Review of The Problem with Writing
This piece really spoke to me. You put words to a struggle that so many writers live with but rarely say out loud. The tension between loving the act of writing and feeling unable to stay with one idea long enough to shape it into a story is something I think most of us recognize immediately.
What I admire most here is your honesty. You don’t pretend to have answers, and you don’t hide behind cleverness. Instead, you let the reader sit with your questions, your doubts, and your genuine curiosity about storytelling itself. That openness is what gives this piece its strength. It feels real and deeply human.
Your thoughts on originality, genre, and the fear of reworking ideas that already exist are thoughtful and well expressed. Rather than sounding discouraged, you sound engaged and searching, which feels like a natural and necessary part of the creative process.
I also loved the personal touches, especially your memories of Garfield comics and wanting to be a cartoonist. Those moments ground the piece and quietly remind us that creativity often begins long before we know what to call it. There’s a beautiful continuity there, even if it doesn’t feel obvious yet.
By the end, the piece almost answers its own question. The fact that the words are “falling onto the page rather nicely” feels important. Maybe this reflection is the story for now. And maybe learning to trust that impulse is part of finding what will eventually stick.
This was thoughtful, relatable, and quietly encouraging. Thank you for sharing it.
⸻
A gentle suggestion, offered with respect
If you don’t mind, I’d like to share something that has helped me over the years.
Before you write, set up your space so you don’t have to leave it. Have something to drink, maybe something small to eat. Remove interruptions as much as you reasonably can. Whether that means music, silence, or a familiar ritual is entirely up to you.
Then give yourself one simple goal: write one thousand words.
They don’t have to be good. They don’t have to be a story. They don’t even have to make sense. The only rule is not to stop. Don’t fix grammar, don’t reread, don’t second-guess. Just let the words come until you reach the end of the count. Editing is a completely separate process and comes later.
From what you described, it sounds like interruption and decision-making are what break your focus. Even small choices like naming a character or choosing a setting can pull you out of the flow. When that happens to me, I change the order of things.
I start with a character. I write about who they are, how they live, and what surrounds them. As the character becomes clearer, a world naturally forms around them, and once that happens, story begins to suggest itself.
For early attempts, keeping things simple can help. Complexity grows naturally once you trust your own process.
I’ve spent a lifetime editing and reading the work of many writers, and the ones who finish stories tend to have one thing in common: they find a structure that works for their mind and they protect it.
I don’t know if this approach will suit you, but I encourage you to pay attention to how your own mind works and build a process that supports it rather than fights it.
You clearly love language. That matters more than you may realize.
Good luck, and kind wishes,
Tee
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