Literary Review of "The Choice of Wishes"
"The Choice of Wishes" is a short story that offers a brief but telling snapshot into the lives of two vastly unique characters: Patricia and Brigid. The story's direct dialogue and succinct prose quickly establish the central conflict rooted in class differences and personal dissatisfaction.
Patricia's exclamation about hating her clothes is an initiation into her world—where appearance and material possessions hold significant value. Through her point of view, we witness the unsated desires of someone who equates worth with wealth and beauty. The phrase "I am the only girl in this kingdom who has to wear old rags," while hyperbolic, underscores Patricia's profound sense of isolation and entitlement.
Brigid presents a stark contrast. Her calm demeanor, as she looks up from her book, subtly but powerfully conveys her grounded and content nature. There is wisdom in her minimalism, symbolized by her book—an object hinting at knowledge and depth of character. The dialogue "You must have more clothes than I do" cleverly juxtaposes her simplicity with Patricia's complexity.
The tension between the two escalates when Patricia belittles Brigid by calling her a "nun," a term she uses derogatorily. It unravels layers of jealousy and perhaps an internalized misogyny that Patricia harbors as she devalues Brigid's apparent choice of a humble appearance. Brigid's response, "I'm sorry, but did you just call me a 'nun'?" reveals her shock and a subdued hurt, as well as her strength in addressing Patricia's rudeness without aggression.
The story climaxes with Patricia admitting her unhappiness and desire for "something more." It is a powerful moment when her façade drops, and we see the vulnerability she has been hiding under her ostentatious exterior. Brigid's response, "Oh dear," conveys empathy and wisdom, acknowledging that happiness does not come from external possessions or appearances.
Brigid offers a simple and profound solution, suggesting that Patricia could find happiness not by acquiring more clothes or material possessions but by changing her perspective on life. She explains that genuine contentment comes from within, never bought, and she suggests Patricia could find happiness by changing her perspective on life instead of acquiring more clothes or material possessions. Wealth.
The narrative takes an enchanting turn with the unexpected introduction of a leprechaun and a dragon, integrating fantasy elements into the stark realism of Patricia and Brigid's world. During a solitary stroll through the enchanted woodland, Patricia stumbles upon a leprechaun cloaked in emerald green and gleaming with a mischief befitting his folklore. This encounter, while initially appearing to be a fortunate twist of fate, serves to magnify Patricia's fixation on material gains, as she immediately thinks of the gold often associated with leprechauns. However, sensing her desires, the leprechaun imparts a cryptic lesson about the true value of wishes, emphasizing the unforeseen consequences of greed.
The story deepens with a majestic dragon, embodying wisdom and ancient power. Unlike the expected fearsome beast, this dragon converses with Patricia, offering a perspective contrasting the leprechaun's trickster insight. Through a dialogue brimming with sage advice, the dragon challenges Patricia's perceptions of happiness and self-worth, using its existence—lonely at the pinnacle of the magical hierarchy but rich in knowledge and experience—as a metaphor for the emptiness of materialism. This fantastical meeting becomes a pivotal moment for Patricia, prompting a reevaluation of her values and desires.
The ending is a pleasant surprise, which I will not spoil for those who have not read the story.
Improvement Suggestions
"The Choice of Wishes" effectively delivers its thematic statement. Still, there is room for further development in certain areas to enhance the narrative.
Character Backstories: Understanding the origins of Patricia's discontent and Brigid's serenity could add depth to the narrative. Flashbacks or dialogues that hint at their past might make their present choices more resonant. The key word being "hints," providing backstory without falling into the pit of boredom requires skillful wording and style.
Flashback Example for Patricia: A brief scene where a young Patricia attends a lavish birthday party, only to overhear her parents lamenting their financial struggles to keep up appearances. This moment crystallizes her association of social acceptance with material wealth, embedding a deep sense of insecurity and a longing for external validation.
Dialogue Illustrating Brigid's Serenity Origins: A conversation between Brigid and her mentor (maybe a grandparent) in which Brigid shares her realization about the transitory nature of material possessions after losing her family home to a fire. The mentor's wisdom on finding peace in simplicity and the importance of inner richness encapsulates the foundation of Brigid's contentment and her choice to prioritize existential over material wealth.
These scenarios provide the narrative scaffolding to understand why Patricia is driven by a desire to be seen and accepted through the prism of wealth. Meanwhile, Brigid finds solace in the essence of being and the depth of personal relationships, unmarred by the superficiality of appearances.
Use of Flashbacks: A flashback could reveal a young Patricia at a wealthy but emotionally cold birthday party, surrounded by gifts yet looking for her parents' attention, highlighting the roots of her material fixation as a substitute for affection. Conversely, a flashback showing Brigid in a modest but warm household, reading by the fireside with her family, could illuminate her value of simplicity and emotional wealth over material possessions.
Dialogues Hinting at the Past: The story could include conversations where Patricia, in a rare moment of vulnerability, mentions how her parents always equated love with expensive gifts, never truly being present for her. Brigid might remember when her family faced financial hardship but came together to support each other, teaching her the value of human connections over material goods. These dialogues would offer insights into their characters and serve as a natural way to contrast their life philosophies and current choices.
