*Magnify*
SPONSORED LINKS
Printed from https://www.writing.com/main/profile/reviews/takingafterme/sort_by/r.review_creation_time DESC/page/2
Review Requests: OFF
1,259 Public Reviews Given
1,287 Total Reviews Given
Review Style
IMPORTANT: I am no longer taking review requests for gift points, as I have no need for gift points. If you want a review from me, you must either agree to swap reviews, or review something of mine first. I prefer swapping entire novels to chapter-by-chapter or short stories. Please note that I also take Saturdays off, and I'm often busy on Friday. If I don't get back to you it's likely because of that.
I'm good at...
Being me, first and foremost. So I'm probably going to be friendly and open, at least. I like to spot little typos and sentences that sound odd. I love removing extra words to keep the story tight, but please be aware that I'm extremely difficult to please and know good and inexperienced writing at a glance.
Favorite Genres
Fantasy (both high and dark) is my most favourite followed by Action/adventure, and lastly Young Adult. I don't really like Sci-fi but I'll read it if asked or if I'm just plain bored.
Least Favorite Genres
Romance, Erotica, severe violence, horror, and I'm not big on vampires, but I might read it. That about sums it up.
Favorite Item Types
Novels! I like a good, long read to keep me busy for several days if possible. I also enjoy a good short story now and then.
Least Favorite Item Types
Not a real fan of poetry. I can't tell the difference between one type of poetry and another. If you're doing basic rhyme and rhythm I can find both of those, but... just no...
I will not review...
Biography, blogs... horror... zombies... LGBT... erotica... romance in general but if your book has a romantic SUB plot I can deal with it. I'm also not too keen on anything apocalyptic so please... don't ask. I will not read out-of-sequence chapters. Otherwise I would have to dislike your writing style, which isn't likely.
Public Reviews
Previous ... 1 -2- 3 4 5 6 7 8 9 10 ... Next
26
26
Review by Antonia Ryder
In affiliation with The Iron Bank of Braavos  
Rated: 18+ | (4.5)

Greetings from the White Walkers and the "Game of Thrones! I'm Tam, and I'm here to provide you some feedback.


*Snow1* First Impressions *Snow1*

At first this sounds as though its a story about the wife and husband disagreeing about his smoking habits. I get the feeling that was the intention, because the way the ending is phrased tells me that much. It's actually a light, easy read, and has some amusing - dare I say realistic - banter between the two of them.


*Snow2* Best Elements *Snow2*

The dialogue, and the ending. It was clever, playing this off as though the wife really wanted to make her husband do something like quit smoking, when all the while it was the problem we couldn't see that was the problem. I had my suspicions, but I wouldn't have guessed what it really was ahead of time.


*Snow3* Suggestions *Snow3*

There's not much wrong with this, really. I'm not a grammatical expert or anything, but the big paragraph in the beginning could - in my opinion - have been broken up a tad more. It would look less intimidating, but it's not really necessary.


*Snow4* Overall *Snow4*

Good story. Amusing. I could see the dynamics in the relationship between these two, and they seem to make a good couple. One can hardly blame Marie for wanting to cure her husband's problem, and likewise couldn't blame Jim for being unenthusiastic about it. Especially once the reader finds out what that problem is.


Keep writing!

~Tam


** Image ID #2088964 Unavailable **

Officially approved Writing.Com Preferred Author logo.


This review is in affiliation with "The Witch's House. If you like this review, consider stopping by "Game of Thrones and cheering for my team. Or you can stop by my portfolio. Visitors are always welcome.


*Gold* My review has been submitted for consideration in "Good Deeds Get CASH!.
27
27
Review of The Stain  
Review by Antonia Ryder
In affiliation with The Iron Bank of Braavos  
Rated: 13+ | (3.5)

Greetings from the White Walkers and the "Game of Thrones! I'm Tam, and I'm here to provide you some feedback.


*Snow1* First Impressions *Snow1*

A woman wakes up in an alley and finds a red stain (mark, really) on her arm. At first I had no idea what that was going to turn into, but long before I got to the bottom of the story I had already pieced things together. The ending, therefore, was not any surprise to me. I'm not sure if you intended it to be one or not.


*Snow2* Best Elements *Snow2*

The writing isn't bad, and the pacing doesn't seem rushed. I also like the conversation near the end with the person she is swapping places with. The visit to the doctor was also a nice touch. He didn't seem to notice anything was wrong, which compounded the obvious fact that something was wrong.


*Snow3* Suggestions *Snow3*

I kind of wish I'd had a bit more explanation on the main character before you got all the way to the end and plunged into a sad backstory. Plus, if you were going for surprise with her apparently 'turning demon' problem, I wasn't taken by surprise at all.

Maybe giving her some vague recollection of what transpired the previous evening might have helped, as well.

*Snow4* Overall *Snow4*

I'm not a fan of this kind of story. You pulled it off rather well, though, so I didn't mind reading it. I think there are a few points that could use improvement, but overall it isn't bad the way it is. Very fitting for the 'weird tales', though.


Keep writing!

~Tam


Image for GoT

Officially approved Writing.Com Preferred Author logo.


This review is in affiliation with "The Witch's House. If you like this review, consider stopping by "Game of Thrones and cheering for my team. Or you can stop by my portfolio. Visitors are always welcome.


*Gold* My review has been submitted for consideration in "Good Deeds Get CASH!.
28
28
Review by Antonia Ryder
In affiliation with The Iron Bank of Braavos  
Rated: 13+ | (4.0)

Greetings from the White Walkers and the "Game of Thrones! I'm Tam, and I'm here to provide you some feedback.


*Snow1* First Impressions *Snow1*

The opening made me think I was going to read a story about a nurse wandering through the patients and musing her musings so the reader could follow them. This is sort of what is going on, except minus the wandering among patients. There are a lot of people in this unit, and many have already moved on according to the story. It's a sad place. Not much hope in it, and somehow cold and contemplative.


*Snow2* Best Elements *Snow2*

The way each patient is introduced is interesting. It is kept cold and professional, as though she - the nurse - took care of them, but never allowed herself to get too deeply involved with their personal lives. The focus is entirely on their physical conditions and where they came from.

*Snow3* Suggestions *Snow3*

It might help to make this story more interactive. I know where she is primarily because of the opening, but I'd like some of the routine motions as per the story's requirements. Maybe do some routine things while going through the pondering stage. It would help ground the reader into the scene more, and would help get to know the layout of the building. You might not have meant this to have a beginning, middle, and end, but making it more interactive would help the reader invest more in it.


*Snow4* Overall *Snow4*

I expected something a bit different than this, but I certainly don't regret stopping by to read it. It's something to think about. Something that could stay with someone a long time after they've read it.


Keep writing!

~Tam


** Image ID #2088964 Unavailable **

Officially approved Writing.Com Preferred Author logo.


This review is in affiliation with "The Witch's House. If you like this review, consider stopping by "Game of Thrones and cheering for my team. Or you can stop by my portfolio. Visitors are always welcome.


*Gold* My review has been submitted for consideration in "Good Deeds Get CASH!.
29
29
Review of It Licks its Lips  
Review by Antonia Ryder
In affiliation with The Iron Bank of Braavos  
Rated: 18+ | (3.5)

Greetings from the White Walkers and the "Game of Thrones! I'm Tam, and I'm here to provide you some feedback.


*Snow1* First Impressions *Snow1*

Disturbing little story about a woman who is going for an abortion. This is never outright stated, but it's implied enough that I drew the conclusion myself. She was directed to this shady location by a friend(?) or acquaintance, and is ushered into a creepy, dirty little room.

For such a short story, it didn't feel rushed or as if it was cut off too quickly, which is something I've always found difficult in short stories.


*Snow2* Best Elements *Snow2*

The beginning. The precision of her directions helped ground me in the scene, and gave me the immediate impression something shady was going on. Not to say the rest of it was bad, but the beginning is what really stood out to me.


*Snow3* Suggestions *Snow3*

For the most part, I can't say there's much that needs doing here. There are some extra words you could weed out, though, to make the reading less clunky.

Tara cautiously makes her way to the door,

This word is probably not needed. You can write this entire sentence to do without it.

EXAMPLE: Tara creeps to the door.

In the center of the room is a table, like an examination table. It has stirrups.

It might just be me, but I have a really hard time picturing this. As soon as the stirrups were mentioned, I couldn't help picturing a toy horsey. I'm sure that's not what you mean, which is why I thought I'd point it out.


*Snow4* Overall *Snow4*

Very creepy. I knew something was wrong from the start, but I had no idea how this would go until I reached the end. Tara has really gone in over her head in this story.


Keep writing!

~Tam


** Image ID #2088964 Unavailable **

Officially approved Writing.Com Preferred Author logo.


This review is in affiliation with "The Witch's House. If you like this review, consider stopping by "Game of Thrones and cheering for my team. Or you can stop by my portfolio. Visitors are always welcome.


*Gold* My review has been submitted for consideration in "Good Deeds Get CASH!.
30
30
Review of Rick's Repose  
Review by Antonia Ryder
In affiliation with The Iron Bank of Braavos  
Rated: 18+ | (3.5)

Greetings from the White Walkers and the "Game of Thrones! I'm Tam, and I'm here to provide you some feedback.


