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I have done my research paper on Faiz Ahmed Faiz's poetry.
The voice of the voiceless, politics, and protest in Faiz Ahmed Faiz's poetry.

Abstract - Politics, protest, and poetry have been a part of India's legacy and history. Protest from silent protests of the candle march to protests with violence; we have seen it all. This paper will focus on Faiz's poetry and explore the weather of political strain in the poetry of Faiz and how we encounter resistance and revolution in his poetry. Looking back at our history, with the approaching of the British Raj, many Indian poets started using their poems to resist the tyrannical rule. The poems were written therein period; rather than talking about the emotions of affection, they talked about bloodshed, inequality, and an urge for freedom. Writing poetry of resistance is extremely risky and comes with consequences. The novel poets are conscious of the results but plan to glorify their people, traditions, and hero image to challenge the oppressors. Poets fearlessly use poetry as a political tool to say freedom. Some songs and poetry have given voice to multiple protests within the country no matter the scrutiny that poetry faced; these were sung within the protest and be the voice of dissent. Additionally, to be the voice of the oppressed, poetry has been a route of expressing views for the artist, no matter the monitoring. Moreover, Faiz demonstrates that poetry isn't only about love, beauty, and roses, but it's more about Politics; poetry can act as a sort of expression for the voiceless.

Introduction - Poetry, like every other sort of art, reflects the artist's values also because of the values of the age during which he lives. Poets of all ages, it'll be found, and altogether works of literature, are moved to protest against many aspects of life. Poets who have protested against whatever they considered deserving protest have continued up to the maturity of civil society to be rattled to awaken both the intellect and, therefore, the conscience of their readers. Clear and powerful, poetry may be a popular kind at protests and rallies. From the civil rights and women's liberation movements to Black Lives Matter, poetry is commanding enough to collect crowds in a city square and compact enough to demand attention. Speaking truth to power remains a vital role of the poet in the face of political and media rhetoric designed to control or worse. In poetry, dissent doesn't mean only raising your voice but also creating new sorts of expression. Once IIT-Kanpur was in the middle of an issue over "Hum Dekhenge," a well-liked Urdu nazm, written by Faiz Ahmed Faiz. A group of students on campus recited the poem during an agitation. This protest enraged many others, including a school member, who found the nazm offending their religious sentiments. Few cared to know Faiz's poem in context and were showing their disapproval of this.

Understanding poetry - why many of us are frightened of poetry? We were taught that poetry is about expressing ourselves, our sentiments, nature, and beauty. Sometimes, in childhood, it felt sort of a conspiracy to equate the ornamental with the poetic as if the sole purpose of poetry were to appease agitated souls and offer relief from the notions of life. Reflecting upon this narrative about poetry, we will say poetry isn't almost beauty, nature, emotions, etc., but once we understand poetry, we realize that protest is at the core of poetry. Poetry has always been anti-hegemonic. Protest, however, must be broadly understood in this context. It could surely mean raising your voice against oppressive powers or ills that prevail within the social organization. In poetry or any kind for that matter, the protest could even be interpreted as breaking boundaries, creating new sorts of expression, and thus watching the planet with a fresh pair of eyes. Poetry has always done that. In defiance, it seeks self-renewal. If poetry is art, how can it resist defiance? The political events of today suggest that poetry may be a spontaneous reaction to our time. It is more adaptable to the forms of protest and performance. These events also show that poetry is deeply historical. It bears testimony to the days we sleep in and is a reminder of our past.

Poetry is confrontation. It echoes the thrill of living but also embodies its despairs. If so, much of our lived experience and reality may be a constant encounter with despair; how can poets desist from showcasing the same? Protests also birth new art and uncover new voices. Perhaps future posts will emerge from the continued protests, and their verse will bear witness to our perilous times' novels provide a strong mode of political expression thanks to the way during which they permit writers to re-imagine an extraordinary world, to suggest other ways of living or highlight the risks of taking democracy without any consideration.
\Politics and poetry can mix well, or rather, poets can mix the two well. Tons of words of protest also as slogans have remained etched publicly memory via the facility of poetry. For those in politics or practicing the art of poetry, the intermingling has never been a doubtful proposition, regardless of what Orr began to look at. If not derived from well-known poems, several slogans or political exhortations strive to rhyme, pun, and use metaphors and similes, and while "non-poems," they appeal to the poetic fervor as a medium for voicing their protests. Politics and poetry realized through sloganeering have been a tool to challenge the colonial powers as far back as our subcontinental memory goes
Faiz Ahmed Faiz
At a time when both politics and literature seem to possess dragged one another right down to rock bottom, a great poet like the late Faiz Ahmed Faiz is an example of how both can complement and elevate one another Faiz's work skilled contemporary moments of the crisis made his poetry distinctively critical in two ways. His verses both challenged structures of power and, therefore, the failure of governments to heed the concerns of the downtrodden and that they reflected a replacement direction for poetry itself--a revolutionary one. Most significantly, Faiz adopted and adapted Urdu poetry's forms, images, and themes to criticize and galvanize readers against the oppressive political regimes threatening the subcontinent while the British were drawing their line within the sand and splitting the land apart. He's often credited because of the poet of protest, and resistance, and therefore the iconic voice as Faiz become conscious of the colonial game and exploitation, so political and resistance tone played a severe role in his lyrics. Faiz is the voice of the voiceless and marginalized sections of society.

