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675 Public Reviews Given
703 Total Reviews Given
Review Style
A review you purchase from me will always be proofread, thorough, and carefully considered. I try to strike a balance between encouragement and honesty. What you can expect from me is a discussion of what your piece said to me as I read it and strategies for what I thought could be improved. I also point out specifically any errors that I found in the piece (although if it is a repeating problem, I will explain this deficiency generally rather than try to fix each and every one). I always keep my reviews conversational and positive. I'm generous with praise, and I try to speak with confident authority in areas where I have some knowledge. I approach each review I do with the idea that the best way to help someone become a better writer is to model that behavior to the best of my ability. Reviews that contain multiple grammatical and/or spelling errors, present incomplete thoughts, or show a lack of effort do not send a good message to those receiving the reviews concerning my advice.
I'm good at...
Grammar, spelling, sentence and paragraph structure, vocabulary (word choice), characters, dialogue
Favorite Genres
Fantasy, Horror, Science Fiction, Thriller, Drama
Least Favorite Genres
Nothing really. I'll give anything a look.
Favorite Item Types
Short Stories, Flash Fiction, Poetry, Personal Narratives and Essays
Least Favorite Item Types
Nothing really. I'll give anything a look, from contests to group pages to forums to activity rules. If you want someone to take a look at your activity and give it a review, let me know! I'll try to locate inconsistencies in rules and guidelines.
I will not review...
The only items I will not review through this system are novel chapters. I would much rather trade services and make you review mine as I review yours. If you are interested in setting this up, feel free to email me.
Public Reviews
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Review by PatrickB
In affiliation with SIMPLY POSITIVE GROUP  
Rated: ASR | N/A (Review only item.)
I am not a professional copy editor. These are my opinions as a reader and lover of words

OVERALL THOUGHTS:
This is such a sad little description. I have lived through these myself, and the tubes of ice around each branch is truly "devastating" as you decribed. As I read this, I was moved to imagine this short expression as a poem. It is well-written prose, but I think the imagery of breaking and dancing might better be expressed in the other format. Free verse would work just fine. Let the imagery of "graceful branches" dancing and "breaking boughs...and hearts" carry the expression with a tighter word-play.

You have some wonderful images present. Converting this into a poem where you can use more unique conventions like rhythm, rhyme, pun, metaphor, and simile would really set apart this tragedy. I have done this myself, wrote a few paragraphs of something and decided to turn it into a poem instead. The nature vs. nature battle between the ice and the tree is a battle that is screaming to be waged in stanzas not paragraphs, in my humble opinion.

The use of the willow as the over-watching elder as the narrator grows up is a wonderfully-decribed relationship that adds even more tragedy to the tree's demise. This was not just any tree, but a tree that meant a great deal to the two people mentioned in the piece. It turns a natural occurrence into a personal tragedy.

My ideas concerning turning this into a poem are just that, a suggestion. I like this as it is and was moved at the demise of the trees, the epitome of grandeur, longevity, and stability.

FAVORITE PASSAGE(S):
"I have admired the willow for her ability to bend but never break. Now, she's breaking my heart, branch by branch."--Two very nice sentences with immaculate structure and rhythm during a pivotal moment. Well done!

Thank you so much for sharing your work with me! Long live the glorious trees!

Regards,
Patrick

My review has been submitted for consideration in "Good Deeds Go Noticed.

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Review of So Far Gone  
Review by PatrickB
In affiliation with SIMPLY POSITIVE GROUP  
Rated: E | (4.5)
I am not a professional copy editor. These are my opinions as a reader and lover of words

THOUGHTS:
This short, personal essay spoke to me in a big way. I understand that speaking about my own life in a review is frowned upon, and I also understand the logic of why.

But I believe that letting an author know that her writing struck a similar chord in someone else's life is just as valuable as telling her she missed a sentence fragment or her opening paragraph was ineffective.

That being said, I would like to spend just a few sentences relating to you on a personal level about weight, health, and exercise. I, too, have been on and off again with the working-out, and it is just as you describe. We feel so much better when we are doing it; we wonder why this is so hard for people to do. But the sad fact is: day one is easy...it is day thirty that is hard. I bought a membership at an awesome club and did a one-hour work-out everyday for a month. I did not miss one single day. My blood pressure decreased and - are you read for this? - I lost forty-five pounds. My clothes became too big for me. I stopped, of course. The "Some Thing" popped up, as it often does, and I put all the weight back on as I went on to pursue other things.

The philosophical angle of this short work is one of hopelessness. A toe injury and then gall bladder surgery are all things that can keep one from working out, but you seem to overlook the fact that this was not your choice to quit. It is a major difference. You wallow in guilt for what has happened, as if it was one of those times that you just stopped doing it.

I do fully understand how powerful the "Some Thing" can be, how it can throw up roadblocks and allow us to rationalize our way out of things we don't really want to do. You ask: "Karma, fate or destiny, which one was it?" Well, I don't think it is any of those things. Life is just messy and random and does not follow our carefully-laid plans. The only thing we can do is roll with the punches and do what we know we have to do make our lives better.

Your updates make me very happy. I am glad that you are healthier and the arthritus is gone. Don't be so hard on yourself on the other things. When the "Some Thing" comes for a visit, take it as it comes and try with everything you got not to let it get you off-track from what is important to you.

This is good advice for both of us.

Also, have you considered changing the name of this piece to "Some Thing?" I think it is has a nice ring to it. Also, this would fit well into a blog. I know it is old news, but if you are not blogging, you might consider it. It helps to keep us on track as well to filter our thoughts into writing everyday.

Thank you so much for sharing your work and life-trials with me! Keep writing!

Regards,
Patrick

My review has been submitted for consideration in "Good Deeds Go Noticed.

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Review by PatrickB
In affiliation with SIMPLY POSITIVE GROUP  
Rated: 13+ | (5.0)
I am not a professional copy editor. These are my opinions as a reader and lover of words

*******************SPOILERS**********************SPOILERS******************************
Please, read this story before you read my review. You will not be disappointed!
*******************SPOILERS**********************SPOILERS******************************

INITIAL THOUGHTS:
Wow, Winnie. I am moved to tears by this heartbreaking story, so much so that it's hard to review, at the moment. The balance in life between happiness and loss is so precarious! It only takes reading something like this to jolt one back to reality. Excuse me, while I go into my boys' room and give them a hug and kiss.

They were asleep, but I whispered in each of their ears: "Winnie told me to do this..."

OPENING PARAGRAPH:
Now, let us discuss this as a story. The opening paragraph is very effective. The repetition of the word "no" gives the reader the immediate sense that something is missing, something is different. It becomes a negative word-pattern. It not only describes that these things are not here this year, but also doubles by telling what could be expected at Davison Thanksgivings in years past. A very effective first paragraph! Bravo!

POINT OF VIEW:
I was jarred a bit when we switched to Jake's point of view, but that is just me, I think. I have avoided reading omniscient for so long that it is hard for me to get used to it. Both points of view are needed, as both Mary and Jake have important, eye-witness roles in the story. You can leave it like it is, or consider switching only at story-breaks, which would qualify it as limited. Your choice. It is, however, fine the way it is.

PACING:
Gripping and lightning-fast. You pull the reader along with foreshadowing and dramatic irony worthy of a master storyteller.

DESCRIPTION:
Not overly-done, which is good in this piece. Your language is well chosen, but you make the right decision by sacrificing description for pace. Again, Bravo!

CHARACTERIZATION:
Works perfectly. I particularly liked the brief moments we get to see Elilzabeth alive. The scene about the yams shows us exactly what type of person she was--family-oriented, hopeful for the future, proud of being a mother. Mary's insistence to see Elizabeth's body was another effective glimpse into her character. I daresay she reacted exactly as any other devastated mother would when faced with the death of her adult daughter. And lastly, Jake's reaction to discovering the murder was authentically portrayed.

CLIMAX:
Worth all the build-up. We know Elizabeth is gone, we know early she is murdered, and we know she was killed violently. Still, with all that fore-knowledge, the scene where Jake finds his daughter in the shower after following a trail of blood is a gripping piece of story-telling. Bravo!

