Hi,Thankful Sonali:
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This is my way of introducing myself to you, fellow writer. I swing by ports, looking for something to keep me occupied on a quiet Wednesday in my corner of the woods. Fortunately for you, I find the title of this submission from random Read and Review intriguing. So, let me stop in, take a read and offer you a review.
Here are some comments you might consider when you decide to revisit it for tightening and improvement. My observations and suggestions are enclosed in brackets and color-coded green.
Formatting Looks fine.
*Content The three elements of a short story, which are: beginning, middle, and end are satisfactory. Albeit, there are areas that may need polishing such as:
1) How did a seven-year-old get to the police station? Was it just across the street from her home or a walking distance a child can easily run to? As the narrator said her mother instructed her to go to the police if she ever needed help.
2) Why was eating "cookies" and drinking "a tetra-pack of orange juice" such a big secret to her?
These are, at least, two questions a reader (like me) would entertain and maul over.
As far as *Mechanics,*Syntax,*Punctuation, and Spelling go, here are some snippets I cut and pasted that may need tweaking for clarity and readability:
Gary always did [was][what] he was not supposed to do, and got away with it by smiling.[Replace]
seven year old [See rule in presentation of numbers]seven-year old
Presentation of Numbers
Just thought of sharing what the authors of Writers Digest Grammar Desk Reference has to say about the presentation of numbers.
Easy-to-use methods for the presentation of numbers:
1) When numbers are used infrequently: if a number can be spelled out in two words or fewer, spell it out. All whole numbers between zero and one hundred will, therefore, be presented as words.
2) When numbers are used frequently such as useful business-related, technical and scientific documents: numerals are more reader-friendly than spelled out numbers, so the only numbers that are presented in words should be the whole numbers zero through nine; numerals should be used for all other whole numbers.
3) Ages (of persons) Except in journalistic, business and technical contexts, spell out ages: forty-eight years old, a twenty-three-year-old, aged ninety-seven.
4) Times of day. When you are not spelling out the times (seven-thirty; a quarter before eleven this morning; half-past nine; nine o’clock; shortly after five), use numerals followed by A.M. and P.M. (12:10 A.M.; 4 P.M.; from 11:00 A.M. to 7:45 P.M.); never write three o’clock A.M. or three A.M. Use the words noon and midnight instead of numerals.
5) Percentages: In business, technical, and scientific contexts, use a numeral followed by the % symbol or the word percent:34%; 56%.
In other contexts, the number and the word percent should be spelled out: thirty-five percent; forty percent, etc.
Amanda hardly waited for the real car to turn out of the driveway before getting her toy [one][Delete] out.
In her excitement, she had forgotten that[,] of course[,] Gary would see her from his window and come over.[Enclose with comma]
There was[a][Insert] lot wrong.
The car was ruined[,][Delete] though, thanks to Gary. [Separating "though" from the first clause is choppy.]
Adults were stupid, anyway, they didn't [recognise][recognize] sounds in the night the way that children did.[In the context of the paragraph, this subordinating clause sounds like an internal dialogue. Are you attributing this thinking-out-loud to Amanda or the narrator? You might opt to italicize this for clarity and readability.]
*Dialogue
Injecting dialogue here and there gives life to the narrative. It breaks down the monotony of straight telling. It shows your characters interacting with each other. Well done in this area.
*Disclaimer
I hope my observations and suggestions can help you tighten some loose ends relating to the mechanics in writing. Keep in mind, though, that these are from one reader's point of view. As such, take it with a grain of salt. The decision to adopt or discard suggestions is your prerogative.
*Over-all take away
Nice work. A slight revision may be called for to smoothen transitions from one scene to the next. Go for it, Thankful Sonali. You got what it takes to be a writer.
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