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1,132 Public Reviews Given
1,133 Total Reviews Given
Review Style
I have a review template that is only used for in depth reviews, usually those that are specifically requested. These will be as comprehensive as I can manage, including everything I have noticed in reading the piece. Most of my reviews, however, are more in the nature of reactions to the piece with brief notes on things I find particularly good and suggestions on dealing with any obvious flaws in the writing.
I'm good at...
Reviews of stuff I particularly like. If I think the writing is good and the ideas original and inventive, I will say so and become enthusiastic about it. I will point out flaws, particularly where I feel that they interfere with a positive reaction to the piece, but I will also offer suggestions for fixing such problems.
Favorite Genres
I have a broad spectrum of genres I'll review. It's easier for me to list the genres I won't touch.
Least Favorite Genres
Romance, erotica, overly dark subjects without a good reason for existence.
Favorite Item Types
I'm unsure what is meant by this - I would have thought the genres sections covered this.
Least Favorite Item Types
See previous section.
I will not review...
Again, see the genres section that lists the genres I won't review.
Public Reviews
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Review by Beholden
In affiliation with WdC SuperPower Reviewers Group  
Rated: 13+ | (4.5)
Funnily enough, this one is much closer to Grimms' Fairy Tales than the Disney versions. Those children's stories from the dark forests of northern Europe were pretty bloodthirsty in the originals. Basically, this tale turns the story of Hansel and Gretel on its head, with the kids being the villains and the old lady the innocent victim. Its theme is vengeance and the comeuppance of the children is justified by their previous persecution of the old lady.

The writing is very capable and the descriptions quite vivid. This makes the final denouement a bit horrific and disqualifies the story as suitable for children. But it would certainly entertain those with a taste for the darker genres of literature.

My only gripe would be that it's a bit predictable. Presuming that the Writer's Cramp prompt for which it was written involved a reversing of well known tales, this is inevitable. Once you're told to write the opposite of something, the result is bound to follow naturally.

So it's not my cup of tea but ably constructed and presented. Keep writing, is my advice!


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Review of Memories  
Review by Beholden
In affiliation with WdC SuperPower Reviewers Group  
Rated: E | (4.0)
This is an interesting scenario. What were the circumstances that brought about the death of Christmas for the children in the story? It doesn't matter for the purposes of the story, of course, but the mystery does supply a more serious and warning note to the reader. Is there a chance that Christmas might be forgotten and disappear from the calendar in the future? It's not beyond the bounds of possibility - it's been banned in more than one country in the past.

The story itself is more hopeful. The older people begin to share their memories of Christmases past and, in the morning, the children are regaled with their stories. There seems no reason why the holiday cannot be resurrected through such action.

So it's a happy tale in the end, though a dark background lurks in what brought them to this pass. The writing is competent and without fault and the scene is set with very few words, as is required in flash fiction. Deceptively simple, there's a lot of thought gone into this.


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Review of Plot Survey  
Review by Beholden
In affiliation with WdC SuperPower Reviewers Group  
Rated: E | (5.0)
I know so little of the financial world that I am clearly not entitled to have an opinion. But it sounds just about plausible to me. My only doubt is that there would be enough time involved in the float to complete the pump and dump side of things. It would have to be a huge amount of money involved to instigate a stock rise as swift as envisaged. Presumably, you've done a fair amount of research on the thing, however, and the thing is at least theoretically possible.

Other than my uninformed doubt as regards timing, I think it's a great idea. I don't have any interest in the investment world so I don't think I'd buy the book (or whatever is planned) but that's just me. There are plenty of people around who'd love it, I'm sure. In the end, if you've done enough research to see that the scheme is possible, you really ought to give the writing of it (and not the thing itself) a bash.


