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Mystery: September 08, 2021 Issue [#10929]




 This week: Hiding Clues
  Edited by: Lilli Munster ☕
                             More Newsletters By This Editor  

Table of Contents

1. About this Newsletter
2. A Word from our Sponsor
3. Letter from the Editor
4. Editor's Picks
5. A Word from Writing.Com
6. Ask & Answer
7. Removal instructions

About This Newsletter

There’s an art to hiding clues. If you give away too much too easily, you could pop the reader’s balloon before it’s had a chance to fly. If you’re too obtuse or withhold information, the reader may feel tricked or cheated when the murderer turns out to be the flamboyant florist who was only mentioned fleetingly on page five. Whether you’re writing a police procedural, whodunnit, thriller, or another genre that incorporates the odd secret or mystery element, you need to know how to bury the bodies … er … clues.

Here are some tips to make sure those clues stay in the ground until it’s time to dig them up.


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Letter from the editor

Clues serve two distinct functions. They lead the reader to the solution and they mislead the reader away from the solution. They've very versatile.

Three Types of Clues
For the sake of discussion, let’s break clues into three types: physical, verbal, and thematic.

*Magnify* Physical clues range from fingerprints to DNA analysis. The detective can repeatedly examine the scene of the crime, sort through the personal items, review the photographs. Decoding physical clues is a scientific process reminiscent of Sherlock Holmes and forensic pathologists.

*Magnify* Verbal clues come from dialogue between characters. What is said and not said? Who knew what only the killer would know or left out some crucial detail? Decoding verbal clues is a psychological/sociological process reminiscent of Miss Marple and private detectives.

*Magnify* Thematic clues are those pointers that arise from the experience of reading. The person dressed in black is the villain. The stormy night signals danger. Depending on the times, the butler is invisible, guilty, or innocent simply by being the butler.

*Bullet* While the first two types of clues will influence the detective, all three will affect the reader's experience of the story.

*Bullet* Clues enlighten readers and clues confuse them.

Time for another division of the general clue: immediate clues and future clues.

*Magnify* A single shoe is misplaced in the closet. This is an immediate clue that may or may not be noticed by both the detective and the reader when the scene is described.

*Magnify* An autopsy is ordered. The reader cannot learn the results until the detective does.
There is a trade-off. Immediate clues allow the reader to match wits with the detective. Future clues build suspense.

When planting clues, there are a number of tricks you can use.
*Bullet* Clues can have ambiguous meanings. A large footprint implies someone with large feet or a small-footed person wearing large shoes.

*Bullet* Clues can point to several people. A diamond ring can implicate someone who wears diamonds, someone who sells them, or someone who steals them. It could also be a plant.

*Bullet* Clues can be misread. The detective jumps to a wrong conclusion. Will the reader follow?

*Bullet* Clues can unfold. The flat piece of metal discovered on page three makes no sense until its mate is discovered many scenes later.

As if there aren't enough ways to split the clue, here comes another. There are obvious clues and subtle clues.

*Magnify* The button clutched in the dead hand is an obvious clue. No one is going to miss the importance of the object.

*Magnify* The fact that the victim was wearing blue is a subtle one. Perhaps it has a meaning and perhaps it doesn't. Some readers will file away the information and others won't.

All of these clue types can and should be mixed and matched. The complexity of direction and misdirection is limited only by an author's imagination and the length of the manuscript. Whatever level of convolution you can dream up, there is a group of readers looking for that experience.



Editor's Picks

 
STATIC
The Black Island  (13+)
AWARDED: Shipwrecked on a mysterious island Meredith and James go exploring.
#2252110 by LightinMind


 
STATIC
The Dark Island  (13+)
A treasure tale with all the mixings of greed, mystery and satanic curse.
#2251850 by Bob'n Around


STATIC
The Circus of Thieves  (13+)
A tongue-in-cheek murder mystery staring Bob, the private investigator
#992994 by W.D.40


STATIC
The Meeting  (13+)
Garcia is late and accompanied. First place in Only Short Stories, July 2021.
#2254456 by Beholden


 
STATIC
The Crime Scene  (13+)
Written for Dialogue 500
#2253841 by Spooky Lurie 🎃


 
STATIC
Chapter 1 - Secrets of Stone Lodge  (18+)
Edited 1st half of Chapter 1 Visiting Uncle Jim. Word Count: 676
#2249247 by GaelicQueen of Bones

 
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