DENOUEMENT:
A touching resolution is offered, and we are left on an upbeat. Thank you for that, Winnie. After such a heart-rending experience, you do the reader a huge favor by telling us about Tony's incorporation into his grandparents' family and the ritual that henceforth marked Thanksgiving after Elizabeth's death.

GRAMMAR/SPELLING:
Minor things, really. Not enough for me to lower my rating. I know you will get around to the few typos and errors you have here. If you want a thorough edit, just let me know. I would be happy to give you a line-by-line by email.

AREAS FOR IMPROVEMENT:
Just proofreading and a good edit is all I see that this piece requires.

FAVORITE PASSAGE(S):
"The TV slept, cold and silent, in the corner of the room."
--Thanksgiving without a football game on. We know this is an issue, because we learn Jake watches football. I like the subtle personification you give to the television, almost as if it is being respectful.

"...verification of the unthinkable."
--A heartbreaking four-word phrase that truly says it all.

"Everyone watched. No one spoke."
--Very effective to have these short, simple sentences at this time in the narrative. A scene like this calls for direct and percussive language, like heartbeats heard in silence. It works especially since both sentences have the same number of syllables, truly becoming like heartbeats. It is onomatopoetic! Bravo!

"Mary looked at the disconnected phone and fought against the sensation that something wasn’t right."
--A perfect example of both dramatic irony and foreshadowing.

"His movements were jerky, like a drunk trying to convince others he was sober."
--An incredible simile, here. It it so difficult to truly capture in words how Jake would appear at this moment, and you do so perfectly. He is intoxicated with what he saw, yet trying to deny the effect for his wife's sake. Wonderful use of language and simile!

Thank you so much for this, Winnie. It was not a pleasant read for content, but a necessary one. It reminds us how those we love the most can so quickly be taken away, without warning.

Happy thanksgiving to you and your family!

Regards,
Patrick

My review has been submitted for consideration in "Good Deeds Go Noticed.

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Review by PatrickB
In affiliation with SIMPLY POSITIVE GROUP  
Rated: 13+ | (4.5)
I am not a professional copy editor. These are my opinions as a reader and lover of words

OVERALL SENSE:
Since you are a veteran of the Writing.com and beloved here (even I can see this, after only a few weeks), I tried to choose a piece to review that told me a little bit about you as a person. I settled on this one, and I am happy I did. I have much empathy for your struggles, but with that, I have gained much respect for how you can remain positive. It is not always easy to chase a "beautiful rainbow behind the dark clouds," but it is absolutely essential that we do just that. This short essay speaks to that indelible theme, and gives yet another testament to the cliche "every cloud has a silver lining." I, as a reader, cannot get enough of this type of personal triumph, and I appreciate you sharing your life's turmoil with me, as well as your inner strength.

As a piece of writing, I see this as a short section in a larger work. Autobiographical in nature, it is something I see gracing the page of the work that you would use to define who you are. Personal health, the disintegration of a loved one, the fate of innocent children, and the fact that not only must you worry about yourself but also the fate of your daughter and her family show how complicated and terrifying life has a tendency to be. It is comforting to be reminded that others have similar problems on a scale just as powerful as mine; and also helpful to see how one can remain positive throughout.

Keep smiling, Sheri, and bringing joy to this community. I am brand new, and even I see your worth and quality.

Thank you so much for sharing your work with me! Keep writing!
Regards,
Patrick

My review has been submitted for consideration in "Good Deeds Go Noticed.

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Review of Sherri's Web page  
Review by PatrickB
Rated: E | (5.0)
Great site, Sherri!
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Review by PatrickB
In affiliation with SIMPLY POSITIVE GROUP  
Rated: E | (5.0)
I am not a professional copy editor. These are my opinions as a reader and lover of words

OVERALL SENSE:
An absolutely beautiful expression of a very interesting subject--the death of a robot. There are so many things right with this poem, so many wonderful uses of convention and form. I can feel the shiny beast dying as I read, the feedback loops and memory paradoxes, the sparking mechanicals, the meltdown of silicon transistors and microchips. There is so much going on here that I am going to take my time and pull all of it out, for this effort begs for recognition. Bravo, truly, on a great word-image!

CONVENTIONS:
Here is where this poem shines, with its use of many of my favorite poetic conventions. First, the rhythm is like a metronome, almost like a countdown to extinction for the robot. The rhyme and syllabic pattern give the reader a sense of something happening--movement, motion, beeps and whistles. I can almost hear them through the rhythm and the imagery.

The lack of punctuation also gives the piece a steady candence. No commas can force the reader to pause as the metronomic rhythm pulses. This is a rigid, loud death, not a languid, graceful demise.

Effective use of alliteration to start off the poem brings us into the rhythm and pours nicely off the tongue. The repeat of "dividing" in the last line of the first stanza sets the beat for us, calling to mind the expression: "tick tick tick boom," which establishes that time is running out for the robot.

Elision ("unrav'lling" and "'hind") is used effectively to maintain the rhythm, which also is ironic, for something as precise as a robot-computer would never take such short-cuts in life, but may in death.

The repeat of words beginning with the prefix "un-" give the impression of something disintegrating or being destroyed ("...untimed," "...untwined," "...untouched," "...unvouched").

AREAS FOR IMPROVEMENT:
This poem is wonderful as it is. No suggestions for improvement.

FAVORITE LINE(S):
"maniacal gestures vocals and signs
repeated convulsions are triggered by nines"
--Perfect rhythm and rhyme, and the imagery conjures up a picture of things flashing, beeps beeping, whirs whirring, arms flailing, smoke billowing.

Thank you so much for sharing your work with me! I am adding this to my fan-list immediately.

Regards,
Patrick

My review has been submitted for consideration in "Good Deeds Go Noticed.

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Review of Through the Storm  
Review by PatrickB
In affiliation with SIMPLY POSITIVE GROUP  
Rated: E | (4.5)
I am not a professional copy editor. These are my opinions as a reader and lover of words

OVERALL SENSE
Ok, what do I say? Absolutely wonderful! Such a simple idea executed to perfection (minus many spelling and grammatical mistakes, not too mention an unneeded author intrusion, but I'll get to all that). All the fixable errors aside, this was adorable, witty, and clever. I enjoyed reading it, and I will say this now: with a clean edit for grammar and spelling, I would like to highlight this on my biography page. The hard part is over, dear writer! The idea you have is spledid; now comes the easy part ... polishing it up!

I want to spend some time on the best quality of this story, the mirror-image gimmick that just makes this sweeter than candy to the reader and lover of The Wizard of Oz. The color going to black-and-white, the cat instead of the dog and the word-play on the names "Toto" and "Otto", the Uncle instead of the Aunt, Dorothy as the wicked witch ... perfect details and each one gems in the story! Absolutely well-done! I am giving this a 4.5 simply on idea alone. A better execution would have been a slam-dunk 5!

GRAMMAR/SPELLING:
Oh my, this is like Venus de Milo caked in mud, and I swear I say that in the nicest possible way. All of your errors are fixable and just a matter of lacking proper proofreading and needing an editor to take a gander. And please, no matter what, NEVER insert your writer's voice into your work to explain something like you did, especially with the over-used "lol." It really takes away from the beauty of your effort, and in this case, that effort was beautiful indeed. If you would like a full edit of this piece, I will be happy to do so for you. Send me an email, and I will get to it straight away. I stopped doing it as a general rule for everyone because it was just taking way too long.

AREAS FOR IMPROVEMENT:
Grammar and spelling need to be the first thing you conquer. Next, you may need to reword some things for clarity. Other than that, just polish this jewel until it sparkles!

FAVORITE PASSAGE(S):
"...flew past me in flocks." -- nice!
"As the house spun like a weather vane..."
--I can very much see that, and it is just a wonderful simile!
"...the colour of the sky on a rainy day."
--Yes, I agree. The first part of the movie certainly looked like a gray sky!

Thank you so much for sharing your work with me! Keep writing!
Regards,
Patrick

My review has been submitted for consideration in "Good Deeds Go Noticed.

