In September 2019, a seizure revealed a lime-sized meningioma pressed against my hippocampusāthe part of the brain that governs memory and language. The doctors said it was benign, but benign didnāt mean harmless.
Surgery removed the tumor, and three days later I opened my eyes to a new reality. I could walk, I could talk, but when I looked at my wife, her name was gone. I called her Preciousāthe only word I could find. A failure of memory, yet perhaps the truest name of all.
Recovery has been less cure than re-calibration. Memory gaps are frequent. Conversations vanish. I had to relearn how to write, letter by halting letter. My days are scaffold by alarms, notes, and calendars.
When people ask how I am, I donāt list symptoms or struggles. I simply say, āSeven Degrees Left of Center.ā Itās not an answerāitās who Iāve become.
AI tools are used to assist with writing; Grammarly and ProWritingAid help with grammar and spelling. My brain challenges include short-term memory loss, so ChatGPT helps me stay focused and organized. Iām including this note for transparency.
Point of view, kind of like Rome, isn't learned in a day. It takes even longer for it to become second nature as you transcribe the internal movie that's playing your head to the page. I still catch myself sticking in little summary bits instead of staying in the character's head.
To answer Amethyst Angel š¼'s question, modern novels do indeed more often than not have more than one point-of-view character. Romance novels will often alternate between the romantic leads, for example. SciFi, thriller, and mysteries often use multiple points-of-view--Lucifer's Hammer by Niven and Pournelle comes to mind. Mystery novels sometimes focus on just the detective, but other times use multiple characters. My own novel, Seeking Hyde, uses at least four POV characters. It even switches from 3rd person limited in one chracter's head to first person in a different character's head. Hemingway does something similar in To Have and Have Not.
Readers are delicate critters, and easy to confuse. Too many points of view, or poorly executed transitions from one point of view to the next, can be confusing. If you use more than one point of view--in a story or a novel--it's important that you use other tools to be sure that your reader doesn't get lost in the dust.
The most common "rules" are, first, one point of view per scene; and, second, only one point of view per short story. But...I have a little rock I keep on my desk with the word "nothing" engraved on it to remind me that "nothing is engraved in stone." Everything depends on context. The second rule, for example, depends on the story. "A Rose for Emily," by Faulkner, uses more than one point of view.
Point of view is a tool--a big tool, to be sure--but it's just a tool. It's one of the most powerful tools you can deploy in bringing your fictional world to life in the readers' imaginations. In doing that, it keeps your reader enmeshed in the here-and-now of your story. It also takes time and practice to deploy consistently and effectively.
Best wishes for getting it to stick! 3rd person limited is my favorite PoV, taught by my mentor, Max Griffin š³ļøāš. It's quite useful for most situations, although I question the single-minded perspective for an entire novel. I'll have to ask him about that... Do modern novels work with several different characters, all in their own 3rd person limited chapters? Or what?
A powerful life story reflecting strength and courage offering an intimacy with challenge. Admiration can be a way of distancing myself from taking the action I must to deal with my own. Hopefully, writing about them will help me connect and take action. Take care and thank you for reflecting back what it takes.
A powerful life story reflecting strength and courage offering an intimacy with challenge. Admiration can be a way of distancing myself from taking the action I must to deal with my own. Hopefully, writing about them will help me connect and take action. Take care and thank you for reflecting back what it takes.
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