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Review by Beholden
In affiliation with WdC SuperPower Reviewers Group  
Rated: E | (4.0)
Review of Vincent The Blue-Eyed Dragon by Sandyw1

Initial Impression:

The tale makes me think of that breathless enthusiasm of the narrator determined that every tiny detail of the story be told and understood. The pace is almost frantic and the reader given little time to savour one event before the next is hurrying him onward. The story itself has some strengths but needs a fair amount of trimming before it will appeal to its intended audience.

Title:

Fairly standard stuff for the genre, the title could use some injection of interest. The dragon's name, for instance, needs to be a little more intriguing than the ordinary-sounding Vincent. Take Tolkien's dragon, Smaug - now there's a name that has the feeling of something out of the ordinary, an otherworldly creature indeed, all suggested by this name that promotes discussion over its pronunciation. Personally, the fact that the dragon's eyes are blue just irritates me, but you may be right in that children will probably like the fact. It might be a better idea to avoid all this in the title anyway, and select something that hints at the adventure instead. A suggestion might be A Dragon Rescue - it hints at a tale beyond the usual.

Content:

A valid enough story in danger of disappearing in a wealth of detail. The dialogue in particular is laden with unnecessary and irrelevant steps toward a fairly simple goal. The reader doesn't need to have every step in the unfolding story detailed for him. Much can be inferred without recording every word spoken by the protagonists. This is fairly important because the story is rather longer than it needs to be for the intended audience. 3,500 words is a lot for young children.

So t needs to be edited by deleting what isn't entirely necessary for understanding what's going on. You could also avoid the back and forth machine gun fire of short statements in dialogue by allowing protagonists to say more than one fact in each utterance. It's easy to get lost in these long bursts of exchanged comments so that the reader no longer knows who is saying what. Keep it simple and allow action to intervene more often in the conversation.

When writing for children, there is only one subject that allows for great detail and that is food. Kids will delight in long lists of delicious foods at a banquet, for instance, but anything else leaves them cold. They don't care about the weather, how beautiful a thing is or how magnificent the castle - they just want to know what happens. Characters may speak but forget the flowery introductions and go straight to the point. It's story they want.

Style:

I've said enough about limiting the detail you include but there is also the matter of dialect. The use of an imagined medieval dialect is tempting but you have to know your stuff if it's to be done effectively. You do better than most in that you have some grasp of the use of thy, thee and thine, but you're way off when attempting verb endings. Just because we once said "hath" instead of "has" doesn't mean that it's correct to add TH to other verbs. The safest bet is to use verbs exactly as we do today. That, at least, avoids the complex laws governing such word endings.

Flow/Pace:

Rattles along and needs some reining in. The determination to include every tiny fact or action results in a quickfire storm of statements that force the pace yet do not actually move the story along at anything more than a pretty slow plod. Judicious cutting of extraneous detail will work wonders here. Leave a few details in, however - the ones that illuminate through intense observation. Sometimes it's the vivid or unusual details that provide more description than a paragraph of details piled on each other.

Suggestions:

As usual, I've run out of suggestions by the time I reach this heading. Let's take them as given.

Favourite line or part:

"Thou mayest (arrgghh no - he would just say "may") call me Kevin." He's worked hard at his medievalese - let's give him a name that suggests it too. Hubert's a good one that we still use occasionally today. And Hal is even better.

Overall Impression:

With some judicious editing, this could be a fine tale to enthrall children. I've been fairly brutal with my criticism but nothing I've said is too difficult to fix. It's much easier to reduce a piece in length than it is to add to it and that, essentially, is what this story needs. So don't be discouraged - it's only my opinion in the end. Keep writing!



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Review by Beholden
In affiliation with WdC SuperPower Reviewers Group  
Rated: 18+ | (5.0)
Fascinating. But also slightly annoying that I cannot share in the joke, not having read The Bridges of Madison County (nor seen the movie, for that matter). I would probably have attempted to read it in the normal course of events anyway but, now that you've sparked my interest, I don't see how I would be able to avoid it if it came my way. And that, probably, was at least partially your intention in writing this - that others too would be drawn into reading the book.

