Hello Tyronte !
Thank you for posting in "Invalid Item" . Here is the review of your short story "Cariza: Last Full Moon"
Grammar/Punctuation/Narration:
There were grammatical/punctuation errors. I took the liberty and copied down parts of your original story, adding my own revisions/suggestions; I hope you don't mind. Please use any or none of them.
It's approaching 11:00 pm. - This opening sentence is flat. Try to use imagery that will hook the readers when starting a story, for that will determine whether they will or will not read on. Also, you used the present tense here, when it the next sentence you used the past tense. Avoid shifting. Here is my suggestion:
The sky was blanketed by darkness when the clock stuck eleven that night.
Cariza knew it was almost that time.
This wasn't even a mission.; It was a personal vendetta.
It's the way of her people to defeat their enemies in battle fair without any help. - This line seemed too dramatic. Consider rephrasing.
Cariza would either enjoy a glorious victory or a defeat, the latter including an and most likely, an honorable, slow, and painful, death.
"If I lose tonight, she'll probable saw my head off" Cariza mumbled. - There was no period after the dialogue, and the word 'probably' was misspelled.
Bow, arrows, quiver, ax, the special spear that Penny gave her, her twin knives, hair pins, face paint, and last but not least, her new costume. Cariza went to the window and dropped it to the ground two stories below two stories.
Now, there was something she wanted to do before she snuck off. Although a voice in her head said I it was a bad idea. Angelina already hated her guts. - I'm sorry, but it seems like you're trying too hard to make this sound serious, when the narration/dialogue make it seem like child's play. Also, this is a little confusing. Who is Angelina? I am under the impression that the character here is Cariza. Another thing: you don't give us enough information. Don't dump the info, but tell the readers the basics—enough for them to know what's going on.
I will not point out every shifting tense I find; I trust that with a reread, you can edit them yourself.
Cariza closed the slide-door closed and locked it.
Pay attention to punctuation marks, especially commas and semi-colons. They help in making the sentences clear.
At times like these Cariza felt so depressed. It seemed like every time she'll get something figured out and then she'll try to express it to someone but she can't. It frustrated her. - Aren't they suppose to be doing something more important? Romantic tensions here are misplaced; it's better if you write this later. Also, you need to look at this sentence and figure out what part needs a punctuation mark and what needs to be omitted.
You drop names without giving enough character information, and when you do, it's like I'm reading a dossier. Refrain on that. Your job is to make the readers care about your characters, so don't merely 'tell' us who they are—'show' us.
He was making her hot just by staring at her like that. -Alright, this is just too immature. I'm sorry for the wording and I don't mean to offend, but there are certain ways you can express this without it sounding like it was straight out of a teenage novel. Why don't you describe the emotions stirring inside Cariza with more than one word? That will let the reader inside her mind and heart and will make her character effective.
I'm confused again. After making the impression that this is more of an adventure story, you turn and write a romantic one. Of course, you can merge the two genres, but you should know when to pursue the other in the right timing.
So she decided to head it off right then before she got herself seriously hurt again. - What do you mean by the colored words?
It was a little shocking to read their sudden decalrations of love. There is no background information. Work on making it realistic.
Cariza wiped a tear off her eye of a tear but acted, acting like she had something in her eye lashes. She stood there for a minuet staring at them for a minute, not knowing what to say till finally she faked a yawn and said, "Um tThanks for the jeans. I'm going to bed."
You didn't do a good job of ending the first scene. Again, you jumped from talking about emotional attachments to their task at hand, which can confuse the readers.
Who is Xyn? Again, no proper character intriduction or history.
Watch out for misspelled words.
"Ah shoot, now where'd she go?" I whispered to myself. - Sudden change in the POV. Stick to only one, which in this case is third person.
The narration of the action scenes aren't effective. The way you detailed the action sequences are a little robotic, kind of like this: She kicked me in the shin. I fall. She charge after me again. These are not your words, but I just want to tell you how it presents itself. Also, since you narrated this using first person, most of the details aren't effectively conveyed, using informal and even casual language.
In action scenes, dialogue isn't an option. You can't do both at the same time unless the action is over. If a fight is still going on, do not insert dialogue.
*I didn't point out every error I noticed, whether it be in the grammar area or a punctuation err. I did that because I also want you to try and spot them yourself.*
Suggestions:
Reread this, pick out the errors and edit. Polish, polish, polish!
When using ellipses and it's sandwiched between two words, always put a space before and after it.
Italicize the characters' thoughts; it will distinct them from narration and dialogue.
Build effective characters. To tell you the truth, I don't even know who Xyn is, or her connection to Augma. What is Augma, anyway? Why are the characters even together? The main problem of this story is that it lacks directive—you didn't tell me, as the reader, what is really going on. That includes background information.
I can tell that you have a fairly good idea for this story. You just need to work on narration; remember, show us, and not merely tell.
Keep writing and God bless!
Equilibrium
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