Hi,
Thanks for sharing your work and giving me a chance to read it. I thought I would return the favor by giving you some feedback.
I just want to note one thing: If you're just doing this for fun, and you enjoy the process and find it calming, don't listen to anyone's feedback or advise. If you're loving what you do, trying to change your process to appease the recommendations of other will risk spoiling the experience. If you already like what you do and it makes you happy, don't change a thing.
...but if you feel really excited about these stories brewing in your brain, and you can't help but want your readers to feel just as excited, feedback, critiques and reviews will help with that. So I'll do my best to give you some tips if that is what you're looking for.
On to the review...
There are two aspects of your story I want to focus on primarily: Perspective and Adrian's family.
Perspective is super important to me. I think you have created some very interesting personalities in your characters. They are quirky and funny so you have a good head start on making the reader like them. But I think you waste some of that by swapping perspective as often as you do. In the first few lines of your story you bounce between Adrian, his Mom and then his dad. This hurts the story in two ways. Firstly, we don't get enough time in any one character's shoes, which makes it hard to bond with them. Second, we never get to really see the impact the characters have on each other because a second later, we are in their point of view, and you're telling us. It's the classic show don't tell issue.
It's a personal preference, but I would to write this story from Adrian's perspective.That would mean you couldn't tell us what the other characters are thinking. We'd have to figure that out from what Adrian sees and the impressions he gets.
I'm a big fan of breaking rules though, so I think it could be a powerful technique to jump in perspective as you do. But I think you would need to carefully consider exactly why you're changing perspective when you do. These moves should be strategically planned to have a precise impact on the narrative.
Adrian's Family: You hit the nail on the head in your author's note when you warned people the family might not be reintroduced to the story, and offered your condolences to anyone disappointed after growing attached. But don't apologize to the reader, torture them with it.You're right to get us attached to the family, but it should be about more than just how much the reader enjoys their scenes. Let us feel that attachment through Adrian, so we can empathize with him when he misses them.
Just some closing thoughts...
Is their a reason Adrian needs to be 18? It seems like it would be easier to make him younger, rather than trying to concoct a reason why both he and his brother were held back.
You mentioned that you don't feel like you're good at describing designs and faces, etc.. I don't believe in painstakingly detailing every wrinkle and nose hair. But give your readers a little bit to build on. If you give a rough description ("..pale and slender, with a long face given to sullen expressions..") your reader will fill in the rest.
I'm not really a grammar guy. If you're looking for some tips on that, see if you can get writers_cramp to do a review for you. He's a bit terse, so his feedback is not for the faint of heart, but it is so useful. If you're looking to polish up some of you're wording for a smoother flow, he's your man.
You might also reach out to runoffscribe  he has a really strong grasp on style and craft. He's always a step ahead in his fiction and it adds considerable depth and meaning to his prose.
I hope this has been helpful. Keep writing. You're good at it.
James
|
|