But I know what you mean about the guy's style. There are some writers whose style I find so irritating that I cannot finish a book written by them. It's not always that their style is amateurish - sometimes it can be a choice of words frequently used or some other personal habit that puts me off.

You have written a wonderful account of a strong friendship in this. The relaxed and gentle style draws the reader in from the start and we are soon deeply involved in the story as it quickens in pace and tension. It really is a masterful piece and something to be proud of. Most enjoyable.


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Review by Beholden
In affiliation with WdC SuperPower Reviewers Group  
Rated: E | (5.0)
I have to confess that I don't like maple syrup. That might be because I have never had the real thing (it seems to be all imitation these days) as far as I know. But, if the Canadians like it that much, maybe there's something to it. I draw the line at pouring it on bacon, however. Why spoil perfection?

You've assembled an impressive array of facts about the liquid, that's for sure. I like the way you kept interest in the piece by varying the wording of the various nuggets of knowledge. As a document intended to inform, it does its job.

If you're interested, I can tell you that the British equivalent to maple syrup is something called Tate & Lyle Golden Syrup. If you ever see any, buy it and try it. You may never bother with maple syrup again.


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Review of Music  
Review by Beholden
In affiliation with WdC SuperPower Reviewers Group  
Rated: E | (4.5)
Well, I kinda saw the ending coming before it arrived but, when it did, it was expressed so well that it was more than enough to complement the piece. Which reminds me - "complement" with an e means to add something that completes what is being worked on. I think you meant "compliment" when you used it, the meaning then being flattering or congratulatory words.

The story itself is well told and, as the saying goes, warms the heart. Death is often freeing for the sufferer. Incidentally, I have noticed that death is almost a forbidden subject in the States. We are a bit more blasé about it in Europe. So it's a subject to be handled carefully and I would guess, judging from your sensitive handling of it in this piece, that you are well capable of not allowing it to dominate your writing.

Keep writing!


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Review by Beholden
In affiliation with WdC SuperPower Reviewers Group  
Rated: E | (4.5)
Strangely enough, I recently had occasion to do a bit of research into the word "marshmallow" and so I can tell that you've done your research too. Well done - it's a clever way to avoid the difficulty of including the other kind of marshmallow in a dystopian tale. In fact, the whole story is an intelligent take on the challenge.

As regards the writing, you have one potential weakness showing up. I have the same predilection so I notice it in others. You tend to include too much information for one sentence to hold. Don't get me wrong - I have nothing against long sentences. It's just that, when two sentences would do the job better than one long one, it's best to go for two. I know how it is - you're writing away and then you remember that the reader needs to know a certain fact. So you add it into the current sentence. And then another and, perhaps, another. But the really great thing about this flaw is that it's so easy to fix. It's never difficult to chop a sentence into two and sometimes it even makes the writing flow a bit better.

Good story, well told. Keep writing.


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Review of Full Moon  
Review by Beholden
In affiliation with WdC SuperPower Reviewers Group  
Rated: E | (3.5)
It's a competent piece of writing but I'm not sure it's a story. As descriptive of the process of transformation from human into werewolf, the piece is effective. But the story is just beginning when it ends. What happens that night? Is that not when all the exciting and supernatural things begin?

But don't let me discourage you. It's clear that you can write and description is an important part of that. And, just because the "rules" say story must have a conflict, crisis and resolution doesn't mean that you have to take that route. There are other ways to engage readers and this piece demonstrates one of them. All that's required is to define the piece a little more accurately. This one could be a vignette, for instance.

Write on!


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Review of Mars in my Veins  
Review by Beholden
In affiliation with WdC SuperPower Reviewers Group  
Rated: E | (4.5)
Well, that's straightforward and to the point! I think we can assume that you're quite fond of Mars. Personally, I don't really fancy it (memories of watching Total Recall) but I did feel strongly enough about Pluto's demotion from the status of planet to write a poem about it. So I kinda know how you feel.

