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Review Requests: ON
442 Public Reviews Given
1,167 Total Reviews Given
Review Style
Depends. Sometimes, in depth, and sometimes, "just the feel of the item."
I'm good at...
I'll let you be the judge.
Favorite Genres
Sci/fi and fantasy. Anything with a happy ending.
Least Favorite Genres
Anything depressing.
Favorite Item Types
Static.
I will not review...
I do not like reviewing anything that was not spell checked. Do your homework first.
Public Reviews
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51
51
Review of And Then Again...  
Review by Tadpole1
Rated: E | (5.0)
Wow!I have a tear running down my cheek.

Absolutely lovely. Moving and inspiring.

I could see the photograph and imagine each of the scenarios perfectly. It reminds me how thankful I am for the little things every day. The big things too.

Great job.
52
52
Review by Tadpole1
Rated: 13+ | (5.0)
Hi SandraLynn,

Your poem was lots of fun. I smiled the whole time reading.

Happy Halloween in advance.

Thanks for sharing!

Tadpole1
53
53
Review by Tadpole1
Rated: ASR | (4.0)
Hi Prosperous,

I enjoyed your Halloween poem. It's always fun!

Thanks for sharing,

Tadpole1
54
54
Review of Reap of Sowing  
Review by Tadpole1
Rated: 18+ | (4.5)
Hi Anthony,

I'm going to ramble here, so please forgive.

First, I really liked the story. I didn't plan to read all the way through, but it pulled me in. Super.

I was surprised by how tough the kids were in the beginning, but then, I told myself that maybe I just didn't have a clue and that maybe some kids were tougher than I imagined.

At first, I had no idea that the story was going to involve magic. This made it a surprise, which is cool. Originally, I thought that the story was going to be about racism, so the magic twist was a lot of fun.

In the beginning, I thought the girl was friends with the bullies, one of them, but I quickly understood otherwise. Her actions seemed younger than the story. It is probably just me on this. I didn't reread to be sure.

About the ending, I like it, but somehow, I think it could be improved to make it fantastic. Maybe when she gives Birsha the pill earlier, it should come with a warning? Maybe that he should only use it to defend himself and never to purposely hurt someone or he could lose his soul, or some such foolishness. Grin.

I don't think that he provoked the witch. I think that he released her. Maybe, Chayna runs to him, after learning something new, and tries to prevent him from misusing the powers because he will fall under the witch's power. Personally, I would make the exchange longer starting with “Birsha, are you okay?”

Grammar: There are a few other blips, but I would change your semicolons to commas.

When I review, I like to say what I liked, but I also look for how to improve the story, which is why I gave these comments. Only you know what is best for your story.

All in all, I really enjoyed reading it. Also, I saw that you are sending gps, so I'll send some back right now.

Thanks for sharing!

Tadpole1

55
55
Review by Tadpole1
Rated: E | (5.0)
Cool handle Mudpuppy!

I loved this phrase: incomprehensible brain battering goo.

Also, when reading, I actually thought about Dissociative Identity Disorder instead of Schizophrenia because of the losing time episode: he lost two months from the early spring calendar.

I could feel the confusion.

Thank you for sharing,

Tadpole1
56
56
Review of The Blur  
Review by Tadpole1
Rated: E | (5.0)
Hi Jeff,

Thank you for sharing your poem. I really enjoyed it.

Tadpole1
57
57
Review of Fragmented Minds  
Review by Tadpole1
Rated: E | (5.0)
Hi PK,

I really enjoyed your poem. It was very enlightening. Also, I particularly liked the spacing. It says reams.

Thank you for sharing.

Tadpole1
58
58
Review of The Treasure Hunt  
Review by Tadpole1
Rated: 13+ | (5.0)
Hi HM,

Just can't do better than that!

Tadpole1
59
59
Review of One Too Many...  
Review by Tadpole1
Rated: E | (4.0)

*RainbowL* *Grass* *PoseyP* *TulipB* *MushroomG* *ButterflyG* *FishP* *StarfishY* *Frog* *StarfishR* *FishB* *ButterflyV* *MushroomV* *TulipR* *PoseyY* *Grass* *PoseyP* *TulipB* *MushroomG* *ButterflyG* *FishP* *StarfishY* *Frog* *StarfishR* *FishB* *ButterflyV* *MushroomV* *TulipR* *PoseyY* *Grass* *RainbowR*

Hi everyone. Any of my comments or suggestions are just that: comments or suggestions. They are always given with respect and the hopes that they will be helpful. If you don’t agree with them, just ignore them; after all, you know what is best for your story. *Smile*

What I liked best: I started smiling a few stanzas in. *Smile* Also, I felt a bit of suspense as to whether or not there would be a mermaid.

Scene/Setting: Aren't penguins in Antarctica as opposed to the arctic? Of course, this could just mean cold, but would it be confusing to young kids?

Grammar: It's a poem, so anything is fine, but my mind kept adding punctuation.


Just My Personal Opinion: *Smile*

Hi HM,

I wanted to read the poem through once for the fun and to see how it ticked my emotional meter. Sure enough, I started smiling a few stanzas in. Now, I'm going through to make suggestions and comments. *Smile*

I like it. It might be fun to add another stanza before the final one that suggests even more that the child might be a mermaid.

Thank you for sharing! *Smile*
Tadpole1Tadpole1


One Too Many

I think I'm at the point where I really need new glasses. Cute hook.
I find that the kids all look the same in all the classes.
The school year's almost over, only one more trip.
I'll just be double careful not to make a slip.

Suggestion: in all my classes (instead of using "the" twice, and it brings it closer to the narrator.)

"Slip" can have two meanings here. At first, I thought it meant not to fall. The second time, I thought it meant not to make a mistake. Was this intentional? If so, cool.

There is something about the rhythm in the last line when linked with the rest of the stanza that makes me want to take out the word "a" and add another word earlier. Hmm. It is probably just me.


I count from one to thirty as they get on the bus.
We're heading on a field trip and I don't want a fuss
so I number each and every little smiling face
then I will always know if there's an empty space.

I start smiling with the above lines. Grin.


We gather in the parking lot and head in single file.
This keeps them all together but only for a while.
We hit the doors and off they go, little ones gone wild.
And so I spend an hour rounding up each child!

Is the exclamation point really needed?


A few are making faces as they stare at sharks.
A few more are watching lampreys standing in the dark.
Most are by the arctic pool, watching penguin’s play
with dripping hands still wet, I guess, from petting manta rays.

Do lampreys stand?


I gather them in one place and now comes all the fun.
I count each smiling face... Hmmm. I now have thirty-one.
The kids are up to something, they can't stop their wiggling
and every time I recount I can hear them giggling.

Here, I'm starting to suspect a mermaid of sorts.


I try a different tack. I look each one in the face
hoping that I'll spot the one who looks out of place.
A few seem unfamiliar but then I'm not astute ; unneeded space
the most familiar one is the small kid in the suit.

It's noon and time for lunch, according to our planner.
They're just like animals – except the small kid with the manners.
And so the day proceeds but I keep checking in
with the lost and found to see if any kids are missin'.

Because, missin' is the only word that is missin' the "g" (grin), it seems contrived, but maybe ten-year-olds really don't care. Roll eyes.


The day is finally over, so we march back to our ride.
Once again, I count the kids but still I can't decide
how many did we start with? Was it thirty-one?
Too many's not a problem but too few and I'd be done!


Maybe an additional stanza here just for the fun?


The parents take their kids. Once more I've cheated death.
But one child still is waiting, the one with fishy breath,
so I sit with him, up wind, since he smells like bait
and talk to him to ease his fears as we wait... and wait... and wait...