*Snow1* First Impressions *Snow1*

An old (I figure he's old, though his age is never specified) man in a hospital with cancer is trying to get past his inner demons before he dies. There's a sombre, hopeless, crotchety old man feeling throughout this piece. A bogging mood that's appropriate for the piece.

His only companion is the dog that brings him cigarettes and whatever else he wants. Quite an intelligent dog - although this is never drawn extra attention to.

At last Rick cannot take his situation anymore and takes one last trip to the restroom before he ends everything. His son isn't answering, and his life is going to end anyway.


*Snow2* Best Elements *Snow2*

Maybe it sounds biased, but I liked the dog best. Loyal mutt, it brings Rick whatever he wants. It's also fun that you almost made it sound as though the dog was another person that visited Rick every day. At first I thought it was a man, then a child, then finally realized it was a dog. that was interesting way to develop it.


*Snow3* Suggestions *Snow3*

Space your paragraphs better. That's my first suggestion, because those big blocks of text were incredibly intimidating when I first clicked into this, and I nearly backed right out again. If it had gone on much longer, I might have done so anyway. Make your story visually appealing so people are more likely to stick around and read it.

Secondly, I'd put the important information about his bad relationship with his son, and his problems with alcohol, earlier in the story. It's not fair to learn about the conflict right at the end. Put the important details first, and get to the rest later.

Make sure your tenses stay consistent.

The pale blue was sickening. It just looked...blah. Why did all hospitals smell like this? It literally smelled like the color. It smelled like a drab, pale, blue. The kind of blue that perhaps once tried hard to be a vibrant blue, but gave up and is now dying.

I feel like you were trying way too hard with this sentence. Look how many times the word 'blue' shows up. It's never important again later in the story, so I would advise simplifying this description.


*Snow4* Overall *Snow4*

It has a solid theme, I got the impression he was a crotchety old man upset with his life and his situation. Just ready for the end to come already, and wondering why its taking so long. The issues I have are stated above, although I'd also like to add that the beginning could use more power. Starting with a description - especially of this kind - is not going to catch a reader and hold them.


Keep writing!

~Tam


** Image ID #2088964 Unavailable **

Officially approved Writing.Com Preferred Author logo.


This review is in affiliation with "The Witch's House. If you like this review, consider stopping by "Game of Thrones and cheering for my team. Or you can stop by my portfolio. Visitors are always welcome.


*Gold* My review has been submitted for consideration in "Good Deeds Get CASH!.
31
31
Review of I Can Hear You  
Review by Antonia Ryder
In affiliation with The Iron Bank of Braavos  
Rated: E | (3.5)

Greetings from the White Walkers and the "Game of Thrones! I'm Tam, and I'm here to provide you some feedback.


*Snow1* First Impressions *Snow1*

Moving piece. I liked the fact that she was a nurse, and is now confined to a nurse's care in the hospital. Listening to the voices of people and smelling their perfume. Even imagining their faces. It's a dreamy scene, as she drifts in and out of consciousness - well, maybe I should say 'awareness'.

The last line is good. When I skimmed to the bottom of the piece the first time I thought 'well, that's done it. She dies at the end', but no. Quite the opposite. She's going to recover.


*Snow2* Best Elements *Snow2*

I liked the theme of the story, and the ins and outs of her consciousness. There was something surreal about the whole thing. Plus, even if she's in a coma, I didn't have the deep feeling of despair usually associated with such pieces. Hope carried throughout.


*Snow3* Suggestions *Snow3*

Some grammatical issues, and typos. There are weird spaces here and there that you should search and eliminate, especially between commas and their prior words. You do not need a space before a comma.

My sister's loud voice breaks the silence now and I hear her asking how I am doing today.

You don't need this word. I know her voice is breaking the silence 'now' because you just said it broke the silence. It didn't happen later, and it can't have happened earlier.

What does that mean , I wonder.

This is one of the spaced-out commas I was referring to.


*Snow4* Overall *Snow4*

Interesting concept. I wonder if she'll make a full recover and go back to being a nurse, or if she's done that now and will have to retire. Either way, the ending was nicely done. The fact that she will survive and recover is enough at this point, as that was the entire focus of the story.


Keep writing!

~Tam


Image for GoT

Officially approved Writing.Com Preferred Author logo.


This review is in affiliation with "The Witch's House. If you like this review, consider stopping by "Game of Thrones and cheering for my team. Or you can stop by my portfolio. Visitors are always welcome.


*Gold* My review has been submitted for consideration in "Good Deeds Get CASH!.
32
32
Review of The Awakening  
Review by Antonia Ryder
In affiliation with The Iron Bank of Braavos  
Rated: 13+ | (3.0)

Greetings from the White Walkers and the "Game of Thrones! I'm Tam, and I'm here to provide you some feedback.


*Snow1* First Impressions *Snow1*

From the opening, in spite of the description, I expected something sci-fi focused. The way it unfolded implied as much. Then, as I learn more about the character and his situation, I'm not reassured that this is a steampunk world at all. Nobody explains the 'steam power' stuff, and nobody even implies their ship is 'steam powered'.

The exposition isn't too bad in the beginning, as it all relates to the later story. It wasn't boring.


*Snow2* Best Elements *Snow2*

Oddly, I am going with the beginning of this. I'm not a fan of expositional backstory giving, but this was actually interesting and seemed to be leading into something intriguing.


*Snow3* Suggestions *Snow3*

I have big issues with the ending. The opening is measured, taking a continuous, steady pace. Then the exposition is done, and we're launched into a very brief story. The writing wasn't bad, but you seemed as though you were moving way too fast and getting through everything too quickly. I had no time to catch my breath and figure out what was happening, which leaves me with a facepalm *Facepalm* reaction instead of an awe-inspired one.

My other issue is with the characters. You've got a serious handicap because you start right off mentioning the main character is good-looking, seemingly an ace pilot, and immediately hates the antagonist (who hates him) without any obvious reason. Plus, he's married to the daughter, who is also beautiful, curvy, and hates the antagonist with mildly more reason than her husband.

I was sighing when the antagonist showed up at her door-opening experience. It sounded like forced conflict because I didn't see any signs of the setup for it.


*Snow4* Overall *Snow4*

I'd step back and see how you can slow down the ending. That would help build tension. It might also help to build upon this hatred between father-in-law and the main characters, because I don't know where/why/how it started.


Keep writing!

~Tam


** Image ID #2088964 Unavailable **

Officially approved Writing.Com Preferred Author logo.


This review is in affiliation with "The Witch's House. If you have time you can stop by my portfolio. Visitors are always welcome.


*Gold* My review has been submitted for consideration in "Good Deeds Get CASH!.
33
33
Review by Antonia Ryder
In affiliation with The Iron Bank of Braavos  
Rated: E | (3.5)

Greetings from the White Walkers and the "Game of Thrones! I'm Tam, and I'm here to provide you some feedback.


*Snow1* First Impressions *Snow1*

This is a good scene, full of emotion and characterization for the main character - an automaton or robot - who is feeling alone and disliked because he's different. His maker is dead, and he's stuck working a job he is unappreciated in, and people bully him constantly because he's different - and apparently unable (or unwilling) to defend himself.


*Snow2* Best Elements *Snow2*

There is a good deal of emotion in this scene, focused solely on the thought process of this 'not human' fellow. He just wants to be accepted by somebody who doesn't care what he is. I can feel that much from him, and it doesn't sound overbearing in any way.


*Snow3* Suggestions *Snow3*

The biggest problem with this is that it's chapter one. Not because it doesn't work as a chapter, but I'm not feeling any plot progression going on here at all. Other than the fact that he's an automaton and he's seeking acceptance somewhere, I don't feel like anything big could happen. So although this scene is good, I don't know if it works as a first chapter.

I'm just going to nitpick on the first two paragraphs here.

Hazel eyes, softly human, scanned the night sky for stars through wisps of smoke and ash.

This line does not seem to add anything to the scene you're trying to paint, it just pulls me out of the flow.

Lids clicked mechanically, clearing the view as he continued to search from the rooftop.

It's obvious something unusual is up with this character just because his lids 'click'. I don't need 'mechanically' to let me know that.

The gas lamps hissed below spreading their amber light on the empty paths and streets.

I'm far from a comma expert, but I think you need one here.

*Snow4* Overall *Snow4*

Interesting mood setting, but as I said above, it doesn't do a very good job as a first chapter. Perhaps opening with the professor's death or something - echoing his dreams of Tommy's 'better purpose' - would open before this better. Either way, this is nice. It just doesn't start strongly enough.


Keep writing!

~Tam


Image for GoT

Officially approved Writing.Com Preferred Author logo.


This review is in affiliation with "The Witch's House. If you have time you can stop by my portfolio. Visitors are always welcome.


*Gold* My review has been submitted for consideration in "Good Deeds Get CASH!.
34
34
Review of A Dogs Life  
Review by Antonia Ryder
In affiliation with The Iron Bank of Braavos  
Rated: 13+ | (3.5)

Greetings from the White Walkers and the "Game of Thrones! I'm Tam, and I'm here to provide you some feedback.