But is it a story? Not too sure that it is, to be honest. Oh, it's an effective piece of writing in that it gets across your feelings, but story it really isn't. Because the writing is so good, I'm going to assume that the Cramp prompt was constrictive enough to force you into this explosion of emotion. Maybe the brief was to write a letter, in which case you have fulfilled the requirement admirably.

Nice piece. Keep writing.


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Review by Beholden
In affiliation with WdC SuperPower Reviewers Group  
Rated: E | (5.0)
I admit that when I first looked at this, I wondered how I was going to say anything about something so short. Now, having read it, I have masses (but I may not mention everything - I have a lot of reviews to get through!).

You describe the piece as Nonsense but I disagree. It makes a very serious and telling point. And smacks the reader in the face with it. To be honest, I think it's the most powerful piece of writing that I've come across in a while. Is it a story? Most definitely yes, and a whole lot of other things too. The contrast of humanity's efforts toward space exploration and the narrator's simple and open explanation of the problems she faces in her life is quite shocking. It's a valid point, after all - we spend billions on going to planets that are unlikely to ever be of any use to us while at home people starve.

Is there a more serious point to be made? I doubt it. And to make it in so few words is evidence of extreme talent.

No, I don't have any criticisms to make. This is powerful stuff.


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Review of My Paranoia  
Review by Beholden
In affiliation with WdC SuperPower Reviewers Group  
Rated: E | (3.5)
Review of Depression for Bill Kamen


Initial Impression:

A poem that appears to describe feelings of separation from society and restriction of movement beyond the safety of home. The cause of these feelings is not clear, but there is a note of hope and determination to overcome these feelings in the final two stanzas.

Title:

I am much in favour of one-word titles but this one seems a little too curtailed, perhaps because it does nothing to clarify the content of the poem. There are elements of depression in the descriptions within the poem but perhaps more of paranoia. The poem would benefit from a more exact title, even if that means going beyond one word.

Content:

The poem is difficult to understand. Much of this is because some of the words used do not mean what I think the poet means. For instance, "I befall into the shadows" - befall means to happen, whereas I think you mean to "fall back." Other examples are "emanates," meaning to issue or spread out from. Does not seem to fit the context as I don't think the outside emanates from anything - it may send out emanations but it is not sent out by something else.

"my mind demeans" - means your mind causes a severe loss in the dignity of and respect for something. But what? I'm unsure what you meant here.

"Thoughts become audible words, transcending reverberating sounds" - In what way do they transcend (go beyond the bounds of) sounds? This one is hard to imagine. But this stanza adds that the thoughts echo questions from your innards. Reverberating means echoing so you're actually repeating your earlier statement. Repetition is distracting in any form of writing so, unless you're doing it to produce a chantlike effect or you want to hammer something home, don't do it. Poetry especially requires that we pack a lot of meaning into few words, so repeating things, even in different words, is to be avoided if at all possible.

I have my doubts about the word "innards" too. To my mind it raises the image of entrails rather than one's innermost being (which is what I think you mean). It's a great word if you wanted to write a poem about butchery, but not in this context, I think.

The final line of this fourth stanza raises a question in my mind. In what way does an echo (yet another repeat) chamber burst forth? I think you might have meant "bursting forth from an echo chamber."

There are good things about the poem, however. It's clear that you're trying to communicate deep feelings that are very hard to describe accurately so that they can be understood. And this is the essence of poetry - the communication of our thoughts and feelings. You need to play with words a bit more if you're going to hit upon exactly the right one, that's all. Never choose a word because it looks long and impressive. The right word is out there somewhere and, as the old commercial says, accept no substitutes until you have the perfect one that says what you mean. I still use online resources to check on the meaning of a word I want to use or to find a better one. It's so easy now that we have computers.

