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Review Style
A review you purchase from me will always be proofread, thorough, and carefully considered. I try to strike a balance between encouragement and honesty. What you can expect from me is a discussion of what your piece said to me as I read it and strategies for what I thought could be improved. I also point out specifically any errors that I found in the piece (although if it is a repeating problem, I will explain this deficiency generally rather than try to fix each and every one). I always keep my reviews conversational and positive. I'm generous with praise, and I try to speak with confident authority in areas where I have some knowledge. I approach each review I do with the idea that the best way to help someone become a better writer is to model that behavior to the best of my ability. Reviews that contain multiple grammatical and/or spelling errors, present incomplete thoughts, or show a lack of effort do not send a good message to those receiving the reviews concerning my advice.
I'm good at...
Grammar, spelling, sentence and paragraph structure, vocabulary (word choice), characters, dialogue
Favorite Genres
Fantasy, Horror, Science Fiction, Thriller, Drama
Least Favorite Genres
Nothing really. I'll give anything a look.
Favorite Item Types
Short Stories, Flash Fiction, Poetry, Personal Narratives and Essays
Least Favorite Item Types
Nothing really. I'll give anything a look, from contests to group pages to forums to activity rules. If you want someone to take a look at your activity and give it a review, let me know! I'll try to locate inconsistencies in rules and guidelines.
I will not review...
The only items I will not review through this system are novel chapters. I would much rather trade services and make you review mine as I review yours. If you are interested in setting this up, feel free to email me.
Public Reviews
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176
176
Review by PatrickB Author IconMail Icon
In affiliation with SIMPLY POSITIVE GROUP  Open in new Window.
Rated: E | (3.5)
**These are my opinions as a reader and lover of words**

OVERALL SENSE:
Aw, such a touching and sincere expression! Your sons will cherish this forever. I like the image of the mother who needs the children, especially with things that are traditionally the domain of the parent ("wiping away tears" and helping with "fears"). This is a nice contrasting image. This is often not focused on enough. As a father of two sons myself (with an absentee mother), I find that my sons help me get through many things as well. I can relate to this sentiment.

CONVENTIONS:
I like your use of internal rhyme in the last two lines of the fourth stanza. Also, the irony contained with the "needing" of the child by the parent. Very good.

GRAMMAR/SPELLING:
Unfortunately, there are a couple instances where you should consider revising. Last line of second stanza, there should be a comma between "friends" and "and," as "I'm never alone" is an independent clause. Also, consider adding a comma between "blue" and "through" in the last line of the fourth stanza. I stumble quite a bit on the last line of the poem. I think it needs to be reworded for clarity. You want us to go out strong, with it echoing in out mind!

AREAS FOR IMPROVEMENT:
I am thrown off a bit by your irregular rhythm. I have to admit I like symmetry and rigidity while reading and writing poetry, but I cannot see a reason for the changing of the meter from line to line and stanza to stanza. It weakens the poem a bit. I believe that if you do not already, many missteps in rhythm and rhyme can be discovered by reading your poem aloud.

FAVORITE LINE(S):
You were always there to wipe away my tears,
You have always been there through all my fears.
Without you I do not know what I would do,
I surely would be lost,sad and blue through and through.
--This is my favorite stanza. It contains all the best parts of your poem, i.e. internal rhyme and your irony mentioned above. I also like the "wah-wah-wah" alliteration of the third line. The last lines are particularly nice with the internal ryhme ("you-do-do-blue-through-through).

Thank you for sharing your tribute to you sons with me! Overall, I think this is a wonderful and heartfelt poem that needs a little rewording and revising. I know you agree with me that your subject is worthy of perfection, therefore I am being particularly detailed with my advice and criticism. I would love you to send it back to me when you rework it. Keep writing!

Regards,
Patrick

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Review of I Miss Buttons  Open in new Window.
Review by PatrickB Author IconMail Icon
In affiliation with SIMPLY POSITIVE GROUP  Open in new Window.
Rated: E | (4.5)
**These are only my opinions as a reader and lover of words**

OVERALL SENSE:
What an adorable story! I had my five year-old come in and read it to me, and he loved it. He did ask me an interesting question, though. "Where are the pictures?" I told him that this story doesn't have pictures yet. And I stress yet. This is a winning children's story on dealing with the death of a beloved pet. You have a very good "child" voice and tone in your story.