*Snow1* First Impressions *Snow1*

At first I thought this would be about a dog crime-investigator of sorts. It kind of sounded that way as the story built up momentum.

Then things took a darker turn and Muggsy turned into some kind of criminal. Now his stash of money made sense (although I wish it had been mentioned sooner), and his questioning of his own sanity is somewhat clearer. I'm not sure what to make of him now, except that he's a clever criminal for a dog.


*Snow2* Best Elements *Snow2*

Turning the 'animal' hero thing on its head. This dog isn't strictly the hero, but he's not an animal I'd like to cross. He has his own ways to get justice for those people he does care about.


*Snow3* Suggestions *Snow3*

This needs more clarification. I got decidedly confused when I got to the news part, and only figured out what exactly was going on when I got halfway through the reports.

You need to cut back on those '-ly' words. Cut them all out, if you can (unless they're 100% necessary to the story, which isn't likely). The reason? They tend to weigh down your sentence, and they don't add to the story.

Not particularly big, not particularly strong, not particularly mean or vicious.

You can think of more appropriate words to take the place of these if you must.

He trotted off (invisibly) toward the other end of the rail yard to the small dingy office trailer used as “break room” by the casuals.

This is a huge, rambling sentence. I'd think of ways to cut this down to size.


*Snow4* Overall *Snow4*

Interesting twist. I did not see this kind of thing happening. Although I was curious where the dog had gotten the money, and what he would do about the abuse being dealt to his friends, this wasn't how I expected it to turn out. If you work on trimming the sentences down to size and clearing the confusion, this is a pretty good story.


Keep writing!

~Tam


Image for GoT

Officially approved Writing.Com Preferred Author logo.


This review is in affiliation with "The Witch's House. If you have time you can stop by my portfolio. Visitors are always welcome.


*Gold* My review has been submitted for consideration in "Good Deeds Get CASH!.
35
35
Review of The Guide  
Review by Antonia Ryder
In affiliation with The Iron Bank of Braavos  
Rated: E | (3.5)

Greetings from the White Walkers and the "Game of Thrones! I'm Tam, and I'm here to provide you some feedback.


*Snow1* First Impressions *Snow1*

Not bad, for the most part. The kid gets distracted, wanders away from his father, and finds himself in a suddenly sticky situation. When he runs, he only makes matters worse for himself. Luckily, something comes to his rescue until his father can retrieve him.

*Snow2* Best Elements *Snow2*

The middle, when the boy was panicked and running. The story seems to flow best here, easing into the swift terror the boy is feeling throughout. I got into the story best when he'd left the presence of his father.


*Snow3* Suggestions *Snow3*

The opening two sentences were probably my least favourite part of this whole story. They're so blunt. I know you have to set the mood fast in flash fiction, but this wasn't grabbing me at all. I'm not sure how you can do it better, but I'd suggest thinking about it.

Secondly, wild animals - at least where I live - aren't that likely to attack you when you're wandering alone through the forest. I get that this is just fiction, so it doesn't strictly matter, but it's worth keeping in mind.

'The beast' is used far too often while it's present. I was beginning to get tired of seeing this tag appearing over and over again.

The boy wanted to thank the beast, but when he turned around, the beast had left.

It* could replace the second 'the beast'. Also, 'left'? That's a really dry word. Maybe 'disappeared' would give it some more 'oomph'.


*Snow4* Overall *Snow4*

Interesting flash fiction. More exciting than I expected, and kind of sweet in a way. I wonder if the father was calling for the son. The boy was really vocal about it. He must have either wandered really far out or slipped into some altered version of reality. *Bigsmile*


Keep writing!

~Tam


Image for GoT

Officially approved Writing.Com Preferred Author logo.


This review is in affiliation with "The Witch's House. If you have time you can stop by my portfolio. Visitors are always welcome.


*Gold* My review has been submitted for consideration in "Good Deeds Get CASH!.
36
36
Review of Who is She?  
Review by Antonia Ryder
In affiliation with The Iron Bank of Braavos  
Rated: 13+ | (3.0)

Greetings from the White Walkers and the "Game of Thrones! I'm Tam, and I'm here to provide you some feedback.


*Snow1* First Impressions *Snow1*

I feel like there is some deep meaning and hidden beauty hidden in this piece. Somehow I also get the impression it isn't really sinking in. For me, at least. I do not quite understand the meaning behind it, and no matter how I read it, it still doesn't really get through to me. Other than the fact that the main character is no longer alive, and the story goes on in the same queer fashion with someone else as the lead. Only without us following him.


*Snow2* Best Elements *Snow2*

The description at the very end was the best one in this whole piece. Everything leading up to it feels rather surreal and disembodied - and so does it - but the last one has something deeper, I guess. Don't really know how to describe it, only that I thought it was best.


*Snow3* Suggestions *Snow3*

You may or may not have heard this before, but you should really consider using paragraphs to separate your story. It is very difficult to read, especially for someone like myself who has mild dyslexia. I lost my place in this several times and had a very hard time finding my place again. This got more challenging near the end. To give you an idea, I have a hard time counting a stack of five plus quarters if they are piled on top of one another. Finding my place here was a nightmare if I lost it.

In addition to this, I couldn't help noticing nearly every sentence started with 'She'. You also used quite a few unnecessary words (most of which end in '-ly). I'd suggest cutting all of those if you can. This will help with the reading.

As I said earlier, the description has a somewhat dreamy and unrealistic feel. This might be what you were going for, but it also might not. You might do well to think hard about how you can ground it more in reality.

Also, at the end... if she is gone, shouldn't the question be 'who was she?'.

Dazed and confused the bus driver exists the bus looking around,

Should be 'exits'.


*Snow4* Overall *Snow4*

The deeper meaning of this piece eludes me. I'm not a fan of stories that make me feel like I'm missing something, although the basic story isn't bad. I might not have enough information to understand what's going on, or perhaps the constant fear of losing my place made it difficult for me to get into.


Keep writing!

~Tam


Image for GoT

Officially approved Writing.Com Preferred Author logo.


This review is in affiliation with "The Witch's House. If you have time you can stop by my portfolio. Visitors are always welcome.


*Gold* My review has been submitted for consideration in "Good Deeds Get CASH!.
37
37
Review by Antonia Ryder
In affiliation with The Witch's House  
Rated: 13+ | (3.5)

I'm not a professional writer. I'm trying to give you honest feedback and impressions of what I thought as I read your work. These are one person's opinions, and you're free to ignore any of them.

*Wolf* First Impressions: Although you requested this review from me specifically, I noticed you say on the review request page that you are not sure if this is chapter one or not. This is definitely not a first chapter. This feels like a rundown of what happens before the story seen by the main character in the aftermath of it. By the tiny length and general feel, this is a prologue.


*Shield2* My Favorite Elements: So you've managed to get a decent impression of what kind of world is going on here, and the curiosity of how this young man, who is completely unambitious, gets to the throne without having killed his brothers or father himself. Curious.


*Moon* Suggestions: Since this feels like a prologue, I'm a bit on the fence about the way this story is more or less 'told' to me rather than shown. Although I'd let it slide because it's more of an introduction, and not the actual story itself. Just as long as the rest of the story isn't 'told' so bluntly to me, you should have no trouble.

The biggest issue I have with this is the contradiction you have. You tell me about this young man getting frustrated and aggressive - resulting in vandalism and fights he usually wins - but AFTER you went off on a tangent of how this fellow was really a well-behaved child after all and didn't cause much trouble, really.

Then you go ahead and tell me this guy doesn't know who his father was and never knew who he was. Then, in the same paragraph goes ahead and tells us he is the bastard son of the Black King.

So, did he or did he not know who his father was?

After this, you also go ahead and make the comment that 'very few places felt like home' to the main character, then make it sound as though he never left the place his mother died at.

When I read things like this my faith in the story, from a reader's perspective, is instantly shaken. You must sound decisive, or the reader will wander away.

When I was young, I saw our wondering as a sign that we were not welcome anywhere and that my mother kept looking for a place we would be welcome.

All this is telling, and the 'wondering' should be 'wandering'. An example of how to make this less 'tell' and more 'show' is by rephrasing.

EXAMPLE: As a child, I saw our wandering as a sign nobody wanted us around and assumed my mother was searching for a place that would accept us.


*Shield1* Overall: I thought the concept was interesting, and it offered a glimpse of a plot with potential. I didn't notice any issues with the first person deal, except that you didn't introduce the main character by name until the very last sentence. It's harder to connect with a nameless face (or in this case a nameless, faceless character).


Keep writing!

~Tam


** Image ID #2007636 Unavailable **

Officially approved Writing.Com Preferred Author logo.


If you have time please visit my portfolio. Reviews are appreciated.


*Gold* My review has been submitted for consideration in "Good Deeds Get CASH!.
38
38
Review by Antonia Ryder
In affiliation with The Witch's House  
Rated: 13+ | (3.5)

I'm not a professional writer. I'm trying to give you honest feedback and impressions of what I thought as I read your work. These are one person's opinions, and you're free to ignore any of them.