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Review of Decaying Beauty  
Review by PatrickB
In affiliation with SIMPLY POSITIVE GROUP  
Rated: E | (4.5)
I am not a professional copy editor. These are my opinions as a reader and lover of words

OVERALL SENSE:
Another great effort in a difficult format, Winnie. Such a wonderful statement that in decay there is beauty, as there surely is when the trees lose their leaves. It is hard to find another example of this sentiment, and I have never thought of it in these terms before. Thank you for bringing it to my attention, as is the purpose of all good poetry, to have the reader consider something in terms they had not considered before. You do this admirably. Such a simple, yet poetic statement! Your form-choice only adds to the majesty as well.

CONVENTIONS:
I like the personification given to the leaves, as if they are deceivers, "legerdemains," making us believe that something is being created rather than dying, for something so beautiful can't possibly be dying. It is really the entire strength of the poem, the main theme. I also love the repetition of the "-ayne" sound throughout, which I am sure speaks to your chosen form, but you handle it quite well.

AREAS FOR IMPROVEMENT:
I do not see any area where this poem could be improved. Your adherence to the Villonnet form is flawless from what I can see. (And thank you, by the way, for forcing me to look up the form. I never knew it existed, but I like it!)

FAVORITE LINE(S):
"The trees must shed their emerald tresses."
--I love the image of the trees a lithe maidens with green hair!

Thank you so much for sharing your work with me! I am a big fan of yours!

Regards,
Patrick

My review has been submitted for consideration in "Good Deeds Go Noticed.

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Review of Do Not Enter  
Review by PatrickB
Rated: E | (4.5)
I am not a professional copy editor. These are my opinions as a reader and lover of words

OVERALL SENSE:
This poem is near and dear to my heart. I can relate. But again, this is about your poem, not my life! *laughs* One of the best parts about this poem is the tone it sets: dark and dreary until the last. There is also a wonderful juxtaposition between the reclusive, sociopathic nature of the narrator and his/her desire to protect the innocent from entering. It is quite a grand touch to the poem as a whole. It makes me feel like there is a heart in there in the "torture chamber," but it is beset with doubt, pain, loss, and sorrow.

CONVENTIONS:
I love the use of cliche's in the second stanza:

"Skeletons in closets lay;
And things under rugs swept."

They really sit well in the poem and are a nice touch. The imagery as a whole, of a dungeon and place of torture is what creates the gloomy tone. Very nicely done!
The rhyme scheme is also effective.

GRAMMAR/SPELLING:
Flawless!

AREAS FOR IMPROVEMENT:
I see nothing at all in this piece that needs improving. A very poignant expression of someone in the throes of depression and regret.

Thank you so much for sharing your work with me!
Regards,
Patrick

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Review by PatrickB
In affiliation with SIMPLY POSITIVE GROUP  
Rated: E | (4.0)
I am not a professional copy editor. These are my opinions as a reader and lover of words

OPENING PARAGRAPH:
Very effective. I was hooked right away. Granted, it is gimmicky to have a story written by a picture frame, but irresistable at the same time! I like the conversational tone you gave the frame as well. The paragraph does exactly what it is supposed to do: keep us reading more. Well done!

POINT OF VIEW:
First person is the best, as part of the charm of the work is hearing the conversational voice of the frame. Good choice!

PACING:
Very good. The conversational tone, as mentioned before, works to your advantage, here. It slowed just a bit during the paragraph when the frame described the portrait of the man he/she framed, but not in a major way.

DESCRIPTION:
Images are good. You could improve a bit with your word-choice and language to make this a 5-star piece. Really get in there and describe in a new way what the frame has seen. Use simile and metaphor to bring the place to life for the reader.

CHARACTERIZATION:
I like the personality of the frame. He/she is very friendly and content.

CONVENTIONS:
This short piece reeks of symbolism, which is good. Again, consider some well-placed similies and metaphors in your descriptions of the museum, its patrons, and especially the man for which the frame was made.

GRAMMAR/SPELLING:
Nothing major! Good work!

AREAS FOR IMPROVEMENT:
Ending is a bit weak, unfortunately. I was waiting for some piece of irony to fulfill the promise of the gimmick. I thought I would get it when the frame mentioned about the museum expanding. I thought that maybe the frame and portrait would be put away in a closet by new owners or something, adding some conflicted emotions to the piece.

Thank you so much for sharing your work with me! I enjoyed it! Keep writing!

Regards,
Patrick

My review has been submitted for consideration in "Good Deeds Go Noticed.

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Review of Tunnel  
Review by PatrickB
In affiliation with SIMPLY POSITIVE GROUP  
Rated: 13+ | (4.0)
I am not a professional copy editor. These are my opinions as a reader and lover of words

OPENING PARAGRAPH:
Your opener sets the scene in the present and begins immediately to create tension. The story's conflict is immediately apparent. The only thing I might recommend is maybe beginning the story with a piece of dialogue, maybe a word of encouragement from one of her parents to let us know she is not alone.

POINT OF VIEW:
First person works well, here. I can begin to feel the narrator's neurosis toward the end of the piece, as her thoughts begin to wander.

PACING:
I particularly liked how the story moved quickly through the backstory. Short sentences describing her life with just enough commentary by her.

DESCRIPTION:
I know you probably had a length-maximum on this story, but I think it could be worth doubling its size. If you choose to do so, then you could add more narrator commentary on her life, which can open up more opportunities for description. As it is now, your description is minimal, which is okay for the length of this piece. Unfortunately, what we gain in this area, we often lose in pacing, so sometimes we have to choose.

CHARACTERIZATION:
Again, a good start here, but the narrator's pathos is screaming for a bit more development. I get that she is kind of stuck between two worlds, that she was stalked by her first boyfriend, that her second was nice but neurotic himself, that she missed her finals, that she was having a tough time. I could probably stand just a handful more specific examples of how she ended up like she did at the end of the piece.

CLIMAX:
The climax here is when she took the train one day and had a panic attack and missed her finals. It is effective as it explains how she got where she was at the beginning of the piece. Because of this, the part where she suceeds in traveling the tunnel becomes anti-climactic. But this is only because that is the structure you chose. The success of traveling through the tunnel becomes the denouement because it is weakly-described. If you wish to make the climax her traveling through the tunnel, then you will have to create more suspense and describe it in more detail to make it stand out.

DENOUEMENT:
As mentioned above, the denouement becomes the traveling through the tunnel because it is glossed over in its description. We see this a lot in maximum-word contest-entries. The story often seems rushed toward the end. But the good news is, this piece is good and interesting enough to expand; therefore you have an opportunity to beef-up the denouement and make it the climax.

CONVENTIONS:
If you expanded, you could find the room to add more metaphor and symbolism. Maybe a lucky charm her first boyfriend gave her that she carried with her to the finals she missed. Or perhaps an object from her grauduation of high school that means a lot to her. Anything, really. Symbols are very important in the short-story format. They are specific items that can really help a reader focus and pull them into a story.

GRAMMAR/SPELLING:
No complaints! Good work!

AREAS FOR IMPROVEMENT:
Just the above-mentioned expansion. Right now, this story is a skeleton. And that is fine. It is usually what I have after I write a piece for the first time, whether it is a short story or chapter. The easiest and most fun work begins now, when you can go in and really tweak things in detail by making sure each of your sentences convey the meaning you want, when you can insert some conventions to really make the story stand out. I had to make a leap of faith concerning her neurosis. I still am not sure I know what is wrong with her. Does she have a run-of-the-mill anxiety disorder, or is she clinically insane? The way she described things, matter-of-factly, makes her condition seem much worse than you describe. I want to know what it is!

FAVORITE PASSAGE(S):
"Although he is more than ten years older than me, he’s still young, especially in his head, so we like to do the same things."
--I like this description. It paints a good picture of a man who hasn't grown up yet. We see the positive aspect of this because they have a lot in common; the negative, of course, is his unemployment and bouts of depression.

Thank you so much for sharing your work with me! Keep writing!
Regards,
Patrick

My review has been submitted for consideration in "Good Deeds Go Noticed.

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Review of Chapter 1  
Review by PatrickB
In affiliation with SIMPLY POSITIVE GROUP  
Rated: E | (3.5)
I am not a professional copy editor. These are my opinions as a reader and lover of words

OPENING PARAGRAPH:
Sometimes it is effective to begin a chapter with dialogue. In fact, it can be exactly what the scene calls for. Here, unfortunately, there is no break in the dialogue at all. What we need is a scene-setter, a few sentences (at least) that describes where these people are. Whether this comes right after your initial dialogue or before it, it needs to be in the first three paragraphs.