MEETING THE TARGET AUDIENCE:
This story does this in almost every way. The only words I would consider changing as they might be too "big" for a child are: "inseparable" (graph 2--"hard to separate" or "together" maybe?) and "consideration" (graph 14--"thought" maybe?).

AREAS FOR IMPROVEMENT:
Nothing major in the piece. Keep writing!

SPECIFIC EDITING SUGGESTIONS:
"Today, Mama had a special reason to try again to make Cindy understand." -- Sentence is a bit awkward. Maybe "Today, Mama had a special way to help Cindy understand."

"that sometimes there is no reason why someone we love goes away." could be "that somtimes there is no good reason why someone we love goes away."

Thank you for sharing! My son Andy gives it a thumbs-up!

Regards,
Patrick

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178
Review of Disease Spreads.  Open in new Window.
Review by PatrickB Author IconMail Icon
In affiliation with SIMPLY POSITIVE GROUP  Open in new Window.
Rated: ASR | (3.5)
**These are but my opinions as a reader and lover of words**

OVERALL SENSE:
What a ghastly way to depict a disease! I can almost here it slurping its way through the body. Very original and interesting, if a bit unnerving.

CONVENTIONS:
Ample use of simile and metaphor! This is what makes the poem interesting. Very good use of imagery as well. The use of personification, of which the entire poem is based, is also effective.

GRAMMAR/SPELLING:
There were only a couple instances I had questions about. The last line, first stanza might have a comma inserted between "drips" and "savoring," since it is a dependent clause. I checked to see if you had added commas inside your lines and you had. Also, the words choice "convert" in the last line of the third stanza. Should that be "covert?"

FAVORITE LINE(S):
"Smitten with the woeful thump-thump." --I love the image of the disease, as a lovesick child, being "smitten" with the heart. It is cute and chilling at the same time.

AREAS FOR IMPROVEMENT:
I will not address your rhythm and meter, as this appears to be completely free verse. I would point only to an effort to comb over each word for the best possible choice. Another issue is verb tense. You spend the majority of the poem in the present tense, yet switch to past in the last line of the third stanza ("was"), the last line of the second stanza ("continued"), and the first line of the last stanza ("would"). Consider revising. In my humble opinion, I believe the piece would work best all in the present tense.

Thank you for this wonderfully chilling look at a disease spreading in my body. Excuse me while I go take a shower! :)

Regards,
Patrick





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179
Review by PatrickB Author IconMail Icon
In affiliation with SIMPLY POSITIVE GROUP  Open in new Window.
Rated: 18+ | (3.0)
OPENING PARAGRAPH:
Effective, containing action and consequence instead of exposition and description. It succeeds in pulling the reader into the story.

POINT OF VIEW:
Use of third person, limited works here.

STRUCTURE:
Your prose is a good mixture of description, characterization, dialogue, and action. It is easy to follow and read.

PACING:
The story moves along fine. Consider the few revisions I suggested to increase your pacing.

CHARACTERIZATION:
The priest is portrayed as a sympathetic figure, even though we don't learn that until the eighth paragraph. Consider moving that paragraph like I suggested to bring his nature to us as soon as possible.

LANGUAGE:
Your writing skills are fine, word-choice superior.

DESCRIPTION:
Ample descriptions without the dreaded "info-dump" or clunky exposition. If anything, there is not quite enough, here. But addition is easier than subtraction, usually.

AREAS FOR IMPROVEMENT:
Depending on your structure for the remainder of the work, you may consider fleshing out this chapter, adding more characterization and setting, pulling us even deeper into the world. There is a lot going on here, and as a reader I would not mind to learn a little more about the church, its priest, this Lord Blackstone, and the mysterious book.

FAVORITE PASSAGES:
"Decorating the rich, leather-bound cover were intricate swirls of inlaid gold that glimmered like unearthly flickers of flame as his fingers brushed across the cover."
--This tells me that you know how to write. Wonderful sentence.