Thank you for giving me the opportunity to read your work. Please take any suggestions you like and disregard the rest because only you know what is right for your writing.

http://owl.english.purdue.edu/owl/resource/607/02/...
http://www.englishgrammarsecrets.com/questionstags...
http://www.grammar-monster.com/lessons/which_that_...

*RainbowL* *Grass* *PoseyP* *TulipB* *MushroomG* *ButterflyG* *FishP* *StarfishY* *Frog* *StarfishR* *FishB* *ButterflyV* *MushroomV* *TulipR* *PoseyY* *Grass* *PoseyP* *TulipB* *MushroomG* *ButterflyG* *FishP* *StarfishY* *Frog* *StarfishR* *FishB* *ButterflyV* *MushroomV* *TulipR* *PoseyY* *Grass* *RainbowR*










60
60
Review of The King of Texas  
Review by Tadpole1
Rated: 13+ | (4.5)
Good morning,

This was cute!

Keep them coming.

Thanks for the smile,

Tadpole1
61
61
Review of Drops of Essence  
Review by Tadpole1
Rated: 13+ | (4.5)
Hi Intuey,

After you commented on my "three" words describing a highway, I decided to pop over and see what was lurking in your port.

Once upon a time, I tried to learn Italian. Sigh. I thought that it was a beautiful language, and if I learned to speak it then, perhaps, I could understand opera. Not even.

I totally gave up and read the English translation of Dante's Inferno with the Italian on opposite page. At least that way, I could "see" the beauty of Italian poetry.

Kudos to you for learning all the rhyming schemes. The poems I have written are far less sophisticated.

I was happy to come upon your poem, but I must say that I really like the illustration even more. I can hear the scream much louder than Munch's. Black and white was a good choice. One that the French would approve.

Thank you for sharing!

Tadpole1
62
62
Review of Uplifting!  
Review by Tadpole1
Rated: 13+ | (4.5)
Hi HM,

Thanks for the smile! *Smile*

Tadpole1
63
63
Review of Magic  
Review by Tadpole1
Rated: E | (4.5)
Good morning Naz,

Your poem was filled with emotion. At first, I imagined that she was speaking about an ill child promised only a few years of life. Then I realized it was about her love.

You wrote: She wake up thinking about him
Suggestion: She wakes

You wrote: She smiles when he gives no effort
Suggestion: when he makes

Thank you for sharing this emotional moment.

Tadpole1
64
64
Review by Tadpole1
Rated: 18+ | (3.5)
Hooves - Sara's Port - Chapter 1

*RainbowL* *Grass* *PoseyP* *TulipB* *MushroomG* *ButterflyG* *FishP* *StarfishY* *Frog* *StarfishR* *FishB* *ButterflyV* *MushroomV* *TulipR* *PoseyY* *Grass* *PoseyP* *TulipB* *MushroomG* *ButterflyG* *FishP* *StarfishY* *Frog* *StarfishR* *FishB* *ButterflyV* *MushroomV* *TulipR* *PoseyY* *Grass* *RainbowR*

Hi everyone. Any of my comments or suggestions are just that: comments or suggestions. They are always given with respect and the hopes that they will be helpful. If you don’t agree with them, just ignore them; after all, you know what is best for your story. *Smile*

What I liked best: As the chapter moved along, I felt the author's sincere thoughts, and that pulled me further into the chapter.

Plot: Oliver Kelly wants to meet his soulmate, and he finds her on WDC. Now, he needs to find the courage to IM her.

Hook: Yes. I had to chuckle.
Tension: Higher as the chapter progressed.
Confusions: Only in the beginning when I was trying to figure out who the pov character was.
Questions: Are you Sara?

Style & Voice -- Concerning style: My comments will assume that you would like to write either in first person or third person limited. However, I would like to point out that many, if not most, of the books that I have bought recently use the omniscient point of view. Ultimately, style is the author's choice. Includes author’s/narrator’s voice, but also hitting truly unique voices for each character

Style: There is a lot of telling. It would be stronger with showing. See example within the chapter.
POV: Omniscient. It would be stronger if it were tightly in third person limited.

Scene/Setting: Too much it drags? Too little? Confused? Did they use 3 senses? Almost none, so yes, it needs more setting.

Characters:

Oliver (Lane) Kelly: He is waiting to find just the right woman.
David: Oliver's friend, a director, who wants to fix Oliver up with a woman, any woman
Sara: Girl that Ollie will meet on WDC.

Grammar: Please see line by line review. Mainly missing commas.

http://owl.english.purdue.edu/owl/resource/607/02/...
http://www.englishgrammarsecrets.com/questionstags...
http://www.grammar-monster.com/lessons/which_that_...
http://wps.ablongman.com/long_faigley_penguinhb_1/...
http://grammartips.homestead.com/compoundsentences...

Just My Personal Opinion: tell them what you liked/didn't like. How did it make you feel and all other misc.! *Smile*

Hi ya Hooves,

I was fooling around on WDC this morning and fell into your port. My first chuckle hooked me into your story. As the chapter progressed, I felt closer and closer to Ollie and was rooting for him to find his Sara.

Thank you for the happy moment I passed reading the chapter with Ollie and his hopes of finding Sara.

Smiles,*Smile*

Tadpole1

Tadpole1


Sara's Port - Chapter 1

Oliver Kelly couldn't quite remember the exact moment he fell in love with Sara, but it was very soon after discovering her portfolio of writing on the internet.

Thanks for the chuckle. Good hook for a WDC member. Grin.


It happened over the course of several autumn months while he was on location in California, during the filming of his third consecutive best selling novel, the legal thriller, Simon's Choice. Although he normally lived in Virginia, Hollywood was his home away from home, during filming.

Suggestion: …during the filming of his third, consecutive, best selling novel: The Legal Thriller.


With final approval of all script changes, he felt the need to be telling

on the set to work effectively with the Director, David Aaronson, and all the other screenwriters.

"Ollie, would this happen?" and "Ollie what do you think of this script change?"

were questions most frequently asked during his days on the set. telling

Director David relied heavily on Oliver's opinion and they shared a mutual respect as well as a good working relationship.

Pov: omniscient


With Oliver's law school education and varied, although limited, experience as a litigator, he was an invaluable consultant when it came to the particulars of the law and everyday practice. He worked as a lawyer just over a year when he found his way to what he really excelled at - writing fiction.

Confusion/flow: While it is not exactly head-hopping, or exactly changing pov, still let's call it pov. First, we are talking about Oliver, then David, then Oliver. Since it is not strongly anchored in a particular character's point of view, it creates a slight confusion, requiring increased concentration and slowing the flow.

Suggestion: Anchor it strongly in one character's pov.


While in Hollywood, most of his time was spent hanging around the set waiting to help David and the others. It was during such a stretch, the previous Spring, that Oliver initially joined Writing.Com - so he could spend the time constructively - writing for fun and encouraging other writers. telling

He wanted to stay as far away as possible from the "social life" offered by Hollywood - that was certain.

He avoided it like the plague, cliché

Suggestion: Something original. He avoided it like (adjective) stinging nettles.


preferring to spend quiet time in his trailer or hotel room on the internet.

"Let's go out for a drink, Ollie," David Aaronson suggested more than once. telling (It's not actively happening right now.)

"No, thanks. I have some reading to do," was Oliver's standard reply.

His response was virtually the same whenever David offered to fix Oliver up with an actress or one of his wife's many friends. Although, there was no shortage of available, attractive women in Los Angeles, Oliver wasn't interested in dating starlets or models, or David's wife's array of divorced and single friends. Realizing that the women he met were primarily interested in his money and fame, he did his best to avoid potential entanglements whenever possible. This is telling, but if you turn it into dialogue, it becomes showing.