SETTING:
Again, there is very little setting described. I remember a fire, but that is about it.

DESCRIPTION:
This works has drama, tension, good dialogue, and a strong foundation for character. What it doesn't have is a setting. I went back and looked, and you have a great way of describing interaction between your characters. What you have not provided, though, is a physical context for this drama. Luckily, this can be fixed quite easily, as to me it is easier to flesh-out then cut a chapter. I recommend you go in and read each paragraph and picture what is happening. If they are outside in the woods, have an owl hoot or a leaf or something fall. Have a stiff wind blow. Pepper these throughout the chapter to keep the reader inside your setting and seeing your characters. One other consideration as far as description: you may need a few more attributions inside your dialogue to describe how things are being said. Don't overdo it, just a few.

CHARACTERIZATION:
You have the beginnings of some good characters, here. There is desperation apparent, although unfortunately I am not clear why they are desperate. It seems as if they want to be able to have children and lead their own lives, but that is all I have at this point.

CONVENTIONS:
You have to decide early on about your use of contractions. I started off not using them at all, because it seemed more literary. Then I realized that people just don't talk without using contractions. So, my compromise is that I don't use contractions in my fiction writing, but I use them like crazy in my dialogue. I think it sounds more realistic. Consider using them in your dialogue for more natural-sounding conversations.

GRAMMAR/SPELLING:
Nothing major, just a few sentence structure problems and commas needed. Nothing a simple copy edit wouldn't fix easily.

AREAS FOR IMPROVEMENT:
Ok, I have to be honest. I am lost with this. I think there is a great story here, a suspenseful choice to be made, a monumental decision being discussed, but as a reader I have no idea what, so I don't care as much as I would. There needs to be something early on in the chapter that gives us the stakes. Most readers are not going to trust that you will eventually get to the point. They need to be lead like a dog on a leash, especially in the beginning.

FAVORITE PASSAGES(S):
"Lewyll wrapped his arms around her, squeezing her tightly, and letting every rapid beat of his heart seep into her until the vibrations began to soothe her, easing her until her panting slowed and the rustling of the forestry died with it."
--This right here proves to me that you have much talent as a writer and chooser of words to convey emotion. But remember, writing is 40% talent, and 60% craft. Keep practicing!

Thank you so much for sharing your work with me!
Regards,
Patrick

My review has been submitted for consideration in "Good Deeds Go Noticed.

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188
188
Review by PatrickB
In affiliation with SIMPLY POSITIVE GROUP  
Rated: E | (4.0)
“Your mother is still alive.”

He was joking. It had to be a joke. My mother had been dead for twelve years. She’d died when I was only six years old. It was impossible. But Dr. Chester Fleming was

{{"six years-old"}}

never the kind of person to make up such an incredibly stunning lie. He was a typically stoic, grey-haired country doctor who’d seen the worst things that life and death had to offer.

“Dr. Fleming, that can’t be right.” My voice sounded strangely hollow, the voice of a timid stranger. Me, the courageous Amanda Brightman, who had fought day after day to keep an Indiana B & B from being swallowed by bank debts and a dozen other miserable setbacks, was frozen in shock.

The doctor had looked up at me and shook his head sadly, “I’m sorry, Mandy. Your father told me just a few minutes before he passed.”

“That was three weeks ago.” I replied.

“I had to get more information before I came to you with this, honey. I wanted to be able to give you an address and her full name.” He hesitated at this part, slid his glasses into the front pocket of his white shirt and shook his head again, “She’s been harder to track down than I first thought.”

“Track down?” I couldn’t seem to catch up.

“She’s been in California for the last six years or so.”

A bitter lump had begun to form inside my chest and I pressed one hand against it,

{{"...form inside my chest, and I pressed one..."}}

feeling the rapid beat of my heart underneath my cotton blouse. No, no. That couldn’t be right. She was dead. If what the doctor was saying was true, then that would mean she had left on purpose all those years ago. That would mean she left to find something better.

{{Good foreshadowing!}}

“Your father wanted to tell you everything himself but he didn’t want his last days with

{{"...everything himself, but he didn’t want..."}}

you to be ruined by buried secrets. He told me to give you this.” He held out a small book, bound by fine brown leather and wrapped with a black cord of rawhide.

I didn’t take it. After a long silence, he put the book on the table next to me and rose from his seat.

“I’m real sorry, Mandy.”

I heard the front screen door open and close again with a squeak and then his footsteps treading across the front porch and down the stairs. The engine of his battered Pontiac roared to life. I concentrated on the steady ticking of my father’s old wind-up clock that sat on the stone mantle of the fireplace. Tick, tock. Tick, tock.

A resounding crash and the splintering of glass from the kitchen startled me, pulling me back to the present with a wrenching clarity. I heard a quiet curse of frustration and then, inevitably, the sound of a child crying.

Leaving the hateful brown book where the doctor placed it, I rose and went to resolve the issues going on in the kitchen. I was running a business and there was no time to be sitting around feeling sorry for myself. Or feeling abandoned by a mother or betrayed by a father’s lies. The tears might come later. But there was too much to do. Back to work.

{{Great paragraph!}}

I’d just finished folding a load of towels when I heard a commotion going on out back. It was growing very late. Normally, I’d lock the doors, turn out the lights and head up to bed by eleven at night. But our only guests, a New York couple by the name of Gregory and Sarah Purser had invited over a few acquaintances for dinner and they’d all

{{"...few acquaintances for dinner, and they’d all...}}

lingered after dessert, the men smoking cigars on the front porch and the ladies gossiping over coffee. I reluctantly tackled folding the towels to wait them out. Nellie had offered to stay up and help, but I insisted she head up to bed.

Nellie had worked for our family for nearly twenty years. She was a warm and pleasant companion in the kitchen, could bake the most wonderful pies, but had a terrible fear of most animals. I had once seen her take a wide berth around Whiskers, my excessively lazy cat and glare at him as if he were planning her complete destruction.

She was the one who had brought up me and my younger sister, Katie. When I fell off the back of our old horse, she was there with a comforting smile, a hug and a rag to clean the mud off my arms and hands. She was there at night to read to us from our favorite books and press goodnight kisses on our weary young brows.

Even at five years old, she had me eagerly fetching things for Papa or digging up potatoes from our garden or snapping peas. As we grew older and bigger, she taught us both the more difficult chores we would be expected to do around the inn. She was patient and kind throughout our lessons and was the glue that held our routine together. It only took a meaningful glance towards one of us and a jerk of her head towards the dining room to remind us that we had guests who needed tending. This was often effective when Katie and I were fussing at each other.

{{The last couple paragraphs are great flashbacks, very detailed and necessary, but we need a transition back to Amanda in the present, maybe a mention of the towels, or an appearance of the cat or a boisterous laugh from their guests.}}

“Miss Brightman! Come quick!” Our handyman Truman called from the back porch.

I hurried to the screen door and found Truman holding a bloody rag to the head of a stranger who was lying very still just outside the door.

“What happened?” I knelt beside Truman and took the rag from him to examine the wound.

“I’m not sure. Found him by the road a few minutes ago.” Truman took out his handkerchief to wipe the sweat from his forehead, “He hasn’t said a word yet.”

“His head doesn’t look that bad, but you’d better run over to Dr. Fleming and have him come take a look.” I said quietly, covering the shallow scalp cut again with the

{{"...come take a look,” I said quietly..."}}


rag, “First help me bring him in, Truman. We’ll put him in Papa’s room for now.”

Between the two of us, we managed to get him into the house and up the stairs. I woke Nellie and explained the situation. Before long, she was taking control of the situation. The stranger was placed comfortably on Papa’s old bed; his soiled shoes and clothes removed and clean bedding covered him.

{{Consider revising to: "and clean bedding layed over him."}}

We tended to the stranger’s wound as best we could and waited for Dr. Fleming. Nellie agreed that the cut didn’t look serious and headed downstairs to get some clean bandages antiseptic. I sat on the edge of the bed, studying the stranger who was still inert and unresponsive.