SPECIFIC EDITING SUGGESTIONS:
***Note: In an effort to provide the best editing I can, I have adopted the format of copying and pasting your story and adding comments as needed. My comments will appear in (( )), while specific editing suggestions will appear in [[ ]].
_________________________
A light sleeper, Father Phinnius Benedict opened his eyes in response to a noise out on the street. He rose stiffly from the hard, straight-backed pew where he dozed and listened intently. Could it be the carriage? Prompted by the memory of last night's tears shed by frantic parents who feared for their daughter's life, he brought a hand to his forehead and whispered, “Not again, Lord."

Consider revising to: [[A light sleeper, Father Phinnius Benedict opened his eyes in response to a noise out in the street. He rose stiffly from the hard, straight-backed pew where he dozed and listened intently. Could it be the carriage? Prompted by the memory of last night's tears, shed by frantic parents who feared for their daughter's life, he brought a hand to his forehead and whispered, “Not again, Lord."]]

The sound to which he awoke became louder. Jangling harnesses and the ominous clatter of hooves on cobblestones confirmed his suspicion.

Seeking financial assistance, the father of thirteen-year-old Rebecca Gardner left the church the previous evening with nothing more than the priest's blessing and a grieving wife. Because they were unable to pay the tax levied by Lord Henry Blackstone, Rebecca’s parents reluctantly agreed that she would serve him until they paid their debt. What choice did they have? If they failed to comply, they would both be imprisoned, tortured, and executed.

Before Rebecca, within the past three months, four other children in the tiny hamlet boarded the black carriage for the journey to the castle. All four were returned to the church in a matter of days . . . none alive.

Consider revising to: [[Before Rebecca, four other children in the tiny hamlet had boarded the black carriage for the journey to the castle within the past three months. All four were returned to the church in a matter of days . . . none alive.

Outside, the dreaded carriage came to a halt as the driver pulled back on the reins and shouted, "Whoa there, you two. That's enough!" Seemingly grateful for the rest, the dark steeds nickered and snorted dragon-like plumes of misty vapor into the chilled air.

Consider revising to: [[nickered and snorted dragon-like, plumes of misty vapor into the chilled air.]]

The priest bowed his head and prayed, his hands tightly clasped. “How long, oh Lord, must we beseech thee? We have no means by which we might resist or overthrow Lord Blackstone. We pray thee to remove this abomination from our midst before another innocent soul is harmed.”

((This paragraph may be more effective re-inserted as the third. The priest is already beginning his prayer at the end of the first and the second provides sense-description. This is the heart of the conflict of the initial setting. As a reader, I want to know this as soon as possible. Up until now, I wasn't sure what type of person the priest was. This speaks to his nature; again, something I want to know as soon as possible.))

The hinges of the church's heavy wooden doors groaned as they swung open to reveal Blackstone’s vassal, Albert Bigge. A tall man, Albert carried Rebecca's limp body in his powerful arms as if she weighed no more than a small goat. He bent down, gently laying her on the floor as one might place an infant in a crib so as not to wake it. When he arose, he confronted Father Benedict.

((Just an idea, but instead of "goat," what about "lamb?" It gives me more of a sense of sacrifice.))

“There's been an accident." Albert spat out the rehearsed words for which he obviously had no taste. "Lord Blackstone instructed me to deliver her body for proper burial.” He turned to leave, evidently not wishing to hear the priest's words of condemnation, but stopped and added, “Tell the girl's father his debt is paid.”

Shaking his fist, Father Benedict shouted, "Inform Lord Blackstone that he, too, must pay a debt! He'll pay for his transgressions, he will - either in this life or the next!"

Father Benedict knelt, hoping to find even the faintest flutter of life in the young girl's chest. He felt nothing, no heartbeat, no warmth. Heartsick, he recited her last rites, hoping that her immortal soul might still be within her. When he stood, he stared down at her cherubic face. He remembered baptizing her. Vividly, he recalled her sweet smile and wept bitter tears of frustration.

((Good paragraph. Consider revising: "Father Benedict knelt, hoping to find the faintest flutter of life in the young girl's chest." by removing "even."))