So you're getting across the main idea of feeling compressed and restricted by what is happening around you. That's good. But inexact word choice is undermining this. And it would help the reader if you were to give some indication of the cause of your feeling this way. Much of the enjoyment of poetry comes when the reader can say, "Yes, I know what you mean. The same thing happened to me and you've said it exactly."

Then there's the breath of hope in the final two stanzas. At first, the self-questioning in the penultimate stanza sets the stage for the turn around to face the light in the last stanza. It's a welcome relief after the dark brooding of the poem until then. New thoughts on a new day - light at the end of the tunnel!

Style:

You wrap your thoughts in little packages of just a few words and throw them at the reader. It's not a bad technique and certainly concentrates the reader's mind. Just make those thoughts a little clearer with greater accuracy of word choice and you'll be flying.

Flow/Pace:

Pretty good, you get down to business, don't wallow in too much introspection and get where you're going without fuss. Very neat and readable.

Suggestions:

I think I've already made a few. Don't be discouraged - you'd be surprised how quickly improvement happens when you keep writing.

Favourite line or part:

"with new thoughts with each new day." Carries just the right amount of hope for the ending.

Overall Impression:

The poem needs a fair bit of work but that's normal for poetry. It's much harder than many people think. But, when you get it right, it repays over and over!



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Review of Bent  
Review by Beholden
In affiliation with WdC SuperPower Reviewers Group  
Rated: 13+ | (5.0)
I like this a lot. It's the kind of thing I just can't do (I don't think like that) and so I admire the hell out of it. First of all it's the tone, that wonderful, tired, jaded, seen-it-all voice that speaks to us through a wealth of disillusioned experience about things we can only scratch at the edge of understanding. Then it's the imagination that can conjure up these scenes of futuristic violence done by weird creations that, when it comes down to it, require only a word or two to make understandable and, therefore, completely believable ("Magnetic field projector nanos" - that's exactly what I was about to say!). And it's the tongue planted firmly in the cheek, the playing with the reader as the strange new world is revealed and unfolded.

How I wish that I could do this. But I can't so I'm stuck in my out-of-date, grammatical, flowery universe playing with my toys from an era long gone. I can, however, applaud your skills and cheer for more, always more! Wonderful stuff.


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Review of Blind Faith  
Review by Beholden
In affiliation with WdC SuperPower Reviewers Group  
Rated: 13+ | (5.0)
I must admit that my first impression of this piece was not good. The font chosen is so tiny that my old eyes struggle to read the darn thing. They can manage, okay, but it's hard work and it's a mistake to handicap your work in this way. Expand your readership in future by using a font large enough to be read easily.

Having got that gripe out of the way (I enlarged my computer's view to avoid the problem but I'm not always prepared to do that) my assessment of the story went upward only. It's a tightly written tale that flows easily and efficiently along, the reader entrapped by a need to see how things transpire. Your characters are wll drawn, the events entirely believable and Karen's story fascinating. You have a natural awareness of how much detail is needed at each stage. I thought at first that I was going to be assailed by unnecessary data (all that about tea and coffee options), but that soon fell away as the story unfolded. There was a good reason why we had to know about tea and coffee!

All in all, I have to congratulate you on a tale told well in a confident and easy style that is most attractive. These official WdC contests are not easy to win but, with this one, I think you're in with a very good chance.


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Review of Bo Dockett  
Review by Beholden
In affiliation with WdC SuperPower Reviewers Group  
Rated: E | (5.0)
A truly excellent story, its power derives from the fact that its scenario is the kind of thing we all dread happening to us. The relief of the denouement is huge as a result. Which shows how effectively you have persuaded readers to identify with Bo (the initial revelations of his weaknesses and failings, the horrifying injustice of the IRS audit, Bo's inability to think of a way out of his problem) and to enlist their support for him.

The piece is very well written, too, with several arresting and illuminating turns of phrase, excellent unfolding of the tale, and measured pace and flow. In all of it, there was only one point that jarred slightly with me. That was Bo "screaming" his response to the news of a million dollars deposited in his bank account. It seemed out of character for the Bo we're getting to know, too expressive for a man of his quiet and secretive disposition. It might be what he felt like doing, but I think he would find a way to suppress the worst of his reaction while in the IRS office.

