This is promising, with a great hook at the end. I could envision what you were writing, which is always a good sign (and something I've found I couldn't do with multiple published books I've read). That being said, it is a first draft, and some things do need to be ironed out, and as you asked for "harsh and honest", I can give that to you.
First thing that's clunky is all the way past the chapter break, in the description of the diner. You might try "With its checkered tiles, bright red booths, and a barely working neon sign, Betsy's (oh, there's another thing - no need to put Betsy's in quotation marks) hadn't changed in decades." That fixes the sentence with no verb while retaining the details. Past that - the air smelled of nostalgia. That would be a slick line, except for the fact that two sentences ago you said it smelled like grease. It's repetitious, thus, and then it reminded people. Our focus is shifted from our exclusive take on Riggs and Ace to "people". Perhaps have Riggs get nostalgic, or Ace, but when it's expounded to simply "people" it loses momentum. "...silence falling upon the lit up streets outside the diner" could be shortened to "...silence blanketing the lit streets outside". More emphasis. Also, "...a few scattered regulars. Two of which were..." should be a comma rather than a period, "... a few scattered regulars, two of which were...", and for more on that last sentence, the maturity part is a bit random, and "her" should be changed to "their".
The only thing outside that paragraph is in the next paragraph - "His hands flailed around as he explained..." He doesn't seem the type to flail, especially in an instance like this. I think he would outline it with his hands dramatically, painting a picture of the scene for Ace rather than just being hyper randomly. Either that or he'd be telling it quietly, hand cupped to his mouth. In addition - at the end of the paragraph, he's still wild, but wouldn't it be rather realistic for him to jump up and slam his hands on the table in excitement during his last question in that paragraph, "And guess who just happens to be her cousin?" It would also bring a bit of satire in, as when Ace doesn't get it, you could have him lose quite a bit of that energy and slump, rather than simply "furrowing his brow", which is a confusion type of action, rather than a "bruh." type of action, such as a glare.
Apart from that, I was rather disappointed, reviewing this work, as I went into it hoping to be "harsh and honest", and the writing was too good so that there wasn't much to be harsh and honest about. I tried to go into as much detail as possible in my harshness in what could use some improvement, but despite reading it through multiple times, I could only find what I found that could use improvement. All in all, it was impressive usage of descriptive language, creative idioms, exceptional character development (if slightly basic, but that will improve once there's more than one chapter. Character development in just one chapter would be preposterous), and great suspense. The cliffhanger at the end was a great hook, and I'd like to read the next chapter once you finish it. Keep writing!
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