Faiz Ahmad Faiz occupies a singular place within the world of revolutionary poets. Faiz itself is a synonym with protest, struggle, freedom, revolutionary, hope, etc. His art is not only for amusement; there are certain realities, particularly the social realities, that make way for social progress and the event of more faithful literature. The more he's deconstructed, the more hidden messages are often unveiled in his poetry. The quality of Faiz's poetry is that he presents his argument or any idea of freedom not in a direct voice which is usually the mark of resistance poetry, but he used metaphors, and images and made them relevant to the immediate context. For instance, beloved/Mahboob becomes the long-pending freedom, longing/wisal is seen because of the long struggle for freedom and if we quote other examples like "morning, dawn" becomes the symbol of both union and freedom of individuals; night\Shaam is seen because of the reflection of darkness not only of unrequited love but ignorance of people, etc. So, we will see Faiz is at its core a broken lover/major, and the struggle for union with Laila is transposed from personal ambition to the collective dream of oppressed people, and therefore the light/Roshni which can break through the darkness/Andera. Thus, poetry and politics become an equivalent weapons of form and content recurrent in romantic also because of the poetry of witness. The exploitation of the commoner at the hands of rulers may be a recurring theme in his poetry. Therefore, he felt the pain and anguish of the masses suffering and committed himself to its cause, regardless of the results. His poetry isn't only perception and observation of events but also struggle and energy to fight against. He condemned despotism and oppression. He gave hope and voice to the voiceless and show them that the day of freedom would come; it's the poet who prompts the ideology of revolution in people's minds and inspires the urge to fight for what's right. His poetry features a virile voice and message that he deserved to listen to within the complex socio-political scenario of the fashionable world. In an interview, Faiz was asked about the role of an artist in politics, and he replied: The poet has two identities: one is of the ordinary citizen who has got to do many duties the and second is of the political responsibility. Political responsibility means if there are any loopholes within the structure of politics, he has to eliminate them. And if there are good qualities in it, he has got to live by them. He shouldn't limit his intellect to his benefit only but should include all others. The primary duty of the poet is to write down poems, and therefore the second duty is to bring politics on the proper track. He does not need to join the demonstrations, but he must protest together with his pen. He needn't be an official, but he must be a person of politics.
{font: times}From Delhi to Ahmedabad, Mumbai to Kolkata, Kerala to Bihar, Faiz is on everybody's lips. More accurately, his poem titled "Hum dekhenge" has become the anthem of the resistance to the Citizenship Amendment Act (CAA). As protesters assemble in places like Jamia Milia Islamia in New Delhi and the August Kranti Maidan in Mumbai, holding aloft placards declaring "Second freedom struggle," "Hum Dekhenge" unites all of them, and thru their protest, it brings politics and poetry together.
{font: times}Over the years, 'resistance' has proved to be a potent discourse against inequalities, sufferings, and oppression. The strategies of resistance - including mass rallies, boycotts, strikes, and fasts are used progressively around the world in the past few decades. It's essential to notice that the poetic style of Faiz uses a unifying model during which politics and aesthetics portray the communal issues in one place. In his writing, the facts include the plight of the general populace afflicted by unemployment, violent power strategies, separation, bad governance, and uncertainty; about the political poetry of Faiz, questions arise about the role of poetry in politics, and therefore the artistic value of this type of poetry. Faiz's poems certainly can influence an individual, which affects society because it is effectually made from individuals.

