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Poetry: September 17, 2025 Issue [#13351]




 This week: These Lines Are Not the Same
  Edited by: Jayne Author IconMail Icon
                             More Newsletters By This Editor  Open in new Window.

Table of Contents

1. About this Newsletter
2. A Word from our Sponsor
3. Letter from the Editor
4. Editor's Picks
5. A Word from Writing.Com
6. Ask & Answer
7. Removal instructions

About This Newsletter

Hi, I'm Jayne. I'll be your editor today.


Letter from the editor

As we’ve discussed in the short stories newsletter, last lines matter. It’s not so much what these lines finish (although that’s important, too). What is really important is what they leave behind.

Unlike short stories, where the last line is often the punchline or twist, a poem’s last line is often a tonal shift. It reverberates backwards through the poem, often changing the shading between the poem’s lines. Sometimes, the entire meaning of the poem is upended.

The goal of a story ending is to resolve (yes, there are exceptions). But poetic endings don’t have to explain, resolve, or even answer the question the poem raised. The last line is a different kind of pressure point than stories have. They can be emotional, imagistic, or linguistic, but they don’t have to ‘conclude’ anything in the traditional sense.

Where poetry wants you to feel, short stories tend to want you to realize. A final sentence in a short story can:

*Bullet*Deliver a twist or reversal

*Bullet*Complete a character arc

*Bullet*Force the reader to re-read the entire story with new eyes

*Bullet*Leave you with one haunting image or question

But doesn’t poetry do this, too? What’s the difference?

Poems often end in emotion, but they are less likely to explain themselves. This is one of the things that frustrates many new poetry readers.

*Bullet*There’s often no exposition. It doesn’t mean there isn’t a conclusion.
*Bullet*It often creates more questions than it answers.
*Bullet*It often reframes the poem’s entire narrative.

Take William Carlos Williams’ “This Is Just to Say.” The minimalist poem is deceptively sly.


I have eaten
the plums
that were in
the icebox

and which
you were probably
saving
for breakfast

Forgive me
they were delicious
so sweet
and so cold


Honestly, my guy. What is your issue, and who is your issue with?

So, are the last lines an apology? Or is the narrator being smug because they got to the plums first? What if they’re being cruel, taunting the person they deprived of plums by telling them how good they were? Are they defending their bad behaviour by saying they lost control (I empathize with this one, having occasionally decimated the remains of a tub of ice cream).

It’s up to you to decide.

As always, happy writing!


Editor's Picks

BOOK
Rolling Through Intersections Open in new Window. (18+)
A nothing from nowhere cast his words to a world wide wind, hindered by periphery.
#1149750 by Brian K Compton Author IconMail Icon


 
STATIC
The Sorcerer And The Head Open in new Window. (ASR)
A poem of heads and tales...
#986117 by W.D.Wilcox Author IconMail Icon


 
STATIC
Platform Lady Open in new Window. (E)
A lonely train ride through a lonely land
#2344904 by Jeffrey Meyer Author IconMail Icon


 
STATIC
My song Open in new Window. (E)
Just a poem
#2343599 by Samm Author IconMail Icon


FORUM
The Long Poetry Contest Open in new Window. (13+)
Open for Round 7 through September 30th! No line/word maximum
#2329179 by Charles Author IconMail Icon

 
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Word from Writing.Com

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