Hello, Tam here. I'm awfully sorry for the delay. I had a whacky weekend and couldn't really get to reviewing until today.

*Wolf* First Impressions: This chapter is an oddity. I say this because it isn't from the main characters' perspective, and it isn't from any of the helper characters' perspectives. That being said, I have no idea which role Tyollis sits in. Villain, or somehow another side character?

This chapter seems to move very quickly and wastes no time on explanations, even if it's from Tyollis's perspective.


*Shield2* My Favorite Elements: Ah, I liked the soldiers getting sick for no obvious reason. This is probably the most interesting feature of this chapter. The wizards are a nice touch, but right now they seem like a bit of a side-plot and don't hold me as captivated as they could. As a fact, the sudden escape on Branston's part made me almost completely forget it.


*Moon* Suggestions: Tyollis is a man used to leading men and not getting pushed around. The big issue I have with this is that he's perfectly willing to come at the beck and call of the prisoners. They want to talk to him? Sure, he'll come right over.

When you're writing a character like this, I'd advise putting on an attitude like they should have. When someone asks him to do something, ask yourself 'why should he/why would he?'. He doesn't owe anyone anything and should act like it.

Beside that, this chapter had very limited description and actions, so it flew past. Many of these descriptions did tend to echo one another (a thing I do in first drafts myself if I'm not very careful), and ought to be combed for redundancy.

with that all aside, I thought it was rather odd that you'd fling Tyollis's perspective in here. He's a really new character, and I don't feel that his perspective is really adding anything to the story that Branston couldn't get to himself. I mean, he talks to Faldashir (and I truly fail to see why Faldashir wanted to talk to him if he was going to ask something so... pointless?), but Tyollis then echoes what was said to Branston anyway.

Also, the escape... I think it needs to be thought out more on Branston's part. It seems borderline reckless. I'm just surprised Tyollis let him get away with it. More surprised that he even let him go.

Really, the most interesting thing here (aside from the escape) are the sickening soldiers. That is curious, and piqued my interest. Branston's past should be indicated sooner if that is convenient.

“Don’t worry,” Tyollis held up a hand.

This dialogue should close with one of these . instead of a , because he is not 'saying' anything. He is holding up his hand. This is not 'part' of the dialogue, therefore you cannot link them with a comma.

the soldiers led the man out to the side of the road, and they sat in their saddles before Tyollis.

This is kind of obvious. If they were astride before speaking to him and they didn't dismount, I'm certain they are still sitting in their saddles.

My advice is to stay focused. Focus on what has to happen to get the plot where it is going, and add some description around that. If something is useless, do not mention it.


*Shield1* Overall: If Branston hadn't escaped and the soldiers hadn't gotten ill, I would be sitting here wondering what the purpose of this chapter was. I mean, the wizards and stuff were interesting, but at this point I wonder if there wasn't a better way to mention them (maybe earlier in the story). Overalll, this chapter doesn't cover a whole lot of new - or relevant (in my eyes) - information to the rest of the plot. About halfway through I was wondering if something useful was going to happen.


Keep writing!

~Tam


** Image ID #2007636 Unavailable **

Officially approved Writing.Com Preferred Author logo.


If you have time please visit my portfolio. Reviews are appreciated.


*Gold* My review has been submitted for consideration in "Good Deeds Get CASH!.
39
39
Review by Antonia Ryder
In affiliation with The Witch's House  
Rated: 13+ | (3.5)

I'm not a professional writer. I'm trying to give you honest feedback and impressions of what I thought as I read your work. These are one person's opinions, and you're free to ignore any of them.

*Wolf* First Impressions: This is better than the previous chapters, and more focused. I'm also beginning to get a better idea of what is going on as far as plot is concerned, I just have no clue how they intend to get to their destination or what happens when they do. I assume dragons, but I'm not sure how that works.

Again, I think you need to make it clearer earlier on what the mission is, the plan of getting there, and why its so horrible that they're caught by these people. I'm finding myself getting a tad confused.


*Shield2* My Favorite Elements: Tyollis is probably one of the best-developed character so far. Why? Because I have a better sense of what he likes, dislikes, and his past. In addition, he's clearly an imperfect individual. So although I'm not his biggest fan, I think he's a decent character.

Also, I like the implication that there are going to be dragons. I know this was brought up earlier, but this chapter makes that more obvious.


*Moon* Suggestions: I can see you've made an effort to do more showing. It's an improvement. I still see far too many 'unhelpful' words scattered here and there. It's important to remember that being asked to use more description does not necessarily mean to use more words to describe one thing. I'd recommend using as few words as possible.

This probably sounds pretty strict (and every little writing detail does get easier with practise, so practise them!), but you'll find the story is easier to read and gets to its point faster.

For example:

He couldn’t simply snatch it from the man’s pocket, he was bound to the saddle-pommel. He tore his gaze from Tyollis’ pocket, in case someone were suspicious.

For the last part 'in case someone noticed' would do better. Let the reader figure out the 'suspicious' part on their own.

Branston grimaced, he didn’t think he could(n't) leave behind Faldashir and Olivar. He felt the need(ed) to save them as well. It just may be possible…

Last part of this sentence is awkward.

There's still telling here. Things like 'were' and 'to be' and 'was' are popping up more than they ought.

There's this small detail here, too: “Turn back around,” a soldier snapped, giving a tug of the rope that linked Branston’s belt to the soldier’s saddle. He obeyed, having gotten the information he needed.

And just a single large paragraph away...

“Turn around!” the soldier snapped.

I get what you're trying to say here. The problem is, Branston supposedly got the information he needed the first time he turned around. So why did he turn around a second time?

Another thing here...

Branston sighed, his breath icing before his face.

This is okay phrasing, but just one paragraph later...

Branston sighed through his nose.

Might want to stop your character from sighing all the time.

On a last note. I guess you probably covered this in an earlier chapter, but how old is Olivar? I originally thought he was about the age of Branston, but now I'm wondering if he isn't younger than the rest of them, and if so by how much. He doesn't act like an adult, really, unless he's been painfully traumatized many times in his life.

On the plus side, it is giving him some personality.


*Shield1* Overall: I see some improvement by this chapter, and we aren't being rushed into the next act of the story this time. At least not yet. I'm still unclear on a few things. Some of these should have been explained earlier (or were in the parts I didn't read), and some have yet to come. I'm curious how these dragons come into play, and when they show up. I'd imagine it would be an easy matter to escape with them, but... again, I'm in the dark on a few things.


Keep writing!

~Tam


** Image ID #1982110 Unavailable **

Officially approved Writing.Com Preferred Author logo.


If you have time please visit my portfolio. Reviews are appreciated.


*Gold* My review has been submitted for consideration in "Good Deeds Get CASH!.
40
40
Review by Antonia Ryder
In affiliation with The Witch's House  
Rated: 13+ | (3.5)

I'm not a professional writer. I'm trying to give you honest feedback and impressions of what I thought as I read your work. These are one person's opinions, and you're free to ignore any of them.

*Wolf* First Impressions: This chapter is a continuation of the previous one, but I don't think the description is quite accurate. You say above that they flee from the wolgs into something deadlier, but I don't recall them fleeing from any wolgs anywhere. In fact, in this whole chapter they are fleeing from a wraith. However they do end up somewhere much worse, if their reaction to their new assailants are any clue.

You also have killed a character in this chapter. It's a bit early (at least to me, who hasn't read ALL of the chapters), and I hardly remember who it was. Kind of takes the impact away.

I'm not sure if you introduced the wraith earlier in the book, but I didn't get a good look at it here. I'm not sure if I should be more afraid of it or the soldiers, and I'm not sure who belongs to what side. Or how many sides there are.


*Shield2* My Favorite Elements: The alternate dimension. It's interesting, although I'm not sure the way they get there is that convenient. Certainly restricts the usefulness of it.

I am not saying so because I dislike it, however. I like limitations because they make the main characters have to work harder for their goals.


*Moon* Suggestions: I'm not sure if I've said this, but you do need to consider adding more description to this. I'm not shown hardly anything, and I have no clue what things look like. I've got the vague reminder that there's a forest - and obviously a lack of a forest in places - and a river. Other than that I don't know. I'm not even sure how they're arranged, if the river is wide or narrow, or choppy and dangerous. I don't know if the forest is dense or sparse. I'm not even sure how many cities, villages, or towns there are.

This requires some work, because without the setting, you'll end up with a story that's pretty bland. I don't mean to cram massive, flowery passages of prose to capture a scene. I just want there to BE a scene.

Branston steered his horse to Faldashir’s side and said, “Vigo and I both think those arms did it.”

Steered his horse? Like a car? This is odd. I'd just say he came abreast Faldashir. You don't even need say 'and said'. Just cut in with dialogue.

The air was colder, Branston thought, as he tried to shake the feeling of being watched. When they came to the woods he kept a close watch, his eyes never still, constantly searching.