I must be losing my touch, finding only one word to quibble at in over a thousand. The truth is that you have written an almost flawless story that grabs the reader from the outset and holds him until you're ready to let him go. Brilliant!


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Review by Beholden
In affiliation with WdC SuperPower Reviewers Group  
Rated: 18+ | (4.5)
Review of To Kill a Mouse by Graywriter

Initial Impression:

The setting is established very quickly as vaguely medieval with a dash of magic. This is not a criticism as it is hard to imagine an alternative for the fantasy genre. Certain aspects make the story stand out from the norm, however. For example, one might expect the surviving lad to spend a few years growing up and training to exact his revenge on the killers of his family. It is refreshing, therefore, that he gets the chance and has the gumption to strike back at them immediately. The idea of a telepathic hawk is original, too.

Title:

I know the title echoes statements in the story but I can't shake the feeling that it's weak somehow. It reminds me of To Kill a Mockingbird, which would be okay if the story had some sort of parallel to the book. The fact that it doesn't may be why it feels a bit weak. Plus, that was quite a "mouse" that J'mie killed. I think the story deserves something more intriguing and indicative of the struggle against unfair odds. A Hoist Petard, for instance, contains enough to intrigue a potential reader, maybe.

Content:

It's a clever little story of swift vwengeance from an unlikely quarter. I especially like the way you allowed the plan to unfold gradually, thus keeping the final blow for the very end. Who doesn't like a story of the little guy winning by artful scheming against apparently unbeatable physical odds?

There is a couple of plot holes that may need attending to. There are seven horses and, presumably, seven breakers therefore. The first trap, using the slasher, takes out one breaker, judging by the scream. The sword trap takes out at least a horse. Then six horses plummet to their deaths and those of their riders. The last breaker is subsequently dealt with by J'mie himself. That makes six plus one breakers killed at the abyss. But what about the two taken out by the traps? I suppose there could have been nine of them but then we need two more horses. It's a mathematical problem that gave me pause.

Style:

You know how to tell a story, that's clear. Everything is described well enough to create a picture in the reader's mind and the action is clear and easy to follow. I'm not convinced about the names, however. You use the fact that it's a common device in fantasy these days but I wonder if we've seen too much of it. Certainly, it beats giving the characters unpronounceable (and therefore easily forgotten) names but I found it a little too cute for a story of this weight.

Flow/Pace:

No problems in this area. Everything flows along smoothly, speeding up when there's action and slowing when we need to take in information.

Suggestions:

Returning to the names, I was struck by the fact that the breakers seem to go along with the usage of apostrophes in their names. That's fine if the breakers are a form of outlaw band that comes from the same stock as the homesteaders but, as seems more likely to me, they are raiders from a different tribe or race and would speak a different language then. I notice that J'mie understands their speech but this might have been a part of his education. Is it worth giving us a little more background to the breakers? For you to decide.

Overall Impression:

Much depends on how deeply you are invested in the created world. If you intended it to be purely for this story, then I think it's fine as it is, with just the questions of numbers to be sorted out. But if (and I think this may be where you're heading) you have thoughts of expanding the story into other tales or even a book, you need to start establishing background in this story. An enjoyable piece whatever you decide.

Regarding your Questions:

I found the protagonist to be likeable with a very clear goal. The decision to give him a withered arm was definitely a good one. Increases the reader's sympathy for him, especially as it becomes clear that his motivation is revenge. Crowning his achievment with realisation that revenge is not sweet and that what matters is justice, adds to the reader's care for the lad.

The dialogue is believable and it is always clear who is speaking. I did get a little lost once with the hawk's conversation but that was easily remedied by a check on the italics.

Conflicts are clear and natural.