The golden locks of hair that fell across his forehead and nearly down to his wide shoulders were unfashionably long and silky. His face was pleasant but pale. The bone structure was nearly feminine in its symmetry, but the three-day’s worth of beard proclaimed his male essence clearly. His body was well-formed and I imagined him to

{{"...well-formed, and I imagined him..."}}

be somewhere around twenty years old. He seemed unusually thin and I called down

{{"twenty years-old." Also, "...unusually thin, and I called down..."}}

to Nellie, asking her to heat up some broth for him, hoping that he would awaken and be able to eat something.

When I leaned forward to check his wound again, my arm brushed against his bare shoulder and I paused as some strange fog descended over me. A heavy crushing

{{"...shoulder, and I paused as some ..."}}

weight seemed to be pulling me down, dragging me suddenly to a bone-chilling halt. The room seemed to be growing darker. My chest tightened and hazy haunting images

{{"...chest tightened, and hazy haunting..."}}

rose up before me like some dreaded demons from the depths of hell. These figures were pure pain, tortured, hopeless souls. The fright sparked by these entities was something new to me and I cringed back in horror.

{{"....new to me, and I cringed back..."}}

They were calling me in hopeless dreary tones. Calling my name and pointing towards some distant scene that was somehow familiar to me, even through the panic and fear that seemed to consume me from within my own heart. The moaning echoed around me, pining me down and holding me fast while my eyes desperately sought out some escape.

Then I saw it. A field of green, one lone oak tree, several huge boulders and a fast-moving stream of clear water became solid things in this vision. I focused on it, trying to push my fears behind me as the field became clear. I knew every little facet of the meadow. I knew that Canadian geese liked to congregate at the edge of the stream in the early fall. I knew that the leaves of that tree turned an incredible shade of gold in late September. I knew that the four huge boulders had strange symbols on them that you could only see if climbed to the top of each one. I knew this place so well.

It was the north meadow and had been my favorite place when I was a child. Situated about a half mile from the main guest house of the inn, it totaled about seven acres. It had been a wonderful place for me as a child. I’d climbed that tree. I had waded in that stream and struggled mightily to the top of each of those strange rocks. I had puzzled over the meaning of the symbols engraved on them. I had curled up under that tree to read my favorite books and play with my doll.

When the vision released me, I found myself on the floor in Papa’s room and a pair of startling green eyes was staring down into mine. Manly fingers were cupping my chin and the warmth of that contact was disconcerting, sending waves of pulsing heat

{{"...cupping my chin, and the warmth...."}}

through my face, neck and arms. I flushed and forced my eyes away from him. I’d
never actually seen a man naked before.

“Are you alright?” He asked, completely unfazed by the effect his lack of clothing was having on me.

“I’m…” Sitting up made me dizzy and unable to finish my sentence but I had to move. I

{{"....finish my sentence, but I had to..."}}

struggled to get back my equilibrium and groaned when Nellie came rushing in, fussing about me being on the floor and the young man out of bed.

“Mandy, what in the world happened? Get yourself back into bed, young man! What are you thinking?”

I rose unsteadily and held onto the dresser across from the bed for support. The stranger had retreated, climbing slowly back into the bed with a hand pressed to his head wound. He groaned softly when he looked under the covers and discovered he had jumped out of bed without a stitch on him.

Embarrassed for him, I murmured “I didn’t see anything.”

{{"Embarrassed for him, I murmured: “I didn’t see anything."}}

He grinned a little, showing a row of perfect white teeth and shrugged, “My own fault if you did. I’m Alex, by the way.”

“Alex. Nice to meet you.”

“You too. Mandy, right?”

I tried to busy myself with straightening the blankets on the bed, “Some people call me that but I prefer Amanda.”

Nellie shook her head and checked Alex’s head to see if it had started bleeding again. Satisfied, she tucked the covers up around his shoulders and crossed her arms, “Young man, if you get out of that bed again before Dr. Fleming gets here, I’ll take a switch to you. Head injuries can be very serious.”

“Yes, ma’am.”

“You understand me? Is your hearing alright?”

“Yes, ma’am.”

She shook her head again and motioned me out of the room before her with a waving hand, “Come on now, missy. To bed with you, too. It’s late.”

“But Dr. Fleming will be here soon.” I protested, feeling like a little whining kid.

“And he certainly won’t want you wearing yourself out. So go to bed and you can talk to

{{"....go to bed, and you can talk..."}}

our guest in the morning.” She said, guiding me down the hall towards my room, “I’ll

{{"....in the morning,” she said, guiding ..."}}

make sure that the Pursers get settled in for the night and lock everything up.”

She hesitated at my bedroom door and gave me a curious look, “What happened in there, hon?”

“I’m not sure.”

She followed me into my room and sat down at my dressing table while I rummaged around for a pair of pajamas in my antique oak dresser. I didn’t want to remember the vision. It wasn’t just scary. It was terrifying.

I looked at myself in the polished mirror over the dresser. There was some indefinable difference there somewhere. My eyes were usually a pale blue shade but now they

{{"....pale blue shade, but now they ..."}}

were bright with fear and confusion. I wondered what Alex had thought of me, this strange young woman collapsing in front of him. I probably looked like an idiot. Looking in the mirror, I felt a little better that I’d been lucky enough to be blessed with long dark eyelashes and somewhat decent eyebrows that matched my light brown hair. My hair fell to the middle of my back when I left it down, which wasn’t often because the weight of it was always ridiculously hot on my neck when I was cleaning or doing laundry.

“You going to be okay?” Nellie asked, her kind eyes watching me with concern.

I felt my hands tremble slightly as I said, “When Dr. Fleming was here earlier, he told me something… Surprising.”

{{"...something… surprising."}}

“What was that?” I noticed the tiny flinch of surprise in her reflection in the mirror as she spoke. My breath caught painfully in my throat as I realized that she’d known about my mother. All this time. All those long years, she knew that my mother was alive. She too had said nothing.

It was too much. Above everyone else in my life, I had trusted Nellie. Desperate to maintain control of the emotional riptide pouring through me, I shrugged and pulled out a pair of soft cotton pajamas with little moons and stars printed on them, “He left me a journal. I haven’t read any of it yet.”

After a few quiet moments, she came and pressed a gentle kiss on my cheek and went to the door with a frown on her face, “You get some rest. We’ll talk more in the morning.”

{{"...frown on her face. “You get some..."}}

“Okay. Goodnight.” She closed the door behind her and I turned back to the mirror.

{{"...door behind her, and I turned back..."}}

My mind raced back to my conversation with Dr. Fleming and the pressure in the center of me grew heavier. My throat ached as I remembered my mother. I didn’t understand how a person could leave her own children on purpose. A Mom was supposed to stick by her kids no matter what happened. For so long, I’d believed that she had been parted from me by death. Now I knew it was something far worse. She had chosen to leave Papa and us girls. She made the choice to abandon us and hadn’t tried to contact us in twelve years.

Something broke apart inside me. A huge chasm had opened up inside of me and I felt

{{Consider revising to: "Something broke apart inside me, a huge chasm had opened up, and I felt..." Don't forget your comma between "up" and "and."}}

like I was drowning in darkness. With my father dead and gone and my mother living her own life away from me by her own choice, I’d become an orphan.

Tears slid down my cheeks as I pulled off my jeans and shirt. The sobs didn’t fully erupt until after I had settled down into my bed with my head on my pillow. I tried to keep them muffled so Nellie wouldn’t hear me and come to check on me. I didn’t want anyone to see me like this. I felt like I’d been broken into a dozen pieces. And I didn’t know how to put them back together.

I am not a professional copy editor. These are my opinions as a reader and lover of words

OPENING PARAGRAPH:
Beginning your work with a quote is very effective. The immediate denial that what Amanda heard was true creates immediate tension. I believe this is a very effective opening, pulling the reader in.

POINT OF VIEW:
Your choice of first person is the best, I think. It is good to be inside Amanda's mind as she struggles with these revelations.

PACING:
Quick. Your exposition and flashbacks are brisk and not overly long. Good work!

DESCRIPTION:
Character actions are well-described, and the setting is nicely portrayed. I think you could almost stand a brief description of the inn. I found myself wondering if it was a bed-and-breakfast, a southern mansion, or a Victorian townhouse.