David twirled his whisky, rattling the ice against his glass. "Ollie, you can't stay locked up all the time in your room. Look," he pointed with a nod, "who just strutted in."

Oliver glanced past the smelly lilies on the table toward the hotel's entrance. The redhead flashed David a chalky-white smile and headed toward the elevator, heeling clicking on the marble floor. David knew all the rising starlets.

"Yeah, I see her."

After a sip of his scotch, David tilted his head toward the bar. "If you don't like gingers, then maybe she's more your style?"

He grinned at the leggy blonde, and she tossed her hair over her shoulders and smiled back.

"Give it up. I'm just not interested in any of these girls or any of your wife's divorced friends either." David drained his sparkling water. "I've got a chapter to finish, so see you in the morning?"

Do you see how this is showing the action rather than telling us about it? Do you see how the information is slipped in? Notice the bits of setting dribbled in with the action and dialogue, just bits and pieced here and there, no big blocks. Notice that the pov is Oliver's. He thinks that David knows all the rising starlets, and he thinks the lilies are smelly.


After many such attempts, in a moment of loneliness and weakness, Oliver finally gave in. By his reckoning, the night was an unmitigated disaster, confirming all his worst fears and suspicions about the dating scene in Hollywood.

At the age of thirty-two, he still couldn't find the woman of his dreams, but it wasn't because he was unattractive.

Standing six foot three, Oliver was engagingly handsome, with curly brown hair and lively green eyes. After writing three bestsellers, he was also more recognizable than he cared to be, especially when he discarded his glasses, and wore his contact lenses.

I won't mark about telling anymore.

Style: Repetition: Notice that the above paragraphs are staring with the same format?
Xxxx xxx xxxx xx xxxx, yyy yyyy yy yyyy


So, on those rare times he did go out in the public view, he opted for his wire-rim glasses so as not to attract unwanted attention. lol

He was tall, and attractive in a shy sort of way - wealthy and smart - characteristics which did not go unnoticed by the women around him, especially in Hollywood.

But Oliver was searching for something more - someone he could connect with on a deeper level. At heart he was a pure romantic, longing for his soulmate - his one true love. He didn't find her in law school comma between independent clauses with a conjunction like: and, so, but, … and he was all but certain that she wasn't to be found on any movie set in California.

Back east, Oliver lived his normal life in a university town, where no one but his best friend Ben, knew his real identity. Oliver wore the same glasses at home to correct his near sightedness and to avoid being recognized from the dust jackets of his novels. He dated a few local women casually, now and then, but nothing seriously romantic ever developed.

No one recognized the somewhat awkward, shy young man as the media portrayed him - as a dashing, world-renowned author - and he liked it that way. Using his mother's maiden name for his novels was, as far as he was concerned, a stroke of genius. Anything that helped him to remain below the radar and low-key was just fine with Oliver.

Oliver Lane was the famous one, not Oliver Kelly. I like the name Oliver Lane. It has a nice ring.

At home in Virginia, he could be just plain Ollie - the guy who purchased a Video Lovers franchise comma so he could spend time doing what he enjoyed almost as much as writing - watching movies and meeting people and not having to deal with all the trappings of fame that surrounded him in Hollywood.

To the people in Shannon, Virginia, he was the shy man with the self-deprecating sense of humor who ran the video store. When he was home, he and his friend, Ben, hung out together, playing on the pickup softball and basketball teams with the guys from the Fire Department.

He realized that most of the women he met were not interested in dating a manager at a video store - not with the University of Virginia a stone's throw away. Pretty area. There were plenty of aspiring professionals to compete with comma and Oliver knew it would take a special woman to pick him over the competition comma and that was the way he wanted it.

A woman would truly have to look past appearances and first impressions and find the real Ollie in order to fall in love with him.

To everyone other than Ben, he was a nice, quiet, easy-going guy, who worked hard and kept to himself. If anyone needed help, though, Ollie was the first one to lend a hand. They explained his absences by saying he periodically went to corporate headquarters for training comma and no one seemed to question that. The truth was no one was all that interested in the whereabouts of the video store owner, as long as the store was open and the videos were there for the renting.

Much to Ollie's amusement, Ben did his best to spread the rumor that his friend was not the brightest bulb in the pack, although everyone knew pretty quickly that Ollie was a big hearted guy, who would go out of his way to help anyone in need. The ideas in the two parts of the sentence don't seem to go together.


When Oliver questioned him about it, Ben said he was merely trying to help conceal his friend's identity comma and that suited Oliver just fine. Besides helping the people of Shannon, Oliver always thoroughly enjoyed encouraging other writers when he was on the sets of his movies.

From here on, I will stop pointing out that a comma is needed when a conjunction joins to independent clauses.


It was his drive to help writers that led him to the internet. One of the younger screenwriters mentioned the encouragement he received on Writing.Com. Interested, Oliver decided to check it out. What he found was a thriving young site with many new authors of all ages to encourage with helpful reviews. From the first, he was amazed and astounded at the vast array of talented authors he found posting their work on the web. No other writing site could compare to Writing.Com - dash instead of hyphen he could see it right away.

So, Writing.Com offered Oliver the best of both worlds - writers to encourage and anonymity to protect his privacy. Nice.

He found a lot of excellent work, but no writing ever

effected him affected

the way Sara's did, that September evening when he first found it and her.....

That Friday proved to be a long comma tedious day on the set for Oliver. He was tired, but looking forward to a quiet evening in his hotel, reading new authors on Writing.Com. He was fed up with script revisions and editing his own writing for one day, so the fresh reading was a welcome respite. Sounds like it's coming from the author. Sounds authentic. Good.

The work he did in his own portfolio consisted primarily of romantic poetry and opinion pieces. Occasionally he tried short story ideas or outlines just to get them down on the screen and play with them.

There was nothing he enjoyed more than reading new authors - it was like opening presents - Sweet! finding so many talented writers of all ages and skill levels online. Oliver loved encouraging them, but most of the time comma he did it anonymously so the writers wouldn't feel obligated to thank him or compelled to reciprocate.

Sweet, and again, it sounds authentic.

I will now ignore all commas.


.....

That September night, Oliver navigated through the site as usual, reading a couple of his favorite authors' latest works. His own handle was "Ollie." As he perused the updated list of authors online, a new name caught his eye.

It was simply "Sara." Lots of Saras around here. (Or, is it Sara's?)

He always loved the name, Sara, so much so that he gave that name to his favorite female character in his very first novel, "Revelations." I love the name Sara too, so much that our daughter would have been Sara had her aunt not just named her cousin Sara. Roll eyes.

Grinning to himself, he eagerly clicked on to Sara's portfolio and was pleasantly surprised. Although, she'd only been writing online for a few weeks, Sara already created a number of items in her portfolio, including a folder full of reviews - movie reviews. In addition, there were quite a few short stories and poems.

As he read further, he grew more and more intrigued. Sara's reviews were well thought-out, insightful and witty. He carefully read everything she wrote, sending an evaluation and detailed comment for each item. I'm more pulled in to this part of the chapter than the beginning of the chapter.

Departing from his usual practice, he didn't review anonymously, not this time. And he couldn't quite bring himself to leave her portfolio. He devoured everything - her poetry, short stories and opinion pieces in addition to her movie reviews.

"This is amazing!" he exclaimed more than once.

Her writing spoke to him - awakening feelings long submerged, deep inside Oliver, propelling him to do something he never did before. he had never done

For the first time ever, he combed the list of people online carefully to see if by some chance Sara might be online too. IM time!