As for the outcome being obviously the result of J'mie's strengths and weaknesses, that is why I pointed at his cleverness in devising the scheme. Brain will always defeat brawn, they say.

And yes, it is an engaging read; it held me right to the end. And I can be quite picky about readability sometimes.



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Review by Beholden
In affiliation with WdC SuperPower Reviewers Group  
Rated: E | (5.0)
Great rhythm in this one. I like it so much that I read it aloud - and then had an argument with myself over which fitted the flow better, "Who could want any more?" or "Who could want for more?" At first I thought the reduction of syllables by one was best but then changed my mind and decided on the original.

But enough of my troubles. It's a delightful, simple poem about the beauty of simple wishes and contentment. Add the unforced rhymes and the poem is a wonderful evocation of the finer things in life.


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Review by Beholden
In affiliation with WdC SuperPower Reviewers Group  
Rated: 18+ | (5.0)
An excellent poem about the campfire, evincing bright images of glowing embers and delicious treats cooked on the fire, each image highlighting some aspect of the spirit of camping so that the reader is drawn in to share the experience. We do not need to know who cousin James is - we supply the picture of a boy chasing bullfrogs. And this is how the poem builds the essence of campfire - by mention of vivid aspects of the camp our own experiences are brought into play and understanding created between poet and reader. Very nicely done.

I like, too, the personification of such a lowly thing as coals so that due homage is paid to their important part in the scene. A true vision of the faithfulness of the inanimate.


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Review of Stuck  
Review by Beholden
In affiliation with WdC SuperPower Reviewers Group  
Rated: E | (5.0)
You are so right - being stuck is sometimes the best thing to be. I was wondering at first how long you could keep up the flow of similes. When I try that kind of thing, I always end up with fewer than I'd hoped for. But you managed it to mid-second stanza, an impressive list and all of them eloquent of stickiness.

I think this poem is a resounding paean of praise for something that the modern world is losing: the long-lasting relationship. It's not an easy thing to express, this feeling of being joined in common existence and loving it. You have succeeded in this, thereby enabling you to end on a great shout of determination to be together to the end.

The power of the poem comes from the down to earth recognition of the fact of your situation, the description of it in ordinary terms that yet will be understood by all. Who has not experienced those sticking things, after all? There's no romantic prettification of the matter, no wild promises of eternal devotion, just this simple statement of fact that gives reality and solidity to your subject. It's a clear view through an honest eye.

Even so, I have a quibble. It's a bit of a hobby horse of mine but why is the whole thing centred? To my mind, this merely makes it more difficult to read, the eye having to adjust to a different starting point with every line. And there is no compensation of some shape being revealed (although it's arguable about how relevant this is to a poem anyway), the length of the lines being so variable as to create a shape that wobbles about indecisively. I think you're far too good a poet to worry about how a poem looks from the other side of the room.

If I'm wrong in this, you're going to have to explain it to me. I've thought about this business of shaped poetry for a long time and it still just looks like a clever trick invented by Lewis Carroll. And a trick that was only clever the first time.

The good thing is, it gives me a suggestion I can make to satisfy Schnujo's review requirements! As if I would ever dare to make suggestions for improvement to your perfect poetry otherwise!


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Review of Writing In Images  
Review by Beholden
In affiliation with WdC SuperPower Reviewers Group  
Rated: E | (5.0)
And yet we are more than painters. The painter presents us with an image frozen in time which may be connected to a story but, if it's to mean anything, that story must already be known to the viewer. The writer works in images but they're a series that connect together to create story. A reader can come to it knowing nothing of the story and it's our job to let them become a part of it.

Which is why your reference to the movies is so apt. Writing and movies are inextricably linked - without a story, there's no movie. And someone had to write that story.

Now they tell us to leave out adjectives (description, in other words). Apparently, just the bare name of something is sufficient for the modern reader. Yet it's good description that creates the pictures that are remembered.

Totally agree with your premise. Well written too (but you could correct the apparent typo in "Your directing a movie on a plain piece of paper." I think you meant "you're.")