CHARACTERIZATION:
Your characters are well-defined. Amanda is sympathetic, intelligent and seems to be good-natured. Alex is suitably mysterious. Nellie is typically bossy. Good work!

GRAMMAR/SPELLING:
Almost all of the editing insertions I included are for the same infraction: when you have two independent clauses within the same sentence, they should be separated by a comma. An independent clause is one that could stand alone as its own sentence. Other than that, your grammar is very good.

AREAS FOR IMPROVEMENT:
I think your chapter could stand a real close reread by you, making sure that every word says exactly what you want it to say. Your chapter is near flawless as it is, but there is always room for improvement. With each tiny little tweak and rewording, added description or phrase, your chapter gets closer to perfection. Also, if you learn the independent-clause rule, your editor will love you.

I really enjoyed your story. I look forward to reading more.

Thank you so much for sharing your work with me!
Regards,
Patrick

My review has been submitted for consideration in "Good Deeds Go Noticed.

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189
189
Review by PatrickB
In affiliation with SIMPLY POSITIVE GROUP  
Rated: E | (3.5)
**These are my opinions as a reader and lover of words**

OVERALL SENSE:
Aw, such a touching and sincere expression! Your sons will cherish this forever. I like the image of the mother who needs the children, especially with things that are traditionally the domain of the parent ("wiping away tears" and helping with "fears"). This is a nice contrasting image. This is often not focused on enough. As a father of two sons myself (with an absentee mother), I find that my sons help me get through many things as well. I can relate to this sentiment.

CONVENTIONS:
I like your use of internal rhyme in the last two lines of the fourth stanza. Also, the irony contained with the "needing" of the child by the parent. Very good.

GRAMMAR/SPELLING:
Unfortunately, there are a couple instances where you should consider revising. Last line of second stanza, there should be a comma between "friends" and "and," as "I'm never alone" is an independent clause. Also, consider adding a comma between "blue" and "through" in the last line of the fourth stanza. I stumble quite a bit on the last line of the poem. I think it needs to be reworded for clarity. You want us to go out strong, with it echoing in out mind!

AREAS FOR IMPROVEMENT:
I am thrown off a bit by your irregular rhythm. I have to admit I like symmetry and rigidity while reading and writing poetry, but I cannot see a reason for the changing of the meter from line to line and stanza to stanza. It weakens the poem a bit. I believe that if you do not already, many missteps in rhythm and rhyme can be discovered by reading your poem aloud.

FAVORITE LINE(S):
You were always there to wipe away my tears,
You have always been there through all my fears.
Without you I do not know what I would do,
I surely would be lost,sad and blue through and through.
--This is my favorite stanza. It contains all the best parts of your poem, i.e. internal rhyme and your irony mentioned above. I also like the "wah-wah-wah" alliteration of the third line. The last lines are particularly nice with the internal ryhme ("you-do-do-blue-through-through).

Thank you for sharing your tribute to you sons with me! Overall, I think this is a wonderful and heartfelt poem that needs a little rewording and revising. I know you agree with me that your subject is worthy of perfection, therefore I am being particularly detailed with my advice and criticism. I would love you to send it back to me when you rework it. Keep writing!

Regards,
Patrick

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190
190
Review of I Miss Buttons  
Review by PatrickB
In affiliation with SIMPLY POSITIVE GROUP  
Rated: E | (4.5)
**These are only my opinions as a reader and lover of words**

OVERALL SENSE:
What an adorable story! I had my five year-old come in and read it to me, and he loved it. He did ask me an interesting question, though. "Where are the pictures?" I told him that this story doesn't have pictures yet. And I stress yet. This is a winning children's story on dealing with the death of a beloved pet. You have a very good "child" voice and tone in your story.

MEETING THE TARGET AUDIENCE:
This story does this in almost every way. The only words I would consider changing as they might be too "big" for a child are: "inseparable" (graph 2--"hard to separate" or "together" maybe?) and "consideration" (graph 14--"thought" maybe?).

AREAS FOR IMPROVEMENT:
Nothing major in the piece. Keep writing!

SPECIFIC EDITING SUGGESTIONS:
"Today, Mama had a special reason to try again to make Cindy understand." -- Sentence is a bit awkward. Maybe "Today, Mama had a special way to help Cindy understand."

"that sometimes there is no reason why someone we love goes away." could be "that somtimes there is no good reason why someone we love goes away."

Thank you for sharing! My son Andy gives it a thumbs-up!

Regards,
Patrick

191
191
Review of Disease Spreads.  
Review by PatrickB
In affiliation with SIMPLY POSITIVE GROUP  
Rated: ASR | (3.5)
**These are but my opinions as a reader and lover of words**

OVERALL SENSE:
What a ghastly way to depict a disease! I can almost here it slurping its way through the body. Very original and interesting, if a bit unnerving.

CONVENTIONS:
Ample use of simile and metaphor! This is what makes the poem interesting. Very good use of imagery as well. The use of personification, of which the entire poem is based, is also effective.

GRAMMAR/SPELLING:
There were only a couple instances I had questions about. The last line, first stanza might have a comma inserted between "drips" and "savoring," since it is a dependent clause. I checked to see if you had added commas inside your lines and you had. Also, the words choice "convert" in the last line of the third stanza. Should that be "covert?"

FAVORITE LINE(S):
"Smitten with the woeful thump-thump." --I love the image of the disease, as a lovesick child, being "smitten" with the heart. It is cute and chilling at the same time.

AREAS FOR IMPROVEMENT:
I will not address your rhythm and meter, as this appears to be completely free verse. I would point only to an effort to comb over each word for the best possible choice. Another issue is verb tense. You spend the majority of the poem in the present tense, yet switch to past in the last line of the third stanza ("was"), the last line of the second stanza ("continued"), and the first line of the last stanza ("would"). Consider revising. In my humble opinion, I believe the piece would work best all in the present tense.

Thank you for this wonderfully chilling look at a disease spreading in my body. Excuse me while I go take a shower! :)

Regards,
Patrick





192
192
Review by PatrickB
In affiliation with SIMPLY POSITIVE GROUP  
Rated: 18+ | (3.0)
OPENING PARAGRAPH:
Effective, containing action and consequence instead of exposition and description. It succeeds in pulling the reader into the story.

POINT OF VIEW:
Use of third person, limited works here.

STRUCTURE:
Your prose is a good mixture of description, characterization, dialogue, and action. It is easy to follow and read.

PACING:
The story moves along fine. Consider the few revisions I suggested to increase your pacing.

CHARACTERIZATION:
The priest is portrayed as a sympathetic figure, even though we don't learn that until the eighth paragraph. Consider moving that paragraph like I suggested to bring his nature to us as soon as possible.

LANGUAGE:
Your writing skills are fine, word-choice superior.

DESCRIPTION:
Ample descriptions without the dreaded "info-dump" or clunky exposition. If anything, there is not quite enough, here. But addition is easier than subtraction, usually.

AREAS FOR IMPROVEMENT:
Depending on your structure for the remainder of the work, you may consider fleshing out this chapter, adding more characterization and setting, pulling us even deeper into the world. There is a lot going on here, and as a reader I would not mind to learn a little more about the church, its priest, this Lord Blackstone, and the mysterious book.

FAVORITE PASSAGES:
"Decorating the rich, leather-bound cover were intricate swirls of inlaid gold that glimmered like unearthly flickers of flame as his fingers brushed across the cover."
--This tells me that you know how to write. Wonderful sentence.

SPECIFIC EDITING SUGGESTIONS:
***Note: In an effort to provide the best editing I can, I have adopted the format of copying and pasting your story and adding comments as needed. My comments will appear in (( )), while specific editing suggestions will appear in [[ ]].
_________________________
A light sleeper, Father Phinnius Benedict opened his eyes in response to a noise out on the street. He rose stiffly from the hard, straight-backed pew where he dozed and listened intently. Could it be the carriage? Prompted by the memory of last night's tears shed by frantic parents who feared for their daughter's life, he brought a hand to his forehead and whispered, “Not again, Lord."

Consider revising to: [[A light sleeper, Father Phinnius Benedict opened his eyes in response to a noise out in the street. He rose stiffly from the hard, straight-backed pew where he dozed and listened intently. Could it be the carriage? Prompted by the memory of last night's tears, shed by frantic parents who feared for their daughter's life, he brought a hand to his forehead and whispered, “Not again, Lord."]]

