowering your sights might help with that resultant anxiety. But, knowing who you are and not what people say you are is better, emboldens, makes you ten times stronger every time they take a run at you...be your own shot caller...because it transfers fear. We all want unity and that's ironically the one thing the world will be denied...and this was supposed to end on a better note.

Hopefully, we'll be in touch (if only through our FitBits). Perhaps, a letter will come your way one day. *Smile*


Brian

WDC Anniversary
and Angel Army Reviewer
Image #1364670 over display limit. -?-



PS, I have it on good authority that it's okay to ramble on about oneself in review ... 'it's the best' echoes loudly still. It's sort of intoning someone jabbing me on my skill of reviewing and offer of assistance to community with nothing personal to gain in the endeavor...for you, this, sharing with someone who deserves the best. There are few I'd bare my soul, too, or trust more. And, isn't a review like this the next best thing to letter writing...minus my penmanship?

Let's see ChatGPT beat that. "No Chat! People don't use flowery words like that. We've been over this." Back to the helm of my internet world. *RollEyes*


reginam nostram noli depellere. imo ad ipsum.



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Review by Brian K Compton Author IconMail Icon
In affiliation with The WDC Angel Army  Open in new Window.
Rated: E | (4.5)
Dear Spiritual dawning, first light Author Icon,

I'm struck by two things immediately when I read this poem and want to share my thoughts since you were kind to give attention to one of the items in my portfolio this night.

Happy to see you fully restored fellow member. *Wink* The poem I came across was discovered after perusing several parts of your portfolio. And, since I'm a lover of the seasonal, found myself walking through the aisles of nature poems right to this. I apologize. I passed up the folder with things that haven't been reviewed yet. I think I was drawn to something that was just the right size for my eyes to consume tonight.

What I alluded to in the open was two things: there is a very natural flow and rhythm to this read that made it pleasing to pace through these words and consider the message that was poetically portrayed. I believe readers will be swayed by your free and easy approach to poem and the ethereal relating of it's phrasings.

What actually struck me most was the narration and it's command. I find, coupled with the read, is a voice that wants to lead, be assuring, give comfort and joy. A lot of times messages and voices like this in stuff I stumble across, wherever I've roamed, are lacking in an approach like yours. It's warming to be embraced by something so positive with a sense of its own healing nature.

I've read poems of yours in the past and by far this has captured my attention. I've appreciate knowing I can commune amid poets offering a passion and desire to share this brand of joy in what they commit to the screen I've stared at tonight. Thank you.

I just scrolled up and did see a typo for 'friend' on first line of third verse. Never noticed during read. Heck, I'm blind. I miss lots of stuff. But, have been happy to help, as I feel compelled to rub elbows and assimilate with like minded writers who graffiti paint word walls with ardor. This poem compels me.

Have a great day,

Brian
WDC Angel Army Reviewer
Non-Animated Angel Army Signature


Sly & The Family Stone


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Review of My Wife's Escape  Open in new Window.
Review by Brian K Compton Author IconMail Icon
In affiliation with The WDC Angel Army  Open in new Window.
Rated: 13+ | (4.5)
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*CakeB* HAPPY WDC ACCOUNT ANNIVERSARY!!! from "Anniversary Reviews ~ Summer BreakOpen in new Window.*CakeP*
Celebrating your writing this month with a review.


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I think this story, raw as cookie dough (sweet to taste as is), could be more with chocolatey morsels in every tender bite. It's surreal, I'll give it that. This infatuation that leads to wonderment and possible jealously by the first person speaker seems equally as odd as the wife's behavior. It's almost cartoonish in a way like Twilight Zone meets sitcom in a farce. Though I love cookie dough, I think this needs to go back in the oven because the cookies this potentially could produce will be satisfying.

Enough of the bakery metaphor. :) There is a lot of passive voice, a lot of recounting of events in the story. Let the reader in on the journey as speaker and reader are discovering events as they happen. Pacing is key and we're breaking off a lot of dough to swallow before the story can really evolve with needed anticipation. Okay, last metaphor. *Think* There's the opportunity to disengage from the 'now that I got you caught up' and give reaction to what he's thinking, what he's planning to do in response. Thus, we start wondering about both the woman and speaker and what's happening and what the eventual outcome will be.

In meting out story, we need some details, descriptions to help visualize events. I loved how the SUV set up. When we feel something has gone awry that lends to the story being told, there's the first signs that lead instinct to follow story. The events that give clues, as you have someone acting different, but compared to what? and as this unfolds, what specific details lead to a keen observation that kind of lets the reader lean over your shoulder to get a look at what you narrate. I think you could really make this suspicious. Further, maybe the narrator has gotten jealous irrationally. This has made for good story in movies where people overreact and feel left out, behind. It was seem less surreal and rooted in the Psychological aspect of a known human condition or something of a trope, as they say.

Key is a great use of personification making the SUV the other man in her life. Her obsession is so absurd, and the notion that the speaker feels inadequate in response to how much time has shifted from him to her gives the reader that personal, insightful and relatable feeling. Despite it's corny approach, you captivate and then describe everything this vehicle offers and more. Truly a moment where there could be some dialogue from the husband to the auto.

Dialogue: There is something that could break this text into sizeable portions, despite it's straightforward and easy to understand language. A writer teases a reader, surprises with what he might say or do. Does he want to run off with the vehicle, my thought. Does he return it to the dealer or trade it on his own car. The outcome is not predictable, maybe ridiculous, because it doesn't take us to another level. It sort of levels off the story to a quick finish, maybe feeling the story just needed to end with something. I think it could be more.

The narrator could speak to the vehicle, maybe so threatened that he imagines it speaks to him. It could be arrogant or more. It's characteristics could personify it a bit more. Ideas include what is comparable, an Italian stude or a sophisticated Frenchman, or the Latino that is her dream ride. These are just a bunch of things I'm throwing out as ideas, and might not be in your wheelhouse, or what you would do with story.

I think my comments are more of a reaction, a desire to see this developed more because it has the ability to surprise and tickle a reader with each step. With meted dialogue and that slow, methodical approach to finally, and with anticipation, meet his replacement. Timeline wise, I'd shorten up to about a week. A lot of the events suggest it's been a year or more. We want immediacy, not trips for service unless it's a lemon...another possibility to slip in their for outcome. And BTW, clever title. Using the name of the auto is apropos to subject/theme.

Well, that's my take. I really could go on, but back hurts hunched at this table all day, eyes tiring. Can't really edit that well, hope it suffices. Wanted to get this off since it's your Anniversary month here at WDC.

Sincerely,

Brian
WDC Angel Army Reviewer
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