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Review of Evergreens  
Review by Beholden
In affiliation with WdC SuperPower Reviewers Group  
Rated: E | (5.0)
I like this poem a great deal because it shows a knowledge of the growth and lifespan of forests. The first stanza deals with the trees already grown, standing tall and straight with very little foliage below their crowns. They are dispersed, too, not forced together, which would explain their drive towards the light amongst many others doing the same. The conclusion must be that this forest has been thinned, that the best trees have been taken and the rest left to encourage the new saplings to strive towards the sunlight.

The stanza contains all this but also allows the reader to feel the magnificence of these tall trees. The words "soaring upward," "towering remnants" and "old growth" speak of the age and beauty of these trees, and "hypnagogues" reminds of their hypnotic power as we stare upward at their crowns. Very subtly and prettily done.

Then the second stanza turns our gaze to the new growth at the foot of the older trees. We are reminded that these sprigs, struggling from the mist and undergrowth, will one day stand as tall and straight as those few around them. It's a lesson in forest management as well as a beautiful picture of a forest in renewal in the morning. Excellent stuff.


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for entry "Passion Tanka
Review by Beholden
In affiliation with WdC SuperPower Reviewers Group  
Rated: 13+ | (5.0)
Review of Ned's tanka, Passion Tanka.

Follows the tanka form precisely and has that clipped appearance that western minds make of oriental forms. This one has a wonderful rolling effect as it leads the reader through the experience - a touch of ignition, passion blazing up and finally rest as the fire dies down. The picture it builds is accurate, a true representation of passion coursing through our veins, and not a word is wasted or lacking in precision. The best of both approaches to poetry.

Wonderful work!


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Review of Hope  
Review by Beholden
In affiliation with WdC SuperPower Reviewers Group  
Rated: E | (5.0)
This is a good evocation of how important hope is to humanity. It considers what we would be like without hope and uses simple and direct terms to describe such a state. Hope, indeed, is not for naught, for there are times when it is the only thing keeping us alive.

The rhyme scheme of second line with fourth of each stanza is simple and clear with well chosen rhymes that do not interfere with the flow of the poem. It is easy to read but repays repeated readings, with a greater depth of meaning than may appear at first.

A fine and concise little poem.


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Review of Urban myth  
Review by Beholden
In affiliation with WdC SuperPower Reviewers Group  
Rated: E | (5.0)
There is something about Australian outlaws that makes them seem more swashbuckling and fun than criminals of other nationalities. Ned Kelly is the most famous, of course, but this feller, Moondyne Joe (makes me wonder what Moondyne means), sounds even more of a character. Even the Wikipedia maintains his real fame stems from his escapes from custody, rather than any crimes he committed (yeah, I googled him).

You have captured well these aspects of the urban legend, which is quite an achievement within only 100 words. It's an exciting and merry tale, even though he is caught again in the end. At least he had the pleasure of sampling the local wines before that, however.

A well constructed story that communicates the charm of the actual legend.


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Review by Beholden
In affiliation with WdC SuperPower Reviewers Group  
Rated: 18+ | (5.0)
Interesting form, adhered to with extra rhymes thrown in. I like it a great deal, especially since it communicates very well the desolation of losing a lover. It's a tight, well thought out and organised poem that tells a story as well.

My one quibble would be the transfer of the third line's rhyme to the fourth line. This is actually very clever, because it doesn't mess with the flow and, when speaking the poem, it chimes pefectly with the rest of the lines. But it may offend against a rule that isn't part of the form but you have chosen to adopt - that the rhymes come at the end of the lines.

In the end it makes me like the poem even more, it being so elegant a solution to the problem of finding a rhyme for the third line. That it demonstrates that a poem can be more important than sticking to a rigid rule is delight indeed. Add to that the fact that the word "hide" can be taken in two ways, and the line becomes the very crux of the poem.

Powerful stuff.


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