After closing the doors, the priest made his way through the church's dark hallway to the sleeping quarters and summoned two monks. He instructed them to prepare the body and when done, to fetch the girl's parents. When they took Rebecca away, Father Benedict approached the altar and fell to his knees. Again, he prayed for guidance and divine intervention.

Consider revising to: [[ After closing the doors, the priest made his way through the church's dark hallway to the sleeping quarters where he awakened two monks. Returning with them to Rebecca's body, he gave instructions to prepare her for burial, and when done, to fetch the girl's parents.]]

When he opened his eyes and raised his head, he beheld a large book. Where did it come from? Who brought it, and when? Decorating the rich, leather-bound cover were intricate swirls of inlaid gold that glimmered like unearthly flickers of flame as his fingers brushed across the cover. Startled, he gasped, stood, and instinctively stepped back.

Consider revising to: [[When he opened his eyes and raised his head, he beheld a large book. Decorating the rich, leather-bound cover were intricate swirls of inlaid gold that glimmered like unearthly flickers of flame as his fingers brushed across them. Startled, he gasped, stood, and instinctively stepped back. What had it come from?]]

What manner of book is this? he wondered. He considered calling out for someone to come and verify what he saw, but thought better of it. He rubbed his eyes, which burned from too little sleep. Could the vision be associated with some malady caused by lack of rest? Might the strange glow have been an illusion, or perhaps the product of my imagination?

"Open it," a voice inside his head commanded.

"Who speaks?" Wide-eyed, the priest scanned his surroundings, thinking perhaps one of the monks had returned.

"He to whom you pray, Father Benedict." Again, the priest clearly heard the deep and powerful voice within his mind. In the dim light provided by burning candles and reflective sconces, Father Benedict turned slowly, squinting as he peered into each corner of the assembly room where he shared the lessons of The Lord.

"Open the book, Phinnius. The Book is the instrument of dispatch for which you have prayed."

The priest 's eyes focused first upon the large book and moved to the carved wooden figure behind the altar of Christ nailed upon the cross. The cross glowed as if on fire, but was not consumed. Thoughts of Moses and the burning bush flashed across the priest's mind. "Have I lost all ability to reason? Am I to believe I converse with The Creator?" he asked.

A silky smooth, second voice materialized, "The Creator . . . and a collaberator." Less intimidating and not as deep as the first, the new voice seemed friendlier, perhaps more beguiling.

((Spelling: "collaborator"))

Father Benedict pressed his palms against the sides of his head and gasped. "An angel, you must be."

"Nay, I am no angel," the second voice admitted. "At least, not anymore. Consider me as an interested party in a collaberative venture."

((Spelling: "collaborative"))

"An interested party?" Father Benedict seemed befuddled.

"Absolutely," the second voice replied. "Someone interested in collecting the souls of the damned."

Still struggling with the meaning behind the message, the priest sought further clarification. "A collaberative venture?"

"Phinnius," the first voice rumbled. "The Book we have sent to you is The Book of Judgment. It contains the names and deeds of the damned."

The second voice said, "Lord Blackstone is to celebrate the date of his birth this weekend. We need you to attend the party to make sure that this book is delivered to him as a gift."

"But," the priest objected. "I've not been invited to the celebration."

"Leave that to us," the second voice replied. "Now, get some sleep. You have a funeral to conduct and you need your strength."
_____________________________

Keep writing and improving. Your story is worthy! Thanks for letting me read it!

Regards,
Patrick

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180
180
Review of No Escape  Open in new Window.
Review by PatrickB Author IconMail Icon
In affiliation with SIMPLY POSITIVE GROUP  Open in new Window.
Rated: 13+ | (3.0)
OVERALL SENSE:
Your poem has as its subject a very interesting quirk of dreaming: how real they can seem. Sometimes, they are so pleasant, we don't want to awaken from them. Sometimes, they are so jarring that they wake us up on their own. Although short and sweet, the poem gives me the overall sense that the narrator's dreams are much more hopeful than his or her reality, from which he or she feels there is "no escape."