The sound to which he awoke became louder. Jangling harnesses and the ominous clatter of hooves on cobblestones confirmed his suspicion.

Seeking financial assistance, the father of thirteen-year-old Rebecca Gardner left the church the previous evening with nothing more than the priest's blessing and a grieving wife. Because they were unable to pay the tax levied by Lord Henry Blackstone, Rebecca’s parents reluctantly agreed that she would serve him until they paid their debt. What choice did they have? If they failed to comply, they would both be imprisoned, tortured, and executed.

Before Rebecca, within the past three months, four other children in the tiny hamlet boarded the black carriage for the journey to the castle. All four were returned to the church in a matter of days . . . none alive.

Consider revising to: [[Before Rebecca, four other children in the tiny hamlet had boarded the black carriage for the journey to the castle within the past three months. All four were returned to the church in a matter of days . . . none alive.

Outside, the dreaded carriage came to a halt as the driver pulled back on the reins and shouted, "Whoa there, you two. That's enough!" Seemingly grateful for the rest, the dark steeds nickered and snorted dragon-like plumes of misty vapor into the chilled air.

Consider revising to: [[nickered and snorted dragon-like, plumes of misty vapor into the chilled air.]]

The priest bowed his head and prayed, his hands tightly clasped. “How long, oh Lord, must we beseech thee? We have no means by which we might resist or overthrow Lord Blackstone. We pray thee to remove this abomination from our midst before another innocent soul is harmed.”

((This paragraph may be more effective re-inserted as the third. The priest is already beginning his prayer at the end of the first and the second provides sense-description. This is the heart of the conflict of the initial setting. As a reader, I want to know this as soon as possible. Up until now, I wasn't sure what type of person the priest was. This speaks to his nature; again, something I want to know as soon as possible.))

The hinges of the church's heavy wooden doors groaned as they swung open to reveal Blackstone’s vassal, Albert Bigge. A tall man, Albert carried Rebecca's limp body in his powerful arms as if she weighed no more than a small goat. He bent down, gently laying her on the floor as one might place an infant in a crib so as not to wake it. When he arose, he confronted Father Benedict.

((Just an idea, but instead of "goat," what about "lamb?" It gives me more of a sense of sacrifice.))

“There's been an accident." Albert spat out the rehearsed words for which he obviously had no taste. "Lord Blackstone instructed me to deliver her body for proper burial.” He turned to leave, evidently not wishing to hear the priest's words of condemnation, but stopped and added, “Tell the girl's father his debt is paid.”

Shaking his fist, Father Benedict shouted, "Inform Lord Blackstone that he, too, must pay a debt! He'll pay for his transgressions, he will - either in this life or the next!"

Father Benedict knelt, hoping to find even the faintest flutter of life in the young girl's chest. He felt nothing, no heartbeat, no warmth. Heartsick, he recited her last rites, hoping that her immortal soul might still be within her. When he stood, he stared down at her cherubic face. He remembered baptizing her. Vividly, he recalled her sweet smile and wept bitter tears of frustration.

((Good paragraph. Consider revising: "Father Benedict knelt, hoping to find the faintest flutter of life in the young girl's chest." by removing "even."))

After closing the doors, the priest made his way through the church's dark hallway to the sleeping quarters and summoned two monks. He instructed them to prepare the body and when done, to fetch the girl's parents. When they took Rebecca away, Father Benedict approached the altar and fell to his knees. Again, he prayed for guidance and divine intervention.

Consider revising to: [[ After closing the doors, the priest made his way through the church's dark hallway to the sleeping quarters where he awakened two monks. Returning with them to Rebecca's body, he gave instructions to prepare her for burial, and when done, to fetch the girl's parents.]]

When he opened his eyes and raised his head, he beheld a large book. Where did it come from? Who brought it, and when? Decorating the rich, leather-bound cover were intricate swirls of inlaid gold that glimmered like unearthly flickers of flame as his fingers brushed across the cover. Startled, he gasped, stood, and instinctively stepped back.

Consider revising to: [[When he opened his eyes and raised his head, he beheld a large book. Decorating the rich, leather-bound cover were intricate swirls of inlaid gold that glimmered like unearthly flickers of flame as his fingers brushed across them. Startled, he gasped, stood, and instinctively stepped back. What had it come from?]]

What manner of book is this? he wondered. He considered calling out for someone to come and verify what he saw, but thought better of it. He rubbed his eyes, which burned from too little sleep. Could the vision be associated with some malady caused by lack of rest? Might the strange glow have been an illusion, or perhaps the product of my imagination?

"Open it," a voice inside his head commanded.

"Who speaks?" Wide-eyed, the priest scanned his surroundings, thinking perhaps one of the monks had returned.

"He to whom you pray, Father Benedict." Again, the priest clearly heard the deep and powerful voice within his mind. In the dim light provided by burning candles and reflective sconces, Father Benedict turned slowly, squinting as he peered into each corner of the assembly room where he shared the lessons of The Lord.

"Open the book, Phinnius. The Book is the instrument of dispatch for which you have prayed."

The priest 's eyes focused first upon the large book and moved to the carved wooden figure behind the altar of Christ nailed upon the cross. The cross glowed as if on fire, but was not consumed. Thoughts of Moses and the burning bush flashed across the priest's mind. "Have I lost all ability to reason? Am I to believe I converse with The Creator?" he asked.

A silky smooth, second voice materialized, "The Creator . . . and a collaberator." Less intimidating and not as deep as the first, the new voice seemed friendlier, perhaps more beguiling.

((Spelling: "collaborator"))

Father Benedict pressed his palms against the sides of his head and gasped. "An angel, you must be."

"Nay, I am no angel," the second voice admitted. "At least, not anymore. Consider me as an interested party in a collaberative venture."

((Spelling: "collaborative"))

"An interested party?" Father Benedict seemed befuddled.

"Absolutely," the second voice replied. "Someone interested in collecting the souls of the damned."

Still struggling with the meaning behind the message, the priest sought further clarification. "A collaberative venture?"

"Phinnius," the first voice rumbled. "The Book we have sent to you is The Book of Judgment. It contains the names and deeds of the damned."

The second voice said, "Lord Blackstone is to celebrate the date of his birth this weekend. We need you to attend the party to make sure that this book is delivered to him as a gift."

"But," the priest objected. "I've not been invited to the celebration."

"Leave that to us," the second voice replied. "Now, get some sleep. You have a funeral to conduct and you need your strength."
_____________________________

Keep writing and improving. Your story is worthy! Thanks for letting me read it!

Regards,
Patrick

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Review of No Escape  
Review by PatrickB
In affiliation with SIMPLY POSITIVE GROUP  
Rated: 13+ | (3.0)
OVERALL SENSE:
Your poem has as its subject a very interesting quirk of dreaming: how real they can seem. Sometimes, they are so pleasant, we don't want to awaken from them. Sometimes, they are so jarring that they wake us up on their own. Although short and sweet, the poem gives me the overall sense that the narrator's dreams are much more hopeful than his or her reality, from which he or she feels there is "no escape."

CONVENTIONS:
Your poem could use a little more to spice it up, namely internal rhyme, alliteration, specific symbolism, etc. Don't be afraid to really dive into your poems and make them better. Often times a thought-sequence will crawl out while you write and look just like a poem. It is when we go back inside it and really think about what we are trying to say that the poem begins to shine. You hit upon this by contrasting "real life nightmare" which is an oxymoron, but a well placed convention here.

GRAMMAR/SPELLING:
Consider losing the comma at the end of line three of stanza one.

FAVORITE LINE:
"so I can escape the real life nightmare."--good contrast

AREAS FOR IMPROVEMENT:
You have the beginnings of a good poem here. The subject matter is simple yet worthy. I point to the above comments about conventions. Symbolism, figurative language, simile, metaphor, internal rhyme, alliteration. Review these conventions in a book or website. A good poet must have fundamental knowledge of these things. Your poem could stand a revision and rewording.

Thank you for sharing this with me! Keep writing and improving!