Telling. You are telling me the air is colder instead of making Branston shiver, or the bitter wind cut at his face. If he feels like he's being watched, which he probably is, you should make him act that way. Make him twist in his saddle. Eyes dart along the blackened woods. I don't want to be told he's nervous.

Plus, it might help if you devoted some time to their approach to the woods. It would give me a better idea of why he's nervous. If they're creepy, I'd like to see it.

Night came quickly, and shadows no longer stretched across their path. Branston scanned the area harder as they rode, his eyes adjusting quickly to the dark. Moonlight lit the snow, allowing for better visibility, but Branston wished for daylight.

Again, you are 'telling'. Show me the shadows melting into the darkness as the sun disappears. How is Branston scanning the area harder? Is he squinting? Is he sore from riding so long and now shifting in his saddle?


The group rode forward over the soft snow, Branston clutching his sword tight as he scanned the treeline. He was at the back of the line riding along the river, now and then he would glance towards the water. Bodies moved along the current, but they were vague shapes in the moonlight at this distance.


Finally, this is also telly. You're telling me what is going on rather than showing me the snow kicked behind the horses' hooves. Branston clutching his sword so tight his fingers are going numb. The shadowy edge of the forbidding forest. Or perhaps even the grotesque shape of corpses bobbing in the gurgling water.

Paint me a picture with your words. Don't tell me 'There was a tree. Lots of snow covered the ground.' because this is dull. Your readers won't find this helpful at all when they are reading. At the same time, don't forget 'smell'. There are a lot of dead bodies in the river, from what I understand. These would tend to have a noticeable aroma.

Besides, once you've given us an idea what the real world looks like, you get to have fun showing how different the other one is to it.

Also, a slight tick I had with wiping the blood off the symbol. Blood dries very quickly in my experience. For the length of time they are in this other world, it would have had plenty of time to dry, therefore requiring to be chipped off. Unless you make a note of saying blood does not dry in that world (therefore meaning it also would have trouble clotting!) this would not make sense. Although I suppose you could make it so that it does not dry on the symbol itself.

The death of Vigo isn't very impactful for me because I hardly know this man. I am assuming you had a better introduction for him later.

On that same note, I'd suggest making the characters at least seem to care once they're out of immediate danger. He tells them 'Vigo is dead' and everybody is like 'oh, okay. Who?' which also floors the impact of it.


*Shield1* Overall: I see some good things in here. For example, none of the characters stopped to help their doomed companion or weep over him. That would have doomed them all. I still think the world you have written in question is interesting. I just have a very limited idea of the situation, the surrounding landscape, and the basic rules of magic (?) in the world. Some more definition is required for what is going on. I still believe slowing the story down would be immensely helpful.


Keep writing!

~Tam


** Image ID #2007636 Unavailable **

Officially approved Writing.Com Preferred Author logo.


If you have time please visit my portfolio. Reviews are appreciated.


*Gold* My review has been submitted for consideration in "Good Deeds Get CASH!.
41
41
Review of Cape Mission  
Review by Antonia Ryder
In affiliation with The Witch's House  
Rated: ASR | (3.5)

I'm not a professional writer. I'm trying to give you honest feedback and impressions of what I thought as I read your work. These are one person's opinions, and you're free to ignore any of them.

*Wolf* First Impressions: I got the impression of a crime/gangster thing going on at first. Shady business was going down, and these two polar opposite men were definitely up to no good. I like how they're opposites. That's not exactly what I was expecting.

Just as the men are about to complete their illegal transaction, a girl (with a bow) shows up and stops them. But she botches her attempt, and because she was doing this for school gets marked down.

A rather unusual concept to me, at least. It might have helped me to read the description before I read the item, but I was pleasantly surprised anyway.


*Shield2* My Favorite Elements: The superhero class. What's not to like about it? The setting isn't too bad, either. The grading at the end is kind of amusing - and the disappearing act is a nice touch.

Good dialogue, too, for the most part.


*Moon* Suggestions: As always, we must get to the things that need improvement. You use tons of adjectives (lots of -ly endings) that are unnecessary, and slow the reading quite badly. I felt like you were spending too much time describing your scene and the people in it rather than the details of what was going on. Although I didn't get lost, I didn't feel like I was really 'into' the story as a result.

My biggest question when I reached the end was 'what was the point of this?'. Although the main character (even this is questionable, since I barely know who she is!) disarms the bad guys, I don't really know what they had in the briefcase or why it mattered if she stopped them or not. All I know is that it's something illegal, and one of those bags probably contained money. How do I know?

You introduced loads of new characters right at the end, and none of them did anything for the overall plot. I feel like I'm probably missing something - like there's some context I don't understand - but even if this is the case, I suggest keeping your cast to a bare minimum. Focus on the characters that do something, and just discard the rest.

To help speed things up, I'd suggest removing extra words and rephrasing to use less. Get to your point quickly and concisely.

Fluttering lightly behind her was a short, square cape, and her face was partially obscured by a domino mask.

This, for example, could have several words knocked out of it.

EXAMPLE: Behind her, a short, square cape fluttered in the soft breeze. A domino mask obscured her face and shadowed her eyes.

It ends up about the same length, but it moves so much more.

Hanging from one side of her belt was a narrow tube with several stick-like protrusions visible on one end.

I literally had no idea this was a quiver. I'd come back to re-read before I even realized. I was thinking weird sci-fi weapon.

The woman was dressed in a form-fitting white costume trimmed with gold, with an elegant red cape trailing gracefully down to her ankles.

Saying it 'gracefully trailed down' tells us nothing, really, so you can just eliminate it. You can do this to most of these words, too.


*Shield1* Overall: I liked the concept, and the read wasn't boring even if it felt heavy to me. I think once you cut back on the extra words, you'll have a more engaging piece. Even as it is, though, I thought it wasn't that bad.


Keep writing!

~Tam


** Image ID #2007636 Unavailable **

Officially approved Writing.Com Preferred Author logo.


If you have time please visit my portfolio. Reviews are appreciated.


*Gold* My review has been submitted for consideration in "Good Deeds Get CASH!.
42
42
Review by Antonia Ryder
In affiliation with The Witch's House  
Rated: 13+ | (3.5)

I'm not a professional writer. I'm trying to give you honest feedback and impressions of what I thought as I read your work. These are one person's opinions, and you're free to ignore any of them.

Hello there, this is Tam responding to your review request. I'm terribly sorry for the delay, the notification somehow got lost in my inbox and I almost didn't see it.

*Wolf* First Impressions: Confusing, honestly, because I have not read the chapters in between. Well. That's part of why I got confused, but I'll get to that below.

The group - I am not exactly sure how many people there are (I'm guessing four) - are on their way to... somewhere to fix a problem. I'm not exactly sure what (I'm really trying here, but I just don't know) that problem is, or what the dragons, situation, or anything has to do with it. But it sounds like this story is hurtling toward its goal with no brakes.

I want to get into this world more because it sounds interesting, and I'll address what bothered me below.


*Shield2* My Favorite Elements: I feel like there's a good deal behind this story that isn't getting much showing time. There's a world here that I'm curious about that I'm not seeing much of.


*Moon* Suggestions: Of course, I can't accurately say how this story has progressed, so this will have a slight bias. However I can be certain of this much. There is so much dialogue here between so many people that the chapter tends to allow my attention to wander too much.

After this, I'm confused by what is going on. It seems like a very short span of time has gone by since the chapter I read, and a whole lot of stuff has happened between then and now.

This is part of my problem here, and I'll tell you why. I don't feel like I've been properly introduced to anyone or anything. I'm not yet comfortable in this world, and already I'm being yanked around through it. What's more, it's not easy for me to figure out which character is which because there was little to no time spent (as far as I can tell) getting to know any of them. They're not talking much differently than one another, and I don't really know how the main character is feeling.

What I'm trying to say is that I feel rather removed from the story.

The solution for this is complicated, but the main point I have here is that you need to slow down. I have no idea what a normal day is like for the main character. I'm not introduced to him or his companions. I don't want to feel like I'm getting to know them as they're running for their lives, because I am not.

The first twelve-ish percent of the story should at least have devotion to the main character's introduction (and as many other characters as you can/need). Making them run for their lives before I know anything about them isn't going to put me on the edge of my seat.

Branston turned to the fidgeting young man, only a few years younger than himself.

This is kind of odd placement for this description, and it really doesn't tell me anything important about either character.

He thought about it for a moment. The risk wasn’t worth it, he decided. Who knew what was happening over there?

Again, this doesn't tell me anything. Why wouldn't he use the magic thing he's got and why does it matter 'what is happening over there' that would make him reconsider? I'm not sure if you addressed this elsewhere, but it almost feels like you're bringing up a point and failing to address it fully before moving away from it.

“Un-stake my horse and hold onto it. We need to be ready to ride,” Branston said without looking away.

First, 'without looking away' seems like unnecessary (odd) information. Secondly, I don't recall you mentioning anywhere that his horse was staked. I only heard mention of Olivar bringing forward his horse, which led me to believe he had both of them. I'd clear this up between the dialogue. There are breaks here and there to do this in.

Branston stepped away from the hillside, letting out a sigh of relief. Now
to find out what Vigo had told Faldashir.