CONVENTIONS:
Your poem could use a little more to spice it up, namely internal rhyme, alliteration, specific symbolism, etc. Don't be afraid to really dive into your poems and make them better. Often times a thought-sequence will crawl out while you write and look just like a poem. It is when we go back inside it and really think about what we are trying to say that the poem begins to shine. You hit upon this by contrasting "real life nightmare" which is an oxymoron, but a well placed convention here.

GRAMMAR/SPELLING:
Consider losing the comma at the end of line three of stanza one.

FAVORITE LINE:
"so I can escape the real life nightmare."--good contrast

AREAS FOR IMPROVEMENT:
You have the beginnings of a good poem here. The subject matter is simple yet worthy. I point to the above comments about conventions. Symbolism, figurative language, simile, metaphor, internal rhyme, alliteration. Review these conventions in a book or website. A good poet must have fundamental knowledge of these things. Your poem could stand a revision and rewording.

Thank you for sharing this with me! Keep writing and improving!

Regards,
Patrick

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181
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Review by PatrickB Author IconMail Icon
Rated: E | (4.0)
OVERALL SENSE:
I feel the longing of the narrator, a need to find someone to share life with. There is a palpable wistfulness that most of us can relate to. The last line repaints the scene for us, putting the plea in the form of a dream. It adds even more power to the piece by casting it in the subconscious, a longing so deep that it invades the narrator's dreams.
It is very hard to be alone, and this poem speaks to that.

CONVENTIONS:
I liked you repetition in the first line of each stanza. You change the beginning phrase and keep the second the same. I think this is very effective. Your use of the triplet format is interesting. It is just jarring enough that it speaks to the theme of the poem: that something is not quite complete, kind of like a scale of notes that leaves off the last one. We, as readers, feel as if there should be a fourth line at the end of each of the stanzas, but the incompleteness echoes the longing of the narrator. Not sure if you did this on purpose, or if it was subconscious. Then again, I may be reading too much into it.

GRAMMAR/SPELLING:
I see there are no commas or punctuation at all used in this poem, and therefore chalk this up to poetic license and not carelessness. It is effective and adds to the dreamlike streams of consciousness of the plea. No rigidity, no conforming to rules. Again, another wonderful touch.

FAVORITE LINE(S):
The last line of the poem recasts its entire meaning, and I like it a lot.

AREAS FOR IMPROVEMENT:
Very minor quibble. The second line of the second stanza has 10 beats, the second line of the 3rd has only 8, and the other two have 9. The first and third lines of each stanza all match beat-numbers. My only suggestion is a rewording to bring all the beats into symmetry.

Thanks for sharing your poem! I look forward to reading more from you!

Regards,
Patrick

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182
182
Review of Roses in Heaven  Open in new Window.
Review by PatrickB Author IconMail Icon
Rated: E | (5.0)
OVERALL SENSE:
What a dazzling poem! So hopeful and sorrowful at the same time. It brings a tear to the eye, truly. The narrator may not have realized it, but his/her poetic words are a much more thoughtful, timeless gift than flowers, a kiss, and a hug. I find myself wishing that instead, the Lord could recite this poem to the narrator's mother instead. Bravo!

CONVENTIONS:
Your rhyme scheme and meter are spot on, wonderful choices. It has the feel of a prayer or a hymn.

GRAMMAR/SPELLING:
Flawless

FAVORITE LINE(S):
The entire poem is one long favorite line for me!

AREAS FOR IMPROVEMENT:
None, for this work. It is about as perfect as it can get.

Thank you so much for sharing your gift for language with me. Many of us have moms who have gone away, and this is a wonderfully poignant piece to us. I see this on a card, sold all over the world. It would lighten many saddened hearts.

Keep writing!

Regards,
Patrick

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Review of Room at the End  Open in new Window.
Review by PatrickB Author IconMail Icon
Rated: 13+ | N/A (Review only item.)
OVERALL SENSE:
I feel the longing of the narrator for times gone by, at first a sadness that so much of her life has passed. She is uplifted at the end by the fact that her warmest memory, her husband, is still with her and that they feel young again when together. The tone, at first sad, becomes uplifting. You poem speaks well to your prompted quotation.