Exploring Classism through Enhanced Interactions
Expanding on the class differences could significantly deepen the narrative's exploration of societal structures. For instance, Patricia might invite Brigid to a high-class event, inadvertently highlighting the stark contrasts in their lifestyles. This scene could portray Patricia's discomfort and alienation in her world when she observes Brigid's ease and genuine social interactions despite the unfamiliar and abundant environment. Through Brigid's eyes, readers would see the superficiality that often pervades high society—a veneer of politeness masking shallow relationships—contrasting with the authenticity she values.
Another example could be a conversation where Patricia defensively boasts about an expensive new dress, expecting Brigid to react with envy. Instead, Brigid responds with genuine happiness to her friend, puzzled over why such acquisitions matter so profoundly. This exchange could trigger a reflective moment for Patricia, where she questions whether her relentless pursuit of material wealth has truly made her happy or merely widened the gap between her authentic self and the persona she presents to the world.
Through these interactions, the narrative could offer a more nuanced perspective on classism, highlighting how it affects individuals and how crossing those divides can offer profound lessons and opportunities for personal growth.
Protagonist Development: While both characters are well-defined, there is potential for further character development. Exploring Patricia's insecurities a Setting Expansion: Descriptions of the kingdom and the two girls' environment could provide a context for their emotional states and social dynamics.
Conflict Exploration: The conversation jumps immediately into conflict. Offering a buildup or introducing the conflict with a scene before the confrontation could create a smoother narrative transition.
Themes and Motifs: Use motifs to deepen the themes of envy and self-worth—perhaps the state of Patricia's clothes and how she attempts to improve their looks before declaring hate. Or the title of Brigid's book could offer symbolic weight or foreshadowing. Does this once-a-year appearance of the magical have a name? Is it the title of the book?
Dialogue Nuances: The characters' dialogue could use additional subtext to display their emotions and motivations more subtly. Using more natural language would go far.
To enhance the nuances in dialogue and imbue it with a more profound subtext that subtly conveys the characters' emotions and motivations, consider the following examples:
1. While conversing with Brigid, Patricia could embed hints of vulnerability in her dialogue instead of straightforwardly admitting her insecurities or boasting about her possessions. For example, Patricia might say, "You always seem so content, Brigid, no matter where you are or what you're wearing. I wonder what that feels like." This comment, made while she fiddles with an expensive but unnecessary accessory, subtly conveys her discontent and envy without directly stating it.
2. Brigid Responding to Patricia: Rather than Brigid directly stating her values, she could use a reflective response that invites Patricia to introspect. For example, "Isn't it strange, Patricia, how a beautiful sunset or a night full of stars never asks us for anything in return? Yet, they can be the most precious." This gentle juxtaposition of nature's simplicity with the complexity of human desires hints at Brigid's appreciation for the non-materialistic aspects of life, encouraging Patricia to reflect on her values.
Employing such techniques, the dialogue can reveal the characters' deeper thoughts and feelings without clarifying them, offering readers a richer, more engaging narrative experience.
Point of View:
I liked how you almost captured and Experimented with differing points of view, which could offer insight into how each character perceives the same situation, adding complexity to the narrative. However, an author must be careful not to suffer "Swapping Head Syndrome."
To further enhance the narrative through point of view (POV) techniques, consider these approaches that could deepen the reader's connection with the story and characters:
1. Patricia's Limited Third-Person POV: A section written from Patricia's perspective could focus on her internal struggle, allowing readers to experience her world through her eyes. For instance, during the high-class event, instead of plainly describing the luxury, the narrative could detail Patricia's mounting discomfort and alienation through her sensory experiences—her tight grip on a too-cold glass of champagne, the oppressive heat of superficial conversations, her envious glances towards Brigid's effortless mingling. This POV can make her internal conflict more palpable and relatable.
2. Brigid's First-Person POV: Switching to Brigid's first-person POV during a flashback scene could immerse readers in her genuine compassion and simplicity. Through her eyes, the story could vividly paint the individuals they're helping, Brigid's thoughts reflecting on each person's story, her admiration for their resilience, and her realization of the true value of community over material wealth. This direct insight into Brigid's thoughts can strengthen the emotional impact of her character's values.
3. Dual Perspectives in Dialogue Scenes: In a critical dialogue between Brigid and Patricia, alternating close third-person perspectives can vividly capture their misunderstandings and realizations. For example, as Patricia boasts about her new dress, the narrative could first show Patricia's perspective—her anticipation of envy, her practiced smile—then shift to Brigid's perspective, showcasing her genuine happiness for Patricia and her confusion over Patricia's values. This back-and-forth can highlight the contrast in their worldviews and the complexity of their friendship.
These POV techniques give the story layers of emotional depth and psychological complexity, offering readers a multi-dimensional understanding of the characters' journeys and the themes at play.
"The Choice of Wishes" creates a momentary clash between two ideologies, showcasing a microcosm of societal tensions. However, further development could elevate the piece, rendering the characters and their struggles in a more vivid and compelling light. With these improvements, the story has the potential to paint a portrait of discontent and calm. It also explores the broader human conditions that give rise to such emotions.
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