This is extremely and unnecessarily vague, almost as though you're brushing aside their approach to get to whatever is more interesting.

Branston looked around, feeling an itch between his shoulders. Never had he heard anything like that before.

Pretty calm for someone who has never heard this before and has reason to believe it's true. Also, it's kind of 'telling' to tell us like this. Show me his nerves.


*Shield1* Overall: Needs to be slowed down. The pacing is far too fast, and it's hard to get into the story as a result. There is also a fair amount of telling, and it almost feels as though the dialogue is being used to avoid describing anything. You seem to be a dialogue-heavy person (which is fine), and you need to focus more on practising your descriptive skills.


Keep writing!

~Tam


** Image ID #2007636 Unavailable **

Officially approved Writing.Com Preferred Author logo.


If you have time please visit my portfolio. Reviews are appreciated.


*Gold* My review has been submitted for consideration in "Good Deeds Get CASH!.
43
43
Review of Four of a Kind  
Review by Antonia Ryder
In affiliation with The Witch's House  
Rated: ASR | (3.0)

I'm not a professional writer. I'm trying to give you honest feedback and impressions of what I thought as I read your work. These are one person's opinions, and you're free to ignore any of them.

*Wolf* First Impressions: Started well enough. A good hook with some explanation for what is going on. It sounds like a mystery, and I can see it was following some kind of prompt. Interesting use of the prompt words. Generally I wouldn't associate those words with a murder mystery.


*Shield2* My Favorite Elements: I think the premise is fine. It's probably the best part of this, even if the rest of the story feels rather rushed. It sounds like it could be much longer.


*Moon* Suggestions: Honestly, I found the story confusing as soon as I got deeper into it. It sounds like a mystery, but near the end the mystery just gets solved by someone else without any indications as to how they figured out who had done it. Nobody ever says. They just go up to the criminal and ask him why he did it.

This is great, but as the reader I haven't been given any reason to actually care why he did it. I'm more curious to know how they figured out how he did it.

The other thing that bothers me is how the other characters appear. They 'come running in' and 'walk in' without any indication where in the world they came from. It's sudden, like grabbing me by the chin and making me look around 'See, look, here comes somebody you've never seen before!' and is rather disorienting.

All these characters you've introduced are just names to me, as well. There are no descriptions. No obvious personality traits. I understand that's hard to do in very few words, but I just thought I'd point that out.

Plus, this seems to take place in a different world. I have no idea why Occe being born at the same time as his sisters ended up making them selected and not him. Or what that even means. It could be anything.

I'm guessing there weren't many words to use, so I understand why the scenes hop around a great deal. However I'm sure there's a better way to transition. As it is, if you read too quickly you'll get lost.


*Shield1* Overall: Like I said above, I thought the premise of this murder mystery was good, but was executed (pardon the pun) too speedily to really give a satisfying experience to the reader. After all that, I was left with distinct feelings of 'so what' and 'Ehh... okay...?', which are not feelings your reader should be getting. I think what this needs the most of is more length and explanation. Give your readers more reason to get attached and interested in what is going on in the story.


Keep writing!

~Tam


** Image ID #2007636 Unavailable **

Officially approved Writing.Com Preferred Author logo.


If you have time please visit my portfolio. Reviews are appreciated.


*Gold* My review has been submitted for consideration in "Good Deeds Get CASH!.
44
44
Review by Antonia Ryder
In affiliation with The Witch's House  
Rated: 13+ | (3.5)

I'm not a professional writer. I'm trying to give you honest feedback and impressions of what I thought as I read your work. These are one person's opinions, and you're free to ignore any of them.

Hello there, I'm Tam and this is in response to your review request. Sorry for the delays, and I hope you find this useful.

*Wolf* First Impressions: As this is chapter two, I'm not sure how these characters got in this particular situation or the exacts of what is going on. That being said, I will read on regardless.

I'm not sure if you explained some of these factions and situations in the previous chapter or not, so I can't really comment on that. But I did feel like I was out of the loop. Branston - the main character - has just escaped a pair of bounty hunters with the help of a mysterious man sent by the king to find dragon helpers (riders? Tamers?) for a war of sorts.

But this stranger is just that - a stranger - so Branston isn't sure he can trust him. Yet he also decides to go along with him, even if the man says he's not needed.

I hope I'm making sense here.

Anyway, such as it is I'm not sure why either of them decide to stick together. If the stranger doesn't need Branston, why didn't he just run from the village when he said they should?


*Shield2* My Favorite Elements: Although I suspect there's an interesting factor of world building going on the background. A concept that I'm at least curious about, but not sure whether I want to keep reading to find out about it or not. The dragons themselves sound interesting. The... keepers of the dragons are as well. I also have a distinct impression of a good side and an evil side. Evil soldiers. I'm a sucker for traditional-style fantasy.


*Moon* Suggestions: Like I said above, there are some things that need to be clarified. Specifically character motivations, and the injuries I mention below. Your sentence structures could do with some help, but we'll start with the things that bothered me most.

Branston grimaced as he climbed into the back of the wagon, and tossed the tarp over the side, exposing the furs and wines he had intended to sell.

This is an odd place to put a comma. What is it clarifying?

He dropped the paper into the bag and tied it shut, pocketing it. It would probably cover his loss of sales.

But will it? He can fit this coin bag in his pocket - which in my mind is fairly small - and he's got a whole wagon of goods here. Somehow the two don't seem to equal out to the same value.

Branston looked forlornly at his wagon, and the horses. Many hard days of labor had gone into paying for them.

Another reason why I think those coins are a drop in the bucket, so to speak.

Branston stared at the back of Faldashir's head, the man's gray locks of hair thrashing around with the howling wind.

Lots of unnecessary words here. I'd just cut these out.

The man was good with a bow, quick with his hands, maybe, the way he had to have removed the arrowheads.

I'm not sure I understand this completely.

"I think it's time we talk about why you're here." Branston called over the wind.


I think the time for that was before he started following this man. He clearly doesn't know Faldashir. Why is he following him away from his cart? I mean, I know I didn't read the first chapter... but still. I'm confused.

"They are," Faldashir said simply.

No reason to use this word. I can see his comment was simple.

Faldashir nodded faintly, but what his face showed, Branston didn't know.

Not sure I understood the end of this sentence either. I don't see how it helps show me what's going on here.

Faldashir crossed his arms, awkwardly with his bow in hand.

I feel like this should have been brought up sooner. I had no idea he was holding a bow. Plus, said bow is never mentioned again.

Branston noticed the red patch on the side of Faldashir's white tunic. "You're bleeding!"
"It took you long enough." Faldashir growled. "Of course I'm bleeding, I was shot!" He looked down at his ribs, where his white coat was torn and red. "The rider knicked me, I'll be fine."


This kind of approach will at first make Faldashir appear tough - at least to the writer. What it really does is take impact out of injuries. If he's injured, I'd rather it wasn't randomly noticed. I'd prefer if he reacted to it - stagger, cough, slide to his knees - you know. The general reactions to bad injury. He's not invincible.

On that subject, I've had a strained rib once, and that was rather unpleasant. I can't imagine how bad a broken one would be. Probably along the lines of 'I will lie here forever and not get up no matter what anyone says' type of pain. I do not know, but him walking casually along isn't giving me that kind of feeling.

Since I've noticed injuries seem to be mentioned only when inconvenient, I'd suggest either making them milder - even mild injuries will bleed/hurt more when you've been moving for a while, so they could go unnoticed longer - or making their journey more difficult from the get-go.

Faldashir had proven to be a skilled shot, but Branston didn't quite trust him yet, and that skilled shot would be deadly if Faldashir were against him. Branston rotated his shoulder where Faldashir had shot him with a blunt arrow. He was sure it would bruise.
Even if the old man were to be on Branston's side, even if he never betrayed him, the outcome was deadly. He had made it clear that if Branston were brought before his king, his king would make him fight in the coming war. But that would mean going back to Krassos to be reassigned to the Dragon Guard.


This feels like a lot of circular thinking. I'd simplify this to get to the point faster so your reader isn't going to be left thinking 'yeah, yeah, we've heard that. Thought that. Get to the point, man!'.

The citizens looked scared.


This is telling. Show me their pale faces, round eyes, and shaking bodies. Any of the above would do better than 'looked scared'.

"With my injury I can't move fast, you need to do it."
Branston groaned, but Faldashir was right, and he knew it.
Faldashir grunted. "But I will help you still. I will go into your house once the men are far enough away. Now, what do you need?"


They're in a hurry. I'd suggest shortening their dialogue as much as possible. Make it snappy, because they're definitely not in the mood for extra words.

The ending of this chapter is really fast-paced, but it's also confusing. I'd suggest slowing down a smidgen so you can better explain what is going on. Right now I feel like you sped through it, and that's not a good feeling for a reader to have.


*Shield1* Overall: I hope you find this helpful, and don't get discouraged by all these suggestions. Even the greatest writers have to start from the bottom. I think you have a good concept, and possibly a decent 'big picture', but you need to work on the small details as well, since their believeability is damaging my enjoyment of the work itself.