Faiz Ahmed Faiz's poem, 'Hum Dekhenge,' translated as 'On that Day' recited by Iqbal Bano, the primary imaginative glimpse is that of a gaggle of individuals fighting for one larger cause. In recent protests and resistance movements, like the Shahen Bagh protests or the northeast Delhi violence protests, 'On that Day' has been sung to motivate all those holding on to hope for an excellent future. This poem conveys sentiments of protinthin the sense that it makes the people conscious of the hope the protestors are carrying in their hearts, but during a strange turn of events, the poem has come under deep scrutiny, with many calling it anti-Hindu due to a line which involves breaking false idols. Unfortunately, the accusers seem to have singled out this line out of context or forcefully tried to make it seem communal for nothing but propaganda. The false idol is of these dictators force people to worship them. Each line is devoted to the dismantling of power hegemony and at an equivalent time believing in self because of the greatest hope for revolution. This poem also can be seen as a love song of a victory of excellent over evil. He goes beyond the realm of manmade justice and talks about eternal justice that lies beyond human control.
The poem "The Slave" has a stimulating appeal because it studies the existential being of pain, pleasure, and God. The poem ends with an issue that was the essential one within Faiz's life. This is often the question that gave birth to the tussle between his spirit and politics. The ramifications of this example were apparent in his life also as in his art. Because consistent with the poet, 'submission to tyrants' and 'being of God' are two opposites that are impossible at an equivalent time. To several critics, Faiz's revolutionary politics had its genesis in his revolutionary love - the love that encompasses not just humanity but the entire universe. He includes many like Nazim Hikmet, Arafat, Iranian students, and martyrs of Africa and Palestine. He not only sympathizes with them but allows them to become a neighborhood of his identity. He addresses Arafat in the poem, "For the Palestinian Martyrs. Faiz joined the Palestinian struggle in Beirut. Alongside Muni Bseisovi and Mahmoud Darwish, Faiz composed various poems on Palestine.
{font: times}His poem "The Morning of Freedom "(Subh-E-Azadi) is about India's independence on 15th August 1947. it's an apt description of the sorrow and suffering and wishes to be eliminated from the newborn state. The poem "The Morning of Freedom" doesn't endways a pessimistic feeling. But the poet's purpose is to gear the state in action till the dusk of poverty and exploitation, oppression and suppression, capitalism, and aggression. Faiz devoted his poetry to the subaltern people. He dedicates the poem "Intesab" to the standard forgotten people in society. It's the anthem of the insulted, the oppressed, and therefore the betrayed. Every line during this poem may be a declaration of revolution.

Faiz's "Come Barefoot within the Market" may be a revolutionary lyrical poem. He thinks that earth-shaking strife is required to vary the destiny of subalterns within the teeth of tyranny and exploitation.
In 1941 Faiz wrote a poem 'Speak' that completely embodies the spirit of the Progressive Movement
The metaphor of chains is ominously prescient-- But these chains also index the burden many folks feel now--the threat of oppression growing the day. Quite that, though, his poem speaks to the instinctive and inviolable property of the physical body. We'd like to remove the shackles and deploy that embodied force we feature within us: our voices. Speaking out may be a product of our bodies and may assume real, material force.

CONCLUSION - Faiz advocated the explanation for humanity and raised a protest against the dictators who were oppressing innocent humanity. To execute their various patterns of violence, they invented and invested in many social and economic paradigms. The paper explored the theme of silence and the poet's motivation for the wronged to awaken and fight. With Highlighting the political themes, it is discovered that the poet's assumption is firm that sacrificial deaths of the folk to guard and safeguard the liberty of the country aren't the standard deaths. Rather their deaths within the way of cause make them immortal beyond the margins of ages and times. The story of political violence and resistance keeps it up, going side by side, and history witnesses the present eternal conflict. All the poems mentioned above revolve around political themes. Especially, these poems relate to the theme of subalterns who were politically and socially oppressed and whose voice wasn't even heard in the tall, columned premises of power. Faiz remained committed to amplifying their voices so that they might be heard, and the planet would feel their voice and pains. At a fundamental level, these poems preserve the poets' and a struggling peoples' desire to ascertain this utopia becomes a reality. Poetry becomes the shelter where hope and desire are immortalized. You'll see jail people, you'll beat people, you'll kill people, but our art and our literature and our ideas and therefore the cause that we fight for and believe in, the hope in our hearts can't be destroyed. After reading Faiz, one feels the urge to urge on the streets and uproot those false idols, smash those thrones, and claim their right to steer a dignified life, but one also can change the society with their pen through poetry.





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