I'm not a professional writer. I'm trying to give you honest feedback and impressions of what I thought as I read your work. These are one person's opinions, and you're free to ignore any of them.
Hello there, I'm Tam and this is in response to your review request. Sorry for the delays, and I hope you find this useful.
First Impressions: As this is chapter two, I'm not sure how these characters got in this particular situation or the exacts of what is going on. That being said, I will read on regardless.
I'm not sure if you explained some of these factions and situations in the previous chapter or not, so I can't really comment on that. But I did feel like I was out of the loop. Branston - the main character - has just escaped a pair of bounty hunters with the help of a mysterious man sent by the king to find dragon helpers (riders? Tamers?) for a war of sorts.
But this stranger is just that - a stranger - so Branston isn't sure he can trust him. Yet he also decides to go along with him, even if the man says he's not needed.
I hope I'm making sense here.
Anyway, such as it is I'm not sure why either of them decide to stick together. If the stranger doesn't need Branston, why didn't he just run from the village when he said they should?
My Favorite Elements: Although I suspect there's an interesting factor of world building going on the background. A concept that I'm at least curious about, but not sure whether I want to keep reading to find out about it or not. The dragons themselves sound interesting. The... keepers of the dragons are as well. I also have a distinct impression of a good side and an evil side. Evil soldiers. I'm a sucker for traditional-style fantasy.
Suggestions: Like I said above, there are some things that need to be clarified. Specifically character motivations, and the injuries I mention below. Your sentence structures could do with some help, but we'll start with the things that bothered me most.
Branston grimaced as he climbed into the back of the wagon, and tossed the tarp over the side, exposing the furs and wines he had intended to sell.
This is an odd place to put a comma. What is it clarifying?
He dropped the paper into the bag and tied it shut, pocketing it. It would probably cover his loss of sales.
But will it? He can fit this coin bag in his pocket - which in my mind is fairly small - and he's got a whole wagon of goods here. Somehow the two don't seem to equal out to the same value.
Branston looked forlornly at his wagon, and the horses. Many hard days of labor had gone into paying for them.
Another reason why I think those coins are a drop in the bucket, so to speak.
Branston stared at the back of Faldashir's head, the man's gray locks of hair thrashing around with the howling wind.
Lots of unnecessary words here. I'd just cut these out.
The man was good with a bow, quick with his hands, maybe, the way he had to have removed the arrowheads.
I'm not sure I understand this completely.
"I think it's time we talk about why you're here." Branston called over the wind.
I think the time for that was before he started following this man. He clearly doesn't know Faldashir. Why is he following him away from his cart? I mean, I know I didn't read the first chapter... but still. I'm confused.
"They are," Faldashir said simply.
No reason to use this word. I can see his comment was simple.
Faldashir nodded faintly, but what his face showed, Branston didn't know.
Not sure I understood the end of this sentence either. I don't see how it helps show me what's going on here.
Faldashir crossed his arms, awkwardly with his bow in hand.
I feel like this should have been brought up sooner. I had no idea he was holding a bow. Plus, said bow is never mentioned again.
Branston noticed the red patch on the side of Faldashir's white tunic. "You're bleeding!"
"It took you long enough." Faldashir growled. "Of course I'm bleeding, I was shot!" He looked down at his ribs, where his white coat was torn and red. "The rider knicked me, I'll be fine."
This kind of approach will at first make Faldashir appear tough - at least to the writer. What it really does is take impact out of injuries. If he's injured, I'd rather it wasn't randomly noticed. I'd prefer if he reacted to it - stagger, cough, slide to his knees - you know. The general reactions to bad injury. He's not invincible.
On that subject, I've had a strained rib once, and that was rather unpleasant. I can't imagine how bad a broken one would be. Probably along the lines of 'I will lie here forever and not get up no matter what anyone says' type of pain. I do not know, but him walking casually along isn't giving me that kind of feeling.
Since I've noticed injuries seem to be mentioned only when inconvenient, I'd suggest either making them milder - even mild injuries will bleed/hurt more when you've been moving for a while, so they could go unnoticed longer - or making their journey more difficult from the get-go.
Faldashir had proven to be a skilled shot, but Branston didn't quite trust him yet, and that skilled shot would be deadly if Faldashir were against him. Branston rotated his shoulder where Faldashir had shot him with a blunt arrow. He was sure it would bruise.
Even if the old man were to be on Branston's side, even if he never betrayed him, the outcome was deadly. He had made it clear that if Branston were brought before his king, his king would make him fight in the coming war. But that would mean going back to Krassos to be reassigned to the Dragon Guard.
This feels like a lot of circular thinking. I'd simplify this to get to the point faster so your reader isn't going to be left thinking 'yeah, yeah, we've heard that. Thought that. Get to the point, man!'.
The citizens looked scared.
This is telling. Show me their pale faces, round eyes, and shaking bodies. Any of the above would do better than 'looked scared'.
"With my injury I can't move fast, you need to do it."
Branston groaned, but Faldashir was right, and he knew it.
Faldashir grunted. "But I will help you still. I will go into your house once the men are far enough away. Now, what do you need?"
They're in a hurry. I'd suggest shortening their dialogue as much as possible. Make it snappy, because they're definitely not in the mood for extra words.
The ending of this chapter is really fast-paced, but it's also confusing. I'd suggest slowing down a smidgen so you can better explain what is going on. Right now I feel like you sped through it, and that's not a good feeling for a reader to have.
Overall: I hope you find this helpful, and don't get discouraged by all these suggestions. Even the greatest writers have to start from the bottom. I think you have a good concept, and possibly a decent 'big picture', but you need to work on the small details as well, since their believeability is damaging my enjoyment of the work itself.
Clearing these things up will help immensely.
Keep writing!
~Tam
** Image ID #1982110 Unavailable **
If you have time please visit my portfolio. Reviews are appreciated. |