Normally he would just glance at the list now and then to see who might be adding to their work that day. But her name wasn't there, so he had to be content with sending her more than thirty excellent ratings and rave reviews, along with accompanying gift points. Gift points were tokens that could be purchased on the site to, in turn, pass on to others.

In fact, he gave Sara so many gift points, he needed to buy more. Lol! And, a happy StoryMistress!

Oliver wasn't exactly sure what he would do if she was online, since he never exchanged instant messages with anyone on the internet before. All he knew was he wanted to find Sara and reach out to her -the sooner the better. ....... This is so sweet!

Thank you for giving me the opportunity to read your work. Please take any suggestions you like and disregard the rest because only you know what is right for your writing.

http://owl.english.purdue.edu/owl/resource/607/02/...
http://www.englishgrammarsecrets.com/questionstags...
http://www.grammar-monster.com/lessons/which_that_...

*RainbowL* *Grass* *PoseyP* *TulipB* *MushroomG* *ButterflyG* *FishP* *StarfishY* *Frog* *StarfishR* *FishB* *ButterflyV* *MushroomV* *TulipR* *PoseyY* *Grass* *PoseyP* *TulipB* *MushroomG* *ButterflyG* *FishP* *StarfishY* *Frog* *StarfishR* *FishB* *ButterflyV* *MushroomV* *TulipR* *PoseyY* *Grass* *RainbowR*


65
65
Review of The Missus and Me  
Review by Tadpole1
Rated: E | (4.5)
Hi P,

Another fun poem!

They are really good, so I'm looking for whatever could possibly improve them. Shrug. Ignore what I say if you like.

When I saw:

How about some fishes?
xxxxxxxx
xxxxxxxx
How about some kisses?

I expected to see:

How about some zzzses?

For the end of the next stanza and was surprised when I didn't.

Everything flowed really well, but this one seemed a bit heavier than the others:

Tail flick, eyes dart, crouch and pounce
One limb, two limb, bough by bough
White ball, red ball, smash to the ground
Tree leans. Timber! Hiss! Me-OW!

I just love cats! *Cat2*

Last night, my cat DROOLED on my computer thumbpad (or whatever you call it). Can you believe it? He thinks he has to lie on my lap while I'm typing and that at least part of his body must be on the keyboard. He's so pushy for such a little thing!

Smiles,

Tadpole1
66
66
Review of Side Walking  
Review by Tadpole1
Rated: E | (4.5)
Hi P,

This was pretty cute. I slipped right into childhood and imagined helping a young child to read.

This part seemed to be the weakest to me:

Doc Bee down on the B dock
With Miss Sue, they're gonna wed.

Otherwise, I enjoyed the stroll down the lines, smiling as I read.

Thank you for sharing! *Smile*

Tadpole1
67
67
Review by Tadpole1
Rated: ASR | (4.5)
Hi Jeff,

There is something that you could add to your article: Publishers' requirements.

Yep. I just went through three novels that I am revising and changed my smart quotes to straight quotes. The same is true for the dashes. I had to change them to double hyphens. Why? They use the old file format. What is it called? Hmm. Anyway, this is another situation that requires straight quotes.

Smiles,

Tadpole1
68
68
Review of Sweetheart  
Review by Tadpole1
Rated: ASR | (5.0)
Hi Prosperous,

I loved your little poem! After about three lines, I was smiling and looking forward to what was coming next. It was filled with love and sweetness.

My favorite line was: "White chocolate nugget on his pillow,"

Thanks for sharing! *Smile*

Tadpole1
69
69
Review by Tadpole1
Rated: E | (4.5)
Hooves - The Night I Ate My Words

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Hi everyone. Any of my comments or suggestions are just that: comments or suggestions. They are always given with respect and the hopes that they will be helpful. If you don’t agree with them, just ignore them; after all, you know what is best for your story. *Smile*

What I liked best: The novelty

Plot: Bull goes to the library with his human and is so concentrated that he doesn't realize everyone is leaving. Alone, he gets hungry. His friend Bessy suggests that he print his story. Although he doesn't understand why, he trusts her and does it. He's amused when he realizes why she tells him to print his story. He ate his words.

Hook: Good. How many stories start with "I am a bull"? Really!
Pace: Good
Tension: Not really, but it wasn't needed.
Confusions: no


Style & Voice -- Concerning style: My comments will assume that you would like to write either in first person or third person limited. However, I would like to point out that many, if not most, of the books that I have bought recently use the omniscient point of view. Ultimately, style is the author's choice.

POV: First person.
POV: The story is told, which I thoroughly enjoyed, but it might be interested to show the story in real time (still using past tense verbs).
Voice: Light and amusing.

Scene/Setting: Very little, but enough for the story.

Characters:

Hooves, her human, and her friend Bessy. Too cute!

Grammar: Please see line by line review.

http://owl.english.purdue.edu/owl/resource/607/02/...
http://www.englishgrammarsecrets.com/questionstags...
http://www.grammar-monster.com/lessons/which_that_...
http://wps.ablongman.com/long_faigley_penguinhb_1/...
http://grammartips.homestead.com/compoundsentences...

Just My Personal Opinion: *Smile*

Hi Hooves,

Thank you for the short story and the smiles.

Well done.

Tadpole1
*Smile*


Tadpole1

I am a bull. Okay, this is a hook.

I write stories. Lol.

This particular day started out as a normal afternoon at the library for my human and me, but it ended up being the night I came to understand that old saying: "I ate my words."

My human and I were regulars at the local library because our area was prone to long-lasting power outages. The library computers were much more reliable than the ones at home.

These outages were caused by storms, usually, and living way out in the country, where the service is slower than molasses.

As a writing bull, I need to be able to access my Writing.Com account at least once a week, to answer my email and, of course, my human liked to use the computer too, for whatever it is that she does.

On this particular day comma I had been given the special animal-friendly computer in the corner of the library, while my human was put on a waiting list for a regular human one. It is not my fault that there are more humans than writing animals. Not my fault at all! Lol

I could tell my human was a little steamed about the wait, the way she kept muttering bad words under her breath. When she gets like that, her face turns red and her eyes get big and scary.

So, I prudently kept my distance. I would too. Grin.

Soon I was caught up with typing my story with my hooves. I type so fast that my friends, who are twins, nicknamed me "Hooves of Fire."

As my story unfolded, it was as if I was living it right then and there. Usually, I play computer games with the kids next to me, but this time all my concentration was focused.

This writing bull was all business.

I never even noticed the ten minute warning or even the fact that all the humans, including mine, had left the building. Even when the lights went out, I was so focused on the light on my computer screen that I never realized it until my tummy started to growl.

ten-minute

Cute. The bull's stomach started to growl. Maybe just for fun, it could start to moo?


It was time for my evening hay and cider.

Embarassed Embarrassed

at the loud noise coming from my innards, I looked around, only to discover, that I was alone. I knew that my human must have forgotten me. lol

I wasn't really too scared about being alone in the dark and locked in, but I was hungry and didn't know what to do about it. I mooed a little and emailed my friend Bess about my predicament, and sure enough Bess came up with a suggestion.

"Hooves, you should print out your story," she typed. Cute!

I tilted my head to one side, trying to understand what my friend Bovine Bessie (77) might mean.

"I don't want to read, semi-colon or dash I want to eat," I typed back and waited for her response.

While I was waiting, I decided to go ahead and do what she suggested

- --

so I printed out my story. Bessie always is a step or two ahead of me comma and I trusted her to help.