Regards,
Patrick

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Review by PatrickB
Rated: E | (4.0)
OVERALL SENSE:
I feel the longing of the narrator, a need to find someone to share life with. There is a palpable wistfulness that most of us can relate to. The last line repaints the scene for us, putting the plea in the form of a dream. It adds even more power to the piece by casting it in the subconscious, a longing so deep that it invades the narrator's dreams.
It is very hard to be alone, and this poem speaks to that.

CONVENTIONS:
I liked you repetition in the first line of each stanza. You change the beginning phrase and keep the second the same. I think this is very effective. Your use of the triplet format is interesting. It is just jarring enough that it speaks to the theme of the poem: that something is not quite complete, kind of like a scale of notes that leaves off the last one. We, as readers, feel as if there should be a fourth line at the end of each of the stanzas, but the incompleteness echoes the longing of the narrator. Not sure if you did this on purpose, or if it was subconscious. Then again, I may be reading too much into it.

GRAMMAR/SPELLING:
I see there are no commas or punctuation at all used in this poem, and therefore chalk this up to poetic license and not carelessness. It is effective and adds to the dreamlike streams of consciousness of the plea. No rigidity, no conforming to rules. Again, another wonderful touch.

FAVORITE LINE(S):
The last line of the poem recasts its entire meaning, and I like it a lot.

AREAS FOR IMPROVEMENT:
Very minor quibble. The second line of the second stanza has 10 beats, the second line of the 3rd has only 8, and the other two have 9. The first and third lines of each stanza all match beat-numbers. My only suggestion is a rewording to bring all the beats into symmetry.

Thanks for sharing your poem! I look forward to reading more from you!

Regards,
Patrick

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Review of Roses in Heaven  
Review by PatrickB
Rated: E | (5.0)
OVERALL SENSE:
What a dazzling poem! So hopeful and sorrowful at the same time. It brings a tear to the eye, truly. The narrator may not have realized it, but his/her poetic words are a much more thoughtful, timeless gift than flowers, a kiss, and a hug. I find myself wishing that instead, the Lord could recite this poem to the narrator's mother instead. Bravo!

CONVENTIONS:
Your rhyme scheme and meter are spot on, wonderful choices. It has the feel of a prayer or a hymn.

GRAMMAR/SPELLING:
Flawless

FAVORITE LINE(S):
The entire poem is one long favorite line for me!

AREAS FOR IMPROVEMENT:
None, for this work. It is about as perfect as it can get.

Thank you so much for sharing your gift for language with me. Many of us have moms who have gone away, and this is a wonderfully poignant piece to us. I see this on a card, sold all over the world. It would lighten many saddened hearts.

Keep writing!

Regards,
Patrick

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Review of Room at the End  
Review by PatrickB
Rated: 13+ | N/A (Review only item.)
OVERALL SENSE:
I feel the longing of the narrator for times gone by, at first a sadness that so much of her life has passed. She is uplifted at the end by the fact that her warmest memory, her husband, is still with her and that they feel young again when together. The tone, at first sad, becomes uplifting. You poem speaks well to your prompted quotation.

CONVENTIONS:
You follow the format for your poem-type flawlessly. I particularly liked: "rocking chair," "ticking clock," and "medicine in the cabinet by the bed," (all wonderful symbols of old age).

GRAMMAR/SPELLING:
Flawless

FAVORITE PASSAGE(S):
"Magic and music, rocketing stars.
Warmth surrounds me even now."
--A sensual recollection of the first time they made love, unforgettable, to her, as it should be.

Thank you for sharing this with me! Keep writing!

Regards,
Patrick

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Review of Gazing  
Review by PatrickB
In affiliation with SIMPLY POSITIVE GROUP  
Rated: E | (4.0)
OVERALL SENSE:
I can feel the white of the snow as the skiers descend. I have never been skiing, but this makes me want to go.

CONVENTIONS:
You follow the conventions put forth in your Author's Note.

GRAMMAR/SPELLING:
Flawless

FAVORITE LINE:
"Hope blossoms like fires blazing,
this pristine setting becomes our refuge."

ADDITIONAL COMMENTS:
I have never seen this poem-format before, but I like it. I might try one myself.

Thank you for this! Keep writing!

Regards,
Patrick

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Review of A Punishment Due  
Review by PatrickB
Rated: 13+ | (2.5)
A very dour story, to be sure. Has promise, but in its current form is way too superficial. I am happy that a viscious murdered decided to take his own life, but there are so many ways to flesh this out. This is nothing more than a news story in its current form, a very good skeleton. What it needs is some muscle and sinew, flesh and blood, a remorseful mind and a beating heart.

Might I suggest using the flashback. How did Harley get to this point? It takes a lot for someone to get to the point where they will put a bullet in their mouth. Your story should take us through that downward spiral. Harley is an anti-hero, and that is ok. His pathos is interesting and realistic. Did the guilt finally catch up to him? What pushed him over the edge. Needs much work and some editing for sentence structure and grammar. But most of all, you need STORY, here! Keep writing and improving and drop me an email if you decide to flesh it out.

Patrick
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Review of Hindsight  
Review by PatrickB
Rated: 13+ | (4.5)
Wow! Oh my, I so did NOT see that coming! Bravo! Excellent! This has been 15 minutes of my life I enjoyed living. Thank you!

Ok, now that I have slobbered all over you and your story, let me get my reviewer's hat back on. This story is a winner all the way around. Very good writing, solid pacing, never dull or long-winded, gripping narrator's voice with just enough wittiness in her telling that she comes off authentic and not over-ironic. And lastly but certainly not least, your twist is a show-stopper, to be sure!

Here are some specific editing suggestions:

"I don’t know I didn’t that day." should be "I don't know why I didn't that day."

"living out of a Volkswagen bus." --kinda sterotypical and not worthy of your story. It is okay to give them a hippie quirk, but search for a less well-known one.

"I’d loved that class." should be "I loved that class."

"Occasionally the teacher would have to scold us to talking too much and painting too
little, but for the most part we did our work happily." should be "Occasionally the teacher would have to scold us for talking too much and painting too little, but for the most part we did our work happily."

"and witty in a way that left those a bit less intelligent were left uncertain of whether or not they had been insulted." should be "and witty in a way that left those a bit less intelligent uncertain of whether or not they had been insulted."

"Not even I was completely free from that dizzying feeling, and she considered me an equal." might be better stated as "Even though I was completely free from that dizzying feeling, she considered me an equal."

Julie knocked between our groups with the ease of a pendulum

"all five of use still gravitated towards the art room." should be "all five of us still gravitated toward the art room."

Favorite passages:

"hideously smart" -- nice contrasting adjectives

"Ivy was the offspring of two flower children who named all four of their daughters after plant life. There was Posy, Lily, Rose, and Ivy, who was the youngest."--very nice touch!

"It had never occurred to me until that moment that heartbreak was actually a physical sensation and not a sappy metaphor." -- nicely stated, and soooo true! Also misdirects the reader if he or she is onto your twist (not that I was, or anything!). That does NOT sound like a typical teenage girl definition of love.

"If life were a dramatic film, this would be the point where I’d break down instead of Julie, where all the secrets I’d kept for the last decade would tumble from my mouth before I could stop them. As it were, I set my coffee mug on the table and shifted uncomfortably in my seat." -- wonderful prose!

In my humble opinion, this story is worthy of awards. Very memorable, well-written, an instant classic and a favorite of mine already. You have a lot of talent in all important areas of writing, from conception to execution, and I stand in awe of this performance. I will definitely be visiting your portfolio for more! The only reason I did not give this 5 stars is because of the few editorial mistakes that were still there. I can't award perfection for anything but, although it is 5-star for content if there ever was such a thing!

This has wide appeal to several markets, including tbut not limited to teen and lesbian publications.

Keep writing, and thank you for such a wonderful story!

Sincerely,
Patrick
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Review by PatrickB
Rated: E | (3.5)
I think this is a wonderful exercise for you to learn about people, what makes them tick. It has instant value in creating fictional characters by giving you a treasure trove of interesting eccentricities, motivations, and life-paths of real people. There may also be a different value if you are interested in becoming a social historian. Just about everyone has something interesting in their life, and your love of interviewing can pull gripping stories from people who deserve to have their story told.

Keep writing, improving, and thinking!

Patrick
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