An Acme Review 
This rate and review is offered in the spirit of assistance. Please feel free to ignore any, or all suggestions. This is your work, and I'm just happy to have had the chance to review it! 
This is a review on behalf of "Invalid Item" 
I am a sucker for the supernatural, so thank you for entering this short story, set in 13th century Italy, in the History Contest.
Showing, not telling, is something a great many folk advise. There is worth in it. It can be hard getting characters' backstories across without an 'info dump'. One thing to do, when you include backstory information, is to look at it afresh and ask if really needs to be there at all--in other words, is the information only something that you as the author needed to develop your characters--does it deserve to be there, and such things only really ever deserve to be there if they advance plot and/or character. Take this for instance:
It was 1209, Italy, and Richter was a successful carpenter, having immigrated from Germany to become an entrepreneur with a close friend of his, who came from Sicily. After he and Alisse were married, they settled in Apulia, and lived in tranquility as they began to raise a family. You have already shown the love and tranquility Richter and Alisse live in, before this information is offered. You have shown it through the characters' names, the action of Richter making the rocking chair, the action and dialogue between content and loving husband and wife, and hint at relative prosperity as you have shown Richter as a carpenter (having made the chair) and having made it for his child, rather than to make money.
Adverbs are not the devils people make them out to be. They are, in fact, bloomin' useful! That said, it is best to employ them sparingly, as they will not do your descriptive job as well as you will. Cutting back on them will tighten your write, making every word count. Showing can often breed less words, rather than more. It is good to look for extraneous words, too--why say her hair is long? If she can drape it over his shoulder, then the length is implied. Here is an extended example:
He noticed a mischievous smirk on her lips. “Looks more like violet to me,” she told him teasingly.
Richter's thick, dried up lips twitched into a frown, but after a moment turned back into a grin after he grunted amusingly.
“Oh, is that so?” he then replied sarcastically, as he approached her.
They exchanged a kiss. His lips must have felt rough against hers, but she reciprocated just as tenderly.
“It looks wonderful,” she conceded.
She carefully shifted Kamen in her arms to lean against him, her long chestnut hair draping over his shoulder as she did. He wrapped his arm around her lean frame and pulled her in as tightly as he could; she sighed comfortably.
He noticed a mischievous smirk on her lips.
She teased him. “Looks more like violet to me.”
Richter's thick, dried up lips twitched into a frown, but turned back into a grin as he approached her. “Is that so?”
He kissed her. His rough lips burned. Her tender kiss cushioned him in reply. Richter wrapped his arm around Alisse's lean frame and pulled her in as tightly as he could, his wife's chestnut hair draped over his shoulder.
She shifted Kamen in her arms to lean against Richter and study the chair. She sighed with a smile. “It looks wonderful.”
Do you really need to end it by explaining what will happen years later? The third from last paragraph makes for the stronger ending. You could strengthen it further by relating it back to your initial imagery of the creation of the chair, by the destruction of a chair--after all, they are sat by the dying embers of a fire. Instead of moving them to a cave to have a fire and a chat, why not keep them at the previous scene's vineyard farmhouse, where such a rocking chair would not be needed by the tenants anymore... Just a thought 
Many of your readers will read online. As such, it can be helpful to use site-common formatting for your stories, which includes leaving a double-spaced return between paragraphs and dialogue (or in your case, 2x double-spaced return, as your main body of writing is double spaced). It will allow readers to scroll down without losing their place.
Overall this is a smashing supernatural action piece and I thoroughly enjoyed the dialogue. There is such a spark between Ulfric and Richter, and such tenderness in the brief portrait of Richter's life with Alisse. I am firm believer that dialogue should only ever be there if it advances either plot or character and you make your dialogue work twice as smart by having it do both. Excellent
A little time spent editing will turn this good story into a great one. Thank you for the chance to read, rate and review. If you do work further on it, please let me know if you would like me to come back to re-read, re-rate, and review!
 Thank you for sharing your work! Write on and take care
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