I trotted over to the printer and picked up my story and brought it back to the computer. I couldn't help but notice that the paper tasted good in my mouth. lol

It was then that a light bulb went off in my head.

Once again, my friend Bovine Bessie had saved the day with her quick thinking.

It was the best story I ever ate. Cute and well-done!

Thank you for giving me the opportunity to read your work. Please take any suggestions you like and disregard the rest because only you know what is right for your writing.

http://owl.english.purdue.edu/owl/resource/607/02/...
http://www.englishgrammarsecrets.com/questionstags...
http://www.grammar-monster.com/lessons/which_that_...

*RainbowL* *Grass* *PoseyP* *TulipB* *MushroomG* *ButterflyG* *FishP* *StarfishY* *Frog* *StarfishR* *FishB* *ButterflyV* *MushroomV* *TulipR* *PoseyY* *Grass* *PoseyP* *TulipB* *MushroomG* *ButterflyG* *FishP* *StarfishY* *Frog* *StarfishR* *FishB* *ButterflyV* *MushroomV* *TulipR* *PoseyY* *Grass* *RainbowR*




70
70
Review of The Window  
Review by Tadpole1
Rated: 13+ | (4.0)
Hi Pattey,

This was a sad story. Which is good. It means that you were able to convey emotion.

Thanks for sharing! *Smile*

T
71
71
Review by Tadpole1
Rated: E | (4.5)
Vincent Coffin - 1:The Files of Elias F. Gloriosky, Ph.D.

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Hi everyone. Any of my comments or suggestions are just that: comments or suggestions. They are always given with respect and the hopes that they will be helpful. If you don’t agree with them, just ignore them; after all, you know what is best for your story. *Smile*

What I liked best: I'm intrigued.

Plot: Comment on pacing, effective/quick hooking, tension and confusions/questions.

We meet Vincent Coffin who is telling us a story about a box and keys that his grandfather bequeathed to him -- along with warnings.

Hook: Excellent
Tension: okay
Pacing: Excellent
Confusions: No
Questions: About a hundred of them, but unfortunately, I haven't earned the answers yet. *Smile*


Style & Voice -- Concerning style: My comments will assume that you would like to write either in first person or third person limited. However, I would like to point out that many, if not most, of the books that I have bought recently use the omniscient point of view. Ultimately, style is the author's choice. Includes author’s/narrator’s voice, but also hitting truly unique voices for each character

POV: I'm not really sure if it's first person or a second person. I guess it's a combination of the two.

Voice: The voice is humorous and pleasant.

Scene/Setting: Too much it drags? Too little? Confused? Did they use 3 senses? Hmm. None. Well, do the box and keys count?

Characters: Believable? Unique? Mary Sueish? Can’t keep names straight? Make it known! Characters are what it’s all about!

Vincent Coffin - The fellow who receives the box and the warnings
John Owen Coffin, Sr. - His grandfather

Grammar: Pretty good. A typo or two.

http://owl.english.purdue.edu/owl/resource/607/02/...
http://www.englishgrammarsecrets.com/questionstags...
http://www.grammar-monster.com/lessons/which_that_...
http://wps.ablongman.com/long_faigley_penguinhb_1/...
http://grammartips.homestead.com/compoundsentences...

Just My Personal Opinion: *Smile*

Howdy Vincent,

I already know that you have a sense of humor. Lucky you. I'd love to write "funny." Sigh. I'm just too serious. Anyway, I should get started if I'm to comment your chapter. Here I go…!

I absolutely enjoyed it. *Smile*

Thanks for sharing!
Tadpole1
Tadpole1

I've tried a hundred different ways to tell this tale, but there's no good way to start it all without much more information than I was willing to divulge. I now know the only way to tell the story is to let it unfold for you, dear reader, as it did for me.

POV: I'm not sure if this is first or second person. We'll see. Probably first.


The box was left to me by my grandfather, a singularly strange man. He was best described by his friends and relations as a crackpot, although he preferred the term "psychoceramic". Over the years he had collected an enormous array of strange devices, books, clothing, and other things one might call ephemera. Now there's an interesting word. Had it not been for him, I would never have known what the word meant. He also taught me the values of an open mind and a forthright spirit. Oh, I digress...the box.

Hook: Yes, I'm hooked -- and amused.

It's an odd thing, made of ironwood, about 12 inches wide and deep, and twice as long.

It's Its

top is hinged on a short side, and it has a monogrammed brass plate on the other end, with a hasp and a rather large brass padlock. The monogram on the plate is very ornate, and the initials are "EFG". Underneath that plate is a smaller plate marked simply

" 1/7". "1/7."

When the box was delivered to me, it came with two keys. The first was a very odd shaped key, the sort one might use to wind up an old toy, and the other regular looking padlock key. I assumed the regular key fit the padlock, and tried to open it, but found that the keyhole was shaped more for the wind up key than for the other. So, I placed that key in the lock and began to turn it. Sure enough, the key was winding up some mechanism inside the padlock. After about five turns, the lock pushed the key out, and began to vibrate. Then, quite suddenly, the hasp itself seemed to pop away from the box, exposing a keyhole. That's the keyhole the ordinary key fit. It was all very interesting that the real lock for the box was disguised under a lock.
Indeed.


Upon opening the box, I found a ring of keys and a letter written in my grandfather's hand. Here is what it said:

My Dearest Vincent

There are things you must know that I can now reveal to you. All these years everyone has thought me a fool, and I have allowed them to do so to protect them from the knowledge that I have access to. It is all quite fun to have a secret, but it is very important for that secret to be kept and revealed only to those who earn it. So, this is what I've done. Here in this box are some of the collected papers of a very dear friend of mine, Dr. Elias Faraday Gloriosky, Ph.D., my old professor of

pandemonia ?? spelling ??

at Miskatonic University. I urge you to follow the trail of these papers in the order they are contained in the box. The keys on the ring will become important, but only when you come across the markings for the keys on the papers. Now for the important part: The Rules

1. Time travel, IF it were possible, might be limited to 200 years prior or 200 years after the moment in which you enter the slipstream between dimensions in which you could travel.

2. IF time travel were possible, people would have developed a way of tracking their own time and the times they were visiting. A convenient way of this might be something like "subjective" for times they were visiting and "constant" for their own timeline.

3. IF such travellers existed, and there really was a tried and true methodology for time travel, one would be assured that many types of devices might be used to travel, so long as they had some method of locating latitude, longitude, and time in their operation.

4. There are rules for everything, and sometimes the rules are the only thing that will protect you.

5. At some point, you may have to break a rule. Having the wisdom to know when to do that is the key to finding a much greater world than you or I ever imagined in our long talks while you were growing up.

6. Don't judge people quickly. Some of the nastiest people I've ever met were the best I've known.

7. Governments would have to be involved in any kind of time passage in one form or another. This can be a good thing, as in setting up a method of keeping people from becoming stranded or interfering too much with the timeline, OR a bad thing if they try to control the actions of other governments or individuals for their own purposes or advantage. The best thing to remember would be to trust the trustworthy, and don't be afraid to risk it all should you need to.

I hope these few things help, as I can't say too much right now. I have to go tuck your father in for the night, since he's starting

the delete

first grade tomorrow. Oh, and if you should run across anyone who asks, tell them I did just fine. Also, should you run in to anyone involved with carnivals, run. *Bigsmile*

Forever your grandfather,

John Owen Coffin, Sr.


So, there it was. The box, the letter, and a ring of very odd keys to who knows what locks. I now reveal to you the contents of the box, as given to me, because knowing these things must be earned. Oh, and that thing he said about carnival people...he was right. I started with a letter to a Captain Spaulding.