CONVENTIONS:
You follow the format for your poem-type flawlessly. I particularly liked: "rocking chair," "ticking clock," and "medicine in the cabinet by the bed," (all wonderful symbols of old age).

GRAMMAR/SPELLING:
Flawless

FAVORITE PASSAGE(S):
"Magic and music, rocketing stars.
Warmth surrounds me even now."
--A sensual recollection of the first time they made love, unforgettable, to her, as it should be.

Thank you for sharing this with me! Keep writing!

Regards,
Patrick

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Review of Gazing  Open in new Window.
Review by PatrickB Author IconMail Icon
In affiliation with SIMPLY POSITIVE GROUP  Open in new Window.
Rated: E | (4.0)
OVERALL SENSE:
I can feel the white of the snow as the skiers descend. I have never been skiing, but this makes me want to go.

CONVENTIONS:
You follow the conventions put forth in your Author's Note.

GRAMMAR/SPELLING:
Flawless

FAVORITE LINE:
"Hope blossoms like fires blazing,
this pristine setting becomes our refuge."

ADDITIONAL COMMENTS:
I have never seen this poem-format before, but I like it. I might try one myself.

Thank you for this! Keep writing!

Regards,
Patrick

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Review of A Punishment Due  Open in new Window.
Review by PatrickB Author IconMail Icon
Rated: 13+ | (2.5)
A very dour story, to be sure. Has promise, but in its current form is way too superficial. I am happy that a viscious murdered decided to take his own life, but there are so many ways to flesh this out. This is nothing more than a news story in its current form, a very good skeleton. What it needs is some muscle and sinew, flesh and blood, a remorseful mind and a beating heart.

Might I suggest using the flashback. How did Harley get to this point? It takes a lot for someone to get to the point where they will put a bullet in their mouth. Your story should take us through that downward spiral. Harley is an anti-hero, and that is ok. His pathos is interesting and realistic. Did the guilt finally catch up to him? What pushed him over the edge. Needs much work and some editing for sentence structure and grammar. But most of all, you need STORY, here! Keep writing and improving and drop me an email if you decide to flesh it out.

Patrick
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Review of Hindsight  Open in new Window.
Review by PatrickB Author IconMail Icon
Rated: 13+ | (4.5)
Wow! Oh my, I so did NOT see that coming! Bravo! Excellent! This has been 15 minutes of my life I enjoyed living. Thank you!

Ok, now that I have slobbered all over you and your story, let me get my reviewer's hat back on. This story is a winner all the way around. Very good writing, solid pacing, never dull or long-winded, gripping narrator's voice with just enough wittiness in her telling that she comes off authentic and not over-ironic. And lastly but certainly not least, your twist is a show-stopper, to be sure!

Here are some specific editing suggestions:

"I don’t know I didn’t that day." should be "I don't know why I didn't that day."

"living out of a Volkswagen bus." --kinda sterotypical and not worthy of your story. It is okay to give them a hippie quirk, but search for a less well-known one.

"I’d loved that class." should be "I loved that class."

"Occasionally the teacher would have to scold us to talking too much and painting too
little, but for the most part we did our work happily." should be "Occasionally the teacher would have to scold us for talking too much and painting too little, but for the most part we did our work happily."

"and witty in a way that left those a bit less intelligent were left uncertain of whether or not they had been insulted." should be "and witty in a way that left those a bit less intelligent uncertain of whether or not they had been insulted."

"Not even I was completely free from that dizzying feeling, and she considered me an equal." might be better stated as "Even though I was completely free from that dizzying feeling, she considered me an equal."

Julie knocked between our groups with the ease of a pendulum

"all five of use still gravitated towards the art room." should be "all five of us still gravitated toward the art room."

Favorite passages:

"hideously smart" -- nice contrasting adjectives

"Ivy was the offspring of two flower children who named all four of their daughters after plant life. There was Posy, Lily, Rose, and Ivy, who was the youngest."--very nice touch!

"It had never occurred to me until that moment that heartbreak was actually a physical sensation and not a sappy metaphor." -- nicely stated, and soooo true! Also misdirects the reader if he or she is onto your twist (not that I was, or anything!). That does NOT sound like a typical teenage girl definition of love.

