Greetings from the White Walkers and the "Game of Thrones" ! I'm Tam, and I'm here to provide you some feedback.
First Impressions: William was running away from his pursuit, men who wanted to kill him to stop him from achieving some mysterious mission he was on. I'm still not sure what his original goal was, but this is not what happens. He is shot, his horse killed (slowly enough that it's undoubtedly painful for the animal), and he drifts in and out of consciousness until he finds himself at some woman's mercy.
This turns out to be a long way into the future (for him anyway, not me) and he is going to be given the medical attention he's in desperate need of. Hopefully he recovers quickly, but I somehow don't think that's an option for him at the moment.
My Favorite Elements: Being chased through the woods is exciting in itself, but William's struggles to get back to his mount, then on to his goal are riveting as well. It tends to feel like it loses some momentum near the end, but still interesting enough to keep me reading if there was anything else to read.
Suggestions: This story gives me the impression of being less polished than the other chapter I read before it. There are more words ending in '-ly', and the use of the word 'was' is also increased. The spacing issue is here as well, so I'm thinking it's a style. I'm not trying to pound you over the head to tell you to get rid of them or else, I'm just recommending that you do. It would look more polished.
He sent up a silent prayer for his luck to hold a little longer.
A little is a word combination you want to avoid, but don't think you can get away with 'a bit' or 'a few'. Either be specific, or don't specify. Your narrator needs to sound decisive.
The impact nearly knocked him from his horse. Instantly, his left arm dropped to dangle at his side, useless.
You won't be needing 'instantly'. His arm dropping is good enough, and sounds instant. There's nothing between it and the previous statement to drag it out.
EXAMPLE: The impact flung his entire body forward, and his left arm dangled at his side, useless. He scrambled to regain his balance, gritting his teeth as his adrenaline saturated mind registered the pain in full.
Then, with a shrill cry of shock and panic,
One or the other should be sufficient on their own.
For a few minutes, William lay gasping for air that would not come,
Pretty sure you can do without this, too.
Even the slight jarring caused by his slow progress along the muddy creek bed sent excruciating spikes of pain shooting through his torso.
I didn't think it would be roughly jarring. He can't move enough to cause that, so you can get rid of that word.
The unknown, soft, feminine voice began very near his side but quickly faded away into the shrouding mists in his mind.
If you want, you can put 'soon' in place of 'quickly' instead of removing that altogether.
William woke slowly to filtered sunlight warming one side of his face and the sounds of a forest.
He could flutter his eyelids first, but it's up to you.
Overall: Sounds like this has an amazing story somewhere, but it does need to be tightened so there aren't so many extra words. Even as it is, I can follow what is going on. It's just those additional words are distracting. I've also heard somewhere (though I'm not sure where) that it's not the best idea to start with your main character about to be killed or in the heat of battle. What happens before this that turns William's life in this direction? The encounter with the 'witch' only served to confuse me. Maybe this isn't quite the right place to start this story?
Either way, I found it an enjoyable read in the end.
Keep writing!
~Tam
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