This was lots of fun!

© Copyright 2014 Vincent Coffin (vcoffin at Writing.Com). All rights reserved.


Thank you for giving me the opportunity to read your work. Please take any suggestions you like and disregard the rest because only you know what is right for your writing.

http://owl.english.purdue.edu/owl/resource/607/02/...
http://www.englishgrammarsecrets.com/questionstags...
http://www.grammar-monster.com/lessons/which_that_...

*RainbowL* *Grass* *PoseyP* *TulipB* *MushroomG* *ButterflyG* *FishP* *StarfishY* *Frog* *StarfishR* *FishB* *ButterflyV* *MushroomV* *TulipR* *PoseyY* *Grass* *PoseyP* *TulipB* *MushroomG* *ButterflyG* *FishP* *StarfishY* *Frog* *StarfishR* *FishB* *ButterflyV* *MushroomV* *TulipR* *PoseyY* *Grass* *RainbowR*



72
72
Review by Tadpole1
Rated: E | (4.5)
Hi L,

Since you suggested this to P. I thought I'd read it. *Bigsmile*

While I don't agree with everything, I did smile all the way through. Thanks for an entertaining moment. Grin.

I can't keep my cat off my keyboard! You pretty much hit the head on the nail for our dog. Grin.

*Dog2*Dogs has masters. *Dog2*
*Cat2* Cats have staff. *Cat*

T *Smile*
73
73
Review of In my dreams  
Review by Tadpole1
Rated: E | (3.5)
Hi Dave,

Thank you for sharing. *Smile*

As I was reading, I felt rising and falling moments of sadness and hope. It is really important to make readers feel emotion, and you did a great job.

For a moment, I thought that Forest was going to meet the prince and marry him -- a Cinderella tale.

I enjoyed reading through the story.

How could it be improved?

I would suggest making paragraphs.

Here are a few links that can help with grammar. I use them all the time. *Smile*

http://owl.english.purdue.edu/owl/resource/607/02/...
http://www.englishgrammarsecrets.com/questionstags...
http://www.grammar-monster.com/lessons/which_that_...
http://wps.ablongman.com/long_faigley_penguinhb_1/...
http://grammartips.homestead.com/compoundsentences...


Thank you again for sharing! *Smile*

Tadpole1

74
74
Review of Phoebe's Hope  
Review by Tadpole1
Rated: E | (4.0)
Fyn – Phoebe’s Hope

*RainbowL* *Grass* *PoseyP* *TulipB* *MushroomG* *ButterflyG* *FishP* *StarfishY* *Frog* *StarfishR* *FishB* *ButterflyV* *MushroomV* *TulipR* *PoseyY* *Grass* *PoseyP* *TulipB* *MushroomG* *ButterflyG* *FishP* *StarfishY* *Frog* *StarfishR* *FishB* *ButterflyV* *MushroomV* *TulipR* *PoseyY* *Grass* *RainbowR*

Hi everyone. Any of my comments or suggestions are just that: comments or suggestions. They are always given with respect and the hopes that they will be helpful. If you don’t agree with them, just ignore them; after all, you know what is best for your story. *Smile*

What I liked best: the emotional dialogue between mother and daughter

Plot: Sarah discovers a glen in the middle of the forest where she imagines faeries could live. The faeries overhear Sarah and her friend, Cate, talking. After the friends leave, the two faeries discuss Sarah and her daughter’s illness. Moira, the rebel faery, decides to visit Phoebe in the hospital to help the best she can. When Sarah returns to the glen, Moira gives her words of encouragement and a pebble filled with hope to give Phoebe.

Hook: I think the hook could be stronger. I gave a suggestion.
Tension: Yes, and it was strongest in the dialogue between mother and daughter. More tension could be added if the two faeries fought about Moira’s idea of going to see the bigfolks and then again when the green faery learns that Moira broke the rules. Just a thought if you wanted to add more tension between the faeries.
Confusions: Yes. It was not always clear who was talking.

Style & Voice -- Concerning style: My comments will assume that you would like to write either in first person or third person limited. However, I would like to point out that many, if not most, of the books that I have bought recently use the omniscient point of view. Ultimately, style is the author's choice.

Style: Try to avoid repetitions.
Style: Action tags can be used to not only show who the speaker is but also to give snippets of setting.

Scene/Setting: I think there could be more.

In the setting, I’ll include not only the tiny glen but also the way each faery looked and moved. There is so much that could be done to make the magic twinkle.

Remember to use the senses. What does it smell like in the glen? Does it smell different the second time? Does the faery ring have a pleasant odor? Does it smell like, I don’t know, jasmine? Melting snow? Growing grass? Apple blossoms?

What does the hospital room smell like to Sarah?

Is it warm in the glen? Is the sun shining? Is it hot? Does it smell like pine? Like freshly overturned earth?

How do Phoebe’s little arms feel when Sarah touches them?

Characters:

Phoebe: A brave little girl who has leukemia
Sarah: her sad mother
Moira: a purple faery – the rebel
Cyrella: a green faery
Cate: Sarah’s girlfriend

Make the faeries come to life with beauty. Does the light show through their translucent wings? Do they wear little slippers? Do their wings have designs on them? Is one of them obviously vain? Is the other obviously not? Can you give them each a distinctive voice?

Does the pebble feel cool or warm when Sarah or Phoebe hold it?


Grammar: Generally speaking, independent clauses combined with conjunctions should have commas.

Connect two independent clauses (sentences) that are joined with a conjunction (and, or, but, so, etc.) with a comma. You made this mistake multiple times. It’s not difficult to learn.

Incorrect:

A bird sang and a cat watched.
A bird sang but the deaf girl couldn’t hear it.

Correct:

A bird sang, and a cat watched.
A bird sang, but the deaf girl couldn’t hear it.

Granted, more and more people seem to be ignoring this rule intentionally.

http://owl.english.purdue.edu/owl/resource/607/02/...
http://www.englishgrammarsecrets.com/questionstags...
http://www.grammar-monster.com/lessons/which_that_...
http://wps.ablongman.com/long_faigley_penguinhb_1/...
http://grammartips.homestead.com/compoundsentences...

Just My Personal Opinion: *Smile*


Hi Fyn,

This is very beautiful. It brought tears to my eyes several times because I know who it was written for. It is a very lovely gesture, and I’m sure that it has touched many people’s hearts.

I particularly enjoyed the dialogue between Sarah and Phoebe. It flowed beautifully.

How could the story be improved? I think that embellishing the faery scenes would be candy for the imagination. Also, I think that using action tags to identify the speakers, giving setting in the process, could add pep to the scenes.

All in all, a lovely story of encouragement and hope.

Thank you for sharing,

Tadpole1 *Smile*
P. S. Of course, it was a “pebble” that offered hope!

Tadpole1

Phoebe’s Hope

Three weeks after Sarah stumbled

into Suggestion: “upon,” this shows that she enters the glade for the first time.

the glade in the woods, she brought

someone Vague. Suggestion: Cate

with her to see what she’d found. She and her friend got down on their hands and knees and crept forward, under the branches of a large pine and back out into the dappled sunlight.
I’ve already read all the way through and am coming back to check the hook. I think it could be stronger. Maybe something like:

Sarah tugged Cate’s arm, pulling her through the forest and toward the hidden glen. “See? Doesn’t this look like a faery ring?”

She fell to her knees and pointed to a dozen tiny mushrooms aligned in a perfect circle.