Clearing these things up will help immensely.


Keep writing!

~Tam


** Image ID #1982110 Unavailable **

Officially approved Writing.Com Preferred Author logo.


If you have time please visit my portfolio. Reviews are appreciated.


*Gold* My review has been submitted for consideration in "Good Deeds Get CASH!.
45
45
Review by Antonia Ryder
In affiliation with The Witch's House  
Rated: 13+ | (3.5)

I'm not a professional writer. I'm trying to give you honest feedback and impressions of what I thought as I read your work. These are one person's opinions, and you're free to ignore any of them.

*Wolf* First Impressions: I think I clicked away from this item twice, and I'll get to the 'why' lower down in suggestions.

Your main character steps into a home for old infirm people to take one of the patients - an old woman suffering dementia - for some sort of meal. I don't mean a 'take her out to eat dinner' meal. I mean the main character eats her. For some reason. I'm not a hundred percent sure of the details here, but that's what it is at face-value.

The story progresses at a very measured pace, never speeding up so much as to make me lose track of what is going on, but not slowing enough to become completely dull. The back and forth talking between the characters is also a rather nice touch. I knew the main character was not the Tammy this old patient wanted to see, even if they introduced themselves as such.


*Shield2* My Favorite Elements: I actually quite enjoyed the conversation between the main character and the patient, even if I knew the end result wasn't going to be a good one. I feel like there was some attempt at creating a mystery behind this old lady, but that it wasn't important and served more as scene-setting than anything else.


*Moon* Suggestions: As I've said, this story isn't bad in of itself, but I clicked away from it at least twice. Why? Because the opening was too heavy. This is a story that requires some severe warming up before it can be enjoyed, and my first thoughts after reading the first paragraph revolved in a circle going 'why does this matter, and do I really care? This looks heavy. I'm not sure I want to read this', which are killing thoughts to have on the part of a reader.

I convinced myself to come back and read it anyway, and after getting past those thick blocks of text the story DOES pick up and become an easy read. It's just getting beyond the beginning that's an issue.

My suggestion for this would be to streamline it by cutting out the irrelevant stuff and focusing more on whatever is immediately useful. Or finding a slightly different place to start. Although it still might be helpful to cut some of the unimportant details - I like the setting, but I feel like it's too cramped.

It had the same one-floor layout, coloring, or even the SUV in the driveway.

I feel like that 'or' was supposed to be an 'and'.

On a Monday evening, it was the best time to come by when I wouldn’t have to worry about other family members that would visit and note my appearance in the house.

Awkward sentence structure here. I feel like the ending of this sentence is disagreeing with the beginning of it. Slightly rephrasing it would probably fix the entire issue.

She narrowed eyes as she gripped the frame of the door with the intention to close it in my face.


Narrowed 'her' eyes? Otherwise these random eyes sound a bit ambiguous - they could be any old eyes.

She took her to leave, moving deeper into the house and a faint clicking of sounded as a door closed.

Sound*

Inside the room, a lone lamp that was on with two occupied beds on either side of it.

This is an incomplete thought.


*Shield1* Overall: Needs some proofreading to weed out incomplete sentence, and could do with a lighter opening. I don't mean making the content less dark, I mean making the reading easier. Right now that opening is kind of scary because it sounds so heavy, and that tends to indicate the rest of it will be, too. It isn't, so you don't want to send that message to anyone. Although I actually enjoyed it for the most part, once I got deeper into the story.


Keep writing!

~Tam


** Image ID #2007636 Unavailable **

Officially approved Writing.Com Preferred Author logo.


If you have time please visit my portfolio. Reviews are appreciated.


*Gold* My review has been submitted for consideration in "Good Deeds Get CASH!.
46
46
Review by Antonia Ryder
In affiliation with The Witch's House  
Rated: ASR | (3.5)

I'm not a professional writer. I'm trying to give you honest feedback and impressions of what I thought as I read your work. These are one person's opinions, and you're free to ignore any of them.

*Wolf* First Impressions: This is an interesting story, but it felt extremely rushed, and several concepts are opened and not closed by the end. I like the kind blue Woska in the ship, although I wondered to myself why the father was so quick to dismiss his son and how come the captain just ruined the experiment further when the kid broke the trance.


*Shield2* My Favorite Elements: Although seeing that this is a Writer's Cramp entry and probably written in a great deal of haste, there is a lot of good going for this story. The human and the Woska don't hate each other. Beckett is even willing to adopt the little creature in spite of what has happened. The little blue creature isn't racist or anything even if his father wants him to be.


*Moon* Suggestions: I think this needs to be slowed down so the concepts aren't flung out there and ended so quickly. I scarcely had the chance to wrap my head around the sudden abduction before they were back on the ground. I was thinking 'why, why, why?' the whole way through but didn't get any real explanation for anything.

A few questions I had that could bear some looking into.

Why does the alien choke Loretta until she falls unconscious?

Why did the alien bring Beckett right back to his home after the experiment failed?

Why did he disown his son so quickly? Was this his life's work ruined, or is it part of their culture? Also, why is his son even along on this mission?

How come Loretta is so willing to accept this little blue creature as her son? I'm not saying I disagree with it, but I'd like some concrete reason.

I'd suggest mentioning they have no kids earlier as well, since this revelation was far too abrupt and convenient for the plot.

On a technical side, there are also a few things that could bear some improvement. For example...

Loretta stood in the doorway of her husband’s laboratory with her hands on her hips. She looked around the room and saw colorful chemicals bubbling in several beakers, and her husband was ignoring her and lighting another Bunsen burner.

The highlighted part especially, but the 'was ignoring her' is telling as well.

EXAMPLE: Loretta stood in the doorway of her husband's laboratory with her hands on her hips. She looked around the room at the colorful chemicals bubbling in rows of beakers. Her husband still ignored her, lighting another Bunsen burner as if she didn't exist.

Rather than telling me 'there was a...' show it to me. A tip is cutting back (not removing completely) 'was' and 'had' and '-ly' words, and avoiding the 'to be' variants. Doing that will help get this story some life.


*Shield1* Overall: I like the concept, and the story doesn't take itself too seriously. I get a lighthearted mood from this, but it's also sad because the blue creature is abandoned. Well... then it goes back to cheerful when he's adopted. So all is good. In the end it's a cute little story that needs some polishing, but has a good base.


Keep writing!

~Tam


** Image ID #1982110 Unavailable **

Officially approved Writing.Com Preferred Author logo.


If you have time please visit my portfolio. Reviews are appreciated.


*Gold* My review has been submitted for consideration in "Good Deeds Get CASH!.
47
47
Review of I: Wraith  
Review by Antonia Ryder
In affiliation with The Witch's House  
Rated: 13+ | (3.5)

I'm not a professional writer. I'm trying to give you honest feedback and impressions of what I thought as I read your work. These are one person's opinions, and you're free to ignore any of them.

Hello, I'm Tam here to review your prologue as requested. Sorry about the delay, I was dreadfully ill a few days ago!

*Wolf* First Impressions: I'm first going to point out that I'm not a fan of prologues. At all. Most people aren't. Moving on from that, when I first scrolled through this to check the length - to see whether or not I had time to review it at the end of the day, not because I'm completely nitpicky - I couldn't help but notice how long it was for a prologue. When I started reading over it for real, I was completely perplexed by the vast amount of made-up words used for... well, many things. I figured I was in a desert place somewhere and magic was involved (among other things), but the exact situation went completely over my head.


*Shield2* My Favorite Elements: You have impressive descriptive skills that you are obviously eager to use on everything. There's also a tidy amount of worldbuilding in play in the background that implies a bigger land than is seen in this prologue. I always tip my hat to those things, since they are not easy to master.


*Moon* Suggestions: The first thought I had when reading this was how overly verbose it is. Needlessly so. Why is the writing so eloquent? There doesn't seem to be a purpose for it, and the narrator is kind of between the characters present so I don't think its a trait coming from any of them.

Well, the point of what I'm saying is that it's difficult to read through all the elaborate description. You should cut back and save some of them for later. Plus, there are a lot of made-up words, as I said above, which are bogging down my reading experience right out of the gate. I cannot follow or understand what I do not know. When I can't figure things out, inevitably I will ask myself why I am reading.

You do not want your reader to stop reading and ask themselves why they are reading something. You also don't want to have them skimming stuff - especially dialogue - because there's too much visual stuff going on drowning everything out.

I think one of the biggest issues here is the way a lot of this is worded. It makes me feel as though the two characters are discussing an important 'something' while deliberately avoiding getting into the 'how' and the 'why' of it. They do this for every subject they touch. This leads me into a circle of annoyed frustration, because I feel the writer is withholding information from me, and this... is not the sort of feeling you want. By the time I reach the end of the prologue I feel a lack of information, and I have no clue what is going on or why I should care.

The thing is that I feel I should care. I don't know who the boy is. I don't know why Gennrik cares so much about Khemrissa except that he thinks she's pretty(?). I don't know what the exact disaster is that happens if the rhenn is... gone? Waned too far? I just don't feel like I have a grasp of any of these things.

