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Really? That's the place you guys want the storyline to diverge? After "How to Replace an Absent Friend" ![]() Well, okay. But that's the only chapter where I didn't have an alternative development in mind. When I wrote that chapter I was desperate to come up with a choice to end it with, and settled on "To text Keith or not to text Keith; that is the question" because I had some vague idea that Keith being a witness to such a meeting might be important later. It didn't become important as I improvised forward, so you're asking me to diverge at a place where ... Well, where my first assumption is that the exact same thing will happen regardless of Will's differing choice. Well, maybe I can come up with something. But (LOL) this is literally the hardest possible place you could have voted to make a divergence! * * * Meanwhile, and topically related, I've taken the last few days off from the "Spider-Man" project. I got the first act of Episode 2 written, and got halfway through the second act, and then I decided the act break wasn't dramatic enough. After one day of noodling around with it, I decided to put it aside and return to it later. That's my project for today, and we'll see how it goes. The situation here (how to end an act) recalls that of writing BoM chapters -- striving to end a chapter on the kind of cliffhanger that impels the reader/viewer to find out what happens next. Relatedly, there's a "commentary" post below on the last "Spider-Man" item that I published. While rereading things and getting back up to speed, I realized I hadn't provided a commentary for it. |
"S02E12 "The Master Planner"" ![]() So why is this one a script and not a treatment, like the previous entries in this project? Well, first, because all the entries from this point on will be scripts. I started this project because I wanted to do my own adaptation of the "Superior Spider-Man" arc, to see how it might compare with the IRL adaptation, and the closest comparison (short of recording and animating it myself, which is impossible) would come by writing a script. Previously I wrote treatments because I only needed to record the changes to the animated continuity that I wanted and needed to set up my own adaptation. But why transcribe a script, in this case, that is so close to the original? That was so that I could get an idea of how many pages a script for an animated show should be. I know that the usual rule of thumb is "one page equals one minute of screen time," but I've also read that the rule of thumb is different in animation—and I've read inconsistent things about what that rule of thumb is. So I figured I should make a close transcript of a couple of IRL-episodes, to give myself a rule of thumb to follow. |