“Remember that day I just ran and ran? The day I was so upset? Well, I ended up running here and tripped and fell. From where I landed, I could just see where we are now. I lay there, under

the ?? that ?? that tree,” she pointed, “and cried.”

tree and cried. Then, I really looked at what was in front of me. And, you know? I felt just a bit better. Not a lot, but lighter somehow. I know it is silly, but I feel like this is a magic faery glade.” I have one of those in my short story the Traveling Stick. Grin.

“It isn’t silly,”

replied her friend, Cate. Suggestion: Cate said.

Repetition: We already know that Cate is her friend.


“Sometimes, we need to grab on to anything at all that can make us feel even the slightest bit better. It does feel magical. You need to show this to Phoebe. Well, when she gets out of the hospital. She’d love it!”

I imagine diagonal lights streaming through the trees on the way to the glade, and lush green grass sprinkled with four leaf clovers surrounding a small boulder and its big brother.


Sarah nodded. “She would, wouldn’t she? I want to take some pictures of it to show her.” Still lying on the ground and balancing on her elbows, she took several pictures of the small mushrooms, one of an iridescent blue butterfly comma and another of a ladybug crawling through the grass.

Is the grass soft? Is it warm? What does she smell? Pine?


Cate grinned at

her friend. Vague. Give her a name so that we can identify with her. Wait…her name is Sarah. I see it a few lines below. I would use it here.

“She will love them. Maybe you could make up a story for her. One with faeries and the like.”

“Certainly is the perfect place for them! If they would be anywhere,

it is here! Suggestion: they would be here!

” She Is this Cate? Wait. No. It must be Sarah.

looked at her watch. “I need to get back to the hospital. Thank you for coming with me today. She will be so happy to see you!”

“I’ll be happy to see her too . Sarah? You were right, I think. There’s just something about this place. I feel better, too. Is this foreboding? Is Cate ill? If so, very subtle. Great job.

*~*


After the women crept away, a minuscule faery crept out from behind the biggest mushroom. Not much more than a purple and pink flash of light when she flew, standing there, she was a vision in a myriad of purpled hues. Her short blond hair was a riot of tumbled curls and she smiled as she watched the women leave. Another faery, this one clothed in green, landed nearby.

Repetition: purple
Suggestion: change the first one to violet or lavender
Repetition: crept
Suggestion: change the first one to left

Suggestion: Give them names right away so that we can identify with them.

After the women left, Moira, a minuscule faery crept out from…


“Those the ladies you told me about?” asked Cyrella, the green faery.

“Yes,” said Moira, the purple one.

If you identify Moira as the purple one higher up like I suggested, then instead of telling us who she is here, you could give and action sprinkled with setting. For example:

“Yes,” Moira tucked a wave of iridescent hair behind her pointed ear.


“The Sarah-lady is so sad inside.” I’m not sure who is saying this, but it’s easy to fix with an action tag.

Cyrella twitched the tip of her right wing. “The Sarah-lady is so sad inside. I can feel it.”


“I know, but she is sad for her little girl. Most of the bigfolk only think about themselves. Not

her.” This is a bit ambiguous, but I think that you mean the little girl and not Sarah.

“I wish magic worked the way bigfolk think it does,” mused Cyrella.

Suggestion: Instead of her musing, perhaps, she pushes the dirt around with the tip of her slipper?


“Yeah, me too. I looked in her mind. Her little girl is so beautiful.”
Suggestion: (to show who is speaking)

“Yeah, me too. I looked into her mind,” Moira said, “and her little girl is so beautiful. She is like a scintillating dewdrop when the sun is rising.”


“You mean she is pretty?” Cyrella’s eyes grew wide in expectation.

“Well, she is that and her hair is short and curly like mine! But no, I mean inside, where it counts.”

“Ah, her mother is too.” Cyrella’s wings sparkled happily.

Moira nodded. “Think they will come back?”

“I think so, especially when they figure out their fancy camera-phones can’t take pictures here. I felt bad about that,

but,” and she shrugged. Suggestion:

but…” she shrugged.


“It is what it is. For our safety, after all.”

“I know. She will think she moved when she realizes they are out of focus. I hope she comes back. I think she needs us. Put an action here to remind us who is talking. Let me check…

Moira does something here.
It is nice to be needed.”

“She definitely needs good thoughts now. I know that the bigfolk believe in other things way more than us faeries, but maybe we can help her some. Cyrella wiggled her ears. If she does come back, that is.”

“I bet she does, we are very close to where her little girl is, after all.” Give us an action from Moira. Something that lets us know how she feels.

*~*


Sarah sat with her little girl in the big hospital bed.

Big hospital bed sounds simple.

Suggestion: Sara sat on the side of Phoebe’s bed, stroking her daughter’s arm near the place where they nurses had taped the needle for the drip. (Just an idea – and a long-winded one at that!)


She and Phoebe were having a good morning together. The horrible meanie headaches, as Phoebe called them, were leaving her head alone and so she and her Mother were drawing

picture either “a picture” or “pictures”

of faeries. Sarah had told her daughter about the pretty little faery glen she’d found. Rather than being disappointed about the pictures, Phoebe decided they should draw their own.
I love the word glen. Leave it to the child to guide the parent to optimism.


“Look, Mommy. I drew a pretty purple

faery,” said Phoebe holding up her picture. This is fine, but you could also write it without the word “said.”

faery.” Phoebe held up her picture.


“I bet that is exactly what a faery living there would look like!”

said her mom. Suggestion: Sara clapped and smiled at her daughter.

“Can we put it up on the wall, over there?” she asked, pointing to the wall across from her bed. “Then I can see it when I wake up!”

Repetition: wall

Suggestion: “Can we hang it up over there?” Phoebe pointed to the wall across from the foot of her bed. “Then I can see it when I wake up!”


“That is a good idea. Is this a good place?” asked her mom, holding it up to the wall.

Suggestion: “That is a good idea.” Sarah crossed the room and held it up to the wall. “Is this a good place?”


“Uh huh,” replied Phoebe, yawning. “I’m awfully tired, Mommy.”

“Then why don’t you take a little nap, sweetheart. C’mon, cuddle up. Maybe you’ll dream of the faeries!”

“I’d like to dream of faeries,” she said sleepily.

*~*


“You didn’t? Moira! You know we are not supposed to go to the bigfolk places! What if you’d been seen or,” Cyrella shuddered delicately, “been caught?” Love this!

“I know, but I had to go. I needed to see the little girl. Phoebe has leukemia. She’s awfully sick, but she’s got the brightest smile. I don’t know how she does it.” Really nice.

“Does what?”

“Smile after the night that child had. She was really hurting. I peeked. It was like her head was exploding. Her mom, that Sarah-lady? She sat there holding her all night long. Don’t worry. She wouldn’t have seen me if I was standing there as big as she is! Her eyes and her thoughts were all for her little Phoebe. I tried to give her mom a bit of a good, hopeful nudge, but I don’t think I helped her any.” This is very good – very emotional. Now, just add an action from Moira so that we know who is talking. You can have her interact with the setting at the same time.

“Probably not, she is too worried about her child.” What is Cyrella doing? Is it day? Is it night? Is she sitting on a branch staring down at the moon’s reflection in a puddle? Steam?

“Phoebe was drawing pictures of our glade today. She drew a picture of me! She even got my colors right!” smiled Moira. Have Moira do an action that shows she is proud of her beauty.

“Uh huh. Nudged her, too, didn’t you?” Cyella must be grinning.

Moira looked the tiniest bit guilty. “Well, maybe a little,” she allowed. “I just want to help somehow.”

“The medicine the bigfolk are giving her will do that,” said Cyrella. Is Cyrella swinging her legs back and forth? What is she doing with her body?