The dialogue is sort of stilted as well because it's buried in too many things. I can't really focus on anything they're saying and sometimes forgot the thread of it.

Perhaps if you pared down a lot of the less useful descriptions and brought more of the important things to the front this prologue would do a better job of snagging the attention of the readers.


*Shield1* Overall: Good writing, but overdone. Makes the story feel clunky, and probably is responsible for at least a third of this prologue's length. You can get more concise than this, and I don't see why you shouldn't. I like the concept I think I'm seeing, but it's hard to dig deep enough to locate what I think should matter.


Keep writing!

~Tam


** Image ID #1982110 Unavailable **

Officially approved Writing.Com Preferred Author logo.


If you have time please visit my portfolio. Reviews are appreciated.


*Gold* My review has been submitted for consideration in "Good Deeds Get CASH!.
48
48
Review of Birthday Surprise  
Review by Antonia Ryder
In affiliation with The Witch's House  
Rated: ASR | (4.0)

I'm not a professional writer. I'm trying to give you honest feedback and impressions of what I thought as I read your work. These are one person's opinions, and you're free to ignore any of them.

*Wolf* First Impressions: I got this on a random review and decided to read it. I'm kind of glad I did. Not quite what I expected from a birthday night of movies and pizza. Definitely more exciting though. It actually led up to a more interesting ending than I expected, and it sounds ominous. Not quite final, but decisive.

There's an aura of creepy present in this entire story. Starting with her friend's suggested games, the ominous tapping, and the three girls getting a terrible scare... then concluding with the main character believing she doesn't have the magic. Only... she actually does.


*Shield2* My Favorite Elements: The ending. I think it was a good ending, overall. It was well-led-up-to and closed over the questions I had without being frustrating. She's got the magic, and she's found out who her grandmother is.


*Moon* Suggestions: I found the pacing a bit rushed near the middle, and perhaps it was also a tad confusing there as well while she went to get her dad. Aside from that I felt that the main character's description was kind of dumped awkwardly into the narrative. I think it could have been toned back.

On the technical side, you do more telling than showing in some cases, and the flat word 'be' is used more liberally than I'd recommend. Cutting some of those and replacing them with real action words would help pick up the slack the story has. It's not bad the way it is, but it could use some spicing up.

I was sure she had been murdered and her body, never found.

This could have more impact.

EXAMPLE: I was sure somebody had murdered her...

I'd never worn lipstick and I certainly wouldn't be wearing red or especially black anytime soon.

This sentence is rather crammed. I'd suggest cutting it back like this, though it's really just a suggestion.


*Shield1* Overall: Surprisingly, I liked it. Not quite my typical reading material, but it caught my interest and held it. That's what I look for first and foremost in a story. I don't feel like you used anything cheap to keep my eyes to the story, and it turned out rather satisfying. Better, of course, because each of the girls in the story had their own personality displayed - however brief.


Keep writing!

~Tam


** Image ID #2007636 Unavailable **

Officially approved Writing.Com Preferred Author logo.


If you have time please visit my portfolio. Reviews are appreciated.


*Gold* My review has been submitted for consideration in "Good Deeds Get CASH!.
49
49
Review of Harry the Hamster  
Review by Antonia Ryder
In affiliation with The Witch's House  
Rated: 13+ | (3.5)

I'm not a professional writer. I'm trying to give you honest feedback and impressions of what I thought as I read your work. These are one person's opinions, and you're free to ignore any of them.

*Wolf* First Impressions: Cute story about a lab hamster of some sort who, with his newfound abilities, saves the world by getting the cure for a manufactured disease. Not to mention the information needed to tip off the big guys as to what is going on in that particular lab.

I thought the concept was interesting, and catchy enough to keep me reading to the end. It's not often that I run into a hamster hero. He's flawed, definitely, but brave and tired of being used by the humans.

In the end, although he's saved the human race, he had to be saved by his new friend in order to get out of there.


*Shield2* My Favorite Elements: A hamster hero with a cherry and a nut in his mouth. Yet as cute as that sounds, Harry doesn't act all cute and fuzzy. He's got too much personality for that. That's definitely the best part of this story.


*Moon* Suggestions: The plot seems pretty sound to me, but there were a few things that caught my attention while I was reading this. Some that might need another look to make sure they're tight enough. I shouldn't have to pause and wonder about something when I get to it.

You used a couple of 'were' words that could have been written around to strengthen the sentences, and the ending felt a touch rushed.

With that said, I'll get to nitpicking.

After chewing, I swallowed a little but pushed most of the pulped nut into my cheek pouches to enjoy at my leisure.

I'd try 'some' instead. 'A little' are weak words.

The word 'witch' brought evil images into my mind, and I edged away.

Yeah, but... why? What does a hamster know about witches?

Anger flared through my mind. These men were monsters.

'They're evil,' I said.


It's redundant to say the men 'were' monsters, then have the hamster say pretty much the exact same thing next sentence.

I didn't understand most of what she said, but my part in this operation was clear.

Kind of pointless to say that if it's so clear. I'd suggest changing this to something less obvious - or at least say it's unimportant that he doesn't understand it.

Immediately, a huge noise filled the room.

This sentence sprang out at me like a monster with bared teeth - which is to say I don't like it much. It's so vague and... just dumpy. I feel like you could do so much better than this. What kind of noise is it? Any noise can be 'huge'.

They were conveniently labelled. I spat out the transmitter, then pushed it into place in a slot that read 'USB'.

This made me tilt my head to check the ports on my laptop. None of them are labeled. It's more likely that he'd find a slot that fit the USB stick he has.

The plump guy pointed at the floor. 'Look, it's the cover from the air conditioning vent.

So this was the origin of the noise? The vent falling?

It was fortunate those men didn't notice the screen changing and wonder what was happening.

Yeah, but why? If the room was dark when they came in, surely they'd have seen the screen's glow right away? Perhaps there should be a mention somewhere that the screen is facing away from the door?

I studied the open vent. It was a long way up.

How'd he get down?

I'm not too proud to admit I wet myself there and then.

But he's a hamster, so he's not wearing pants. Maybe he could have just made a puddle in the vent, but not really 'wet' himself. I know, nitpicky.


*Shield1* Overall: Actually, I liked it for the most part. I don't get to read hamsters often, and the light touch of fantasy definitely gets a thumbs up from me. I like the paws that are as strong as human hands, because that sounds so weird, yet so interesting at the same time. All in all an interesting read. Very different.


Keep writing!

~Tam


** Image ID #1982110 Unavailable **

Officially approved Writing.Com Preferred Author logo.


If you have time please visit my portfolio. Reviews are appreciated.


*Gold* My review has been submitted for consideration in "Good Deeds Get CASH!.
50
50
Review of Roadtrip  
Review by Antonia Ryder
In affiliation with The Witch's House  
Rated: 13+ | (3.5)

I'm not a professional writer. I'm trying to give you honest feedback and impressions of what I thought as I read your work. These are one person's opinions, and you're free to ignore any of them.

Welcome to Writing.com!

*Wolf* First Impressions: Two people on a long move across the country. This story is mostly told through dialogue, so I didn't get a terrific idea of what I was looking at. But the progression is nice throughout, so it isn't really boring.

But their trip doesn't go as smoothly as they had planned. Before they reach their destination they are stopped by an unfortunate flat tire. While they're changing it, someone stops to offer them a hand.

They decline, and it seems like the man is ready to leave - waiting in his truck until they're safely on their way. That's weird in of itself, so I wasn't really surprised when something terrible happened after.


*Shield2* My Favorite Elements: Well, there's not much here other than the dialogue. So the dialogue is going to have to be my favourite part. As far as that goes it's not badly written, and it sounds like two real people talking.


*Moon* Suggestions: You're going to want to make this easier to read. The sentences are packed together, and it's kind of hard to figure out where one paragraph ends and another begins.

Where the dialogue ends you had a problem with 'telling' instead of showing, especially when describing the helpful man. I'm going to focus a bit on this in one sentence, that way you can work on that.

The man smiled at her. Lila saw he had four missing teeth. The ones he had left were bright yellow. She stared at the tobacco stained stubs while he talked,

This is telling, and it's not very actively describing what is going on. Descriptions should come as a result of action - where they are relevant. Don't dump the descriptions of things onto the readers.

EXAMPLE: When the man smiled at her, Lila couldn't help noticing he had four missing teeth. The ones still left in his mouth glinted a sick yellow from old tobacco stains as he talked.


*Shield1* Overall: Breaking this up more for critiquing purposes would be useful, and speeding up the tempo of the description. I liked the dialogue, but you want to balance it with action as well. That would make the story seem to move a great deal faster and hold your readers captive longer.


Keep writing!

~Tam


** Image ID #1982110 Unavailable **

Officially approved Writing.Com Preferred Author logo.


If you have time please visit my portfolio. Reviews are appreciated.


*Gold* My review has been submitted for consideration in "Good Deeds Get CASH!.
263 Reviews · *Magnify*
Page of 11 · 25 per page   < >
Printed from https://www.writing.com/main/profile/reviews/takingafterme/sort_by/r.review_creation_time DESC/page/2