"If life were a dramatic film, this would be the point where I’d break down instead of Julie, where all the secrets I’d kept for the last decade would tumble from my mouth before I could stop them. As it were, I set my coffee mug on the table and shifted uncomfortably in my seat." -- wonderful prose!

In my humble opinion, this story is worthy of awards. Very memorable, well-written, an instant classic and a favorite of mine already. You have a lot of talent in all important areas of writing, from conception to execution, and I stand in awe of this performance. I will definitely be visiting your portfolio for more! The only reason I did not give this 5 stars is because of the few editorial mistakes that were still there. I can't award perfection for anything but, although it is 5-star for content if there ever was such a thing!

This has wide appeal to several markets, including tbut not limited to teen and lesbian publications.

Keep writing, and thank you for such a wonderful story!

Sincerely,
Patrick
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Review by PatrickB Author IconMail Icon
Rated: E | (3.5)
I think this is a wonderful exercise for you to learn about people, what makes them tick. It has instant value in creating fictional characters by giving you a treasure trove of interesting eccentricities, motivations, and life-paths of real people. There may also be a different value if you are interested in becoming a social historian. Just about everyone has something interesting in their life, and your love of interviewing can pull gripping stories from people who deserve to have their story told.

Keep writing, improving, and thinking!

Patrick
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Review of Shades of Reality  Open in new Window.
Review by PatrickB Author IconMail Icon
Rated: 13+ | (3.5)
Ok, wow. A very very interesting revelation and story, unfortunately strangled by paragraghs entirely too long and a lack of correct sentence structure. The good news is that both of these problems are totally fixable. The story and premise are interesting enough that you should certainly spend the time editing it. Some specific ideas:

"They were there but I found myself simply disregarding them, as I said, I was prone to flights of fancy and sometimes ignoring something unbelievable can be just as foolish as acknowledging it." -- this sentence is poorly punctuated and needs to be split into two.

"eager-faced slack jawed" -- just an example of how you should use commas to assist the reader.

"My knowledge of such things being limited I still hadn’t been able to help but stare at the young man as I made my way to his station."--again, poor sentence structure; needs editing.

"I save my regrets for where this tragedy led me." --very good foreshadowing

"Most have heard of the idea that the loss of a sensory modality can strengthen another and it became clear to me over time that there must be some basis for this."-- very good sentence

"I had lost two of my sensory modalities, I had been born without a third, and with only two remaining I made the decision that the truth was all that mattered." -- perhaps the best sentence in the entire work.

Unfortunately, a wonderful story and premise are totally destroyed by fixable mistakes. Your vocabulary is outstanding, but reading this in its current format is very tiring. I would have given up if I was reading this for fun, or maybe not began it at all after looking at the humongous paragraphs. Please seek outside editing, for this story is worth it.
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189
Review by PatrickB Author IconMail Icon
Rated: 18+ | (3.0)
Your heroine is interesting but a bit predictable. I am interested in her powers and her cause, but her attitude seems to be that of an anti-hero. If that is what you are going for, then by all means have her care little for the victim of the gang-rape. If she has any honor or care for humans, then her behavior toward the girl is not showing me that. She seems to be fascinated by delivering justice for its own sake, but not for the victim. This stance will eventually have to be explained.

I think your action writing is very good; the descriptions make it easy for me to see.
"Torn between being inspired to lust by my surreal beauty or inspired to fear by the promise of death in my eyes." Very good sentence, except it is a fragment. Consider revising.

Good work! Keep writing and improving!
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Review of Werewolf Eve  Open in new Window.
Review by PatrickB Author IconMail Icon
Rated: E | (2.5)
Your story has an interesting angle in that it brings together two horrow fables, the ghost and the werewolf. You do a good job of describing and using ample sensory images. I think that your story could be fleshed out quite a bit to add a bit more conflict. Because it is so short, you could double its size and increase its quality. Why did the farmer keep the secret? Maybe the ghost was of his mother and he was happy to have her at rest. Keep writing and improving!
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