“I know that,” Moira said sharply. “But staying positive will help all of them, won’t it? Do you know she has a daddy and a big brother? Her brother’s name is Jack. He is so good with her. He brings her surprises and plays with her.” Did Moira get so excited that she is walking along the branch?

“Hmm,” said Cyrella. “My big brother never played with me! Her brother must really love her!”

“He does,” smiled Moira. “It really shows, too. They are a very

nice loving

family. They shouldn’t have to be going through this,”

she continued, sadly. Show her sadness. Does she wipe a tear?

“No one should,” agreed the

other faery. vague – and I think that this is Cyrella – but the next sentence seems to be Cyrella too. Hmm.

“Well, you’ve seen them now. You are not going to go back, are you?”

Moira

looked at Maybe she wipes a grain of sand off? An action instead of simply looking.

the mushroom she was sitting on. She shrugged. “Maybe.”

“You can’t.” Is Cyrella staring at her? Shaking an emerald green finger at her?

Moira looked at her friend. “I can’t not,” she said

simply. Maybe an action instead? Does she lift her chin? Lower her eyes? Cross her arms?

*~*


“How do you spell Moira?” asked Phoebe.

“M-o-i-r-a,” answered her mother. They were drawing more faery pictures a few days later. “Why?”

“That’s the faery’s name. I had a nice dream about her. It made me feel happy. She said I should think about the faery glade when my mean old headachies come. Do you think it will help?” I love the dialogue between mother and daughter.

“It just might, sweetie,” said her mother. “It certainly couldn’t hurt any!”

“Mommy? Can you go back and see the faery place again? Maybe you could bring one of my pictures and leave it there. I bet the faeries would like it!”

Tension: Nice emotional tension is building.


“Of course, I can do that,”

smiled her mom. Maybe she is touching her, stroking her somewhere? Maybe she straightens Phoebe’s white hospital gown/ yellow pajamas/blanket? The action tags can give us dribbles of setting without us even knowing it.

“Maybe I can go when your daddy comes later.”

“Okay,” Phoebe smiled.

Maybe something like:

“Okay.”

Phoebe smiled, and Sarah tried not to notice the dark circles under her daughter’s eyes.


“I’m going to draw an extra pretty one for my Moira-faery.” Phoebe picked up a crayon and started drawing. A little bit later though, the crayon dropped from her ?? slender ?? hand and she was sound asleep. Sarah picked up the picture. It was of a purple fairy sitting on a mushroom. Next to it, Phoebe had drawn her mom sitting on the ground

looking at Suggestion: gazing at

There are loads of synonyms for look: gaze, stare, study, etc. Look and walk are generic words that we usually can find a more precise synonym for.


the faery.

Later that afternoon, after her nap, Phoebe finished her picture. “Do you think the faery will like it, Mommy?”

“Of course. I thought you’d draw one of you and the faery.”

“I drew you because I want you to see her too!”

“Ah,” said Sarah. “You never know, maybe I will!” Really beautiful. Because I know who this is for, it really touches me.

*~*


Later that afternoon, Sarah

walked Walk is a pretty generic word. Maybe an interesting synonym or phrase instead?

zigzagged through the trees


back to the faery glen. In her pocket was the carefully folded picture her daughter had drawn. Sitting on a nearby root, Sarah removed the picture from her pocket, unfolded it and placed it near the mushrooms. She found a small rock and placed it on the edge of the picture so it wouldn’t blow away. Leaning back against the tree, Sarah closed her eyes for a moment. She was so very tired. She was trying to be so strong for everyone, but it was so hard. It was the hardest thing she’d ever done in her whole life.

A gentle breeze ruffled her hair and a meadowlark sang cheerfully nearby. After a few minutes, Sarah relaxed and

fell asleep. This is simple. Maybe: The sun shone on Sarah’s face. She relaxed, and her eyelids grew heavy.

If she is awake here, have her eyes flutter open or something.

She saw a purple faery standing on Phoebe’s drawing. She was smiling when she looked over to Sarah.

New paragraph. “You must be Moira. Phoebe said that is your name. I’m Sarah.”

“I know and I am,” smiled the faery. Her voice sounded like a myriad of tiny bells on the breeze.

Smiling is good, but the word is used very often throughout the story, perhaps another action instead?


“Phoebe wanted me to see you. I can’t believe I am,” said Sarah softly.

“Stranger things have happened,” said Moira. “I’m not allowed to really let the bigfolk see me, but since you are asleep, I’m taking a chance. I want to tell you something. You know that magic, the way bigfolk think of magic, at any rate, isn’t really real, right?”

Sarah nodded. “I wish it were though.”

“You’d wish all this away. I know.”

Sarah nodded, a tear slipping unnoticed down her cheek.

“In your world, there is another kind of magic bigger than anything I could do. Do you want me to tell you what it is?” Moira didn’t even pause, but kept talking as she flitted over to Sarah’s bent-up knee. “It is right in there,” she continued, pointing at Sarah’s heart. “And in there,” she said, pointing to Sarah’s head. “You see, Phoebe simply believes. Belief is a very strong magic. So are the prayers you bigfolk say.” Beautiful.

Moira sat and continued. “You have to believe she will be okay. You all do. Heart and mind. When she hurts, you have to believe it the hardest! It doesn’t always work, just like your bigfolk prayers don’t, but without believing there is nothing. It is very, very important!”

Sarah looked at the little faery. “It is so hard. I am so frightened for her.”

“I know you are. How can you not be? It is okay to be scared. But believe she will get better!”

“Phoebe said she had a dream about you.”

“I know,” Moira said. “I tried to help her a little. See that pebble over there?” Moira pointed underneath the biggest mushroom. Sarah reached over and picked it up. It was grey and pink and it sparkled.

“Put it in a little bag or something that Phoebe can hold. Tell her you found it here and that it has a teensy bit of faery magic in it. It won’t make her stop hurting and it can’t stop her headaches, but it is full of something that can help her.” Beautiful.

“What is it full of?” asked Sarah.

“What do you think?” Moira questioned in return.

“Hope?” Beautiful.

“Exactly. Hope is the most powerful magic there is. It is time to wake up now, Sarah comma and go back to your precious Phoebe. She is a most special little girl, as are both your children. You are very lucky, colon or dash instead of comma your husband and you.

Wake up now.”

*~*


“And so I woke up and in my hand was this little pebble.” Sarah handed it to Phoebe.

“A magic pebble, Mommy!” squealed Phoebe.

“A hope-pebble we can share!” Suggestion: And it’s full of hope!

1993 words
Thank you for giving me the opportunity to read your work. Please take any suggestions you like and disregard the rest because only you know what is right for your writing.

http://owl.english.purdue.edu/owl/resource/607/02/...
http://www.englishgrammarsecrets.com/questionstags...
http://www.grammar-monster.com/lessons/which_that_...

*RainbowL* *Grass* *PoseyP* *TulipB* *MushroomG* *ButterflyG* *FishP* *StarfishY* *Frog* *StarfishR* *FishB* *ButterflyV* *MushroomV* *TulipR* *PoseyY* *Grass* *PoseyP* *TulipB* *MushroomG* *ButterflyG* *FishP* *StarfishY* *Frog* *StarfishR* *FishB* *ButterflyV* *MushroomV* *TulipR* *PoseyY* *Grass* *RainbowR*



75
75
Review by Tadpole1
Rated: 18+ | (4.5)
Hi RE,

Your story was full of twists. Good job.

The tension was high. Great.

I could identify with the character. Excellent.

There was enough setting.

What could make it better? Be consistent with the verb tenses.

Thanks for sharing!

T
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